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A Brotherhood Celebrates Its Storied 82-Year Legacy
Volume 95 Number 25 | FEBRUARY 7-13, 2018 | MiamiTimesOnline.com | Ninety-Three Cents SHARING A HISTORY ONE MONTH AT A TIME OVERTOWN Some residents won’t stand for soccer stadium Community members skeptical of Beckham deal in their backyard ANDREA ROBINSON [email protected] A community meeting of Overtown public housing ten- ants about the proposed soccer stadium morphed into a session about distrust of county government and gave rise to fears that residents would be put out of their longtime homes. The residents of Culmer Gardens and Culmer Place attended the meeting called by the organization that opposes the sale of property by Miami-Dade County to the Longtime friends and gantry crane operators Eddie Fluker and Nathaniel Daniels embrace each other at group that has been award- PortMiami. The two are proud members International Longshoremen’s Association (ILA) Local 1416. ed a Major League Soccer franchise in Miami. The leaders of the Overtown/Spring Garden Community A brotherhood celebrates Collaborative called the meeting at the Reeves Park commu- nity center to update its storied 82-year legacy the Overtown neigh- borhood on where JANIAH ADAMS things stand. On Jan. [email protected] 28, former MLS star turned businessman In 2011, Cecelia Stewart took out her camera and began taking David Beckham an- pictures. Her pictures documented the work and lives of men nounced that the league who have been part of International Longshoremen’s Associa- awarded a franchise to his tion (ILA) Local 1416 located in Overtown. investment group to bring This year, as the union celebrates its 82nd year in existence, professional “futbol" Stewart compiled her pictures into a calendar that tells the sto- to South Florida. -
Soul Weekend"
University of Dayton eCommons News Releases Marketing and Communications 11-5-1968 The niU versity of Dayton to Hold "Soul Weekend" Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "The nivU ersity of Dayton to Hold "Soul Weekend"" (1968). News Releases. 3414. https://ecommons.udayton.edu/news_rls/3414 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. THE UNIVERSITY OF DAYTON JOE McLAUGHLIN PUBLIC RELATIONS DEPARTMENT DIRECTOR, GENERAL PUBLICITY DAYTON, OHIO 45409 AREA CODE 513 461-5500 EXT. 500 DAYTON, Ohio, November 5, 1968 --- Soul is " t elling it like it is" and that is exactly what UD students will be doing November 14-17. Soul Weekend, whose theme will be X-ve got soul -- Can you die it?", is being sponsored by UAO, Student Government, Alpha Phi Alpha and BATU (Black Action Through Unity). Soul digging will begin Thursday, November 14, with a concert by the 5th Dimension, presented by Student Government, at 8 P.M. in the UD fieldhouse. On Friday, November 15, the annual TGIF dance in the Union Snackbar, for UD students only, will turn soul and routines of the latest soul dances will be demonstrated. Friday evening the movie, "Nothing But A Man", starring Ivan Dixon and Abbey Lincoln, will be shown in Wohlleben Auditorium at 7 and 9 P.M. Saturday evening from 8:30-12: 30 the DiTalians, a twenty-one piece band, will provide music for a dance entitled "Soul In Depth." Open to the public for a fee of 25¢, the dance will be held i n the Ballroom of the Kennedy Union. -
Maya Angelou Poet, Author, Civil Rights Activist (19282014)
1 Name: ________________________________ Date: ________________ Class: _________ Maya Angelou Poet, Author, Civil Rights Activist (19282014) Synopsis Born on April 4, 1928, in St. Louis, Missouri, writer and civil rights activist Maya Angelou is known for her 1969 memoir, I Know Why the Caged Bird Sings, which made literary history as the first nonfiction bestseller by an AfricanAmerican woman. In 1971, Angelou published the Pulitzer Prizenominated poetry collection Just Give Me a Cool Drink of Water 'Fore I Die. She later wrote the poem "On the Pulse of Morning"—one of her most famous works—which she recited at President Bill Clinton's inauguration in 1993. Angelou received