Understanding Kazaa
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What Is Peer-To-Peer File Transfer? Bandwidth It Can Use
sharing, with no cap on the amount of commonly used to trade copyrighted music What is Peer-to-Peer file transfer? bandwidth it can use. Thus, a single NSF PC and software. connected to NSF’s LAN with a standard The Recording Industry Association of A peer-to-peer, or “P2P,” file transfer 100Mbps network card could, with KaZaA’s America tracks users of this software and has service allows the user to share computer files default settings, conceivably saturate NSF’s begun initiating lawsuits against individuals through the Internet. Examples of P2P T3 (45Mbps) internet connection. who use P2P systems to steal copyrighted services include KaZaA, Grokster, Gnutella, The KaZaA software assesses the quality of material or to provide copyrighted software to Morpheus, and BearShare. the PC’s internet connection and designates others to download freely. These services are set up to allow users to computers with high-speed connections as search for and download files to their “Supernodes,” meaning that they provide a How does use of these services computers, and to enable users to make files hub between various users, a source of available for others to download from their information about files available on other create security issues at NSF? computers. users’ PCs. This uses much more of the When configuring these services, it is computer’s resources, including bandwidth possible to designate as “shared” not only the and processing capability. How do these services function? one folder KaZaA sets up by default, but also The free version of KaZaA is supported by the entire contents of the user’s computer as Peer to peer file transfer services are highly advertising, which appears on the user well as any NSF network drives to which the decentralized, creating a network of linked interface of the program and also causes pop- user has access, to be searchable and users. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
Napster: Winning the Download Race in Europe
Resolution 3.5 July/Aug 04 25/6/04 12:10 PM Page 50 business Napster: winning the download race in Europe A lot of ones and zeros have passed under the digital bridge on the information highway since November 2002, when this column reviewed fledgling legal music download services. Apple has proved there’s money to be made with iTunes music store, street-legal is no longer a novelty, major labels are no longer in the game ... but the Napster name remains. NIGEL JOPSON N RESOLUTION V1.5 Pressplay, co-owned by UK. There’s an all-you-can-download 7-day trial for Universal and Sony, received top marks for user UK residents who register at the Napster.co.uk site. Iexperience. Subscription service Pressplay launched While Apple has gone with individual song sales, with distribution partnerships from Microsoft’s MSN Roxio has stuck to the subscription model and service, Yahoo and Roxio. Roxio provided the CD skewed pricing accordingly. ‘We do regard burning technology. In November 2002, Roxio acquired subscription as the way forward for online music,’ the name and assets of the famed Napster service (which Leanne Sharman told me, ‘why pay £9.90 for 10 was in Chapter 11 protective bankruptcy) for US$5m songs when the same sum gives you unlimited access and 100,000 warrants in Roxio shares. Two months to over half a million tracks?’ earlier, Napster’s sale to Bertelsmann had been blocked Subscription services have come in for heavy — amid concerns the deal had not been done in good criticism from many informed commentators — mostly faith — this after Thomas Middlehoff had invested a multi-computer and iPod owning techno journalists like reputed US$60m of Bertelsmann’s money in Napster. -
Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms
\\jciprod01\productn\H\HLS\7-1\HLS101.txt unknown Seq: 1 28-MAR-16 12:46 Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms Loren Shokes* In the age of iPods, YouTube, Spotify, social media, and countless numbers of apps, anyone with a computer or smartphone readily has access to millions of hours of music. Despite the ever-increasing ease of delivering music to consumers, the recording industry has fallen victim to “the disease of free.”1 When digital music was first introduced in the late 1990s, indus- try experts and insiders postulated that it would parallel the introduction and eventual mainstream acceptance of the compact disc (CD). When CDs became publicly available in 1982,2 the music industry experienced an un- precedented boost in sales as consumers, en masse, traded in their vinyl records and cassette tapes for sleek new compact discs.3 However, the intro- duction of MP3 players and digital music files had the opposite effect and the recording industry has struggled to monetize and profit from the digital revolution.4 The birth of the file sharing website Napster5 in 1999 was the start of a sharp downhill turn for record labels and artists.6 Rather than pay * J.D. Candidate, Harvard Law School, Class of 2017. 1 See David Goldman, Music’s Lost Decade: Sales Cut in Half, CNN Money (Feb. 3, 2010), available at http://money.cnn.com/2010/02/02/news/companies/napster_ music_industry/. 2 See The Digital Era, Recording History: The History of Recording Technology, available at http://www.recording-history.org/HTML/musicbiz7.php (last visited July 28, 2015). -
