Zombies, Selves, and the Possibility of Afterlife
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The Need to Believe in Life After Death Questions About Islam?
“To the righteous soul will be said: O (thou) soul, in In the Name of Allah, the Most Gracious, the Most Merciful (complete) rest and satisfaction! Come back to your Lord, well pleased (yourself), and well pleasing unto Him! Enter you, then, among my devotees! And enter you My “To the righteous soul will be said: O (thou) soul, in (complete) rest and satisfaction! Heaven!” [Al-Qur’an 89:27] Come back to your Lord, well pleased (yourself), and well pleasing unto Him! Enter you, then, among my devotees! And enter you My Heaven!” [Al-Qur'an 89: 27-28] In Islam, an individual's life after death or Him in the heavens or in the earth,but it is in a clear their Hereafter, is very closely shaped by Record.That He may reward those who believe and do their present life. Life after death begins with good works.For them are pardon and a rich provision. the resurrection of man, after which there will But those who strive against our revelations, come a moment when every human will be shaken as challenging (Us), theirs will be a painful doom of they are confronted with their intentions and wrath.” [Al-Qur’an: 34: 3-5] deeds, good and bad, and even by their failure to do good in this life. On the Day of Judgment the entire record of people from the age of puberty The need to believe in life after death will be presented before God. God will weigh Belief in life after death has always been part of the ath Lifeafter De everyone’s good and bad deeds according to His teachings of the Prophets and is an essential condition Questions about Islam? Mercy and His Justice, forgiving many sins and of being a Muslim.Whenever we are asked to do or would you like to: multiplying many good deeds. -
Kant's Theoretical Conception Of
KANT’S THEORETICAL CONCEPTION OF GOD Yaron Noam Hoffer Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Philosophy, September 2017 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________________ Allen W. Wood, Ph.D. (Chair) _________________________________________ Sandra L. Shapshay, Ph.D. _________________________________________ Timothy O'Connor, Ph.D. _________________________________________ Michel Chaouli, Ph.D 15 September, 2017 ii Copyright © 2017 Yaron Noam Hoffer iii To Mor, who let me make her ends mine and made my ends hers iv Acknowledgments God has never been an important part of my life, growing up in a secular environment. Ironically, only through Kant, the ‘all-destroyer’ of rational theology and champion of enlightenment, I developed an interest in God. I was drawn to Kant’s philosophy since the beginning of my undergraduate studies, thinking that he got something right in many topics, or at least introduced fruitful ways of dealing with them. Early in my Graduate studies I was struck by Kant’s moral argument justifying belief in God’s existence. While I can’t say I was convinced, it somehow resonated with my cautious but inextricable optimism. My appreciation for this argument led me to have a closer look at Kant’s discussion of rational theology and especially his pre-critical writings. From there it was a short step to rediscover early modern metaphysics in general and embark upon the current project. This journey could not have been completed without the intellectual, emotional, and material support I was very fortunate to receive from my teachers, colleagues, friends, and family. -
"They're Us": Representations of Women in George Romero's 'Living
"They’re Us": Representations of Women in George Romero’s ‘Living Dead’ Series Stephen Harper In the opening scene of George Romero’s 1978 film Martin, a teenage sexual psychopath kills and drinks the blood of a young woman in her sleeper train compartment during a struggle that is protracted, messy and far from one-sided. Although women are often victims in Romero’s films, they are by no means passive ones. Indeed, Romero is seldom in danger of objectivising or pornographising his female characters; on the contrary, Romero’s women are typically resourceful and autonomous. This paper analyses some of Romero’s representations of women, with particular reference to the four ‘living dead’ films which Romero made over a period of more than thirty years. These are Night of the Living Dead (1968), Dawn of the Dead (1979), Day of the Dead (1985) and the 1990 remake of Night. [1] All of these films feature a group of human survivors in an America overrun by zombies. The survivors of Night hole up in a house; in Dawn the sanctuary is a shopping mall; while in Day, the darkest of the films, it is an underground military installation. Unsurprisingly, these savage and apocalyptic zombie films contain some of Romero’s most striking representations of active and even aggressive women. This in itself hints at a feminist approach. While Hollywood films typically eroticize and naturalise male violence and emphasise female passivity, Romero uses his zombies to undermine such assumptions. Romero’s female zombies are not only undead but virtually ungendered; for instance, they are responsible for as many acts of violence as their male counterparts. -
