Recent and Forthcoming MUSA Titles

Music of the United States of America (MUSA) is a national series of scholarly editions that seeks to reﬂ ect the character and shape of American music making. MUSA is a copublication between the American Musicological Society and A-R Editions and is supported by the National Endowment for the Humanities.

The MUSA volumes are cross-listed in the series Recent Researches in American Music. MUSA titles are listed under their American series vol- ume number in Recent Researches in Music Online. Recent and Forthcoming MUSA Titles

John Cage and David Tudor: Solo for Piano (Second Realization) Edited by John Holzaepfel • Forthcoming as MU30

Noble Sissle and Eubie Blake: Shuﬄ e Along Edited by Lyn Schenbeck and Lawrence Schenbeck • MU29/A085 ISBN 978-1-9872-0028-7

George Whiteﬁ eld Chadwick: The Padrone Edited by Marianne Betz • MU28/A082 ISBN 978-0-89579-855-8

Joseph Rumshinsky: Di goldene kale Edited by Michael Ochs • MU27/A080-81 ISBN 978-0-89579-852-7, ISBN 978-0-89579-853-4

Machito and His Afro-Cubans: Selected Transcriptions Edited by Paul Austerlitz and Jere Laukkanen • MU26/A078 ISBN 978-0-89579-828-2

Mary Lou Williams: Selected Works for Big Band Edited by Theodore E. Buehrer • MU25/A074 ISBN 978-0-89579-762-9

PB 407 NEW RELEASES

RECENT RESEARCHES IN THE RECENT RESEARCHES IN THE MUSIC OF THE MIDDLE AGES AND MUSIC OF THE BAROQUE ERA EARLY RENAISSANCE John Eccles: The Judgment of Paris Motets from the Edited by Eric J. Harbeson Chansonnier de Noailles B203 (2018) Edited by Gaël Saint-Cricq et al. M042 (2017) Jan Dismas Zelenka: Six Settings of “Ave regina coelorum” (ZWV 128) Edited by Frederic Kiernan RECENT RESEARCHES IN THE B204 (2018) MUSIC OF THE RENAISSANCE William McGibbon: Canzoni francese, libro primo Complete Sonatas Edited by Paul Walker Edited by Elizabeth C. Ford R170 (2018) B205 (2018)

Michele Pesenti: Complete Works Manuel de Sumaya: Edited by Anthony M. Cummings, Villancicos from Mexico City Linda L. Carroll, and Alexander Dean Edited by Drew Edward Davies R171 (2019) B206 (2019)

Maria Anna von Raschenau: MUSIC FROM THE Le sacre stimmate di PARIS CONSERVATOIRE San Francesco d’Assisi Edited by Janet K. Page Contest Pieces for B207 (2019) E-flat Saxophone and Piano Edited by James R. Briscoe Francesco Gasparini: S050 (2018) Mass for Five Treble Voices Edited by Christine R. Howlett Contest Pieces for B208 (2019) B-flat Saxophone and Piano Edited by James R. Briscoe John Eccles: Europe’s Revels S051 (2018) for the Peace of Ryswick Edited by Michael Burden Contest Pieces for Harp B209 (2019) Edited by James R. Briscoe S052 (2018)

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408 409 NEW RELEASES

RECENT RESEARCHES IN THE MUSIC OF THE CLASSICAL ERA

Joseph Weigl: Venere e Adone Edited by John A. Rice C110 (2019) Recent Researches Ballet Music from the in Music Online Mannheim Court, Part 5 Edited by Paul Corneilson and Carol G. Marsh A Subscription C111 (2019) Service for Libraries

Niccolò Piccinni: Il regno della Luna Edited by Lawrence Mays Recent Researches in Music C112–13 (2019) Online (RRIMO): Online access to all titles published in 2018 and later in the seven Recent Researches in RECENT RESEARCHES IN THE Music series. MUSIC OF THE NINETEENTH AND EARLY TWENTIETH CENTURIES Legacy Collection Add-on: Charles Villiers Stanford: Additional online access to titles Orchestral Song Cycles published before 2018 in the seven Edited by James Brooks Kuykendall Recent Researches in Music series and Edison J. Kang and the series Collegium Musicum: N073 (2019) Yale University.

Johann Herbeck: Mass in E Minor Key Features Edited by William E. Hettrick • All content hosted online at N074 (2019) www.rrimo.com • Complete content of published Chamber Arrangements of volumes and partbooks Beethoven’s Symphonies, Part 1 • PDF-based delivery (view with Edited by Nancy November browser or PDF reader) N075 (2019) • DRM-free: users can read online, print, or save • Fully searchable text content RECENT RESEARCHES • Unlimited multiuser access IN AMERICAN MUSIC Amy Beach: Grand Mass Ask your librarian in E-flat Major, Opus 5 Edited by Matthew Phelps to subscribe! A084 (2018)

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408 409 Visit our oot or a demo!

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The Homecoming of Florence B. Price a lecture-recital by John Michael Cooper & Lara Downes featuring unpublished compositions by Florence B. Price Friday, Nov. 1, 2019 4 p.m. New England Conservatory, Pierce Hall, 241 St. Botolph St., Boston, MA

410 411 journal of music theory

Patrick McCreless, editor

The Journal of Music Theory fosters conceptual and technical innova- tions in abstract, systematic musical thought and cultivates the historical study of musical concepts and compositional techniques.

Subscribe today! Two issues annually.

Individuals $40 | Students $24

dukeupress.edu/jmt

Music and Sound Studies Collection An e-book collection for your library

Containing over 120 titles, the Music and Sound Studies e-book collection pushes at the edges of how music is dis- cussed. Its innovative ethnomusicology titles find new links between music and culture, and its groundbreaking sound studies titles establish a new framework for theorizing the larger context of how we listen.

The collection also includes essential works in jazz studies and popular music studies, biographies and memoirs of prominent musicians, and collections Photo by David Novak of essays by important music critics.

Ask your library to subscribe. Find out more at dukeupress.edu/mssc.

