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SHOOT Digital PDF Version, Volume 59, Number 4 www.SHOOTonline.com August/September 2018 Chat Room 15 The Road To Emmy Series Part 13, Page 4 Cinematographers & Cameras 16 Music Tracks Top Ten Chart 24 From top left, clockwise: Scenes from The Handmaid’s Tale, Stranger Things, Black Mirror, Godless, black-ish, and Versace VFX & Animation Top Ten Chart 26 Mid-year Report Card 18 From left: Craig Allen, Christine Lane, Roger Camp & Karen Costello Sundance Film Festival 27 WRITTEN AND DIRECTED BY SCOTT FRANK SHOOT MAGAZINE, COVER 2 NETFLIX: GODLESS PUB DATE 08/13/18 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” Perspectives The Leading Publication For Commercial, Branded Content & Entertainment Production August/September 2018 By Robert Goldrich Volume 59 • Number 4 spot.com.mentary www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Branding Together Roberta Griefer 203.227.1699 ext. 13 [email protected] Editor Robert Goldrich The role of brands is kids about the dangers of racism. In one he said, are increasingly feeling the need 323.445.6818 [email protected] evolving before our of this piece’s most moving moments, a to stand for something. ADVERTISING Digital & Print Rates & Information eyes, as reflected on girl behind the wheel of a car insists she’s And in SHOOT's Mid-year Survey, [email protected] varied and various a good driver and her mom doesn’t need Craig Allen, head of integrated produc- 203.227.1699 ext. 13 www.shootonline.com/go/advertise fronts. Take, for example, three of the to tell her what to do if she gets pulled tion, Venables Bell & Partners, said, “It’s Advertising Production spots nominated for this year’s prime- over. Mom has to explain to her daugh- impossible to ignore today’s polarized Gerald Giannone [email protected] time Emmy—Procter & Gamble’s “The ter, “This is not about you getting a ticket. society and the current state of distrust 203.227.1699 ext. 12 Talk,” the Monica Lewinsky anti-bullying This is about you not coming home.” and uncertainty in the US, which affects OFFICES Main Office PSA “In Real Life,” and Apple’s ”Earth: In this week’s Chat Room, John Lever- who we look to for information and inspi- 256 Post Road East #206 Shot on iPhone.” Westport, CT 06880 USA 203.227.1699 Fax: 203.227.2787 The latter is a love “It’s been great to see many brands rise to the occasion, take a West note to planet Earth stand on key issues that reflect their values.” — Craig Allen 323.445.6818 and a poignant re- Circulation 203.227.1699 ext 12 [email protected] minder that our environment is precious. ence, sr. VP of awards at the Television Acad- ration, and how we process messages too. Editorial Production Manager/Custom Reprints “In Real Life” portrays people publicly emy, observed that these three nominated Consequently, this is shifting the role that Michael Morgera 203.227.1699 ext. 11 [email protected] acting out real online comments to illus- ads help to raise social awareness of key is- brands play in our culture and what con- SHOOT Publicity Wire trate that at the receiving end of every sues and elicit heartfelt empathy. sumers need from them nowadays, which 203.227.1699 ext12 [email protected] comment is a real person. While the bul- Just a couple of weeks ago at the first extends far beyond the products that they © 2018 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered U.S. trademarks. lies and the recipients of denigrating talk stop of the AICP Awards road tour in L.A., sell. It’s been great to see many brands No part of this publication may be reproduced, stored in any in the PSA are actors, those who inter- Matt Miller, AICP CEO/president, ob- rise to the occasion, take a stand on key is- retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, vene to stop the bullying are real people, served that brand stewards are more and sues that reflect their values, and do their without the prior written permission of the publisher. which gives a life-affirming tone to the more serving as “citizens of the world,” part to create positive change. It seems Print Issues Subscription Service [email protected] work. And “The Talk” features different taking responsibilities as human beings that the brands that don’t take an active Find PDF Versions African-American parents telling their to make the world a better place. Brands, role will quickly become irrelevant.” and order issues backissues.SHOOTonline.com SHOOT (ISSN# 1055-9825) printed edition is published bimonthly for members by DCA Business Media LLC, 256 Post By Ramy Katrib Road East, #206, Westport, CT 06880. Printed periodicals POV postage paid at Westport, CT and at additional