DOCSLIB.ORG

Spectator 1958-10-09 Editors of the Ps Ectator

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spectator 1958-10-09 Editors of the Ps Ectator Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 10-9-1958 Spectator 1958-10-09 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1958-10-09" (1958). The Spectator. 621. http://scholarworks.seattleu.edu/spectator/621 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Student Development Drive Begins Tomorrow The Student Development Drive opens to- United Good Neighbors Drive. Seattle University's morrow at the student body assembly at 9:40 quota for the year is $1,200 from the students. The The Very A. Lemieux,S.J.,presi- money for UGN willbe taken from the Development a.m. Rev. A. donations and there will be no other fund-raising dent of the university, will be formally intro- projects for the UGN. duced to the student body. Father Lemieux The Associated Students will be given either has just returned from a trip to Europe. $1,500 or 25 per cent of the total collected, which- everis greater. This money will be used co-chairmen and Don to cut down Student Pat Pavelka Willis the prices of the Homecoming Dance and other stu- have released the names of their committee chair- dent men. Publicity is the affairs. under direction of Bob Coombs The remainder will be given as a "gift to Father and Joanna Ward. Bob is a senior from Seattle, President, to be used at his discretion for the devel- majoring in history. Joanna, also from Seattle, is a opmentof SU," according freshman major. to co-chairmanDon Willis. education Of the funds collected last year, the student body Gay Gallivan and Oneal McGowan are handling was allocated $1,500, the UGN quota was filled, the the solicitationcommittee. Gay is a sophomorenurs- price of the Homecoming Dance was lowered, and ing major from Salt Lake City and Oneal is a soph- funds were made available to clubs sponsoring activ- omore from Seattle, majoring in prelaw. ities. The projects were underwritten by the ASSU, The follow-up committee is headed by Ann Ur- using Developmentfunds, and if the event was finan- bano and Ken Paradis. Ann is a sophomore market- cially unsuccessful the money lost was loaned to the ing major from Anaheim, Calif.; and Ken is a senior club. from Seattle. His major is prelaw. The faculty Developmentdrive begins soon,under The money collected fromthe student pledges will the direction of Mr. John W. McLelland, associate be allocated to three major groups. The first is the professor of finance. NICK IMMEL, freshman from Seattle, is shown theproper method for filling in a pledge card by Student Develop- ment Drive co-chairmen Don Willis (I.) and Pat Pavelka. RequiemforPopePiusXII Spector VolumeSEATTLEXXVI Seattle, Washington, Thursday, Oct. 9, UNIVERSITY1958 "■<£'■ No. 2 To Be Offered at Noon A RequiemMass for Pope Pius XIIwill be offered at noon MJQ, Downbeat's Top Jazz Group today in the Student Union. The Pontiff, 82, died at 6:52 p.m. yesterday after a second stroke. Will Perform on Campus Tonight "All students will be asked that faculty and students will By KAM M ALLOY to attend the Mass today," the "joininprayer for the beloved The Modern Jazz Quartet,- Rev. Louis A. Sauvain, S.J., Pontiff." Downbeat magazine's top rated jazz group, will entertain on cam- said. Father Sauvain,student Father Lemieux returned pus from 8:30 p.m. to 10:30 p.m. chaplain, added that the stu- yesterday from a seven-week tonight, Oct. 9, John Levine, pub- dents will be asked to attend European tour. On Sept. 10, licity chairman, said yesterday. other services honoring the part Two hours of progressive jazz he took in a 50-minute and modern American chamber Pope. audience with the Pope. Fa- music will be played by the quar- "We join the whole world in ther Lemieux said the Pope tet. Entertainment will feature mourning," the Very Rev. A. looked well, "but showed the quartet leader John Lewis at the A. Lemieux, S.J., strain of his- age." piano, Milt Jackson playing the said. The vibraphone, Conny Kay at the University president added The only Popeto visit Amer- drums and Percy Heath as bassist. ica, Pius XIIhas reignedsince The quartet, which belonged to March 2, 1939. During the the Dizzy Gillespie Orchestra, an- Campus other American jazzgroup, got to- Clubs war, he granted many audi- gether for the first time In 1951 ences to thousands of service- for a recording session in New Open men. York and have since been record- In House ing together. The group now re- Club Open House, set for Octo- cords on the Atlantic label. ber 15 at 7:30 p.m., promises to be Among