410 411 A TRADITION OF EXCELLENCE IN MUSIC SCHOLARSHIP

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412 413 JOURNALS FROM UC PRESS

University of California Press is proud to publish Journal of the American Musicological Society the official journal of the AMS

Editor-in-Chief: Joy H. Calico (2016-2019) Kevin C. Karnes (2020-2023) ISSN: 0003-0139 eISSN: 1547-3848 Frequency: Triannual

COMING IN 2020 COMING IN 2020

LIBRARIANS: for information about subscriptions to the Music Subject Collection see: www.ucpress.edu/go/music

www.ucpress.edu/journals

412 413 www.press.uillinois.edu

Visit our booth for up to 40% off and free shipping! NEW VOLUMES IN THE SERIES MUSIC IN AMERICAN LIFE

Leonard Bernstein and Available January 2020 the Language of Jazz The Cashaway Psalmody KATHERINE BABER Transatlantic Religion and Music in Colonial Carolina Paper $27.95; E-book STEPHEN A. MARINI Unsettled Scores Hardcover $65.00; E-book Politics, Hollywood, and the Film Music of Aaron Copland and A Guru’s Journey Hanns Eisler Pandit Chitresh Das and Indian SALLY BICK Classical Dance in Diaspora Paper $28.00; E-book SARAH MORELLI Paper $28.00; E-book Rethinking American Music Peggy Glanville-Hicks EDITED BY TARA BROWNER AND Composer and Critic THOMAS L. RIIS SUZANNE ROBINSON Paper $35.00; E-book Paper $30.00; E-book

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We would like to thank the following organizations for their support of our publications: the AHSS Book Publication Support Fund; the H. Earle Johnson Fund of the Society for American Music; the Henry and Edna Binkele Classical Music Fund; and the University of Denver’s Lamont School of Music. Thanks to the American Musicological Society, which provided grants from: the AMS 75 PAYS Endowment; the Dragan Plamenac Endowment; the Lloyd Hibberd Endowment; the Manfred Bukofzer Endowment; and the Otto Kinkeldey Endowmentt: all funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. And special thanks to those who support The Bruno Nettl Endowment for Ethnomusicology and The Judith McCulloh Endowment for American Music.

414 415 www.press.uillinois.edu

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Over Here, Over There American Music Transatlantic Conversations on the A quarterly journal devoted to all Music of World War I aspects of American music and music EDITED BY WILLIAM BROOKS, in America CHRISTINA BASHFORD, AND EDITED BY GAYLE MAGEE GAYLE MAGEE ISSN: 0734-4392; eISSN: 1945-2349 Paper $30.00; E-book Living Ethnomusicology Island Gospel Paths and Practices Pentecostal Music and Identity in MARGARET SARKISSIAN AND Jamaica and the United States TED SOLÍS MELVIN L. BUTLER Foreword by Bruno Nettl Paper $25.00; E-book Afterword by Mark Slobin African American Music in Paper $32.00; E-book Global Perspective

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Music Theory and Analysis International Journal of the Dutch-Flemish Society for Music Theory Pieter Bergé, Nathan John Martin, Markus Neuwirth (eds) Online journal with a print edition Bi-annually in April and October Online ISSN: 2295-5925 Print ISSN: 2295-5917

For more information or to sign up for a subscription, contact [email protected] or go to www.mtajournal.be

Aberrant Nuptials Voices, Bodies, Deleuze and Artistic Practices Performing Research Musical Subjectivities Paulo de Assis, Paolo Catherine Laws, William Giudici (eds) Brooks, David Gorton, Thanh Thủy Nguyễn, $79.00 | PB Stefan Östersjö, Jeremy J. ISBN 9789462702028 Wells $59.00 | PB ISBN 9789462702059

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416 417 UNIVERSITY OF MICHIGAN PRESS

JAZZ FROM DETROIT RHYMES IN THE FLOW Mark Stryker How Rappers Flip the Beat Macklin Smith and Aurko Joshi SODA GOES POP (Coming April 2020) Pepsi-Cola Advertising and Popular Music IN AND OUT OF PHASE Joanna K. Love An Episodic History of Art and Music in the 1960s MUSIC ON THE MOVE Michael Maizels Danielle Fosler-Lussier (Coming June 2020) THE PASSIONS OF SOUND STREAMS PETER SELLARS A Cultural History of Radio-Internet Staging the Music Convergence Susan McClary Andrew Bottomley (Coming June 2020) THE BEATLES THROUGH A GLASS ONION WHAT IS POST-PUNK? Reconsidering the White Album Genre and Identity in Avant-Garde Mark Osteen, Editor Popular Music, 1977-82 Mimi Haddon INTENTS AND PURPOSES (Coming February 2020) Philosophy and the Aesthetics of Improvisation Eric Lewis NEW SERIES: MUSIC AND SOCIAL JUSTICE RECORD CULTURES The Transformation of the U.S. SOUNDING DISSENT Recording Industry Rebel Songs, Resistance, and Irish Kyle Barnett Republicanism (Coming April 2019) Stephen Millar (Coming May 2020) Visit our booth for a 30% discount

To order call 800-621-2736 or go to www.press.umich.edu

418 419 New from Oxford

Grove Music Online The world’s premier online music encyclopedia. Stop by the booth for free trial access.

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Visit us in the exhibit hall to explore these and other exciting books, journals, and online resources!

418 419 New from Norton Independent and Employee-Owned Visit us in adjacent booths #117 and #130

A History of Western Music, 10e J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what’s important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the Western musical tradition that emerged.

The Norton Guide to Teaching Music History C. Matthew Balensuela This collection of twenty-one essays from leading teachers and scholars covers everything from teaching historical periods to enlivening the classroom. It is both a resource for current music history teachers and an ideal text for history pedagogy courses.

Concise History of Western Music, 5e Barbara Russano Hanning This update to Barbara Hanning’s concise survey aligns it with the Eighth Edition of the Norton Anthology of Western Music and supports your students with a more robust media package. New resources include Audio Timelines, tutorials to help build music history skills, and adaptive activities to reinforce concepts.

The Enjoyment of Music: Essential Listening, 4e Kristine Forney, Andrew Dell’Antonio, Joseph Machlis The book that weaves together a concise text and rich media resources in a compact and affordable package, giving students all they need for an enriched listening experience. The new Fourth Edition features enhanced pedagogy built around new listening objectives and Listening Challenge online activities, a revised repertory that includes popular teaching pieces, and streamlined Listening Guides.

