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Cem-Por-Cento-Metallica.Pdf C C por Metallica Jota Santana COMENTÁRIO E TRANSCRIÇÃO KLEBER K. SHIMA Rapidinhas Rapidinha 1/ Seek and Destroy / do álbum Kill Em All 0’00” - 0’03” Esse riff é um dos mais famosos do banda. Para executá-lo, preste atenção nos a palma da mão direita. No começo Metallica e faz parte do primeiro disco da palm mutings, que são notas abafadas com do segundo compasso, comece a fra- se usando o dedo 4 (veja foto). F. 0 1 F. 01 Juliana Mozart Fotos: Fotos: Rapidinha 2/ For Whom the Bell Tolls / do álbum Ride the Lightning 1’17” - 1’21” Esse pattern começa com dois padrões de Em Eólio. Toda a frase é executada com nada, começando com o dedo 2. terças descendentes, em cima da escala de palm muting. A palhetada deve ser alter- F. 0 2 F. 02 F. 02 F. 03 Rapidinha 3/ Breadfan / do álbum Garage Inc. 0’00” - 0’06” Nesse disco só de covers, o Metallica vam fora de catálogo. Breadfan é de uma Esporte. Cuidado com a divisão rít- aproveitou para relançar os EPs que foram banda chamada Budgies, e bem conhe- mica dos hammers, pois o tempo é lançados no início de carreira, e que esta- cida, pois foi tema de abertura do Globo deslocado. F. 0 3 F. 03 4 - Guitar Class - Fevereiro 2002 Cem por Cento Metallica.p65 4 16/1/2002, 14:00 Rapidinha 4/ The Call of Ktulu / do álbum Ride the Lightning 0’33” - 0’36” Uma das características mais marcantes ralmente com o timbre limpo ou com apertados, como se estivesse fazen- do Metallica é o uso de arpejos, principal- violão. Nesse caso, são os dois tocando do acordes, deixando soar todas as mente nas introduções e nos interludes, ge- junto. Para tocar, mantenha os dedos notas. F. 0 4 F. 04 Rapidinha 5/ Master of Puppets / do álbum Master of Puppets 0’03” - 0’26” O uso de trítonos e de intervalos de se- Metallica ajudou a criar. A mistura de do Primus, em que esse riff é feito gunda menor é uma das principais caracte- cromatismos e pedal points torna esse riff no baixo, com Slap. Vale a pena dar rísticas do trash metal, estilo que o próprio ainda mais instigante. Existe uma versão uma conferida! F. 0 5 F. 05 F. 06 F. 06 Rapidinha 6/ Enter Sadman / do álbum Black 0’00” - 0’06” Essa música foi o passaporte do mos comerciais, seguido pelo ...And foi feita com violão, mas pode-se Metallica para o estrelato. O quinto álbum Justice for All e Load (!), e trazia essa usar a guitarra com som limpo e da banda foi o mais bem-sucedido em ter- música como carro-chefe. A introdução captadores single. F. 07 F. 07 www.revistaguitarclass.com.br Fevereiro 2002 - Guitar Class - 5 Cem por Cento Metallica.p65 5 16/1/2002, 14:01 Rapidinha 7/ Sad But True/ do álbum Black 0’21” - 0’32” Cuidado com os pull offs (ligaduras des- deve ser executado com cuidado, para as Nos pull offs, use os dedos 4, 1 e 3, cendentes)! O final do primeiro compasso duas cordas não soarem ao mesmo tempo. como mostra a foto. F. 08 F. 0 8 Rapidinha 8/ Wherever I May Roam / do álbum Wherever I May Roam 0’03” - 0’32” Na verdade, essa introdução foi feita com va tocadas simultaneamente), o resulta- abafe a terceira corda com o dedo uma cítara, mas se você tocar na guitarra do ficará bem legal. Toque a quarta e a 1, sem apertar a corda. usando a técnica de oitavas (tônica e oita- segunda cordas com os dedos 1 e 4, e F. 0 9 F. 09 Rapidinha 9/ Nothing Else Matters / do álbum Black 0’00” - 0’16” A introdução foi inspirada numa peça de Toque com os dedos e veja a digitação cor- dicação aparece abaixo da staff), e violão clássico chamada Romance de Amor. reta para os dois últimos compassos (a in- tome cuidado com os detalhes, pois muita gente toca errado! F. 1 0 F. 11 F. 1 1 6 - Guitar Class - Fevereiro 2002 Cem por Cento Metallica.p65 6 16/1/2002, 14:01 Rapidinha 10/ The Unforgiven / do álbum Black 0’07” - 0’34” Esse é mais um exemplo de arpejo. Re- do. No primeiro compasso, essa nota apa- timo compasso, aparece no segun- pare que a frase não é sempre igual, pois a rece no quarto tempo; no segundo com- do tempo. cada compasso, a nota Dó vai se antecipan- passo, aparece no terceiro tempo, e no úl- F. 12 Solos: Seek and Destroy Basicamente, este solo é feito