their top-selling records a bigger - than -usual affair, with Movie Sunday are "Fontessa," "The Modern Jazz more than 30 clubs represented. Quartet at Music Inn" and "The Booths set up on both floors of Night in Pigott MJQ Plays." the Student Union Building will Kirn Novak and Tyrone Power The performance, sponsored by gym- THE MODERN JAZZ QUARTET, bass; have officers and members present are the stars of "The Eddie Du- ASSU, will be held in the (1) Percy Heath, to explaintheir activitiesand pur- chin Story," which appears in nasium. Doors open at 7:30 p.m. Milt Jackson, vibes; Connie Kay, drums; and (r.) John poses. Refreshments will be Pigott Auditorium Tickets are on sale daily from 12 Lewis, piano. on October 12 in they served by the Vets' Club. at 7:30 p.m. Admission to the to 1 p.m. the Chieftain or film is 35 cents, may be purchasedat the Sherman An annual event sponsored by technicolor with Clay ticket They a student body card. office. will also the ASSU, the Open House was be on sale at the door. Price of Student Senators Approve inaugurated to acquaint new stu- Mary Kay Panisko, a junior admissionis $1 for students, $1.50 technology major dents with the various organiza- medical from general admissionand $2 reserved Move, tions on campus, in the hope that Butte, Mont., is the newly ap- seats, Levine said. Jazz Club Model UN. greater student participation in pointed chairman of the Movie Chairman of the event is Oneal The Seattle University Jazz So- members to the Student Senate at their activities would result. Board. The board schedules and McGowan, president of the Soph- ciety has granted approval supervises movies presented been the time of class elections. Inpre- Marilyn Bauer, sophomore C&F omore Class. by to officially vious years throughout the year. the Student Senate only the upper classes major from Newport, Ore.; and affiliate with the Jazz Forum, Inc., have had representation on the Dick Nelson, senior philosophy Movies are open to various clubs A special hour-long biogra- a local non-profit organization. Senate. major from Seattle, co-chair- for fund-raising purposes. are Clubs phy of Pope Pius XII will be The senators stipulated that the The members also decided to men. Registration and all other ar- wishing to sponsor a movie should presented this Sunday at 6:30 action be subject to University ad- hold weekly meetings, alternating rangements may be made through present their cases to the Activi- p.m. on KTNT, Channel 11. ministrative approval,pending in- one longer evening meeting Marilyn in Marycrest ties vestigation group's with Hall. Board. of the status a short noon meeting. It was with the musicians' union. stressed that the meetings are The senators approved the for- open to the student body, and ob- mation of a Model United Nations servers are welcome. Freshman Hurt on Snoqualmie Pass delegation under the guidance of the Political Science Department. Burke Harrell was formally ap- 'Much Improved' According to Doctor pointed ASSU first vice president, Who's Who and his position on the Student Freshman Rosemary McAuliffe, and went out of control for 511 thrown out. The tree fell on her, Senate was filled by Dean Floyd. critically injured in a car crash feet before ca- causing serious internal injuries Burke succeeds Ken Paradis, who Out Oct. 31 Saturday night, is much improved. reening into a including several brokenvertebrae resigned his office at the end of The student directory, "Who's year. Who," Dr. Anderson, physician ravine at the and ribs, a broken shoulder blade, last will be available by Octo- Richard of ber 31, - at Nelem Memorial Hospital in side the concussion and laceration of the A three-man committee of sen- according to co editors North Bend, where Rosemary road. scalp. ators Pat Martin, Paul Turner and Gary Koontz and Cliff Fouty. The was Although taken, also said that she may have Greg Lowe was formed to nomi- book is published annually by the the exact time The driver of the car, Larry W. nate candidates for the position of Intercollegiate Knights. visitors at the end of this week. Goldblatt, - N.E., the accident 4626 21st a soph- student counsel. The student The pamphlet Rosemary was injured when the coun- contains pertinent occurred is not omore at the University of Wash- sel has the power to investigate on car she was riding in went off the information all students, priests known, the ington, suffereda brokenleg. Later and initiate proceedings against and other faculty Snoqualmie Pass road 17 miles he was to members. Price State Patrol transferred Tacoma any act, action or decree of any of the book is 35 cents.