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420 421 New from Norton Independent and Employee-Owned Visit us in adjacent booths #117 and #130

Beethoven: The Relentless Revolutionary John Clubbe A fascinating and in-depth exploration of how the Enlightenment, the French Revolution, and Napoleon shaped Beethoven’s political ideals and inspired his groundbreaking compositions.

Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917 Dale Cockrell Everybody’s Doin’ It is the eye-opening story of popular music’s seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance.

Summertime: George Gershwin’s Life in Music Richard Crawford Drawing extensively from letters and contemporaneous accounts, acclaimed music historian Richard Crawford traces the arc of Gershwin’s remarkable life, seamlessly blending colorful anecdotes with a discussion of Gershwin’s unforgettable oeuvre. His days on earth were limited to the summertime of life, but the spirit and inventive vitality of the music he left behind lives on.

The Role of the Scroll: An Illustrated Introduction to Scrolls in the Middle Ages Thomas Kelly In The Role of the Scroll, music professor and historian Thomas Forrest Kelly brings to life the most interesting scrolls in medieval history, placing them in the context of those who made, commissioned, and used them, and reveals their remarkably varied uses.

WWNORTON.COM

420 421 Jazz Periodicals

Now A Unique, New Searchable Collection Available 105 American (U.S.) Full-Text Journals

Explore the History of Jazz from 1914 to 2000

RIPM Jazz Periodicals. Finally, a publication of primary source jazz documentation that aims to fulfill the needs of librarians, scholars, students, musicians, and jazz fans. All journal issues are out-of-print and rarely accessible, with many complete publication runs reconstructed by RIPM. The collection explores the genre’s traditional roots of blues, ragtime, and Dixieland, continuing on through the swing and big band era of the 1930s and 40s, to the birth and development of bebop, West Coast jazz, cool jazz, and free jazz. For subscription and trial information, contact: [email protected]

For subscription and trial information, contact: [email protected] Available exclusively on the RIPMPlus Platform

ripmjazz.org

422 423 music.asu.edu

Inspiring and empowering students to become creative leaders who transform society through music.

Arizona State University’s School of Music in the Herberger Institute for Design and the Arts is a comprehensive music school offering undergraduate, masters and doctoral degrees and is ranked among the top music schools in the nation by U.S. News & World Report. The Music Library holds one of the largest collections of print and electronic resources in the Southwest. Degrees include the BA in music and culture, MA in musicology or ethnomusicology and PhD in musicology.

Musicology Musicology at ASU focuses on the study of music in historical contexts and on musical traditions as sociocultural artifact, behavior and performance. Highlights of the PhD include experiences in applied musicology, opportunities for interdisciplinary collaboration and teaching (in-person and online). Application deadline for all degrees is December 1.

Faculty • Sabine Feisst: 20th and 21st-century music, experimental music, ecomusicology • Dave Fossum: musics of the Middle East and Central Asia, intellectual property law, cultural policy, religion, and language • Kay Norton: music and wellbeing, American sacred music, the American South • Catherine Saucier: medieval and Renaissance sacred music, civic cultures of the Low Countries, hermeneutics, liturgical studies • Peter Schmelz: 20th and 21st-century music, Russian, Ukrainian and Soviet music, cold war studies • Ted Solís: pedagogies, improvisation, dance and music relationships, Hispanic Caribbean music, diasporic musics • Christopher Wells: jazz history, African American music, dance and embodiment

Learn more! music.asu.edu/musicology

422 423

Musicology Program Bood 19(2).indd 1 8/16/2019 2:02:47 PM Graduate Studies at Boston University in Musicology and Ethnomusicology

MA & PhD in Musicology / Ethnomusicology PhD in Musicology & Ethnomusicology

Dedicated to interdisciplinary, disciplinary, translational, historical, contemporary, analytical, and cross-cultural thinking, the faculty at BU consists of a cohort of ten musicologists and ethnomusicologists, and houses research centers in Early Music and Beethoven studies. We are a prolific, diverse, supportive, and inclusive Department, dedicated to a shared purpose and a discipline without walls between scholarship and performance. We offer up to 5 years of full funding for graduate students (post-Bachelor or post-Masters) and a customizable curriculum, including a combined concentration in Musicology and Ethnomusicology. Full-time faculty, 2019-20 Victor Coelho (UCLA), Department Chair, early music and performance, popular music, translational musicology, Director, Center for Early Music Studies Marié Abe (Berkeley), Modern Japan, sound studies, music & social justice Michael Birenbaum Quintero (NYU), Latin America, Hip Hop, cultural politics and race Brita Heimarck (Cornell), Bali, sacred music in India, music & politics, mysticism Miki Kaneda (Berkeley), Transcultural music, intermedia, sound studies Gregory Melchor-Barz (Brown), Africa, music and medicine, gender and sexuality Joshua Rifkin (Juilliard, Princeton), Josquin, Schütz, Bach, Darmstadt, Ragtime Andrew Shenton (Harvard), Messiaen, Pärt, music and transcendence Rachana Vajjhala (Berkeley), 19th-20th-c. Paris, Modernism, ballet, virtuosity Jeremy Yudkin (Stanford), Beethoven, jazz, Middle Ages, co-Director (w/Lewis Lockwood), Center for Beethoven Research bu.edu/musicology For more information, or to arrange a visit, please contact Victor Coelho

424 425 DEPARTMENT OF MUSIC

The Music Department at Brandeis University offers graduate studies leading to

MASTER’S DEGREES and PH.D. DEGREES in MUSICOLOGY COMPOSITION AND THEORY

FACULTY Mark Berger, Chair Karen Desmond Erin Gee Paula Musegades Eric Chafe Robert Duff Joshua Gordon Bob Nieske Yu-Hui Chang Judith Eissenberg Neal Hampton David Rakowski Eric Chasalow Emily Frey Sarah Mead A n d re a S e g a r

The program in musicology offers an integrated approach to music history, history of theory, and music theory and analysis. The program in composition and theory offers composers the time and means to develop a secure command of the craft of composition and musical analysis.