so- exige uma certa abertura entre as casas ma intuitiva, sem pensar muito nas bre a pentatônica menor de Em, com 12 e 17. No compasso 14, há uma refe- notas, mas sim no efeito causado. O muitos licks bem conhecidos e al- rência ao grande Randy Rhoads, citan- solo termina com um pattern muito guns patterns, como no terceiro com- do um trecho de Mr. Crowley, onde comum para quem está estudando passo, em que ele é tocado sobre a palheta-se rapidamente, usando-se os exercícios de escala pentatônica (com- escala penta menor Em. Esse trecho quatro dedos, descendo a escala de for- passos 27, 28 e 29). Solos / Seek and Destroy / do álbum Kill Em All 3’33” - 4’07” F. 01 F. 02 F. 03 F. 04 www.revistaguitarclass.com.br Fevereiro 2002 - Guitar Class - 7 Cem por Cento Metallica.p65 7 16/1/2002, 14:01 F. 05 F. 06 F. 01 F. 0 2 F. 0 3 F. 04 F. 0 5 F. 0 6 Solos: Nothing Else Matters O solo começa com um double stop dedo 1 preparado para tocar na casa 12. 2 e 1, como mostra a foto. No com- (duas cordas tocadas simultanea- No compasso 3, Kirk Hammet usa um passo 8, mantenha a corda arqueada mente), dando um bend somente na lick de Em penta blues. Faça uma durante dois compassos, e termine a corda de cima. Use os dedos 3 e 4, minipestana na casa 12 e dê o bend com frase sem palhetar, usando sempre o pois em seguida vem um bend o dedo 3. No compasso 4, mais uma vez dedo 3 (mesmo dedo do bend que está release com o dedo 3, deixando o a minipestana, só que com os dedos 3, no compasso 8). Solos / Nothing Else Matters / do álbum Black 4’55” - 5’25” 8 - Guitar Class - Fevereiro 2002 Cem por Cento Metallica.p65 8 16/1/2002, 14:01 F. 01 F. 02 F. 03 F. 06 F. 04 F. 05 F. 0 1 F. 0 2 F. 03 F. 0 4 F. 0 5 F. 0 6 Solos: Master of Puppets O mais interessante nessa música é a res nas tríades dos compassos 1, 2 e 3. uma alavancada conforme a indicação estrutura rítmica, que mescla três com- O maior desafio para a execução desse de tons, mas sua guitarra deve ter a passos em 4/4 e um compasso em 5/8, solo está nos compassos 10 e 11, onde ponte flutuante, onde você pode subir dando uma quebrada no tempo. Nes- Kirk faz um harmônico artificial, com a a alavanca para alcançar uma nota mais te solo Kirk Hammet não usou muito os corda solta, encostando o polegar da mão aguda. Os sete últimos compassos são velhos padrões de escala pentatônica, direita entre o captador do braço e da tocados com bends de um tom. Para al- trazendo assim uma sonoridade mais ponte, prática muito usada por Joe cançar essa nota, use a nota que vem sofisticada, acrescentando sextas meno- Satriani (veja foto). Para completar, dê após o bend como referência. Solos / Master of Puppets / do Master of Puppets 5’42” - 6’09” www.revistaguitarclass.com.br Fevereiro 2002 - Guitar Class - 9 Cem por Cento Metallica.p65 9 16/1/2002, 14:01 F. 01 F. 02 F. 03 F. 04 F. 05 10 - Guitar Class - Fevereiro 2002 Cem por Cento Metallica.p65 10 16/1/2002, 14:01 F. 06 F. 0 1 F. 02 F. 03 F. 0 4 F. 05 F. 06 www.revistaguitarclass.com.br Fevereiro 2002 - Guitar Class - 11 Cem por Cento Metallica.p65 11 16/1/2002, 14:01 Solos: The Unforgiven Aqui estão escritos dois solos. O compasso 2 encontramos um double pestana na casa 7. No compasso 4 en- primeiro vai até o compasso 6, e é stop com corda solta. Quando for tocar contramos uma escala penta blues de feito com a guitarra limpa, e o se- esse trecho, cuidado para não esbarrar Am, terminando com power chords gundo vai do compasso 7 em dian- na primeira corda, pois ela também tem nas duas primeiras cordas. te, com uma guitarra distorcida. de soar junto com a segunda corda. Logo O segundo solo começa com licks de Os dois solos são tocados em cima em seguida vem outro double stop na Am pentatônica e segue até o final, com da escala de Am dórico, Am segunda e terceira cordas. Faça com o exceção do compasso 15, em que apare- pentatônica e Am penta blues. No dedo 1 e 2 e, logo em seguida, use uma ce uma tríade de Am usando três cordas. Solos / The Unforgiven / do álbum Black 3’26” - 4’31” F. 01 F. 02 F. 04 F. 03 F. 05 12 - Guitar Class - Fevereiro 2002 Cem por Cento Metallica.p65 12 16/1/2002, 14:01 F.
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