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship -
The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead"
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2010-03-17 Ghouls, Hell and Transcendence: The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead" Jasie Stokes Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Stokes, Jasie, "Ghouls, Hell and Transcendence: The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead"" (2010). Theses and Dissertations. 2103. https://scholarsarchive.byu.edu/etd/2103 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Ghouls, Hell and Transcendence: the Zombie in Popular Culture from Night of the Living Dead to Shaun of the Dead Jasie Stokes A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm Charlotte Stanford Kerry Soper Department of Humanities, Classics and Comparative Literature Brigham Young University April 2010 Copyright © 2010 Jasie Stokes All Rights Reserved ABSTRACT Ghouls, Hell and Transcendence: the Zombie in Popular Culture from Night of the Living Dead to Shaun of the Dead Jasie Stokes Department of Humanities, Classics and Comparative Literature Master of Arts Considering the amount of media created around the zombie and the sustained interest in its role in our society, we can clearly see that a cultural phenomenon is underway, and it is important for us to question this phenomenon in order to gain some understanding of how and why its appeal has stretched so far. -
From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1. -
Original Monotheism: a Signal of Transcendence Challenging
Liberty University Original Monotheism: A Signal of Transcendence Challenging Naturalism and New Ageism A Thesis Project Report Submitted to the Faculty of the School of Divinity in Candidacy for the Degree of Doctor of Ministry Department of Christian Leadership and Church Ministries by Daniel R. Cote Lynchburg, Virginia April 5, 2020 Copyright © 2020 by Daniel R. Cote All Rights Reserved ii Liberty University School of Divinity Thesis Project Approval Sheet Dr. T. Michael Christ Adjunct Faculty School of Divinity Dr. Phil Gifford Adjunct Faculty School of Divinity iii THE DOCTOR OF MINISTRY THESIS PROJECT ABSTRACT Daniel R. Cote Liberty University School of Divinity, 2020 Mentor: Dr. T. Michael Christ Where once in America, belief in Christian theism was shared by a large majority of the population, over the last 70 years belief in Christian theism has significantly eroded. From 1948 to 2018, the percent of Americans identifying as Catholic or Christians dropped from 91 percent to 67 percent, with virtually all the drop coming from protestant denominations.1 Naturalism and new ageism increasingly provide alternative means for understanding existential reality without the moral imperatives and the belief in the divine associated with Christian theism. The ironic aspect of the shifting of worldviews underway in western culture is that it continues with little regard for strong evidence for the truth of Christian theism emerging from historical, cultural, and scientific research. One reality long overlooked in this regard is the research of Wilhelm Schmidt and others, which indicates that the earliest religion of humanity is monotheism. Original monotheism is a strong indicator of the existence of a transcendent God who revealed Himself as portrayed in Genesis 1-11, thus affirming the truth of essential elements of Christian theism and the falsity of naturalism and new ageism. -
KIERKEGAARD's APOPHATIC THEOLOGY by Peter Kline
PASSION FOR NOTHING: KIERKEGAARD’S APOPHATIC THEOLOGY By Peter Kline Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Religion May, 2016 Nashville, Tennessee Approved: Professor William Franke Professor Ellen Armour Professor Laurel Schneider Professor David Wood ACKNOWLEDGMENTS Writing this dissertation has been, if not an act of faith, then certainly some kind of leap or abandon. It is not a little astonishing to me to that I have finished it. There has been the struggle to work through a complex subject matter, of course. But more than anything, there has been the struggle to find my voice, to feel out what kind of theological, philosophical, and spiritual music I am capable of and to wonder, often anxiously, whether it is worth playing. There are those in the academy who would have the dissertation be simply functional, one last requirement on the way to the desired goal, The Degree (followed by The Job and The Career). I have never been able to approach my writing in such a teleological fashion. I seem to be unable to approach writing otherwise than as a practice of what Foucault called “the care of the self.” Learning and putting into practice such self-care in this dissertation has been a difficult pleasure. Thankfully, Kierkegaard was an unfailing companion and guide in this task even as he was my subject matter. There are many along the way who supported me with care and made this dissertation possible. I’d like to name a few of them here. -
