Free Download L'urlo Brass Free Download L'urlo Brass

Total Page:16

File Type:pdf, Size:1020Kb

Free Download L'urlo Brass Free Download L'urlo Brass free download L'urlo brass Free download L'urlo brass. Download High Quality Brass Sheet Music in PDF Format - since 2007. "This is the most useful website that I have ever visited for sheet music for the trumpet. Well worth downloading from this site and using what it has to offer. Thank you brass music online." - Ellis Hodgkins. Got a gig in an hour? No problem - Brass Music Online provides you with high quality : instantly downloadable pdf files of brass music, from unaccompanied solos to 18-piece brass ensembles. Our professionals have prepared arrangements for all skill levels from elementary to advanced. Brass arrangements can be downloaded immediately in your online store via secure online order. You can always reach out and ask for prices for new arrangements for your group. Our brass musicians will also arrange any piece you have in mind, for any ensemble you want it arranged for. AllMovie. In a commentary Tinto Brass recorded for the DVD release of his film L'Urlo (aka The Howl), the director described it as "a film not about 1968, but of 1968." While Brass was referring to the fact that this movie was shot during that year of international tumult, L'Urlo is very much a product of its time, which in this case doesn't work to its favor. Brass's notions of political and social satire may seem reasonably sincere in this movie, but they're also bludgeoningly obvious, and pretty much any time he can find a way to throw nudity or sex into his anti-authoritarian slapstick he does, which makes the movie look more like a faux-psychedelic soft core porn effort than a pointed commentary on contemporary mores. (Given Brass's later body of work, that shouldn't surprise anyone.) L'Urlo can be seen as a companion piece to Brass's Nerosubianco (aka Attraction and Black On White) -- both films have no real narrative and simply toss one playful visual outrage after another at the audience. But while Nerosubianco was incoherent and obvious but an entertaining guilty pleasure, L'Urlo meanders a lot more as it rambles along, and while the racial subtext of Nerosubianco gave that picture some sort of consistent thread, L'Urlo is far more scattershot and fewer of its arrows hit the target. The camera clearly loves Tina Aumont as Anita, but she doesn't have much to offer besides her beauty, and while Gigi Proietti (here billed as Luigi Proietti) demonstrates why he became one of Italy's favorite screen comics, he often seems to be mugging simply because there isn't much else for him to do. L'Urlo is a movie about a society in upheaval made by someone who doesn't seem to care about politics as much as sex and rude comedy, and while Tinto Brass does better by the counterculture than, say, Benny Hill, that doesn't mean he set the bar very high with this effort. User Reviews. I understand this is something of a cult film but I don't know why. By 1970, the year of this release, the psychedelic cycle had been peddled to near pattern exhaustion. There wasn't much left after the reckless abandon of Richard Lester's stuff, especially "A Hard Day's Night" in the early sixties. And parodist nonsense must have reached the stage of ejaculatory inevitability with "Casino Royale" in 1967. Yet here is Tinto Brass, picking the gleanings a couple of years later, and apparently doing it with exuberance, as if it were his very own discovery. The pop images pop in and out, there are nonsensical inserts, actors speak lines of gibberish (three actors at a time), the performers are either beautiful or grotesque. (I think here we see the influence of Federico Fellini. If you're going to ape, ape the best.) Brass seems to believe that any crazy thing he puts on the screen will sell. Random bits of newsprint. A man masturbating. A duck having its head chopped off. A surrealistic poster. If a shot last longer than a few seconds, he simply inverts the image. Voila! Invention! I won't describe the plot because there is so little of it to describe. A rapist escapes from prison. He's picked up by strangers and they all register at a motel that is itself psychotic. I mean the architecture. The man behind the counter weighs several hundred pounds, speaks in a falsetto, and does nothing but burp and fart and kill mice. "Finnegans Wake" makes more sense. Dennis Hopper's "The Last Movie" is a logical tract by comparison, and Hopper at least had the excuse of being thoroughly stoned all during the shoot. I was able to endure about forty-five minutes of this bloated attempt at modernism. The alternative was to start chewing on the rug. This review contain spoilers. A young bride is arrested after an incident in a manifestation after that her fiancée tell her to married but in the middle of the ceremony she saw an strange who smiles at her and she run away with him. After that they started to have lots of strange adventures. This was my first Tinto brass movie and is also a very dificult movie to see. It didn't had any subtitles so i have to guess what they're saying well at least i know a couple of things about the italina language. The movie is funny and had great character both Anita and Coso had great chemistry and i love the scene where they dance. But after that the movie start to downhill like Tinto Brass looses the narrative and also i hate the ending. Spoilers Why Anita