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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Ero's Penthouse
Last save: 2019-02-27 60 Seconds animation on: https://ero.ossel.nl/index.php/a-homepage-section/penthouse/ History Started long time ago, around 2005, with a little Icosahedron or Dodecahedron dome house. Then came the question having a stair along the walls, the faces of the Polyhedral, what is its angle. Ended up with the stair on level 3, the stair-halves have an angle of 120 degrees. Interesting was dealing with one halve along a wall pointing inside and the other halve along a wall pointing outside. It is at the end a little bigger than expected, and for the static an Icosahedron as a centre, bearing up the Dodecahedron. An optimal scale is 77 step rises of 0.17 meter between the planes of floor 3 and 6. With the given 0.17 step rise, the formula step length of 0.63 meter = 2 x rises + 1 x going brings a step going of 0.29 meter: 0.63-(2*0.17)=0.29. Because I’m a European, grown up with the metric system, the measurements are in meters. Some puzzling with a free standing elevator and chimney; afterwards came the ramp to level 1. This one is that expensive in render time, defined by a lot of small cylinders, I quit further development and started to render the 60 seconds animations. 18 Months later is here the result: ErO’s Penthouse. Levels All levels ID Up Plane Down Flt Rises Height Description 9 19.89 19.675 19.38 Sky DH 0 8 14.96 14.665 14.45 3 26 4.42 Roof DH 1,4,19 7 10.88 10.605 10.54 2 21 3.57 Flat two mid of level 8 and level 6 6 6.80 6.545 6.29 3 22 3.74 Flat one mid of DH 2,3,5,11,12,18 and IH 3,4,5 5 1.70 1.542 1.36 2 -
State Finalist in Doodle 4 Google Contest Is Pine Grove 4Th Grader
Serving the Community of Orcutt, California • July 22, 2009 • www.OrcuttPioneer.com • Circulation 17,000 + State Finalist in Doodle 4 Google Bent Axles Car Show Brings Contest is Pine Grove 4th Grader Rolling History to Old Orcutt “At Google we believe in thinking big What she heard was a phone message and dreaming big, and we can’t think of regarding her achievement. Once the anything more important than encourag- relief at not being in trouble subsided, ing students to do the same.” the excitement set it. This simple statement is the philoso- “It was shocking!” she says, “And also phy behind the annual Doodle 4 Google important. It made me feel known.” contest in which the company invites When asked why she chose to enter the students from all over the country to re- contest, Madison says, “It’s a chance for invent their homepage logo. This year’s children to show their imagination. Last theme was entitled “What I Wish For The year I wasn’t able to enter and I never World”. thought of myself Pine Grove El- as a good draw- ementary School er, but I thought teacher Kelly Va- it would be fun. nAllen thought And I didn’t think this contest was I’d win!” the prefect com- Mrs. VanAllen is plement to what quick to point out s h e i s a l w a y s Madison’s won- trying to instill derful creative in her students side and is clear- – that the world ly proud of her is something not students’ global Bent Axles members display their rolling works of art. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Inside the New American Home
5/1/11 3:19 PM Monday, Oct. 14, 2002 Inside The New American Home By Bill Saporito/Dallas;Harriet Barovick, Lisa McLaughlin and Desa Philadelphia/New York, Jyl Benson/New Orleans, Leslie Everton Brice/Atlanta, Betsy Rubiner/Des Moines and Sonja Steptoe/Los Angeles I really love the idea of a beautiful foyer that opens all the way through to the back of the house," says James Atkins as he rhapsodizes about the 8,000-sq.-ft. home he is building in Folsum, La., an hour north of New Orleans. The foyer features a fountain at the center of an intricate spiral staircase. The house will have a media room, a wall-size aquarium, five bedrooms, plus all kinds of ideas that he has collected in 10 years of exploring the real estate landscape. Atkins sounds like a decorator, but he resembles a doorway. He's 6 ft. 7 in., 350 lbs. and a veteran National Football League lineman who spent the past decade trying to keep other large, angry men from mangling his quarterback. Now, though, Atkins is like the rest of house-hunting, house-remodeling, house-rich and house-proud America. "I want my dream house to incorporate lots of features that reflect my interests," he says, "so my home will remain appealing and comfortable to me throughout my lifetime." Home ownership has never been more pervasive across the U.S., and judging by the success of television's Trading Spaces and hgtv and the introduction of new shelter magazines such as Cachet, LivingRoom and Chic Simple, neither has home obsession. -
An Absolutely Beautiful Architect-Designed Modern House in Springs Behind the Hedges 06.11.2018 12:48 Click Here to Sign up for Behind the Hedges Newsletter