CONTACT Karen Desmond, Musicology Program Chair [email protected] Yu-Hui Chang, Composition Program Chair [email protected]

BRANDEIS.EDU/MUSIC

424 425 GRADUATE STUDY IN MUSIC STUDY GRADUATE

COMPREHENSIVE PH.D. PROGRAMS EXCELLENT FACULTY MENTORING TIGHT-KNIT GRADUATE COMMUNITY CROSS-DISCIPLINARY PROGRAM OF STUDY DESIGNED TO PREPARE STUDENTS FOR TODAY’S JOB MARKET STRONG PLACEMENT RECORD IN FELLOWSHIPS AND JOBS EMPHASIS ON PROFESSIONAL DEVELOPMENT

Christian Baldini • Anna Maria Busse Berger Juan Diego Díaz • Carol A. Hess • Beth Levy • Sam Nichols Pablo Ortiz • Mika Pelo • Kurt Rohde • Laurie San Martin Pierpaolo Polzonetti • Henry Spiller

music.ucdavis.edu

426 427 Musicology at Irvine

Our Program

Committed to an integrated approach to the field, we award the PhD in the History and Theory of Music. We offer students rigorous, skills-centered training, placing special emphasis on music theory and analysis, critical theory, and the philosophy and aesthetics of music, while ensuring the development of a broad base of historical knowledge. By keeping the size of our program relatively small, we ensure that all students receive considerable attention and personalized professional development in a supportive, collegial environment.

Our curriculum is flexible enough to allow students to widen the scope of their work both within and outside the Department. Interested students have the possibility of earning a certificate in critical theory. Reaching outward, the program boasts a distinguished guest lecture series and regularly hosts conferences in the field.

For additional information, please see: http://music.arts.uci.edu/musicology https://sites.uci.edu/musichistorymusictheory/ https://www.humanities.uci.edu/critical/about/index.php Twitter handle: @UCImhmt

Our Faculty

Amy Bauer, 20th-century music, Ligeti, cross-cultural music research, aesthetics and psychoanalysis David Brodbeck, Central European music and musical culture in the long nineteenth century, rock music Nicole Grimes, Music history and music analysis in the Austro-German sphere from the late 18th century to the present, music and philosophy, aesthetics, critical theory, music and literature Stephan Hammel, Critical theory, music and radical politics, Latin American modernism Colleen Reardon, 17th century Italian music, opera and singers, archival studies

Support

We guarantee five years of support for all students who remain in good standing through a variable mix of fellowships and teaching assistantships.

Application deadline: December 1

426 427 428 429 “one of this country’s leading conservatories.” – The New York Times

MUSICOLOGY AND MUSIC THEORYAT CCM

DISTINGUISHED FACULTY

David Carson Berry: Schenkerian Jonathan Kregor: 19th-century Matthew Peattie: Medieval topics, American popular music, aesthetics, Liszt, music & music, Beneventan chant, post-tonal analysis, Stravinsky, memory, virtuosity & gender, modality, sources & transcription, history of theory (1750-1950) art songs, musical reproductions musical change

Steven J. Cahn: Schoenberg, Scott V. Linford: African and Miguel Roig-Francolí: history aesthetics, theories of history, Black Atlantic studies, American of theory (Renaissance), analysis imaging of musical phenomena, roots music, Nicaraguan of early music, 20th-century behavioral-neural correlations volcanto, identity, community, topics, music theory pedagogy of musicality ethnographic film Stephanie P. Schlagel: Jenny Doctor: 20th-century music Catherine Losada: post-tonal Renaissance studies, Josquin & cultural studies, British music music, transformational theory, des Prez, the motet, reception studies, BBC music history, music musical collage, music after 1950 history, editing early music in relation to sound technologies Stephen C. Meyer: 19th-century Christopher Segall: Russian Stefan Fíol: Himalayan studies, German opera, film music, music & theory, 20th-century musical regionalism, ritual & history of recorded sound, music music, neo-Riemannian theory, media studies, ethnomusicological history pedagogy, music & the popular music theory environment

Jeongwon Joe: 20th-century Samuel Ng: Brahms, metrical music, opera-cinema studies, film dissonance, phrase rhythm, music, cultural studies music perception, analysis & performance

Teaching Assistantships and Doctoral Fellowships available For details about graduate programs: ccm.uc.edu/cmt For admissions & financial aid info: ccm.uc.edu/admissions

428 429 Musicology at Colorado Study with a world-class faculty in dynamic seminars, pursue a broad integration of historical musicology and ethnomusicology. Discover our world music ensembles, the American Music Research Center, the Waltz Music Library, and our rich colloquium series.

Carlo Caballero Brenda M. Romero (University of Pennsylvania) Professor Emerita 19th- and 20th-Century Music, (University of California, Historiography, Aesthetics, Ballet, Los Angeles) Latin American Textual Criticism. Music, Native American Music, Ethnochoreology, World

Jay Keister Music Theories. (University of California, Los Angeles) Japanese Music, Laurie Sampsel Ethno-Aesthetics, Popular Music. (University of Pittsburgh) Early American Psalmody, 20th-Century

Rebecca Maloy Britain, Research and Bibliography. (University of Cincinnati) Western Plainsong, Early Medieval Liturgy Robert Shay and Ritual, Medieval Music Theory. (University of North Carolina, Chapel Hill) 17th- and 18th-Century

Austin Okigbo English Music. (Indiana University) African Studies, New Diasporas, Religious Music, Jeremy L. Smith Medical Ethnomusicology. (University of California, Santa Barbara) English Renaissance

Susan Thomas Music and Politics, Contemporary (Brandeis University) Popular Music. Director of the American Music Research Center, Historical and Benjamin R. Teitelbaum Ethnomusicology Specialties, (Brown University) Nordic Cuban Music, Latin America. Music, Neofascism and Radical Nationalism.