have to died? i was hoping that she and Coso stay together. But i think coso was some kind of manifestation or interpretation. The end was kinda of sad because you liked the pirnciple characters. Free Trumpet Loops Samples Sounds. The free trumpet loops, samples and sounds listed here have been kindly uploaded by other users. If you use any of these trumpet loops please leave your comments. Read the loops section of the help area and our terms and conditions for more information on how you can use the loops. Any questions on using these files contact the user who uploaded them. Please contact us to report any files that you feel may be in breach of copyright or our upload guidelines. This list only shows free trumpet loops that have the word trumpet in the title or description. Use the search box to find more free trumpet loops and samples. Free download L'urlo brass. DVD NOW AVAILABLE! THANKS TO CULT EPICS! The 1:1.85:1 transfer at 16×9 is not the best, but don’t blame Cult Epics! That was the best material available. Really. I’m not joking. So don’t gripe. Just enjoy it. If you really feel compelled to gripe, then help out with a proper restoration, and cross your fingers and hope that the master elements still exist somewhere. If this doesn’t display, download the video here: MP4 or OGV . This is the second movie produced by Tinto’s personal company, Lion Film. The investor was Dino de Laurentiis, who presold the distribution rights seemingly to La Distribuzione Titanus, and maybe to some international distributors as well (Paramount, as per the logo posted in the hotel?), but I don’t know. How Dino managed to invest in this production remains a mystery to me, because he had evaded his taxes and fled to Hollywood. The Italian tax authorities seized all his traceable Italian holdings, including his studio, Dinocittà, and his back catalogue, though many of his possessions and rights were hidden away under the names of legal fictions, and thus escaped the That explains why Dino took no credit on this film. When the Ministero del Turismo e dello Spettacolo’s censor board banned this movie, Dino was too far away to throw his weight around. I know nothing about the budget, I know nothing about how money was moved from investors to the production, I know nothing about the contracts, I know nothing about how the distributor(s) got any investments returned, and I’m just dying to learn about it all. Further, where are the film elements? Tinto shots miles of material that he never included in the movie. He shot with microphones, but then dubbed everything later. Where is the production audio? It seems that he prepared an English version as well (subtitles or dub, I do not know), though I cannot be certain of that. Where is it? Tinto has only a battered, unprojectable 35mm print of a pre-censored edition, and whether that be his original authentic edition, I do not know. He has all the rights, but he does not have the physical materials. Some corporate entity still has the masters in some warehouse somewhere, probably under the name of a shell corporation, or maybe divided among multiple shell corporations. Maybe it’s under Giada Film? Maybe it’s under FilmAuro? Maybe under something else? We need to dig this material up and rescue it. Who wants to help? CLICK HERE FOR THE MOST INTELLIGENT ANALYSIS OF THIS MOVIE THAT I’VE EVER RUN ACROSS. You see, I don’t like explaining things that don’t absolutely need explaining. When others decide to explicate, that’s fine; they can do it, but I personally don’t want to do it. So when I wrote a description of this movie, I deliberately kept it as superficial as possible.
Recommended publications
  • Tinto Brass.” the Hollywood Reel Independent Film Festival (HRIFF) Returns to the New Beverly Cinema in Dec
    PRESS RELEASE LOS ANGELES - The 2012 Hollywood Reel Independent Film Festival is proud to screen the newly restored “1960s and 1970s Films of Tinto Brass.” The Hollywood Reel Independent Film Festival (HRIFF) returns to the New Beverly Cinema in Dec. 2012, to screen their most ambitious program to date, featuring the “1960s and 1970s Films of Tinto Brass” retrospective. HRIFF’s 2012 “1960s and 1970’s Films of Tinto Brass” retrospective includes world premieres of restored and extended versions of the rarest Tinto Brass films of the 1960s and 1970s, inc: La Vacanza, which stars Vanessa Redgrave and Franco Nero, and not screened in the U.S. for four decades. La Vacanza is a cinematic gem, which was named “Best Italian Film” at the Venice Film Festival in 1971, and is described by Tinto Brass as being his “second-favorite” of his own films. The screening at HRIFF 2012 will be the first time this film has had a theatrical screening in the USA since 1971. Tinto Brass was well known in the 1960s and 1970s for films distinguished by their extremely experimental editing and camera work, as well as for their political and satirical content. These qualities helped Tinto Brass get the first offer to direct A Clockwork Orange, a film whose eventual director used many production and style cues reminiscent of Tinto’s earlier work from that era. HRIFF 2012 presents La Vacanza in an extended, restored version with never- seen-before footage taken from the Tinto Brass archives. The film screenings will be accompanied by a new, short documentary about the making of the film, and a Q&A featuring director Tinto Brass, and film scholar, Alexander Tuschinski.
