Playbill Playbill Cyan Magenta Yellow Black
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the magical and historic place that is Jacob’s Pillow. -
The Limón Legacy Still Thrives After 70 Years by Jeff Slayton March 25, 2017
The Limón Legacy Still Thrives After 70 Years By Jeff Slayton March 25, 2017 The Limón Dance Company - Photo by Joseph Schembri “There is a dance for every single human experience.” José Limón The Limón Dance Company lit up the stage at the Wallis Annenberg Center for the Performing Arts, presenting three works choreographed by José Limón over seventy years ago, and two recent works by Colin Connor and Kate Weare. Thanks to dance artists like Carla Maxwell, Risa Steinberg, Gary Masters and the new Artistic Director Colin Connor, the company has kept the Limón legacy alive and vibrant. In addition, the company continues to present new works by seasoned and up-and-coming choreographers. Born in Culiacan, Mexico, José Limón (1908-1972) formed his company in 1946 after performing for 10 years with modern dance pioneers Doris Humphrey and Charles Weidman. Throughout his life, Limón continued to create new works; his last one being Carlota in 1972, the year of his death. In 1997, this great dance master was inducted into the Hall of Fame at the National Museum of Dance in Saratoga Springs, NY. The program opened with Limón’s CONCERTO GROSSO which premiered in 1945 at the Humphrey-Weidman Studio in New York. Through his choreography, Limón artfully and brilliantly visualizes Antonio Vivaldi’s Concerto #11 in D Minor, Opus 3. The work is, simply put, pure and joyful dancing. Staged and directed by former company member Risa Steinberg, dancers Kathryn Alter, Elise Drew Leon and Jesse Obremski performed with great musicality, clarity and ease. CONCERTO GROSSO is a jewel and these three dance artists are wonderful in it. -
Alvin Ailey American Dance Theater
DANCE ALVIN AILEY AMERICAN DANCE THEATER Gaillard Municipal Auditorium May 25 at 7:00pm; May 26 at 8:00pm; May 27 at 2:00pm Founder Alvin Ailey Artistic Director Emerita Judith Jamison Artistic Director Robert Battle Associate Artistic Director Masazumi Chaya Company Members Guillermo Asca Yannick Lebrun Kirven James Boyd Alicia Graf Mack Hope Boykin Michael Francis McBride Sean A. Carmon Rachael McLaren Sarah Daley Aisha Mitchell Ghrai DeVore Akua Noni Parker Antonio Douthit Briana Reed Belen Estrada Samuel Lee Roberts Renaldo Gardner Renee Robinson Vernard J. Gilmore Kelly Robotham Jacqueline Green Kanji Segawa Daniel Harder Glenn Allen Sims Demetia Hopkins Linda Celeste Sims Michael Jackson, Jr. Jermaine Terry Megan Jakel Marcus Jarrell Willis Guest Artist Matthew Rushing Executive Director Sharon Gersten Luckman The 2012 Dance Series is presented by BlueCross BlueShield of South Carolina. Additional support for the 2012 Dance Series is provided by The Harkness Foundation for Dance. Major funding for Alvin Ailey American Dance Theater is provided by the New York State Council on the Arts, the New York City Department of Cultural Affairs, American Express, Bank of America, Bristol-Myers Squibb, Diageo, FedEx Corporation, Ford Foundation, The Hearst Foundations, J.P. Morgan, Prudential Financial, Inc., The Shubert Foundation, The Starr Foundation, Target, and Wells Fargo. Toyota Motor Sales U.S.A., Inc. is the Official Vehicle Partner of Alvin Ailey American Dance Theater. 36 DANCE ALVIN AILEY AMERICAN DANCE THEATER PROGRAM A May 25 at 7:00pm ARDEN COURT (1981) Choreography by Paul Taylor Music by William Boyce Restaged by Cathy McCann Buck Set and costumes by Gene Moore Lighting by Jennifer Tipton First performed by the Paul Taylor Dance Company in 1981 Dancers Linda Celeste Sims, Glenn Allen Sims, Antonio Douthit, Kirven James Boyd, Rachael McLaren, Alicia Graf Mack, Michael Francis McBride, Samuel Lee Roberts, Jermaine Terry Generous support for this Company premiere was provided by Harlan B. -
Nederlands Dans Theater Bambill