The Edonkey File-Sharing Network
The eDonkey File-Sharing Network Oliver Heckmann, Axel Bock, Andreas Mauthe, Ralf Steinmetz Multimedia Kommunikation (KOM) Technische Universitat¨ Darmstadt Merckstr. 25, 64293 Darmstadt (heckmann, bock, mauthe, steinmetz)@kom.tu-darmstadt.de Abstract: The eDonkey 2000 file-sharing network is one of the most successful peer- to-peer file-sharing applications, especially in Germany. The network itself is a hybrid peer-to-peer network with client applications running on the end-system that are con- nected to a distributed network of dedicated servers. In this paper we describe the eDonkey protocol and measurement results on network/transport layer and application layer that were made with the client software and with an open-source eDonkey server we extended for these measurements. 1 Motivation and Introduction Most of the traffic in the network of access and backbone Internet service providers (ISPs) is generated by peer-to-peer (P2P) file-sharing applications [San03]. These applications are typically bandwidth greedy and generate more long-lived TCP flows than the WWW traffic that was dominating the Internet traffic before the P2P applications. To understand the influence of these applications and the characteristics of the traffic they produce and their impact on network design, capacity expansion, traffic engineering and shaping, it is important to empirically analyse the dominant file-sharing applications. The eDonkey file-sharing protocol is one of these file-sharing protocols. It is imple- mented by the original eDonkey2000 client [eDonkey] and additionally by some open- source clients like mldonkey [mlDonkey] and eMule [eMule]. According to [San03] it is with 52% of the generated file-sharing traffic the most successful P2P file-sharing net- work in Germany, even more successful than the FastTrack protocol used by the P2P client KaZaa [KaZaa] that comes to 44% of the traffic. -
Piratez Are Just Disgruntled Consumers Reach Global Theaters That They Overlap the Domestic USA Blu-Ray Release
Moviegoers - or perhaps more accurately, lovers of cinema - are frustrated. Their frustrations begin with the discrepancies in film release strategies and timing. For example, audiences that saw Quentin Tarantino’s1 2 Django Unchained in the United States enjoyed its opening on Christmas day 2012; however, in Europe and other markets, viewers could not pay to see the movie until after the 17th of January 2013. Three weeks may not seem like a lot, but some movies can take months to reach an international audience. Some take so long to Piratez Are Just Disgruntled Consumers reach global theaters that they overlap the domestic USA Blu-Ray release. This delay can seem like an eternity for ultiscreen is at the top of the entertainment a desperate fan. This frustrated enthusiasm, combined industry’s agenda for delivering digital video. This with a lack of timely availability, leads to the feeling of M is discussed in the context of four main screens: being treated as a second class citizen - and may lead TVs, PCs, tablets and mobile phones. The premise being the over-anxious fan to engage in piracy. that multiscreen enables portability, usability and flexibility for consumers. But, there is a fifth screen which There has been some evolution in this practice, with is often overlooked – the cornerstone of the certain films being released simultaneously to a domestic and global audience. For example, Avatar3 was released entertainment industry - cinema. This digital video th th ecosystem is not complete without including cinema, and in theaters on the 10 and 17 of December in most it certainly should be part of the multiscreen discussion. -
The Quality of Recorded Music Since Napster: Evidence Based on The
Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales -
[Hal-00744922, V1] Improving Content Availability in the I2P Anonymous
Improving Content Availability in the I2P Anonymous File-Sharing Environment Juan Pablo Timpanaro, Isabelle Chrisment*, Olivier Festor INRIA Nancy-Grand Est, France *LORIA - ESIAL, Universit´ede Lorraine Email: fjuanpablo.timpanaro, [email protected] Email: [email protected] Abstract. Anonymous communication has gained more and more inter- est from Internet users as privacy and anonymity problems have emerged. Dedicated anonymous networks such as Freenet and I2P allow anony- mous file-sharing among users. However, one major problem with anony- mous file-sharing networks is that the available content is highly reduced, mostly with outdated files, and non-anonymous networks, such as the BitTorrent network, are still the major source of content: we show that in a 30-days period, 21648 new torrents were introduced in the BitTor- rent community, whilst only 236 were introduced in the anonymous I2P network, for four different categories of content. Therefore, how can a user of these anonymous networks access this varied and non-anonymous content without compromising its anonymity? In this paper, we improve content availability in an anonymous environment by proposing the first internetwork model allowing anonymous users to access and share content in large public communities while remaining anonymous. We show that our approach can efficiently interconnect I2P users and public BitTorrent swarms without affecting their anonymity nor their performance. Our model is fully implemented and freely usable. 1 Introduction Peer-to-peer file-sharing has always been one of the major sources of the Internet hal-00744922, version 1 - 24 Oct 2012 traffic, since its early beginnings in 2000. It has been moving from semi-central approaches (eDonkey2000, for example), to semi-decentralized approaches (Kazaa, for instance) to fully decentralized file-sharing architectures (like the KAD net- work). -