Degrees BA in Musicology and World Music BM in Musicology PhD in Musicology (historical musicology or ethnomusicology) We encourage doctoral applications from the baccalaureate or masters level. All applicants considered for assistantships. colorado.edu/music/departments/musicology

430 431

AMS Ad-2019.indd 1 8/19/19 8:34 AM Cornell University Department of Music oral Studies in M Doctoral Studies in Music oct usi Musicology (PhD) D c Musicology/Ethnomusicology (PhD)

Musicology/Theory and Analysis (PhD) Performance Practice (DMA) Composition (DMA) small seminars and tutorials • courses of study tailored to the individual student handsome financial support • outstanding faculty • teacher training a proud record of subsequent employment The Graduate Faculty

Catherine Appert Andrew Hicks Trevor Pinch Musicology (Ethnomusicology) Musicology (Medieval Studies) Technology gAfrican music, global hip-hop, Atlantic gmedieval music theory studies Steven Pond Gail Holst - Warhaft Musicology (Ethnomusicology) Malcom Bilson gemeritus Ethnomusicologyg Comp Lit gAfrican-American musics, jazz Performance gGreek musical culture gkeyboard/fortepiano Annette Richards Carol Krumhansl Musicology, Performance Xak Bjerken Music Cognition g17th-18th-century music, organ Performance gPiano Alejandro L. Madrid David Rosen gemeritus Musicology (Ethnomusicology) Musicology Bonna J. Boettcher gLatin American and Latina/o music; perfor- gopera Musicology mance studies; sound studies gmusic librarianship Roberto Sierra Roger Moseley Composition Kevin Ernste Musicology Composition gMusic and media theory, ludomusicology, James Webster gemeritus gelectroacoustic music 18th-19th-century music, performance Musicology practice, improvisation g18th- and 19th-century music, theory Arthur Groos gemeritus Musicology Marianthi David Yearsley gGerman and Italian opera, text-music Papalexandri- Musicology, Performance relationships Alexandri gHistory, literature, and performance of Composition 17th-18th-century music Rebecca Harris - gsound art, sound studies Warrick Neal Zaslaw Musicology Judith A. Peraino Musicology gopera, French baroque music and dance Musicology g17th- and 18th-century music; gmedieval music, rock, queer theory performance practice Martin Hatch gemeritus Musicology (Ethnomusicology) gAsian music, gamelan Benjamin Piekut Musicology gexperimental music, improvisation, cultural studies

music.cornell.edu

430 431 The Ph.D. in Music at Duke University

Musicology, Composition, Ethnomusicology

Faculty Thomas Brothers jazz, African-American music, 14th-16th centuries, The Beatles Roseen Giles early modern aesthetics, Monteverdi, 17th-century Italy, music & literature Bryan Gilliam Richard Strauss, 19th and 20th-century Germany, film music Stephen Jaffe composition Scott Lindroth composition, interactive computer music Louise Meintjes ethnomusicology, southern Africa, music and politics Robert Parkins organ, harpsichord, performance practice Philip Rupprecht 20th-century British, modernism, theory and analysis, Britten Nicholas Stoia theory and analysis, American vernacular music, European tonal music John Supko composition, electronics, multimedia, conceptual art, early avant-garde, Satie R. Larry Todd 19th-century music, Mendelssohn and Fanny Hensel, Beethoven, analysis Jacqueline Waeber music, sound and the moving image; French musical aesthetics & culture 18th-21st century Yun Emily Wang sound studies, East Asia, diaspora/transnational migration, gender & sexuality Paul Berliner (Emeritus) ethnomusicology, jazz, mbira, Zimbabwe Alexander Silbiger (Emeritus) early music, 17th-century keyboard music

Information: music.duke.edu/graduate Admissions & financial aid: gradschool.duke.edu/admissions

432 433 durham.ac.uk/music

Join us at Durham music.postgrad.research @durham.ac.uk

University, UK, @MusicDurhamUni

an internationally MusicDurhamUni renowned university

• Ranked No. 1 UK Music by Subject - Arts and Department in The Humanities (2019); for post- Complete University 78th in the QS World Guide (2018/2019), University Rankings graduate The Sunday Times (2020). study in University League Table (2017/2018/2019) • Close-knit postgraduate Music and Guardian University community of 50 League Table (2019); students in the top three music Taught and research • Taught MA (1FT/2PT) departments in the postgraduate • Research Excellence programmes, • Research MA (1FT/2PT) Framework 2014; full time or part time • MMus (2FT/4PT) 30th in the Times Beautiful world heritage • PhD (3FT/6PT) Higher Education World site location and • University Rankings extensive facilities

with internationally respected staff

Martin Clayton: Katherine Hambridge: Richard Rijnvos: composition Hindustani classical music; nineteenth-century French Hector Sequera: renaissance musical entrainment and and German music theatre; performance practice; print embodiment; British-Asian music and politics; musical and manuscript cultures; music modernity c. 1800 Elizabethan and Jacobean Nick Collins: live computer Julian Horton: theoretical vocal music music; musical artificial and analytical approaches John Snijders: nineteenth- intelligence; computational to nineteenth-century century piano performance musicology instrumental music; sonata practice; the American forms; theories of tonality Jeremy Dibble: nineteenth- avant-garde; music and and twentieth-century Kelly Jakubowski: music visual art; sound art British and Irish music; psychology; music and Liila Taruffi: music church music; hymnology memory; absolute pitch psychology, music and Ian Dickson: composition; Laura Leante: Indian well-being, theoretical Italian modernism classical and folk music; philosophy and aesthetics performance analysis; music Tuomas Eerola: music James Weeks: composition and globalisation; music cognition; musical semiotics Bennett Zon: music, religion entrainment; music and and science in the long emotion Simon Mills: Korean shaman nineteenth-century music; systems of musical Eric Egan: composition representation; performance Patrick Zuk: Russian and theory; musical instruments Soviet musical culture; music and trauma

Let us inspire you: durham.ac.uk/music

432 433 MUSICOLOGY at EASTMAN The Eastman School of Music offers graduate students in musicology the advantages of a large and distinguished faculty, an incomparable research library, and a thoroughly musical environment. Whether pursuing an emphasis in historical and critical musicology or ethnomusicology, PhD students enjoy exposure to all areas of the discipline. Graduate students receive generous stipends, with support normally assured for five years. (Terminal MA degrees in musicology and ethnomusicology are also available.) Alumni of the program hold positions at top-ranked institutions and have become leaders in the field.