Load more

Recommended publications
  • Respectability and the Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press Carla Marie Rupp CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/74 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Respectability and The Modern Jazz Quartet: Some Cultural Aspects of Its Image and Legacy As Seen Through the Press By Carla Marie Rupp Submitted in Partial Fulfillment of the Requirements for the M.A. Degree The City College of New York Thesis Adviser, Prof. Barbara R. Hanning The Department of Music Fall Term 2010 2 CONTENTS ACKNOWLEDGMENTS 3 1. INTRODUCTION 5 2. RESPECTABILITY THROUGH DRESS 22 3. PERFECTION IN PRESENTATION 29 4. CHANGING THE VENUE FROM NIGHT CLUB TO CONCERT HALL 34 5. PROFESSIONALISM OF THE MJQ 43 6. PERSONAL CONCLUDING REMARKS 48 BIBLIOGRAPHY 54 3 Acknowledgements I would like to give a big thanks of gratitude and applause to the incredible Professor Barbara R. Hanning for being my thesis advisor! Her dedication, personal editing, attention to detail and accuracy, kindness and help were invaluable in completing this project on the MJQ. As Chair of the Music Department, she advised me on my BFA requirements in music at City College. And now--some years later with Professor Hanning's encouragement, wisdom and editing--I am thrilled to complete my M.A.
    [Show full text]
  • Main Artist (Group) Album Title Other Artists Date Cannonball Adderley
    Julian Andrews Collection (LPs) at the Pendlebury Library of Music, Cambridge list compiled by Rachel Ambrose Evans, August 2010 Main Artist (Group) Album Title Other Artists Date Cannonball Adderley Coast to Coast Adderley Quintet 1959/62 and Sextet (Nat Adderley, Bobby Timmons, Sam Jones, Louis Hayes, Yusef Lateef, Joe Zawinul) Cannonball Adderley The Cannonball Wes Montgomery, 1960 Adderley Victor Feldman, Collection: Ray Brown, Louis Volume 4 Hayes Nat Adderley Work Songs Wes Montgomery, 1978 Cannonball Adderley, Yusef Lateef Larry Adler Extracts from the film 'Genevieve' Monty Alexander Monty Strikes Ernest Ranglin, 1974 Again. (Live in Eberhard Weber, Germany) Kenny Clare Monty Alexander, Ray Brown, Herb Triple Treat 1982 Ellis The Monty Alexander Quintet Ivory and Steel Monty Alexander, 1980 Othello Molineux, Robert Thomas Jr., Frank Gant, Gerald Wiggins Monty Alexander Ivory and Steel (2) Othello Molineux, 1988 Len Sharpe, Marshall Wood, Bernard Montgomery, Robert Thomas Jr., Marvin Smith Henry Allen Henry “Red” 1929 Allen and his New York Orchestra. Volume 1 (1929) Henry Allen The College Steve Kuhn, 1967 Concert of Pee Charlie Haden, Wee Russell and Marty Morell, Henry Red Allen Whitney Balliett Mose Allison Local Color Mose Allison Trio 1957 (Addison Farmer, Nick Stabulas) Mose Allison The Prestige Various 1957-9 Collection: Greatest Hits Mose Allison Mose Allison Addison Farmer, 1963 Sings Frank Isola, Ronnie Free, Nick Stabulas Mose Allison Middle Class Joe Farrell, Phil 1982 White Boy Upchurch, Putter Smith, John Dentz, Ron Powell Mose Allison Lessons in Living Jack Bruce, Billy 1982 Cobham, Lou Donaldson, Eric Gale Mose Allison Ever Since the Denis Irwin, Tom 1987 World Ended Whaley Laurindo Almeida Laurindo Almeida Bud Shank, Harry quartet featuring Babasin, Roy Bud Shank Harte Bert Ambrose Ambrose and his Various 1983 Orchestra: Swing is in the air Albert Ammons, Pete Johnson Boogie Woogie 1939 Classics Albert Ammons, Pete Johnson, Jimmy Boogie Woogie James F.