1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ NEDERLANDS DANS THEATER BAMBILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer presents in the BAM Opera House October 17, 1994, 7pm; October 18-22, 8pm and in the BAM Majestic Theater October 24-29, 8pm; October 30, 3pm NEIERLANIS IANS THEATER Artistic Director: JIRI KYLIAN Managing Director: MICHAEL DE Roo Choreographers: JIRI KYLIAN & HANS VAN MANEN Musical Director: CHRISTOF ESCHER Executive Artistic Directors: GLENN EDGERTON (NDT1), GERALD TIBBS (NDT2), ARLETTE VAN BOVEN (NDT3) Assistants to the Artistic Directors: HEDDA TWIEHAUS (NDT 2) & GERARD LEMAITRE (NDT 3) Rehearsal Assistant to the Rehearsal/Video Director Artistic Director Director ROSLYN ANDERSON ULF ESSER HANS KNILL Company Organization Musical Coordinator/ Manager (NDT 2) (NDT1&3) Pianist CARMEN THOMAS CARINA DE GOEDEREN RAYMOND LANGEWEN Guest Choreographers (1994/95 season) MAURICE BEJART CHRISTOPHER BRUCE MARTHA CLARKE PATRICK DELCROIX WILLIAM FORSYTHE LIONEL HoCtIE PAUL LIGHTFOOT JENNIFER MULLER OHAD NAHARIN GIDEON OBARZANEK PHILIPPE TREHET PATRIZIA TUERLINGS Guest Teachers BENJAMIN HARKARVY (Guest teacher, North American tour) CHRISTINE ANTHONY KATHY BENNETS JEAN-PIERRE BONNEFOUX OLGA EVREINOFF IVAN KRAMAR IRINA MILOVAN JAN NUYTS ALPHONSE POULIN LAWRENCE RHODES MARIAN SARSTADT Technical Director Marketing & Publicity Joop CABOORT KEES KORSMAN & EVELINE VERSLUIS Costume Department Tour Management JOKE VISSER WANDA CREMERS Pianist Dance Fitness Therapist Chiropractor -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr. -
Jacob's Pillow Announces Full Schedule of Virtual
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR MORE INFORMATION AND PHOTOS CONTACT: Nicole Tomasofsky, Interim Director of Marketing & Communications [email protected] JACOB’S PILLOW ANNOUNCES FULL SCHEDULE OF VIRTUAL FESTIVAL WITH A MODEL THAT SHARES DONATIONS FOR PERFORMANCES WITH ARTISTS July 1, 2020 (Becket, MA) —Jacob’s Pillow, home to the longest-running dance festival in the United States, launches a Virtual Festival with eight weeks of free programming, July 7-August 29. Weekly highlights feature streams of beloved Festival performances from the past ten years, a series of new PillowTalks with leaders in the dance field, an online version of the beloved intergenerational movement class Families Dance together, and a new Master Class Series from The School at Jacob’s Pillow. Attendees are encouraged to make a contribution in lieu of purchasing a ticket and fifty percent of donations for performances will be shared with the artists featured. Community Engagement events will share proceeds with local community organizations. “After we canceled our on-site Festival due to the global pandemic, we soon realized the need to fulfill our mission by engaging artists and audiences in a quintessential summer experience from Jacob’s Pillow virtually,” says Jacob’s Pillow Executive & Artistic Director Pamela Tatge. “The civic organizing and protests confronting racism and inequality in our country greatly impacts our organization’s decision-making. The model we envision is one that is free for all, made more accessible by being entirely online, pays artists and scholars for their time, and provides artists with additional support during a time when many have lost their income. -
Resource Guide for Educators
RESOURCE GUIDE FOR EDUCATORS AILEYDANCE. PHOTO BY JOE EPSTEIN 1 A LETTER FROM OUR EXECUTIVE DIRECTOR “Dance came from the people and must always be delivered back to the people.” - Alvin Ailey Dear Educator, For over sixty years, Alvin Ailey American Dance Theater has carried out the credo of its founder through performances, school and community programs, professional training of young dancers, classes for the public, and more. To Mr. Ailey, dance was more than a series of steps; it was a means of expressing emotion, of telling one’s story, of honoring the past and rejoicing in what is to come. In fulfillment of his legacy, we strive to offer abundant opportunities for young people to experience the possibilities of dance, no matter who they are or where they come from. We hope the exercises and activities suggested in this resource guide will provide you and your students with a creative and interactive inlet to the world of dance and the work of the Alvin Ailey American Dance Theater, or help you prepare them to attend a dance performance. By bringing your students to an Ailey performance, participating in an Ailey Arts In Education residency, or simply sharing with them the joy and practice of dance, you are engaging the next generation in the Ailey legacy; one expressly dedicated to expanding the minds, talents, and dreams of young people. Thank you for your contribution, and enjoy! Sincerely, Bennett Rink Executive Director, Alvin Ailey Dance Foundation 2 RESOURCE GUIDE FOR EDUCATORS AILEYDANCE. PHOTO BY JOE EPSTEIN The content and suggested activities in this guide can be integrated into an established school curriculum. -
Mdaa 2021 Spring Workshop Faculty