Holly Watkins, chair Roger Freitas Darren Mueller 19th- and 20th-century music, 17th-century music (especially Jazz history, sound and media studies, historical and contemporary the cantata), performance practices, music of the United States, digital aesthetics, ecocriticism, the castrato scholarship popular music Lisa Jakelski Daniel Zager Michael Alan Anderson 20th-21st century music, musical Renaissance and Baroque music, Medieval and Renaissance music, expression and social/political Lassus, church music history saints, devotion, politics practices, with emphasis on music post-1945 Andrew Cashner EMERITI 16th- to 18th-century music, Kim Kowalke Ellen Koskoff devotional music and theology, Spain 20th-century musical theater and Ralph P. Locke and colonial America, hermeneutics, opera, Sondheim, Hindemith, and Weill Patrick Macey ritual studies Kerala Snyder Jennifer Kyker Jürgen Thym Anaar Desai-Stephens Ethnomusicology, music of Sub-Saharan Gretchen Wheelock Music of South Asia; Bollywood; media Africa, Zimbabwe, popular music and popular culture; embodiment and Honey Meconi AFFILIATE FACULTY subjectivity Medieval and Renaissance music, Paul O’Dette Melina Esse manuscript culture, Hildegard, 19th-century opera and melodrama, musical borrowing film music, gender and performance studies

esm.rochester.edu/musicology

434 435 434 435 University of i llinois at Urbana-Champaign musicology AT ILLINOIS nEw FACulTy

Carlos Robert Ramírez, Jeffrey Sposato, Makoto Harris Takao, Assistant Professor, Director, School of Music Assistant Professor, Musicology Professor, Musicology Musicology Early modern music and Mendelssohn and Judaism European early music culture • musical practice, • Bach • Leipzig • church and theater • Japanese organology, the history of and concert music studies • emotions the book, and subjectivity traditions • choral music history • religious studies • gender, class, and race • Classical and Romantic in Latinx musics music

ConTInuInG FACulTy I Ketut Gede Asnawa: Balinese gamelan performance • gamelan pedagogy • contemporary gamelan composition Christina Bashford: social and cultural history • Britain • chamber music • reception history • music and commerce • concert life • amateur music-making • music during World War I Donna A. Buchanan: Balkans • Caucasus • Mediterranean • Russia • music and identity politics • music and cosmology • acoustemology • campanology • performativity • post/socialism Megan K. Eagen-Jones: Late Renaissance polyphony • music of the counter- Reformation • sacred music • German music pedagogy Gayle Sherwood Magee, Chair: music in the U.S. and Canada • contemporary music • film music • music and war • music and gender • digital pedagogy Jeffrey Magee: music in the U.S. • musical theater • jazz • African American traditions • music and identity in historical contexts Michael Silvers: Latin America • Brazil • ecomusicology • musical sustainability and cultural policy • acoustemology • music and rurality • music and gender/sexuality Gabriel Solis: jazz • rock • indigenous music and dance of Australia and Papua New Guinea Ioannis Tsekouras: anthropology of music • music and identity • Balkans • Greece • Turkey For information about degree study visit music.illinois.edu Or contact us at [email protected]

music.illinois.edu/area/musicology illinoismusicology.wordpress.com Explore the School of Music.

436 437 The William and Gayle Cook Music Library

FACULTY WHO INSPIRE One of the country’s leading programs, the Musicology Department at the Indiana University Jacobs School of Music offers individual attention with all the advantages of an acclaimed conservatory and top research university. We have a large and active faculty, as well as affiliates in the Center for the History of Music Theory and Literature, Historical Performance Institute, Latin American Music Center, and Folklore and Ethnomusicology–plus the resources of IU Jacobs Opera and Ballet Theater, and the Cook Music Library (more than 343,000 volumes).

MUSICOLOGY FACULTY

Halina Goldberg, Chair Daniel R. Melamed Sergio Ospina Romero 19th-and 20th-century Poland Baroque music, J. S. Bach, Sound reproduction, jazz, and Eastern Europe, Chopin, the Bach family, performance Latin American music, cultural studies, music and practice, 18th-century opera transnationalism in the early politics, performance practice, twentieth century reception, Jewish studies Kristina Muxfeldt Late 18th- and early 19th- Ayana Smith Michael Bane century music and culture, Baroque music, opera and Music and culture of early- Lieder, stage works, literary criticism (1650–1750), modern France social history signifying and the blues, women and gender in music Judah Cohen Massimo Ossi Jewish music, music and Renaissance and Baroque Giovanni Zanovello medicine, musical theater music, early 17th-century 15th-century Italian musical Italian music theory and institutions, Florence, music Giuliano Di Bacco aesthetics, Italian lyric and humanism, Heinrich Isaac 14th-century polyphony, poetry and madrigal 1550– music theory, manuscripts, 1650, Vivaldi POSTDOCTORAL FELLOW biographies, digital humanities

Jillian Rogers Samuel Dwinell Phil Ford French modernism, music British opera, race and gender, opera after 1900 American popular music, and trauma studies, affect cultural studies, sound and and psychoanalytic theory, media, radical and counter- sound studies DEGREES cultural intellectual history Ph.D., M.A., M.A./M.L.S.

music.indiana.edu/musicology

436 437 Explore the PEABODY CONSERVATORY, a community of artists cultivating excellence, embracing new ideas, and committed to the future of music in our world.

Master of Music degree programs are offered in Musicology and Music Theory Pedagogy.

Musicology: Richard Giarusso • David Gutkin • Laura Protano-Biggs Anicia Timberlake • Elizabeth Tolbert • Susan Weiss Music Theory & Ear Training Faculty: Clinton Adams • Jenine Brown Vern Falby • Mark Janello • Ildar Khannanov • Sharon Levy Joel Puckett • David Smooke • Stephen Stone • Kip Wile

peabody.jhu.edu 667-208-6600

438 439 Penn State School Musicof

M.A. IN MUSIC AT PENN STATE The School of Music at Penn State offers the Master of Arts in Music with tracks in Musicology, Music Theory, and integrative Music Theory and History. Students beneﬁt from a distinguished faculty, individualized attention, small class sizes, pedagogical training, and all the resources of a Research I university. Students leave our two-year program well prepared to enter top doctoral programs in their ﬁeld, and we have a strong record of graduate placement. A number of teaching assistantships (including a full-tuition waiver and stipend) are available each year on a competitive basis.