    [Show full text]
  • Pimping and Pornography As Sexual Harassment: Amicus Brief in Support of Plaintiff-Respondent in Thoreson V
    Michigan Journal of Gender & Law Volume 1 Issue 1 1993 Pimping and Pornography as Sexual Harassment: Amicus Brief in Support of Plaintiff-Respondent in Thoreson v. Penthouse Int'l LTD. Dorchen A. Leidholdt New York City Legal Aid Society Follow this and additional works at: https://repository.law.umich.edu/mjgl Part of the Civil Rights and Discrimination Commons, Law and Gender Commons, Law and Society Commons, and the Litigation Commons Recommended Citation Dorchen A. Leidholdt, Pimping and Pornography as Sexual Harassment: Amicus Brief in Support of Plaintiff-Respondent in Thoreson v. Penthouse Int'l LTD., 1 MICH. J. GENDER & L. 107 (1993). Available at: https://repository.law.umich.edu/mjgl/vol1/iss1/9 This Brief is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Gender & Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. PIMPING AND PORNOGRAPHY AS SEXUAL HARASSMENT: AMICUS BRIEF IN SUPPORT OF PLAINTIFF-RESPONDENT IN THORESON v. PENTHOUSE INTT LTD.t 'DorchenA. kidholdt* INTRODUCTION In March 1989, the New York City tabloids announced a forthcoming trial, with headlines like "Pet Peeve" and "Petulant Pet's Cry." The case was Thoreson v. Penthouse InternationalLtd.I The media's characteriza- tion of Plaintiff Marjorie Lee Thoreson, AKA Anneka DiLorenzo, a former "Penthouse Pet," as a "girlie mag featurette" demonstrated that they clearly viewed the lawsuit as a form of sexual entertainment. Women Against Pornography, the New York City feminist organization I helped found, had a different perspective.
    [Show full text]
  • Specimen Book by Fantasiaa Type S
    BR BRASS THE TYPEFACE A specimen book by FantasiaA Type S BRASS THE FILM DIRECTOR A concise filmography by Fantasia Type S 1958 → P. 02 1971 → P. 22 1992 → P. 42 1963 → P. 04 1971 → P. 24 1994 → P. 44 1964 → P. 06 1976 → P. 26 1995 → P. 46 1964 → P. 08 1979 → P. 28 1998 → P. 48 1964 → P. 10 1980 → P.30 2000 → P. 50 1966 → P. 12 1983 → P. 32 2002 → P. 52 BRASS Light 768 pt 1967 → P. 14 1985 → P. 34 2003 → P. 14 1968 → P. 16 1987 → P. 36 2006 → P. 56 BRASS (1966). He was approached in 1976 to direct a only credited for “Principal Photography”. Despite THE FILM DIRECTOR sexploitation quickie, “Salon Kitty” (1976), but he this, the film remains his most widely viewed work wisely chose to have the script rewritten, turning it (and the highest-grossing Italian film released in Giovanni Brass was born on 26 March 1933 into the into a dark, political satire. the United States). family of a famous artist, Italico Brass, who was his 1968 → P. 18 1988 → P. 38 2008 → P. 58 grandfather. Italico gave his grandson a nickname The success of “Salon Kitty” lead Penthouse mag- Other notable works of Brass’s later period in- “Tintoretto” which Giovanni later adapted into his azine publisher Bob Guccione to choose Brass to clude “The Key” (1983), “Miranda” (1985), “Pa- cinematic name, Tinto Brass. helm “Caligola” (1979), the big-budget adaption prika” (1991), “Così fan tutte” (released under the Tinto inherited his grandfather’s artistic skills, but of Gore Vidal’s novel “Caligula”.“Caligola” was English title “All Ladies Do It”) (1992), “Monella” he applied them to film instead of canvas.