several honors throughout her career, including two NAACP Image Awards in the outstanding literary work (nonfiction) category, in 2005 and 2009. She died on May 28, 2014. Early Years Multitalented barely seems to cover the depth and breadth of Maya Angelou's accomplishments. She was an author, actress, screenwriter, dancer and poet. Born Marguerite Annie Johnson, Angelou had a difficult childhood. Her parents split up when she was very young, and she and her older brother, Bailey, were sent to live with their father's mother, Anne Henderson, in Stamps, Arkansas. As an African American, Angelou experienced firsthand racial prejudices and discrimination in Arkansas. She also suffered at the hands of a family associate around the age of 7: During a visit with her mother, Angelou was raped by her mother's boyfriend. Then, as vengeance for the sexual assault, Angelou's uncles killed the boyfriend. So traumatized by the experience, Angelou stopped talking. -
Kamala Harris and Amanda Gorman
MARCH 2021 WOMEN OF INFLUENCE: Kamala Harris and Amanda Gorman TABLE OF CONTENTS Video Summary & Related Content 3 Video Review 4 Before Viewing 5 Talk Prompts 6 Digging Deeper 8 Activity: Poetry Analysis 13 Sources 14 News in Review is produced by Visit www.curio.ca/newsinreview for an CBC NEWS and Curio.ca archive of all previous News In Review seasons. As a companion resource, go to GUIDE www.cbc.ca/news for additional articles. Writer: Jennifer Watt Editor: Sean Dolan CBC authorizes reproduction of material VIDEO contained in this guide for educational Host: Michael Serapio purposes. Please identify source. Senior Producer: Jordanna Lake News In Review is distributed by: Supervising Manager: Laraine Bone Curio.ca | CBC Media Solutions © 2021 Canadian Broadcasting Corporation WOMEN OF INFLUENCE: Kamala Harris and Amanda Gorman Video duration – 14:55 In January 2021, Kamala Harris became the highest-ranking woman in U.S. history when she was sworn in as the first female vice-president — and the first Black woman and person of South Asian descent to hold the position. Born in California, Harris has ties to Canada having attended high school in Montreal. Another exciting voice heard at the U.S. presidential inauguration was a young woman who may well be changing the world with her powerful words. Amanda Gorman, 23, is an American poet and activist. In 2017, she became the first person in the U.S. to be named National Youth Poet Laureate. This is a look at these two Women of Influence for 2021. Related Content on Curio.ca • News in Review, December 2020 – U.S. -
African-American Film and Television
African-American Film and Television The UCLA Film and Television Archive holds a wide selection of motion picture and television titles made by and about African-Americans. These films and programs span from the silent era to modern situation comedies and provide a unique opportunity to not only examine how the African-American community has been represented in the commercial mainstream media, but also to explore the broad range of productions produced by African-Americans. SAMPLES FROM THE COLLECTION: COLLECTION RESOUR Film The Exile (1931). Micheaux Film Corporation. Director, Writer, Oscar Micheaux. Study Copy: VA6564 M Symphony in Black: A Rhapsody of Negro Life (1935). Paramount Pictures. Director, Fred Waller. Writer, Milton Hockey and Fred Rath. Study Copy: VA2896 M Go Down, Death! (1944). Harlemwood Studios. Director, Spencer Williams. Study Copy: VA20163 M The Cool World (1964). Wiseman Film Productions. Director, Shirley Clarke. Writers, Shirley Clarke and Carl Lee Study Copy: DVD4555 M Black Panther (1968). Newsreel. Study Copy: VA6623 M The Learning Tree (1969). Winger. Director, Writer, Gordon Parks. Study Copy: VA6089 M Sweet Sweetback’s Baad Asssss Song (1971). Yeah. Director, Writer, Melvin van Peebles. Study Copy: VD1765 M Black Girl (1972). Director, Ossie Davis. Writer, J.E. Franklin. Study Copy: VA8489 M Killer of Sheep (1978). Director, Writer, Charles Burnett. Study Copy: DVD4056 M She’s Gotta Have It (1986). Forty Acres and a Mule Filmworks. Director, Writer, Spike Lee. Study Copy: VD568 M Menace II Society (1993). New Line Cinema. Directors, Albert and Allen Hughes. Writer, Tyger Williams. Study Copy: DVD2844 M Eve’s Bayou (1997). -