MUSICOLOGY MUSIC THEORY Mark Ferraguto— 18th- and Vincent Benitez—Messiaen, 19th-century music, historical 20th- and 21st-century music, performance practices, music post-tonal analysis, the Beatles, and politics popular music, Baroque music

Marica Tacconi— early music, Maureen Carr—compositional Renaissance and Baroque Italy, process, sketch studies, Stravinsky, Monteverdi, manuscript studies, counterpoint interdisciplinary studies Taylor Greer— French art song, Charles Youmans—music after American music, topic theory, 1850, R. Strauss, Mahler, aesthetics, aesthetics, Schenkerian theory ﬁlm music Eric McKee— 18th- and 19th- century music, dance music, Chopin, Schenkerian theory, theories of tonal rhythm

apply today: music.psu.edu

438 439 University of Pennsylvania Graduate Studies in Music

The University of Pennsylvania offers Ph.D. programs in The University of Pennsylvania offers Ph.D. programs in AnthropologyEthnomusicology of Music HistoryHistory of of MusicMusic TheoryTheory ofof MusicMusic MusicalMusical Composition Composition GraduateGraduate Study Study inin MusicMusic at Penn isis characterizedcharacterized by by a asmall small student student body, body, individualindividual attention, attention, aa largelarge and distinguisheddistinguished faculty, faculty, generous generous four- four- and and five- five-yearyear fellowship fellowship packages, packages, and an and excellent an excellent placement placement record. record.

Faculty:Faculty:

MauroCarolyn Calcagno, Abbate, ChristopherAssociate Professor H. Browne (History) Distinguished Professor of Music (History) MaryMark Channen Butler, Assistant Caldwell, Professor Assistant (Theory) Professor (History) GlendaEmma Goodman,Dillon, Ass ociateAssistant Professor Professor (History) (History) Emily I. Dolan, Assistant Professor (History) Jeffrey Kallberg, William R. Kenan, Jr. Professor (History) Jeffrey Kallberg, Professor (History) Jairo Moreno, Associate Professor (Theory) Carol A. Muller, Professor (Anthropology) Carol A. Muller, Professor (Ethnomusicology) James Primosch, Robert Weiss Professor of Music (Composition) JamesGuthrie Primosch, P. Ramsey, Professor Jr., Associate (Composition) Professor (History) GuthrieTimothy P. Rommen,Ramsey, Jr., Assistant Edmund Professor J. and (Anthropology)Louise W. Kahn Professor (History) TimothyJay Reise, Rommen, Professor Davidson(Composition) Kennedy Professor (Ethnomusicology) and Chair JimGary Sykes, A. Tomlinson, Associate ProfessorAnnenberg (Ethnomusicology) Professor in the Humanities (History, Anthropology) AnnaAnna Weesner, Weesner, RobertAssociate WeissProfessor Professor (Composition) (Composition) Detailed information is available on our web site: Detailed informationwww.sas.upenn.edu/music/grad is available on our web site:

or contact: or contact: Director of Graduate Studies Music Director Department of Graduate Studies University Music Department, of Pennsylvania University of Pennsylvania The 201 S.Lerner 34th St. Center 201 Philadelphia, South 34th PA 19104-6313 Street Philadelphia, tel: (215) 898-7544 PA 19104-6313 tel: e-mail: (215) [email protected] 898-7544 e-mail: [email protected]

440 441 Graduate Studies in Music

The Department of Music at the University of Pittsburgh offers graduate studies leading to the PhD in four areas:

Musicology Ethnomusicology Jazz Studies Composition and Theory

Our program features a distinguished faculty with broad expertise and strong connections with the University’s many interdisciplinary centers and programs. Particular research strengths include Afro-diasporic, American, Asian, and European musics; French and Italian opera; postcolonial and cultural theory; politics and ethics of music; and sound studies. The Department warmly welcomes applications from members of underrepresented groups and is committed to providing a supportive environment for all students.

Faculty:

Mathew Rosenblum, Chair and Professor (Composition and Theory) Rika Asai, Lecturer (Musicology) Shalini R. Ayyagari, Assistant Professor (Ethnomusicology) Olivia Bloechl, Professor (Musicology) James P. Cassaro, Music Librarian and Professor (Musicology) Nicole Mitchell Gantt, Dietrich Endowed Chair in Jazz Studies Adriana Helbig, Associate Professor (Ethnomusicology) Michael Heller, Associate Professor (Jazz Studies) Aaron Johnson, Assistant Professor (Jazz Studies) Eric Moe, Andrew W. Mellon Professor (Composition and Theory) Marcelle Pierson, Lecturer (Music Theory) Susan Rice, Senior Lecturer (Performance, Musicianship) Deane L. Root, Professor (Musicology) Dan Wang, Assistant Professor (Musicology) Andrew N. Weintraub, Professor (Ethnomusicology) Amy Williams, Associate Professor (Composition and Theory) Roger Zahab, Senior Lecturer (Performance, Theory/Composition)

More information at: music.pitt.edu [email protected] (412) 624-4126

440 441 UNIVERSITY OF MARYLAND JASON GEARY SIV B. LIE 19TH-CENTURY MUSIC, GERMAN CULTURAL STUDIES, ROMANI MUSICS, RACE AND ETHNICITY, THE ANCIENT GREEK LEGACY, MENDELSSOHN MUSIC AND LANGUAGE, FRANCE