mailing offices. POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) Post Services Virtually Anywhere SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. Brand New[s] weekly ePub is published Wednesdays. With the cost of In- DigitalFilm Tree is as much Internet lo- “cloud”; it’s a direct, securely encrypted SHOOT Screenwork published Mondays. ternet coming down gistics company as it is post house. We’ve tunnel between us. Camera raw files are www.shootonline.com/subscribe and the availability of paired the Internet and information tech- transferred via PostHost from location SHOOTmobile Get the SHOOTonline Mobile app robust Internet service nology disciplines with our dailies and to our ProStack object-storage solution App Store: iPhone.SHOOTonline.com providers (ISPs) going up, a client may color grading, leveraging our relation- in L.A. DFT processes the dailies and Google Play: Android.SHOOTonline.com Mobile Web Version: m.SHOOTonline.com set foot in the post house lobby a lot less ships with ISPs and last-mile providers delivers a bin folder of quality-controlled often because post services are no longer to bring DFT’s full post service offerings media back to the Avid editor, who was SHOOT is printed in the U.S.A. bound by the building’s four walls. remotely to clients, however remote their in Fiji. These global ISPs, as well as last-mile location, such as an island in the Pacific. Was. The editor soon moved to Lon- providers, have allowed the post house to Fiji has some of the most expensive don, so we established a PostHost VPN SHOOT is a member of: come to the production like, for instance, Internet access in the world, but the cost between us there, too. And one to the on a palm-lined beach on an island of Fiji. has come down to approximately $25,000 Wrecked L.A. production office. And a That’s where the TBS’ seriesWrecked is per month for 100MB up and down. How- couple more to Turner Broadcasting in now shooting its third season. ever, the Fijian government provides an Atlanta and L.A. for their promo material. Follow SHOOT at: But Fiji is 5,500 miles from L.A. An approximate 50% tax rebate. Therefore, it This Internet Protocol-based produc- #SHOOTONLINE 11.5-hour flight. If production had some costs the production around $11,000 per tion and post is growing exponentially. poor soul live on a plane and fly back and month--still far less than a frequent flier Bonded 5G cellular is upon us. I’m pretty forth to L.A. to hand-deliver hard drives of or a monthly shipping bill. sure we soon will start receiving raw digi- Cover photo credits: The Marvelous Mrs. Maisel, photo by Nicole Rivelli/Amazon; The Handmaid's Tale, photo camera raw footage, a one-day roundtrip DigitalFilm Tree designed an inte- tal footage directly from camera. Regard- by George Kraychyk/Hulu; Stranger Things, courtesy of would cost around $1,200 or more. A grated hardware/software product called less of where that camera is in the world, Netflix; The Assassination of Gianni Versace: American Crime Story, photo by Ray Mickshaw/FX; "USS Callister" month of that adds up to $36,000. The PostHost to facilitate a site-to-site VPN the post house will be right there, too. eposide of Black Mirror (photo by Jonathan Prime/Netflix; black-ish, photo by Kelsey McNeal/ABC; Godless, photo by FedEx or UPS model of shipping drives (virtual private network) from resort Ramy Katrib is CEO/founder of Digi- Ursula Coyote/Netflix. for dailies remarkably is similar in cost. to post house. This isn’t the nebulous talFilm Tree in L.A. August/September 2018 SHOOT 3 ROAD TO EMMY Director, DP, Design, Edit, VFX, Music, Costume POVs Insights into The Handmaid’s Tale, The Looming Tower, Black Photo by Craig Blankenhorn/courtesy by Photo of Hulu Mirror, GLOW, Kraychyk/courtesy George by of Hulu Photo Godless, Versace, Leyes David by Photo Stranger Things, black-ish By Robert Goldrich, The Road To Emmy, Photo by Erica of Netflix by Parise/courtesy Photo of Netflix Ursula Coyote/courtesy by Photo courtesy of Neflix Photo by Jonathan by Prime/courtesy of Netflix Photo Part 13 For director Kari Skogland, it’s been a an incredible honor, a real validation,” tive of Offred for the first time, delving long journey to reach the destination said Skogland. “It’s no secret that as a into flashbacks from Samira. “We had of her first Emmy nomination. Over female I had to bust through a few glass to change the feel of the flashbacks, we the years, her body of stellar work has ceilings to be recognized.” needed a different quality to them,” noted spanned such shows as Boardwalk Em- And while there’s still a long way to go Skogland.
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