    [Show full text]
  • 1967-11-09 Leuropeo.Pdf
    .( I ' ' ( -) ( ,- 1 _. -.,..•.•.•••-•.•.---.,,:..•:Jl.•.•;_w_._,._._._,;,;_w_._._._._._._.,;_w.-;,;,, I.'E1JBOPEO FINARTE SETTIMANALE POLITICO DI ATTUALITA - Direttore: TOMMASO GIGLIO Condtrettcire: RENZO TRIONFERA ·---·--·- .. - - ···- - - - - - - - - - .... Anno XXIII - N. 45 · (1148) - 9 novembre 1967· • • • • • • •*• •••.• ,• • ,. ... ,,• •••• -~ • - . ·Rtzzoli Editore, Milano-Roma Stampa Rizzoli, Milano - · Printed· in Italy Asta dlDlpinti Direzlone~ Redazione, Ammi~stra• -Moderni,e dell'800 SOMMA RIO zionei 20132 Milano, via C!vi~vec- , cbia 102, tel. 25.63.151/141 - · U_fficio romano: vi1!. V. Veneto 74, 00187. Ro• .3 Lettere al .gtornate ma, tel. 476.941; 482.841 - Ufficio . di '·* New· York: 712 Fifth Avenue - New 9 Ultimo giorno · York - ·N. Y. 10019, ·U.S.A.,; telefono De Chirico Carlo B*o 14 Giovanni Boine dtmenticato nel" 24.50.400 - Ufficio di Parigi: 100, ·Rue Reaumur·, Paris (2), telefono Central .Morandi cinquantenario della · morte _ . La 2000 (interno 463) - Gutenberg 2727 . ctvilta Ietteraria e anche mernoria -· Pubblicita.: « Rizzoll Pubblicita •: Wlaminck 20132 Milano, via Civitavecchia ·102; · Guido Gerosa 17 L'E uropeo economico-finanziar-io - tel. 2l!.88; 001.87 Roma,' via. Vittorio Veneto 74, tel. 476.941; 482.841; 479. Dtrillo A colloquto ' con Gianni Agnelli e 632; 10121 . Torino, corso Matteotti , con i dirigenti della Fiat 3 bis, tel. 530.221; 534.971; 40122 ao-; Leger· logna, via Azzogardino 2, tel. 272.613; Luigi Barzini 2lc E ancona lunga la. strada perche . 35100 Padova,· via degli Scrovegnl 29, · Giacometti ,ecc. 'diventiamo . uno State>' moderno ~ tel. 663.111;_ New York, .112 Fifth. Avenue, N.Y. 10019; Gran Bretagna: Delleani - Merzagora non merita l'accusa di Albert Milhado,_ 525 Fulham Road, qualunquismo London S.W.
    [Show full text]
  • Gore Vidal's Caligula (1979): Denying the Author Daniel O'brien Gore
    Journal of American Studies of Turkey 35-36 (2012): 97-109 Gore Vidal’s Caligula (1979): Denying the Author Daniel O’Brien Gore Vidal’s involvement with and subsequent disownment of the film Caligula (1979) is well known. Produced in Italy and financed by Penthouse publisher Bob Guccione; it started as an ostensibly serious biopic of the infamous Roman emperor, scripted by Vidal, but ended up as a lurid blend of graphic violence and explicit sex. The focus of this article is not on Caligula itself, but an accompanying documentary, made at the time of the film’s production with Vidal’s participation. The prosaic title A Documentary on the Making of Gore Vidal’s Caligula (1981) is notable for apparently granting Vidal authorial ownership of the film. However, the content of the documentary, supervised by Guccione, subverts and questions this authorship, ultimately denying both Vidal’s entitlement to this position and the validity of the concept itself. My methodology includes debates on authorship in relation to the cinema, which have usually centered on the director and ideas of personal expression. As noted below, Vidal scorned the notion of directors as cinematic authors, or auteurs, regarding them as mere technicians who neither required nor displayed creative ability. However, A Documentary on the Making of Gore Vidal’s Caligula highlights opposing ideas of film authorship that befit further analysis. As Peter Wollen states, the concept of the auteur is linked to the French film journal Cahiers du Cinéma, which promoted the politique des auteurs during the 1950s, albeit in haphazard fashion (74, 77).