Theology of Supernatural
religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural. -
Virtuous Life, Honored Afterlife and the Evolution of Confucianism
History in the Making Volume 10 Article 7 January 2017 Virtuous Life, Honored Afterlife and the Evolution of Confucianism Jasmyn Murrell CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Murrell, Jasmyn (2017) "Virtuous Life, Honored Afterlife and the Evolution of Confucianism," History in the Making: Vol. 10 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Jasmyn Murrell Virtuous Life, Honored Afterlife and the Evolution of Confucianism By Jasmyn Murrell Abstract: Confucius states that we must not focus on the afterlife, because we know so little of it, and we must focus on everyday life. However, Confucianism holds a philosophy of afterlife, even if it is not outright said or depicted. This paper will aim to prove just that. First, through Confucian ideals of being a dutiful person, to grant yourself an honored afterlife, and second, through how Confucianism influenced other religions such as Buddhism and Daoism, which will show a clear depiction of afterlife by considering death rituals, festivals, commune with ancestors, prayers, tomb decor, and the ideology of Confucianism, Daoism, and Buddhism – you will begin to see the depiction of afterlife within Confucianism. But also, you will get to see how Confucianism has evolved and took on traits of both Daoism and Buddhism, which in turn is called Neo-Confucianism. -
Read Book Zombies : a Cultural History Ebook
ZOMBIES : A CULTURAL HISTORY PDF, EPUB, EBOOK Roger Luckhurst | 176 pages | 15 Oct 2015 | Reaktion Books | 9781780235288 | English | London, United Kingdom Zombies : A Cultural History PDF Book Before they were herd, before they were legion, 'they' were one; a sole person suffering between life and death, commonly associated with other monsters of the night such as vampires and to a lesser extent, mummies. Welcome back. Readers also enjoyed. Peter Conrad. The campaign was so wildly popular that it was expanded into a blog, promotional posters, and a novella. Some people are proclaiming zombies are the "new vampire" and if, by "new vampire" they mean zombies are the currently the monster du jour for film and literature, I take their point. Used carefully at sub-lethal doses, the tetrodotoxin combination may cause zombie-like symptoms such as difficulty walking, mental confusion and respiratory problems. Brutal conditions left the slaves longing for freedom. Zombileri bilirsiniz. As an historical examination of the rise of the zombie phenomenon this is a well thought out and informative read, however when it comes to an examination of the actual films which encapsulate this horror sub genre, there appears to be a general tone of disapproval and disgust which is ultimately unfortunate. The zombie, often portrayed as an undead, flesh-eating, decaying corpse, has enjoyed a popularity surge in recent years. Somewhere at the edge of the colonies, in liminal cultures barely registered by fading bureaucracies, there existed primitive worlds. It was also a time of great fear: World War II was emerging, and would bring with it mass genocide, atomic warfare, and the threat of communist dictatorships. -
The Thousand and One Days of Aristide (2018) by Stephen Thrower
ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 CONTENTS ARROW VIDEO ARROW VIDEO 5 Cast and Crew 7 The Thousand and One Days of Aristide (2018) by Stephen Thrower 21 The Angel Ends Where the Devil Begins: Shooting Death Smiles on a Murderer (2018) ARROW VIDEO ARROW VIDEO by Roberto Curti 31 An Interview with Romano Scandariato (1995) 42 About the Transfer ARROW VIDEO2 ARROW VIDEO 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CAST Ewa Aulin Greta von Holstein Klaus Kinski Dr. Sturges Angela Bo Eva von Ravensbrück Sergio Doria Walter von Ravensbrück Giacomo Rossi Stuart Dr. von Ravensbrück Luciano Rossi Franz, Greta’s brother Attilio Dottesio Inspector Dannick Marco Mariani Simeon, the butler ARROW VIDEO ARROW VIDEO CREW Directed by Aristide Massaccesi Story by Aristide Massaccesi Screenplay by A. Massaccesi, R. Scandariato and C. Bernabei Assistant Director Romano Scandariato Director of Photography Aristide Massaccesi Cameraman Guglielmo Vincioni Assistant Cameraman Gianlorenzo Battaglia ARROW VIDEO ARROW VIDEO Editors Piera Bruni and Gianfranco Simoncelli Musical Score by Berto Pisano Production Manager Oscar Santaniello (as Oskar Santaniello) Production Assistants Massimo Alberini and Sergio Rosa Sets and Costumes Claudio Bernabei Make-up Maria Grazia Nardi ARROW VIDEO4 ARROW VIDEO 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO THE THOUSAND AND ONE DAYS OF ARISTIDE by Stephen Thrower Aristide Massaccesi, better known by his most frequent pseudonym ‘Joe D’Amato’, was an astoundingly prolific filmmaker who shot nearly two hundred films across 26 years. He began directing in the early 1970s, just as censorship was being relaxed in the major film markets.