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Melanie Lynskey. Height 178 Cm
Actor Biography Melanie Lynskey. Height 178 cm Awards. 2001 New Zealand Film Awards - Nomination - Best Actress - Snakeskin 1994 New Zealand Film Awards - Winner - Best Actress - Heavenly Creatures Film. 2017 1 Mile to you Coach Rowan Dir. Leif Tilden (Lead) Prd. Scott William Alvarez, Tom Butterfield, Peter Holden, F. X. Vitolo Feature Film. 2017 The Changeover Kate Chant Changeover Films Limited Dir. Miranda Harcourt and Stuart McKenzie Prd. Emma Slade 2017 Sadie Rae Dir. Megan Griffiths (Lead) Prd. Megan Griffiths 2017 And Then I Go Janice Dir. Vince Grashaw Prd. Vince Grashaw 2017 I Don 't Feel At Home In This World Ruth Netflix Anymore Dir. Macon Blair Prd. Mette-Marie Kongsved, Neil Kopp, Vincent Savino, Anish Savjani 2016 The Intervention Annie Burn Later Productions Dir. Clea DuVall 2016 The Great & The Small Margaret Cervidae Films Dir. Dusty Bias PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Melanie Lynskey. Page 2 Feature continued... 2016 Folk Hero & Funny Guy Becky Spitfire Studios Dir. Jeff Grace 2016 Little Boxes Gina Kid Noir Productions Dir. Rob Meyer 2016 Rainbow Time Lindsay Duplass Brothers Productions Dir. Linas Phillips 2015 Digging for Fire Squiggy Garrett Motion Pictures Dir. Joe Swanberg 2014 We'll Never Have Paris Devon Bifrost Pictures Dir. Simon Helberg, Jocelyn Towne 2014 Goodbye to All That Annie Wall Epoch Films Dir. Angus MacLachlan Prd. Anne Carey, Mindy Goldberg 2014 Happy Christmas Kelly Lucky Coffee Productions Dir. Joe Swanberg 2014 Chu and Blossom Miss Shoemaker Baked Industries Dir. -
Scandinavian Cinema from the Silent Era Prof
© Lynn R. Wilkinson UGS302 (64115): Nordic Light: Scandinavian Cinema from the Silent Era Prof. Lynn Wilkinson to the 2000s COURSE DESCRIPTION: Ingmar Bergman is perhaps the best known Scandinavian filmmaker, but Northern Europe has a remarkable tradition of filmmakers and filmmaking. Including films from Sweden, Denmark, and Iceland, this course will provide an introduction to some of the masterpieces of Scandinavian film from the Golden Age of silent film through the 2000s and to the culture of Scandinavia. ASSIGNMENTS AND GRADING: One two-page paper (5%); one five-page paper which may be rewritten (20%); one storyboard (10%) accompanied by a five-page essay (20%); five quizzes (20%; you may drop the lowest grade); one class presentation (5%). Class participation will count 20%. REQUIRED TEXTS: Bordwell and Thompson: Film Art: An Introduction. 10th edition (2009) McGraw Hill: ISBN 10: 0073386162 Earlier editions on reserve: PN 1995 B617 2004 TEXT; PN1995 B617 2001 TEXT Recommended: Tytti Soila et al.: Nordic National Cinemas Routledge: ISBN-10: 0415081955 On Reserve: PN 1993.5 s2 s65 1998; also available as an electronic resource Braudy and Cohen: Film Theory and Criticism. 6th edition (FTC on syllabus) Oxford Univ. Press: ISBN 10 0195158172 On reserve: PN 1994 M364 2004 Mette Hjort: Purity and Provocation: Dogme 95 British Film Institute On reserve: PN1995.9 E96 P87 2003 Mette Hjort: Italian for Beginners University of Washington Press, 2010 PN 1997 I51555 H56 2010 Björn Norðfjörð: Dagur Kári’s Nói the Albino University of Washington -
Tonite the 6 Annual Queens World Film Festival Screens 30 Films And
FOR IMMEDIATE RELEASE: Media Contact : David Archer, DA Associates PR, 914-299 0837 www.queensworldfilmfestival.com Tonite the 6th Annual Queens World Film Festival Screens 30 films and Honors Filmmaker Melvin Van Peebles with the "Spirit of Queens" Award March 16th, 2016, New York, NY -- Each year, the Queens World Film Festival (QWFF) pays tribute to an outstanding filmmaker for his or her body of work. This year's "Spirit of Queens" Award goes to independent film director Melvin Van Peebles. Peebles is an American actor, director, screenwriter, playwright, novelist, painter and composer. Successful in every medium, Van Peebles is most famous for his movie Sweet Sweetback's Baadasssss Song , which heralded a new era of African-American cinema. It will be screened this evening Wednesday, March 16- 7pm at the Museum of the Moving Image (MOMI) in Astoria ,Queens, followed by a Q&A with the legendary Mr. Peebles, moderated by MoMI trustee Warrington Hudlin, founder of the Black Filmmaker Foundation. Twenty-nine other films will be screened this evening as well at the 3 other venues. Full Festival passes and Individual Tickets are on sale on line. For the full schedule and to view trailers please visit: www.queensworldfilmfestival.com To highlight the IndieCollect film preservation campaign, Susan Seidelman's 1982 movie, Smithereens, will be showcased at MoMI on Closing Night, Saturday, March 19. The Smithereens negative was found by the IndieCollect team in the vaults of DuArt Film & Video after DuArt closed its photo-chemical division, and was placed at the Academy Film Archive for safekeeping. IndieCollect, headed by QWFF board member Sandra Schulberg, is dedicated to saving independent films before they are lost due to neglect, lack of funding and/or faulty preservation strategies. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Home Video Philology: Methodological Reflections