    [Show full text]
  • JREV2.11Full.Pdf
    SPIRITUALS to SWING FROM THE FAMOUS CARNEGIE HALL CONCERTS — with such artists as: COUNT BASIE ORIGINAL ORCHESTRA • BENNY GOODMAN SEXTET • LESTER YOUNG • BUCK CLAYTON • SIDNEY BECHET • TOMMY LADNIER • JOE TURNER • HELEN HUMES • BIG BILL BROONZY • CHARLIE CHRISTIAN • JO JONES • JAMES P. JOHNSON • ALBERT AMMONS • "LIPS" PAGE • MEADE LUX LEWIS • PETE JOHNSON • Mitchell's Christian Singers • Fletcher Henderson • Ida Cox • Harry Edison • Herschel Evans • Lionel Hampton • Ed Lewis • Golden Gate Quartet • Sonny Terry • Bull City Red • Shad Collins • Kansas City Six • Earl Warren • Dickie Wells • Benny Morton • Arthur Bernstein • Jack Washington • Nick Fatool • Walter Page • Freddie Greene • Dan Minor Regular List Price $7.96 Special Jazz Collectors Price; 39 FOR THE TWO- RECORD SET Postage Prepaid on this item CHESTERFIELD MUSIC SHOPS, INC. 12 WARREN STREET NEW YORK 17, N. Y. for your Please send sets of John Hammond's Spirituals To Swing at the convenience special Collectors Price of $6.39 per set. $ enclosed. in Send FREE LP Catalog. ORDERING Name BY MAIL Address use this City Zone State handy blank Sorry no C.O.D. Discount Records—262 Sutter St., San Francisco, Calif. Special offer also available Discount Records—201 North La Salle, Chicago, Illinois from coast to coast at: Discount Records—202 Michigan Ave., Detroit, Michigan Chesterfield Music Shops—485 Madison Avenue, New York City, N. Y. Or take the next paragraph, same col• Naturally, when I speak of jazz, I speak umn, when I wrote, "the following prop• of a band style, an instrumental and LETTERS ositions are offered for consideration," orchestral style. It is not merely a use and what came out was "the following of blues scales nor for a notable proportions".
    [Show full text]
  • Daily Iowan (Iowa City, Iowa), 1956-07-04
    , - .- • I ·'ow.an \ , . • , . ,t ~ng The State .University of Iowa and the People of Iowa City .. };Jtabllshcd in 1868 - Fivc Cenls a Copy Wire and Photo Scrvice Iowa City, Iowa, Wednesday,, July 4, 1956 I . He's Uncle Sam Again House": Vote o·n 'School Bi'll. ... 'r, reg tionB.an" Rider Still ,. LI.S: To ·Protect . I . Fices' Final Steel for Defense I WASHINGTON IH\-Tbc government bas'decided to place a temporary frec1C order on selecUve steel products in warehouses needed tor de­ ,R,oIlCaIl,·Vole fense production-effeetive Friday. Officials con finned Tuesday such an order has' been prepared and Is WASHINOTON I" - The HoUsel to be issued Thursday and become -----------­ late Tuesday tentaUyely 'voted an effective Friday. antiscgre,aUon rldrr into a $1 Y.!. The order Is . designed to freeze ~m~on rederal ~~I construction critical steel items for defense Expel .. ' RU$~ian " . producers, principally contractors The unrecorded 164-116 vote In favor of the amendment sponsored of the Defense Department and by Rep. Adam <;layton Powell (D· Atomic Energy eommlsslon be­ On Charges N.Y') stJlI is subject. however, to calISe of the nationwide ' steel possible reversal strlk!!. on a. fin,1 roUcall The freeze Is expected to last vote. this vote II expected Th,"r.'~.\1 only a short period, possibly for no Of Espionage . or Friday (AP Wlrep•• I_) lon,er than two weeks. During this the -House period defense contractors could WASHINGTON IA'I - Col. Ivan A. pletes ~ action ~OR THE 211t YEAR Lew McCusker, , fHt 7 Inc:ltts till. of Pertt.ncI.