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
AT&T MOBILE MUSIC: Take Control of Your Music
AT&T MOBILE MUSIC: Take Control of Your Music AT&T Mobile Music is the only service that lets you bring subscription music services to your wireless phone, and it offers the largest collection of mobile music content available today from leading music retailers, such as Napster, Yahoo!® Music and eMusic. Designed to deliver “your music, your way,” AT&T Mobile Music puts you in touch with all things music directly from the handset. Available on select handsets, such as the Samsung a717 and a727, AT&T Mobile Music is the ultimate mobile music experience and provides one-click access to a complete suite of music-related content. Music Player Rip music from your CD collection, load it to your phone and select handsets, or play tracks that are accessible from digital music stores. You’ll need a data cable, memory card and stereo headset to fully rock your phone. Shop Music Show your style by downloading ringtones and Answer Tones™. Buy tracks from leading digital music stores, such as Napster, Yahoo! Music and eMusic on select handsets. Streaming Music When you need a change from your music, dozens of commercial-free channels stream the latest tunes in rock, hip-hop, jazz, Latin and other favorites. Add XM Radio or MobiRadio for $8.99 a month. Music Video With an AT&T 3G phone, you can watch your favorite music videos anytime, anywhere. The dancing, the amazing effects, the hot hits — all in the palm of your hand. MusicID “Who sings this?” “What’s this song called?” Know in a flash just by holding up your phone to the music. -
Downloading Copyrighted Materials
What you need to know before... Downloading Copyrighted Materials Including movies, TV shows, music, digital books, software and interactive games The Facts and Consequences Who monitors peer-to-peer file sharing? What are the consequences at UAF The Motion Picture Association of America for violators of this policy? (MPAA), Home Box Office, and other copyright Student Services at UAF takes the following holders monitor file-sharing on the Internet minimum actions when the policy is violated: for the illegal distribution of their copyrighted 1st Offense: contents. Once identified they issue DMCA Loss of Internet access until issue is resolved. (Digital Millennium Copyright Act) take-down 2nd Offense: notices to the ISP (Internet Service Provider), in Loss of Internet access pending which the University of Alaska is considered as resolution and a $100 fee assessment. one, requesting the infringement be stopped. If 3rd Offense: not stopped, lawsuit against the user is possible. Loss of Internet access pending resolution and a $250 fee assessment. What is UAF’s responsibility? 4th, 5th, 6th Offense: Under the Digital Millennium Copyright Act and Loss of Internet access pending resolution and Higher Education Opportunity Act, university a $500 fee assessment. administrators are obligated to track these infractions and preserve relevent logs in your What are the Federal consequences student record. This means that if your case goes for violators? to court, your record may be subpoenaed as The MPAA, HBO and similar organizations are evidence. Since illegal file sharing also drains becoming more and more aggressive in finding bandwidth, costing schools money and slowing and prosecuting alleged offenders in criminal Internet connections, for students trying to use court. -
Services for Microsoft Onedrive for Business
Service Overview SERVICES FOR MICROSOFT ONEDRIVE FOR BUSINESS Simplify where workers go for content sharing and collaboration Business Challenge ESSENTIALS Dynamic teams are constantly collaborating, which means easily Dell Technologies Consulting Services can sharing personal and team documents is a must for todays’ help you gain the most from your OneDrive innovative workers. All too often organizations have multiple content for Business investment with: repositories without a single standard for the entire workforce which • Repeatable, mature methodologies can cause frustration and impact worker productivity. designed for delivery efficiency and Simplifying where your workers go to collaborate and share content quality accelerate content migrations can boost innovation, increase productivity and more importantly • Determining and delivering the optimal worker satisfaction. For organizations who have adopted Office 365, OneDrive client deployment model as OneDrive for Business is the logical choice. But how do you part of your Windows 10 and Office 365 efficiently migrate, retire and consolidate personal and team files ProPlus initiatives from overlapping content repositories to control costs? • Security and management tuning at the It’s easy with Dell Technologies Consulting Services. We are a Gold worker, device and application level Certified Microsoft Partner with experience migrating organizations of all sizes and verticals to Office 365. • Migration and consolidation of content from a wide variety of sources • The right mix of