MDAA 2021 SPRING WORKSHOP FACULTY BALLET Alexis Drabek received her early dance training in Colorado and was awarded scholarships to the summer programs of School of American Ballet and Pacific Northwest Ballet. She attended Interlochen Arts Academy in Michigan and was a NFAA/ARTS awardee in both Ballet and Modern. Ms. Drabek earned her Bachelor of Fine Arts degree from the Juilliard School in NYC, where she trained under the country’s top ballet and modern teachers including Benjamin Harkarvy, Hector Zaraspe, Stephen Pier, Alexandra Wells, Lupe Serrano, Alphonse Poulin, Laura Glenn, Carolyn Adams, Linda Kent, Jacqulyn Buglisi and Christine Dakin. As part of the Juilliard Dance Ensemble, Ms. Drabek performed works by Colin Connor, Adam Hougland, Jose Limon, Igal Perry, Abdul Rahim-Jackson, Maurice Wainrot and Reginald Yates. Ms. Drabek also danced with Desmond Richardson at the Guggenheim’s Work & Process: Picasso Dances, choreographed by George Faison. She has performed with David Taylor Dance Theater, Kim Robards Dance, Diablo Ballet, Oakland Ballet, Company C Contemporary Ballet, and BRIAH Danse, performing leading roles in works by Charles Anderson, Patrick Corbin, Jayne Persch, James Sewell, Twyla Tharp and Antony Tudor. Ms. Drabek also served as Ballet Mistress for Company C Contemporary Ballet and BRIAH Danse, assisting many choreographers including Maurice Causey, Dennis Nahat, Peter Anastos, and Susan Jaffe. Ms. Drabek currently lives in Lakewood, Colorado and is on faculty at the Colorado Ballet Academy. Jazz/Musical Theater Sean McKnight brings over 20 years of experience in professional theatre to The Hybrid Agency. Together with owner/founder Rikky Fishbein, their clients appear nightly on Broadway, in national touring companies, and on stages across the world as well as appearing regularly on TV and film. -
Dancer and Choreographer Banning Bouldin Brings Her Contemporary Dance Collective New Dialect to OZ Nashville
Dancer and choreographer Banning Bouldin brings her contemporary dance collective New Dialect to OZ Nashville August 21, 2014 John Pitcher A decade ago, anyone in Nashville who wanted to study contemporary dance had just one option: leave town. The city, for all its progress in the other arts, remained a modern dance Mojave, an arid landscape that provided few opportunities to young dancers who wanted to follow in the footsteps of Merce Cunningham, Trisha Brown and Alvin Ailey. One young artist who became part of Nashville's dance diaspora was Banning Bouldin, whose contemporary dance collective New Dialect performs Thursday evening at OZ Nashville. As a child growing up in Music City, Bouldin was able to study classical dance at Nashville Ballet. But she had to move to New York and later to Europe to pursue her passion in contemporary dance. "I left Nashville at age 17 and didn't return for more than 10 years," says Bouldin, who studied dance at The Juilliard School in New York City before launching into a successful contemporary dance career that included stints with Hubbard Street 2 and Aszure Barton & Artists. "I finally came back to Nashville in 2010 and realized that things were different. There seemed to be a real interest in contemporary art." Indeed, much had changed in Nashville while Banning was away. Homegrown institutions such as the Alias Chamber Ensemble and Zeitgeist Gallery had been cultivating a taste for contemporary music and art among the city's arts aficionados. Even the Nashville Ballet had been flirting with artistic adventure, introducing such innovative contemporary dance series as Attitude and Emergence. -
Programming Director Managing Director
McCarter Theatre Center W.W. Lockwood, Jr. Timothy J. Shields Special Programming Director Managing Director presents MARK MORRIS DANCE GROUP CHELSEA ACREE SAM BLACK DURELL R. COMEDY* RITA DONAHUE DOMINGO ESTRADA, JR. LESLEY GARRISON LAUREN GRANT BRIAN LAWSON AARON LOUX LAUREL LYNCH STACY MARTORANA DALLAS McMURRAY BRANDON RANDOLPH NICOLE SABELLA BILLY SMITH NOAH VINSON JENN WEDDEL MICHELLE YARD *apprentice MMDG MUSIC ENSEMBLE COLIN FOWLER WOLFRAM KOESSEL GEORGE SHEVTSOV GEORGY VALTCHEV Artistic Director MARK MORRIS Executive Director NANCY UMANOFF These performances are sponsored by Liz Fillo and Chris Coucill Christiana Foglio-Palmer and Douglas Palmer Cheryl and Richard Goldman Support for the 2015-2016 Dance Series provided by and The Jerome Robbins Foundation McCarter Theatre Center requests that all electronic devices be turned off for the duration of the performance. The use of recording equipment or the taking of photographs during the performance is strictly prohibited. No