Lloyd Richards in Rehearsal
Lloyd Richards in Rehearsal by Everett C. Dixon A Dissertation submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy, Graduate Program in Theatre Studies, York University, Toronto, Ontario September 2013 © Everett Dixon, September 2013 Abstract This dissertation analyzes the rehearsal process of Caribbean-Canadian-American director Lloyd Richards (1919-2006), drawing on fifty original interviews conducted with Richards' artistic colleagues from all periods of his directing career, as well as on archival materials such as video-recordings, print and recorded interviews, performance reviews and unpublished letters and workshop notes. In order to frame this analysis, the dissertation will use Russian directing concepts of character, event and action to show how African American theatre traditions can be reformulated as directing strategies, thus suggesting the existence of a particularly African American directing methodology. The main analytical tool of the dissertation will be Stanislavsky's concept of "super-super objective," translated here as "larger thematic action," understood as an aesthetic ideal formulated as a call to action. The ultimate goal of the dissertation will be to come to an approximate formulation of Richards' "larger thematic action." Some of the artists interviewed are: Michael Schultz, Douglas Turner Ward, Woodie King, Jr., Dwight Andrews, Stephen Henderson, Thomas Richards, Scott Richards, James Earl Jones, Charles S. Dutton, Courtney B. Vance, Michele Shay, Ella Joyce, and others. Keywords: action, black aesthetics, black theatre movement, character, Dutton (Charles S.), event, Hansberry (Lorraine), Henderson (Stephen M.), Molette (Carlton W. and Barbara J.), Richards (Lloyd), Richards (Scott), Richards (Thomas), Jones (James Earl), Joyce (Ella), Vance (Courtney ii B.), Schultz (Michael), Shay (Michele), Stanislavsky (Konstantin), super-objective, theatre, Ward (Douglas Turner), Wilson (August). -
Download Download
VOLUME 1, ISSUE 3 ENGAGE! Co-created knowledge serving the public good HEALING POWER HEALING POWER By Kara Taylor My husband got a tattoo of “8:46” on his hand. Reminds him that this police nation will always have knees on our neck. He says these needle strokes commemorate George Floyd’s blocked airway At the knees and hands of a white man. He wants to remember. I did not understand him For, to me, his soul lives within a body that constantly reminds. His melanin sings songs of hangings and lynchings. If he was to etch all reminders, his body would be filled. So he should settle for every pigment of his dark brown skin. He should settle for his locs containing winding hairs that never let go of the dead. He should settle for our love story being built on him standing between my frightened body And an officer’s gun. I had cotton mouth from swallowing silenced stories. Hushed. I wanted to say I watched my brother for eight minutes and forty-six seconds gasping Calling for his sister mother who flew in the sky. My airway closed too and I gasped for I have a fictive kinship that no tattoo can capture I do not have enough body or tolerance for pain. My back cannot hold these cries. I choose to baptize myself into the waters of healing with my pen. For it is my therapist God and sword. Pen cradles me at night when fear absorbs my body as white man bangs on door. Pen knows I am not nigger they just need me to be one. -
Maya Angelou a Poet Finds Her Voice Courtesy, William Library Presidential J