    [Show full text]
  • Complicated Views: Mainstream Cinema's Representation of Non
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e.
    [Show full text]
  • (Ìž'í'ˆìœ¼ë¡Œ) ˪…˶€ : ̦​ʲ¨ Ì°¾Ê¸°Ì—​͈¬Í'œ
    Osiride Pevarello ì˜í​ ™” 명부 (작품으로) Up the MacGregors! https://ko.listvote.com/lists/film/movies/up-the-macgregors%21-3958312/actors Django Shoots First https://ko.listvote.com/lists/film/movies/django-shoots-first-1232069/actors Man Called Amen https://ko.listvote.com/lists/film/movies/man-called-amen-15804939/actors Shango https://ko.listvote.com/lists/film/movies/shango-3959152/actors Adiós gringo https://ko.listvote.com/lists/film/movies/adi%C3%B3s-gringo-357398/actors Wanted https://ko.listvote.com/lists/film/movies/wanted-2548540/actors Panhandle 38 https://ko.listvote.com/lists/film/movies/panhandle-38-868455/actors The Hills Run Red https://ko.listvote.com/lists/film/movies/the-hills-run-red-1306323/actors The Big Racket https://ko.listvote.com/lists/film/movies/the-big-racket-1347303/actors Twilight Avengers https://ko.listvote.com/lists/film/movies/twilight-avengers-3791391/actors Django the Bastard https://ko.listvote.com/lists/film/movies/django-the-bastard-1133248/actors Hate Thy Neighbor https://ko.listvote.com/lists/film/movies/hate-thy-neighbor-1588604/actors Loaded Guns https://ko.listvote.com/lists/film/movies/loaded-guns-3683744/actors Pecos Cleans Up https://ko.listvote.com/lists/film/movies/pecos-cleans-up-1703459/actors Per 100.000 dollari ti https://ko.listvote.com/lists/film/movies/per-100.000-dollari-ti-ammazzo-3899456/actors ammazzo Senso '45 https://ko.listvote.com/lists/film/movies/senso-%2745-3955375/actors Roy Colt and Winchester https://ko.listvote.com/lists/film/movies/roy-colt-and-winchester-jack-1123007/actors
    [Show full text]
  • Bodies of Desire and Bodies in Distress
    Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................
    [Show full text]
  • Queer Lion Award Venice Gays
    65. Mostra Internazionale d’Arte Cinematografica Queer Lion Award Lido di Venezia 30 agosto / 6 settembre 2008 4. Giornate di Cinema Omosessuale Venice Gays Mestre 17 × 18 × 19 ottobre 2008 CinemArte presenta Organizzazione - Organization Indice 03 Staff / Ringraziamenti Queer Lion Award 04 La giuria 05 Festa di apertura: 30 agosto Coordinamento Generale Cerimonia di premiazione: 6 settembre General Management Daniel N. Casagrande Venice Market 06 Ciao: proiezione 31 agosto Traduzioni - Translations 07 The Lost Coast: proiezione 1 settembre Marco Busato 08 Antarctica: proiezione 2 settembre 09 Esprit es-tu là?: proiezione 3 settembre Grafica - Graphic design Marika Vettori Giornate di Cinema Omosessuale 10 Venice Gays: proiezioni 17 ottobre Sito - Website CinemArte.net 11 Venice Gays: proiezioni 18 ottobre Durica Nikolic 13 Venice Gays: proiezioni 19 ottobre Proiezioni - Projectionist David N. Casagrande Sigla - Opening short Fabio Fiandrini Foto di copertina - Cover photo “Ciao” di Yen Tan Contributo - Contribution Index Sostegno - Support 03 Staff / Acknowledgments Queer Lion Award 04 The jury 05 Opening party: August 30th Patrocinio - Patronage Award Ceremony: September 6th Venice Market 06 Ciao: screening August 31st 07 The Lost Coast: screening September 1st 08 Antarctica: screening September 2nd Media partner 09 Esprit es-tu là?: screening September 3rd Giornate di Cinema Omosessuale 10 Venice Gays: screenings October 17th 11 Venice Gays: screenings October 18th 13 Venice Gays: screenings October 19th Collaborazione - Collaboration Centro Sperimentale Cinematografia Silverscreen Cinemare Venezia Spiagge Aurora Street 3. LA GIURIA Queer Lion Award THE JURY TINTO BRASS MASSIMO BENVEGNÙ BOYD VAN HOEIJ DANIEL N. CASAGRANDE Tinto Brass Presidente di giuria / President of jury Nato a Milano, assistente di Rossellini, esordì alla re- Born in Milan, assistant for Roberto Rossellini, debu- gia nel ’63 con Chi lavora è perduto, opera influenza- ted as a director in ’63 with Who Works Is Lost, a movie ta dalla Nouvelle Vague.