smoking is allowed in the auditorium at any time. This program is made possible in part by funds from the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts and by funds from the National Endowment for the Arts. April 12, 2016 -PROGRAM- Pacific Music: Lou Harrison – Trio for violin, cello, and piano; 3rd and 4th movements Staged by Tina Fehlandt Costume Design: Martin Pakledinaz Lighting Design: James F. Ingalls Georgy Valtchev, violin; Wolfram Koessel, cello; Colin Fowler, piano Domingo Estrada, Jr., Lesley Garrison, Lauren Grant, Aaron Loux, Laurel Lynch, Stacy Martorana, Dallas McMurray, Nicole Sabella, Noah Vinson Premiere: May 9, 1995 – San Francisco Ballet, War Memorial Opera House, San Francisco, California Company Premiere: February 28, 2015 – George Mason University’s Center for the Arts, Fairfax, Virginia Music used by arrangement with C.F. -
The Dance Teacher: the Ideal Case and Daily Reality J
The Dance Teacher: The Ideal Case and Daily Reality J. H. A. Van Rossum The dance teacher is a central figure in the world of dance; the impact of the dance teacher on the career of a young dancer can be decisive. A dance teacher is more often than not described as authoritarian. The present study investigated the vari- ous dimensions of the dance teacher’s behavior. To map the teacher’s behavior, a dance-adapted version of the Leadership Scale for Sport (LSS; Chelladurai & Saleh, 1980) was constructed as the Leadership Scale for Dance (LSD). The LSD was administered to both teachers and students of the dance department of the Amsterdam Theatre School. In addition, dance teachers were asked to rate daily class behaviors of the themselves as teachers, and dance students were asked to rate their current dance teacher. While the characteristics of the ideal teacher were very similar for both teachers and students, large differences appeared in the rating of daily class activities. Ratings of the teachers and dance classes are interpreted within the framework given by the LSD scales, that is, as indications of the behav- ior characteristics of the ideal dance teacher. Introduction Professional dancers usually start their training for a professional career early, often at the age of 8 or 9 years. Over the following 10 years, increasing amounts of energy, time, and attention are invested in the dance career (Van Rossum, 2001a). During this period, the role of the dance teacher is of great importance and cannot be underestimated. In the domain of sports, parents are about as important in the career of a talented athlete as is the coach (Van Rossum, 1995); within the domain of dance, the role of the dance teacher (comparable to the sports coach) is of much more importance when compared to that of the dancer’s parents (Van Rossum, 2001a). -
Symposium Booklet2018
6TH IDOCDE SYMPOSIUM JULY 27 - 29, 2018 YOU ARE HERE INDEX FOREWORD 7 Years. 3 Cycles: Multi-layered dancing To walk our talk, we – the Project Team – recycled the collection of editorial titles of IDOCDE.net into a verse, hoping This is it: the culmination of the third IDOCDE cycle. We to tickle your imagination of what upcycling documentation finish REFLEX Europe with this symposium. The number could be: seven implies a sense of completion - indeed we have FOREWORD 03 accomplished a full circle in these past seven years. Starting What I did not miss this summer to set up a network and a website including first attempts Time is ticking, body time at documenting our work, we continued to LEAP where Solo thinking, does not exist 05 PROGRAM we strove for learning together within the many facets Rofl (Rolling On Floor Laughing) of dance education, to now – having created the digital Breathing through continuous uphill motion publication MINDTHEDANCE.com. This ebook posing as a Revisiting our reality FRIDAY website contributes to freely accessible knowledge towards deepening dance practices through documentation. Last but not least we are proud to have established the symposium as a practitioner’s meeting: an opportunity for SATURDAY As with all long-term projects, we worked our way through learning and researching through embodiment, trusting the all sorts of difficulties and discoveries, walked on unexpected innate capacity of movement to generate knowledge. In the SUNDAY meadows and unearthed hidden treasures. Looking on what midst of all the madness of lies and misunderstandings that remains, it is the most ephemeral of achievements of what we encounter whenever listening to the world news, we feel counts: living relationships.