Maya Angelou A Poet Finds Her Voice Courtesy, William Library J. Clinton Presidential 1993 Maya Angelou reads a poem at the Presidential Inauguration Many consider Maya Angelou to be one of America’s greatest poets. She was also a musician, a dancer, and an activist. She was one of America’s most inspirational people. Maya Angelou was born in St. Louis, Missouri in 1928. She had a very difficult childhood. When she was eight, her mother’s boyfriend hurt her. Maya told her brother, who told the rest of the family. A short time later, the boyfriend was murdered. Many think Maya’s uncles killed him for what he did to Maya. Maya stopped speaking for five years after this. She was afraid that if she spoke again, someone else would be killed. 1 2018 Reading Is Fundamental • Content created by Simone Ribke Maya Angelou Soon after, Maya and her brother went to live with her grandmother in Arkansas. Maya said it was her teacher, Mrs. Flowers, who helped her speak again. Mrs. Flowers taught Maya about different poets and writers. Maya learned a lot from these writers. Their words spoke to her through the pages of the books. Slowly, she began to speak again. Maya had a baby boy after she graduated high school. In 1951, she married a Greek man named Tosh Angelos. It was very uncommon in those days for a black person to marry a white person. The family moved to New York City were Maya studied dance. They moved back to San Francisco a year later and divorced in 1954. -
Jim Barefield: Seriously Funny / the Best Thing I Ever Read / Words Awake! / WRITERS HALL of FAME
JIM BAREFIELD: SERIOUSLY FUNNY / THE BEST THING I EVER READ / WORDS AwAKE! / WRITERS HALL OF FAME SUMMER 2012 FEATURES 2 A LITERARY TRADITION By Steve Duin (’76, MA ’79) Wake Forest writers flourish thanks to the enduring — and endearing — ‘Why not?’ 8 43 CLASS OF THE FINEST THE BEST THING I EVER READ By Hannah Kay Hunt (’12) By Cherin C. Poovey (P ’08) Poets, journalists, screenwriters and Nathaniel Hawthorne once noted that authors, past and present, write history easy reading is hard writing. Wake with their induction into the inaugural Foresters tell us about the best thing Wake Forest Writers Hall of Fame. they ever read, and why. 24 46 SERIOUSLY FUNNY FLASH FICTION By Joy Goodwin (’95) “The Quad,” he said. “Near the Pit?” she “Whatever the center of the universe is, asked. “Under the magnolia.” Faculty writers it’s probably not you,” teaches historian rise to our 25-word story challenge. and comedic mentor Jim Barefield. Trust him on this one. 30 88 CONSTANT AND TRUE SPARKS By Penelope Niven (MA ’62, D.Litt. ’92) From Fosso to Phillips to Wilson, et. “It seems that my master’s degree came al., an ensemble cast of great teachers with a lifetime warranty, for I found here inspired alumni whose livelihood is the ‘life and food’ for the mind, the spirit, the literary profession. heart — past, present and future.” 36 DEPARTMENTS WRITING FOR LIFE By Kerry M. King (’85) 52 | Commencement Debating the death penalty with felons 54 | Around the Quad or using the analytical skills of Sherlock 56 | Philanthropy Holmes to solve a mystery, students learn the power of the written word. -
Blaxploitation Films of the 1970S: Origins, Evolution, & Demise
RT 489 Spring 2014 Blaxploitation Films of the 1970s: Origins, Evolution, & Demise Blaxploitation Films of the 1970s: Origins, Evolution, & Demise Spring 2014 Wednesdays 3:00-6:30pm COMM. 1046 Professor: Dr. Novotny Lawrence Office: 1056B Communications Office hours: M 1:30-4:30, T 1:30-4:30 & by appointment Office Phone: 453-6992 Email: [email protected] Required Texts: Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films, 4th edition by Donald Bogle, Continuum International Publishing Group. Women of Blaxploitation: How the Black Action Heroine Changed American Popular Culture, by Yvonne D. Sims, McFarland & Company Inc. Publishers. The Struggle for Black Equality, 1954-1992, revised edition by Harvard Sitkoff, Hill and Wang Publishers. Additional required readings will be distributed during the semester. Course Description: This course is an historical and critical examination of the blaxploitation movement of the 1970s. The course includes, but is not limited to, exploring the factors that led to the emergence of the films, the height of their popularity, and the subsequent demise the movement. In exploring these topics we will discuss blaxploitation’s historical significance in addition to its impact on generic conventions, economics, marketing, exhibition, and critical reception. Course Format: The course work will consist of lectures, readings, class discussions, and screenings. Note: Students are expected complete all reading assignments prior to class. Requirements and Grading: There will be a midterm worth 100 points and a cumulative final exam worth 150 points. Note: Make up examinations will only be given under extenuating circumstances such as severe illness, death in family, and university recognized religious holidays. -