    [Show full text]
  • The Modern Jazz Quartet Sait-On Jamais Mp3, Flac, Wma
    The Modern Jazz Quartet Sait-On Jamais mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Stage & Screen Album: Sait-On Jamais Country: France Style: Score MP3 version RAR size: 1712 mb FLAC version RAR size: 1206 mb WMA version RAR size: 1854 mb Rating: 4.1 Votes: 239 Other Formats: MPC MP4 DMF VQF MP2 TTA AC3 Tracklist A1 The Golden Striker 3:39 A2 One Never Knows 9:20 A3 Rose Truc 4:55 B1 Cortege 7:24 B2 Venice 4:26 B3 Three Windows 6:43 Credits Bass – Percy Heath Drums – Connie Kay Piano, Composed By, Written-By – John Lewis Vibraphone [Vibraharp] – Milt Jackson Notes Musique tirée du film: "SAINT-ON JAMAIS" Barcode and Other Identifiers Matrix / Runout (A): X CPI X 1566 Matrix / Runout (B): X CPI X 1567 Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year The Modern Jazz Quartet Plays One The Never Knows Modern 1284 (Original Film Score Atlantic 1284 US 1958 Jazz For “No Sun In Quartet Venice”) (LP, Album, Mono) The Modern Jazz Quartet Plays One The Never Knows - SD 1284, ST- Modern Atlantic, SD 1284, ST- Original Film Score US Unknown A-11433 Jazz Atlantic A-11433 For “No Sun In Quartet Venice” (LP, Album, RP) The Modern No Sun In Venice 1284-2 Atlantic 1284-2 US Unknown Jazz (CD, Album, RE) Quartet London Plays One Never Records, The Knows (Original Film London LTZ-K 15140, Modern LTZ-K 15140, Score For “No Sun In Records, UK Unknown LTZ-K.15140 Jazz LTZ-K.15140 Venice” by John London Quartet Lewis) (LP, Mono) American Recordings The Modern Jazz The Quartet Plays One Modern Never Knows
    [Show full text]
  • Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
    Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol.
    [Show full text]
  • Milt Jackson from Wikipedia, the Free Encyclopedia
    Milt Jackson From Wikipedia, the free encyclopedia Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually Milt Jackson thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post­bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the Milt Jackson, Village Jazz Lounge with the Bubba twelve­bar blues at slow tempos. He preferred to set the Kolb Trio, late 1970s. vibraphone's oscillator to a low 3.3 revolutions per Background information second (as opposed to Lionel Hampton's speed of 10 Birth name Milton Jackson revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally. Born January 1, 1923 Detroit, Michigan Died October 9, 1999 (aged 76) Contents Manhattan, New York Genres Hard bop, Afro­Cuban jazz, modal 1 Biography jazz, mainstream jazz, post­bop 2 Discography 2.1 With the Modern Jazz Quartet Occupation(s) Musician, soloist, composer, 2.2 As sideman bandleader 3 References Instruments Vibraphone, piano 4 External links Labels Impulse!, Atlantic, Prestige, Apple Associated acts John Coltrane, Ray Charles, Miles Biography Davis, Dizzy Gillespie, The Modern Jazz Quartet, Thelonious Jackson was born on January 1, 1923 in Detroit, Monk, Wes Montgomery Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style.
    [Show full text]
  • Afro-Modernist Compositional Strategies in Selected Works by John Lewis: 1952-1962
    Afro-Modernist Compositional Strategies in Selected Works by John Lewis: 1952-1962 Christopher Coady School of English, Media and Performing Arts University of New South Wales This thesis is presented for the degree of Doctor of Philosophy in Music. 2011 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed …………………………………………….............. Date …………………………………………….................. COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only).