11/6/2018 An Absolutely Beautiful Architect-Designed Modern House in Springs Behind The Hedges 06.11.2018 12:48 Click here to sign up for Behind the Hedges Newsletter HOME TOP STORIES INDUSTRY LEADERS READ BEHIND THE HEDGES MAGAZINE AN ABSOLUTELY BEAUTIFUL ARCHITECT-DESIGNED MODERN HOUSE IN SPRINGS APRIL 19, 2017 BY LAURA EULER This interesting building, by architect Michael Haverland, is set on 2.55 acres right on Accabonac Harbor, near the Pollock-Krasner House. Built by Ben Krupinski in 2008, the house is a signature Haverland design, with long low lines and many windows, all within two rectangular volumes. https://behindthehedges.com/beautiful-architect-modern-springs/ 1/5 11/6/2018 An Absolutely Beautiful Architect-Designed Modern House in Springs Click here to sign up for Behind the Hedges Newsletter HOME TOP STORIES INDUSTRY LEADERS READ BEHIND THE HEDGES MAGAZINE The exterior is cast concrete with an intriguing pattern. Sightlines as you walk through the house are intriguing; there's a fabulous sunken conversation pit that beautifully complements the midcentury aesthetic. (Is the Doberman included? SOLD!) https://behindthehedges.com/beautiful-architect-modern-springs/ 2/5 11/6/2018 An Absolutely Beautiful Architect-Designed Modern House in Springs Click here to sign up for Behind the Hedges Newsletter HOME TOP STORIES INDUSTRY LEADERS READ BEHIND THE HEDGES MAGAZINE In all, the house oers four bedrooms, including an airy master suite, in 4570 square feet. And of course there's a inviting gunite pool just out back. The property, represented by Matthew Burns, Ed Petrie, and James Petrie at Compass, is asking $6.15 million. -
Uniter #23.Qxd
Huyghebaert on Huggy Bear Page 17 Rwandan Genocide Do It ‘80s Style! Page 10 PPaagege 1116 VolumeUniter 58, Issue 23 march 11, 2004 THE Uniter THE T HE O FFICIAL W EEKLY S TUDENT N EWSPAPER OF THE U NIVERSITY OF W INNIPEG Urban Aboriginal Organization Looks to Past to Secure Future - page 3 page 2 march 11, 2004 the uniter uniter the news Volume 58, Issue 23 March 11, 2004 S T A F F Jonathan Tan Editor In Chief [email protected] Namibia: Michelle Kuly Managing Editor [email protected] A. P. (Ben) Benton the Next Zimbabwe? News Editor however, that fair compensation experience was a violent one— ment through parliament in 1999, BY SCOTT DE GROOT [email protected] will be provided to all. The gangs affiliated with Mugabe used allowing him a third presidential n a move that some feared Minister of Lands, Resettlement violent force to evict white farm- term, he promised it would be his Cheryl Gudz would lead to a political and and Rehabilitation said that after a ers, which in part, led to last. But now, according to the Features Editor economic crisis similar to farm has been identified for Zimbabwe’s suspension from the leader of the main opposition [email protected] I Zimbabwe’s, Namibia has expropriation, a notice will be sent Commonwealth in 2002. The party Katuutira Kaura, “it looks as announced it will “fast track” the to the owner, who will then be country’s once thriving agricultur- if a fourth presidential term really Jeff Robson expropriation of white owned required to make a land value al sector collapsed, food shortages is in the cards.” A&E Editor farms. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r . -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 12-10-1987 Kenyon Collegian - December 10, 1987 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - December 10, 1987" (1987). The Kenyon Collegian. 720. https://digital.kenyon.edu/collegian/720 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The Collegian Wishes The Twelve" on TV: Reviews: You a Safe and Happy Prime-Tim-e the Year in Records Holiday Season Presidential Politics 7 VL tie Kenyon Coiieffian Volume CXV, Number 1 1 Established 1856 Thursday, December 10, 1987 Lord Rosse Shares History, Heritage with Kenyon By Michael Ueland Speaking in Rosse Hall, Lord Rosse said he during its time period. The telescope which was proud to be speaking in the building was 54 feet high and had a reflective mirror named one was six feet in diameter, remained the Last Thursday, the Kenyon College com- after of his forebearers. Lord that Rosse began by giving summary largest telescope until 1917. The third Earl is munity welcomed Lord Michael Rosse to a brief of the family's developing the fastest ship Rosse Hall. Rosse is descended from Lady significance and then proceeded to also known for of trace back the origins of the family to the the 19th century. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Architecture Resources in the Irwin-Sweeney-Miller Family Collection at the Indiana Historical Society Library
INTROSPECTION AND INTERNAL OPERATIONS: ARCHITECTURE RESOURCES IN THE IRWIN-SWEENEY-MILLER FAMILY COLLECTION AT THE INDIANA HISTORICAL SOCIETY LIBRARY Above photographs are courtesy of the Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Maire Gurevitz, Archivist, Indiana Historical Society What does IHS have to offer? The Irwin-Sweeney-Miller Family Collection is more diverse and comprehensive, but less architecture specific than the IMA Miller House collection or the Columbus Archives. Strengths of our collection are: Personal, business, and philanthropic correspondence from all family members J. Irwin Miller public speaking preparation notes and speech transcripts Casual/candid family photographs Life at the Miller House A game of baseball in the yard, ca. 1960s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at the Miller House Xenia Miller and Alexander Girard seated in the Conversation Pit, ca. 1970s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at the Miller House Birthday party for Will Miller, ca. 1960s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at the Miller House J. Irwin, Will, and Betsy Miller relaxing on the patio, ca. 1960s. Irwin- Sweeney-Miller Family Collection Life at the Miller House J. Irwin, Margaret, Xenia, and Betsy Miller relaxing in the Conversation Pit, ca. 1960s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at Miller House J. Irwin and Xenia Miller entertaining at home, ca. 1980s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Introspection An excerpt from a bound volume of J. Irwin Miller’s writings and collected quotations, ca. 1934-1959. Irwin-Sweeney-Miller Collection, Indiana Historical Society Introspection What experiences and interactions inspired J.