    [Show full text]
  • Newsletter 16/09 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 16/09 DIGITAL EDITION Nr. 258 - September 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 16/09 (Nr. 258) September 2009 editorial Hallo Laserdisc- und DVD-Fans, wird Sie auch wieder auf den Seiten 4 spricht Annas Vater!” Schließlich war liebe Filmfreunde! bis 6 begrüßen und Ihnen erzählen, es Jochen Rudschies, der seiner Toch- welche Filme Sie demnächst anschauen ter Anna die Filmleidenschaft sozusa- Es sieht ganz danach aus, dass wir es und welche Werke Sie tunlichst meiden gen in die Wiege gelegt hat. Bravo Jo- wieder einmal mühelos geschafft ha- sollten. Als weiteren besonderen Ser- chen – gut gemacht! Und wenn Ihnen ben, den für unseren Newsletter vorge- vice für unsere Leser finden Sie ab Sei- das gefällt, was Annas Daddy für uns gebenen Rahmen von 60 Seiten zu te 7 das ausführliche Programm zum “5. schreibt, dann schreiben Sie ihm doch sprengen. Gut für unsere Leser – Todd-AO 70mm Filmfestival” in der einfach. Denn nicht nur Anna freut schlecht für uns. Denn je mehr wir Ih- Karlsruher Schauburg. Wie jedes Jahr sich über Feedback! Übrigens: sollten nen an Lesestoff verabreichen, desto so werden wir auch dieses Mal wieder Sie sich jetzt durch den Einsatz von größer die Gefahr, dass wir beim Heften ganztägig vor Ort sein und das Festival Annas Vater dazu motiviert fühlen, sich der Print-Version selbst Hand anlegen tatkräftig unterstützen.
    [Show full text]
  • Aufgabe 07 2008.Pdf
    Aufgabe Number 7 “dream house #3” by Ruby Palmer poetry editors | E. Tracy Grinnell, Paul Foster Johnson, Julian T. Brolaski essays, notes & reviews editor | Mark Tardi art editor | Rachel Bers editorial assistant | Ashley Lamb typesetting | E. Tracy Grinnell design | HvA Design & E. Tracy Grinnell cover art | Ruby Palmer © 2008 Aufgabe. All rights revert to authors upon publication. Aufgabe is published annually by Litmus Press. Single issues are $12, a subscription for two issues is $20. For institutional subscriptions rates and for information about individual subscriptions, contact the publisher directly. Litmus Press is the publishing program of Ether Sea Projects, Inc., a 501(c)(3) nonprofit literature and arts organization dedicated to supporting innovative, cross-genre writing with an emphasis on poetry and international works in translation. Litmus Press/Aufgabe P.O. Box 25526 Brooklyn, NY 11202-5526 www.litmuspress.org All Litmus Press publications are distributed by Small Press Distribution 1341 Seventh St. Berkeley, CA 94710 www.spdbooks.org ISSN: 1532-5539 ISBN: 978-1-933959-05-4 Aufgabe is made possible, in part, by public funds from the New York State Council on the Arts, a state agency. Litmus Press is also supported by grants from the Council of Literary Magazines and Presses and individual donors. All contributions are tax- deductible to the extent allowed by law. Contents Editors’ Note | Paul Foster Johnson, Julian T. Brolaski & E. Tracy Grinnell 5 Feature | guest edited by Jennifer Scappettone 15 Translations from the
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]