    [Show full text]
  • ERROLL GARNER by Mimi Clar
    how many of these great CONTEMPORARY ALBUMS are in your collection ROUNDS! nrT?TF N,EHAUS UCTET.^ mm C3540 Niehaus, one of the top alto men in jazz, long time leader of the Kenton sax section, stars with two swinging C3538 Red Mitchell, one of the nation's Octets featuring such famous jazzmen favorite bassists, in a swinging program as Bill Perkins, Pepper Adams, Shelly C3542 Leroy Vinnegar, a bass player who of modern jazz classics by Parker, Roll• Manne, Frank Rosolino, Mel Lewis, Jack "walks the most!" presents his first album ins, etc. New star James Clay plays tenor Montrose, Red Mitchell, Lou Levy, the as a leader. Featured on a selection of & flute, with Lorraine GelLer, piano, and late Bob Gordon, etc. standards with a walking motif ("I'll Billy Higgins, drums. Mitchell's bass solos Walk Alone," "Walkin' My Baby Back are standouts! Home," "Would You Like To Take a Walk," etc.) are Teddy Edwards, tenor, Gerald Wilson, trumpet, Victor Feldman, vibes, the late Carl Perkins, piano, and Tony Bazley, drums. You get more , %i bounce with Curtis \ CounceL5i temporary C3544 Bob Cooper's extended "Jazz Theme & Four Variations" is a major work by C3539 The Curtis Counce Group comes up a major jazzman. Side two features with some West Coast "cooking." Tasty, Coop's tenor in swinging combo perform• with plenty of funk and soul. Bassist ances (including an intriguing "Frankie Counce's group includes ace tenorman & Johnny") with Victor Feldman, Frank C3541 Vibist, pianist, drummer, composer- Harold Land, trumpeter Jack Sheldon, Rosolino, and an all-star rhythm section: arranger Feldman is the most important the late Carl Perkins on piano, and the ianist Lou Levy; Max Bennett, bass; Mel British import in the fleld of modern jazz.
    [Show full text]
  • The Modern Jazz Quartet (MJQ) Was an Influential Music Group
    The Modern Jazz Quartet (MJQ) was an influential music group established in 1952 and for most of their long career composed of J ohn Lewis (piano, musical director), Milt J ackson (vibraphone), Percy Heath (double bass), and Connie Kay (drums). Initially a side project for personnel from trumpeter D izzy Gillespie's hard-swinging big band, the MJQ gradually became a full-time endeavor and one of the more prominent jazz bands of the posc-\Xf\Xlll era. Under Lewis's leadership they carved their own niche by specializing in an elegant, restrained music (touching on bebop, cool jazz, third stream and classical music) that used sophisticated counterpoint yet nonetheless retained a strong blues 11 11 11 fe el. They introduced several jazz standards, including Django and "Bags' Groove • Initiall y active into the 1970s until Jackson quit due to creative disagreement and frustration with their busy touring schedule, the MJQ reformed intermittently into the 1990s. The enigma of the MJQ's music-making was that each individual member could improvise with an exciting vibrancy but in toto the group specialised in genteel baroque counterpoint. Their approach to jazz attracted promoters who sponsored "jazz packet11 concerts during the 1950s. One show would consist of several contrasting groups. The MJQ were ideal participants because no other group sounded like them. They provided a vis ual contras t as well, formally attired in their customary tuxedos. The group played blues as much as they did fugues, but the result was tantali sing when one considered the hard­ swinging potential of each individual player.