BARBARA HAGGH-HUGLO FERNANDO RIOS EARLY MUSIC AND THEORY, URBAN MUSIC, LATIN AMERICAN MUSIC, FOLKLORIZATION STUDIES IN PLAINCHANT, NOTATION AND NATION-BUILDING, MUSIC AND MUSICOLOGY, SOCIAL-POLITICAL MOVEMENTS ETHNOMUSICOLOGY, OLGA HALDEY AND RUSSIAN MUSIC, OPERA AND BALLET, WILLIAM ROBIN MUSIC THEORY MUSIC AND LITERATURE CONTEMPORARY CLASSICAL MUSIC, EARLY AMERICAN MUSIC, PUBLIC MUSICOLOGY As part of a premier DORA HANNINEN research university, THEORY OF MUSIC ANALYSIS, PATRICK WARFIELD graduate students CONTEMPORARY CONCERT MUSIC BY 19TH-CENTURY AMERICAN MUSIC, at the University of AMERICAN COMPOSERS LOCAL TRADITIONS, SOUSA, PEDAGOGY Maryland have easy access to Washington, RICHARD G. KING J. LAWRENCE WITZLEBEN D.C.’s cultural and HANDEL, HISTORICAL PERFORMANCE, CHINA AND SOUTHEAST ASIA, research institutions OPERA, POPULAR MUSIC ETHNOMUSICOLOGY THEORY including the EMERITUS: Library of Congress, ROBERT C. PROVINE RICHARD WEXLER National Archives, EAST ASIAN MUSIC, KOREAN TRADITIONAL MUSIC, MUSIC EDITING, 15- AND 16TH-CENTURY MUSIC, and Smithsonian. HISTORICAL ETHNOMUSICOLOGY OCKEGHEM, JAZZ

APPLY BY DECEMBER 1 MUSIC.UMD.EDU

Rice University’s Shepherd School of Music offers the bachelor’s and master’s degree in musicology. Small by design, the graduate program fosters individualized study with leading faculty-scholars and prepares students for top doctoral programs in the field.

Dean of the Shepherd School of Music Robert Yekovich

Musicology Faculty and Research Areas

Gregory Barnett, chair—history of theory; 17th- and early 18th-century Italian instrumental music; historical performance practice

David Ferris—late18th- and early 19th century music; romanticism; biography

Alexandra Kieffer—Debussy and early 20th-century French intellectual culture

Peter Loewen—medieval Latin and vernacular song; religious drama; music in preaching and intellectual history

Danielle Ward-Griffin—Britten; opera on television; 20th-century British and American opera performance; opera and place the shepherd school of music of school shepherd the

The Shepherd School of Music • Rice University, Houston, TX • music.rice.edu 713-348-4854 • [email protected]

442 443 MA AND PHD IN MUSIC STUDIES We offer graduate degrees in Ethnomusicology, the History and Theory of Music, Performance, and Composition. Our doctoral program is customizable around the interests of students and allows for various interdisciplinary emphases and close interaction between scholarship and performance.

FACULTY IN HISTORY-THEORY AND ETHNOMUSICOLOGY

MARGARETHE ADAMS Kazakhstan and Northwest China; political ideology; popular culture; Islam in Central Asia ERIKA SUPRIA HONISCH 16th- and 17th-century sacred music; historical sound studies; historiography of Central Europe JUDY LOCHHEAD History and theory of contemporary musics; philosophy; post-phenomenological approaches to music analysis; gender studies RYAN MINOR Opera studies and dramaturgy; performance studies; 19th-century musical cultures; Wagner; nationalism AUGUST SHEEHY History of music theory and analysis; musical subjectivity; improvisation studies; music and ethics STEPHEN DECATUR SMITH 19th- and 20th-century Germany; musical modernism; music and philosophy, especially the Frankfurt School and German Idealism BENJAMIN TAUSIG Thai and Southeast Asian music; sound studies; protest movements; labor and migration

stonybrook.edu/music

Stony Brook University/SUNY is an affirmative action, equal opportunity educator and employer. 17070119

442 443 WUSTL

MUSIC.WUSTL.EDU Ph.D. Programs in Musicology and Theory

ETHNOMUSICOLOGY PATRICK BURKE: music of the United States, jazz, rock, race and ethnicity LAUREN ELDRIDGE: pedagogy, African diasporic music, the Caribbean, art economies ESTHER KURTZ: Afro-Brazilian music and dance, cultural politics, ethnographic ethics, decolonizing practices MUSICOLOGY CLARE BOKULICH: late-medieval and early Renaissance music, genre and genre theory, silence TODD DECKER: ﬁlm music and musicals, the Broadway musical, popular music, digital humanities DOLORES PESCE: medieval motets, medieval and Renaissance music theory, Franz Liszt, Edward MacDowell ALEXANDER STEFANIAK: 19th-century music, virtuosity, Schumann, music criticism, Romantic aesthetics THEORY & COMPOSITION BEN DUANE: texture, form, music cognition, computational modeling, 18th & early 19th-century music ROBERT SNARRENBERG: Schenker, metaphor and music analysis, Brahms CHRISTOPHER STARK: composition, 20th-century theory and analysis, electronic music, postmodernism PAUL STEINBECK: improvisation, intermedia, the Association for the Advancement of Creative Musicians

444 445 UNIVERSITY OFVIRGINIA

Graduate Faculty in Music Matthew Burtner· A.D. Carson· Ted Coffey· Luke Dahl· Nomi Dave Scott DeVeaux · Bonnie Gordon· Michelle Kisliuk· Noel Lobley· Fred Maus Karl Hagstrom Miller· Michael Puri· Leah Reid · Richard Will

Offering two Ph.D. programs that encourage students to work across disciplinary boundaries within music and beyond.

Critical & Comparative Studies Composition & Computer Technologies CCS students examine and interrogate our CCT students explore and develop innovative understanding of music, past and present. Seminars compositional practices. The program integrates and independent projects expose them to a variety acoustic and computer-based composition, of fields: ethnomusicology, historical musicology, considered as part of a diverse multimedia and theory and analysis, jazz studies, American studies, interdisciplinary 21st-century field of art, design, feminist and queer studies, performance studies, and music. In addition to making original critical race studies, sound studies, museum studies, compositions and sound art works, students analyze and technology studies. and write about music and create new technologies.

For more information, contact Nomi Dave, Director of Graduate Studies at [email protected] or visit our website. www.music.virginia.edu/ degree/ phd

Excellence, research, publications In 2019, the Society will provide over a dozen awards for outstanding scholarly work and thousands of dollars to support research and publication in musicology. Visit the web site to learn more about our awards, travel grants, fellowships, and publication subventions.  www.amsmusicology.org

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