Black History Month
HERMANN MEMORIAL LIBRARY -- SULLIVAN COUNTY COMMUNITY COLLEGE BLACK HISTORY MONTH SELECTED BIBLIOGRAPHY OF TITLES FROM OUR PRINT COLLECTIONS AND FROM EBRARY The following bibliography is a sampling from our collections of the broad range of work by and about African Americans reflecting their immeasurable importance in our history and culture. It includes reference books, and circulating books.. The bibliography is not a checklist of books on display in the exhibition, but each is intended to complement the other. Many more books than are listed here can be found in our Sullivan Catalog. Full-text articles in magazines, journals and newspapers can be accessed from our Subscription Periodical Databases. A librarian will be glad to show you how to search these tools. Our own paper periodical collections include many titles of especial relevance to Black studies, as well as general interest magazines which cover Black issues. See our separately issued Periodical List. Books by and about Martin Luther King have been published in another bibliography available in this library. Please refer to that bibliography to research this topic. I. REFERENCE BOOKS African American lives. Edited by Henry Louis Gates, Jr., Evelyn Brooks Higginbotham. (New York: Oxford University Press, 2004) R 920.9301451/AF83G African American writers. Valerie Smith, editor. Rev. ed. (New York: Charles Scribner’s Sons, 2000) R 810.9/AF83S Africana: the encyclopedia of the African and African American experience. (New York: Basic Civitas Books, 1999) R 301.451/AF83A Afro-American poetry and drama, 1760-1975: a guide to information sources. (Detroit: Gale, 1979) R 810.90/AF85. -
The Spook Who Sat by the Door by Michael T
The Spook Who Sat by the Door By Michael T. Martin & David C. Wall Based on Sam Greenlee’s provocative 1969 novel and, lease of “The some say, urban revolutionary primer of the same name, Spook Who Sat Ivan Dixon’s “The Spook Who Sat By the Door” (1973) By the Door” in tells the story of Dan Freeman, erstwhile CIA operative 1973. Reflecting and consummate revolutionary organizer. Aware of his and refracting status as the CIA’s token affirmative action trainee, re- the tumult of cruited in order to demonstrate the agency’s commit- these febrile po- ment to racial integration, Freeman’s carefully consid- litical and racial ered strategy is to maintain a low profile even while ex- contexts and celling at all of the agency’s tests for both intellectual and events, the film physical prowess. Thus, unfailingly polite and apparently itself was no less always eager to please, he is the living embodiment of incendiary in its Ellison’s invisible man, “yessing whitey to death” while uncompromising discreetly learning everything he possibly can about ur- vision of an ban guerrilla warfare. Finishing his apprenticeship with American socie- Lawrence Cook as Dan Freeman and the CIA he returns to Chicago and proceeds to organize ty on the brink of Janet League as Joy. Courtesy Library of Congress Collection. the Freedom Fighters, a clandestine militia, out of the revolution. The disparate and ill-disciplined Cobras street gang of his screenplay, written by Greenlee and Melvin Clay, offers former neighborhood. a broadly non-orthodox Marxist social analysis rooted in Third World independence movements and combined In many ways, “The Spook Who Sat By the Door” is very with the radical racial discourses of thinkers such as much a product in correspondence with its historical mo- Franz Fanon and Stokely Carmichael.