    [Show full text]
  • 演奏者（ｱﾙﾌｧﾍﾞｯﾄ） タイトル名 Anita O'day Anita Sings The
    演奏者（ｱﾙﾌｧﾍﾞｯﾄ） タイトル名 1 AL COHN COHN ON THE SAXOPHONE 2 ANDY LAVERNE TRIO CAPTAIN VIDEO 3 ANITA O'DAY ANITA SINGS THE MOST 4 ART BLAKEY LES LIAISONS DANGEREUESES 5 ART BLAKEY CARAVAN 6 ART BLAKEY olympia concert 7 ART BLAKEY AND THE JAZZ MESSENGERS A NIGHT IN TUNISIA 8 ART BLAKEY QUINTET A NIGHT AT BIRDLAND 9 ART FARMER 0b 10 ART FARMER MODERN ART 11 ART FARMER and BENNY GOLSON Meet The Jazztet 12 ART FARMER QUINTET The Time And The Place 13 ART TATUM, ERROLL GARNER GIANTS OF THE PIANO 14 BARNEY KESSEL EASY LIKE 15 BARNEY KESSEL to swing or not to swing 16 BARRY HARRIS TRIO Magnificent ! 17 BENNY CARTER AUTUMN LEAVES 18 BENNY GOODMAN BENNY IN BRUSSELS 19 BENNY GOODMAN TRIO PLAYS FOR THE FLETCHER HENDERSON FUND 20 BEST COAST JAZZ BEST COAST JAZZ 21 BETTY CARTER AND RAY BRYANT MEET BETTY CARTER AND RAY BRYANT 22 BILL EVANS & JIM HALL BILL EVANS & JIM HALL UNDERCURRENT 23 BILL EVANS TRIO Sunday at the Village Vangard 24 BILL REINHARDT'S JAZZ LTD 25 BLUE MITCHELL BLUE'S MOODS 26 BOB JAMES AND EARL KLUGH ONE ON ONE 27 BOBBY BLAND DREAMER 28 BOBBY TIMMONS THIS HERE IS BOBBY TIMMONS 29 BRILLIANT CORNERS THELONIOUS MONK 30 BUD POWELL SWINGIN WITH BUD 31 BUD POWELL CLEOPATRA'S DREAM 32 BUD POWELL THE AMAZING BUD POWELL 33 BUD POWELL bud! 34 BUD POWELL THE AMAZING BUD POWELL 35 BUD POWELL THE AMAZING BUD POWELL 36 BUD POWELL THE BUD POWER TRIO 37 BUD POWELL THE AMAZING BUD POWELL 38 BUDDY RICH BUDDY RICH/CLSS OF’７８ 39 CANNONBALL ADDERLEY SOMETHIN' ELSE 40 CANNONBALL ADDERLEY BIG MAN 41 CANNONBALL ADDERLEY アット・シェリーズ・マン・ホール 42 CANNONBALL ADDERLEY Lovers 43 CANNONBALL ADDERLEY LIVE 44 CANNONBALL ADDERLEY SAN FRANCISCO 45 CHARLES MINGUS CHARLES MINGUS PRESENTS CHARLES MINGUS 46 CHARLIE MARIANO CHARLIE MARIANO 47 CHARLIE PARKER THE COMPLETE CHARLIE PARKER 48 CHARLIE PARKER BIRD IS FREE 49 CHARLIE PARKER CHARLIE PARKER PLAYS COLE PORTER 50 CHARLIE PARKER APRIL IN PARIS 51 CHARLIE PARKER BIRD SYMBOLS 52 CHARLIE PARKER bird and diz 53 CHARLIE PARKER THE HAPPY BIRD 54 CHARLIE PARKER CHARLIE PARKER ON SAVOY VOL.
    [Show full text]
  • Literary Modernism and the Aging of the New Music: Ballets Russes to Bebop
    Literary Modernism and the Aging of the New Music: Ballets Russes to Bebop by Aaron Yale Heisler A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Aaron Yale Heisler (2013) Literary Modernism and the Aging of the New Music: Ballets Russes to Bebop Aaron Yale Heisler Doctor of Philosophy Department of English University of Toronto 2013 Abstract This study examines the contribution made by literary modernism to the institutional legacy of the avant-garde music of the first half of the twentieth century. At the same time, it considers the vice versa – the role played by the institutionalization of avant- garde music in shaping literary modernism’s sense of its own aesthetic mission and institutional destiny. The musical developments in question include the European “New Music” theorized by Theodor W. Adorno and Carl Dahlhaus, typified by works such as Stravinsky’s Le Sacre du printemps and the tonal experiments of the so-called Second Viennese School, as well as the African-American jazz avant-garde of the 1940s and ‘50s. Subject at first to fierce controversy, the New Music had, by the middle of the century, amassed a sizable audience and considerable bourgeois prestige, and its repertory had achieved a secure place in the academy. The institutional entrenchment of the New Music in the American academy would have a decisive influence on the emerging technical grammar and artistic self-conception of modern jazz, which itself was to undergo a similar, if smaller-scale, process of institutionalization in the decades to follow.
    [Show full text]