Special – peer-reviewed Cinergie – Il cinema e le altre arti. N.13 (2018) https://doi.org/10.6092/issn.2280-9481/7878 ISSN 2280-9481 Home Video Philology: Methodological Reflections Valerio Sbravatti Submitted: March 1, 2018 – Revised version: May 25, 2018 Accepted: June 15, 2018 – Published: July 12, 2018 Abstract Digital home video is an extremely useful means of watching and analyzing films. However, scholars often neglect the fact that official home video or streaming releases of a film can have differences from theoriginal version of the film itself. Such variances typically are lack of film grain (resulting from digital noise reduction), differences in color grading, and soundtrack remixing. This can depend on the fact that the technicians who work on home video releases are unprepared, or are instructed to adjust the look and the sound of the film to the current taste, or because the filmmakers changed their mind and requested some modifications. Atany rate, film scholars must be aware of such possible inconsistencies, otherwise their study could be fallacious. In this article I discuss upon philological problems of home video releases mainly from a practical point of view. Keywords: Blu-ray Disc; DVD; film fandom; film philology; film restoration. Valerio Sbravatti: Sapienza Università di Roma (It) https://orcid.org/0000-0002-0817-6129 [email protected] Valerio Sbravatti (1988) has a PhD in Music and performing arts at Sapienza University of Rome, where he is honorary fellow in film studies. His main research interests are film sound and film music, on which he published somearticlesand a book (Allegro non troppo. -
BLACK SHEEP FILM, Fig Tree Wins the Prestigious Audentia Award at TIFF, 16/09/2018
AUDENTIA AWARD 2018 PRESS RELEASES BLACK SHEEP FILM, Fig Tree wins the prestigious Audentia Award at TIFF, 16/09/2018 BLICKPUNKT: FILM, Eurimages verleiht Audentia Award in Toronto, 14/09/2018 BROADWAY WORLD, The Toronto International Film Festival Announces 2018 Award Winners, 17/09/2018 The Toronto International Film Festival Announces 2018 Award Winners Sep. 17, 2018 CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM The Canada Goose ® Award for Best Canadian Feature Film goes to Sébastien Pilote's The Fireflies Are Gone (La disparition des lucioles). The jury said it was chosen, "For its true-to-life depiction of a young woman's quest to find meaning and hope in a world that has constantly disappointed her." This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose®. THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES) For the 27th year, the Festival welcomed an international FIPRESCI jury. This year's jury is comprised of Jury President Lesley Chow (Australia), Andrés Nazarala (Chile), Astrid Jansen (Belgium), Pierre Pageau (Canada), James Slotek (Canada), and Viswanath Subrahmanyan (India). The Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Carmel Winters for Float Like a Butterfly, which the jury called "a pastoral and traditional bucolic film, capturing the familiar angst and anxiety a young adult woman undergoes in order to have her say in the scheme of things in a predominately male-driven patriarchal society." "Through her spectacular and deft narrative, nuanced understanding of the dilemmas women face, and a pitch- perfect performance by Hazel Doupe, this film is a triumph of free spirit." Honourable mention goes to Laura Luchetti's Twin Flower. -
John Paino Production Designer
John Paino Production Designer Selected Film and Television BIG LITTLE LIES 2 (In Post Production) Producers | Jean-Marc Vallée, Nicole Kidman, Reese Witherspoon, Per Saari, Bruna Papandrea, Nathan Ross Blossom Films Director | Andrea Arnold Cast | Meryl Streep, Nicole Kidman, Reese Witherspoon, Zoë Kravitz, Adam Scott, Shailene Woodley, Laura Dern SHARP OBJECTS Producers | Amy Adams, Jean-Marc Vallée, Jason Blum, Gillian Flynn, Charles Layton, Marti Noxon, Jessica Rhoades, Nathan Ross Blumhouse Productions Director | Jean-Marc Vallée Cast | Amy Adams, Eliza Scanlen, Jackson Hurst, Reagan Pasternak, Madison Davenport BIG LITTLE LIES Producers | Jean-Marc Vallée, Nicole Kidman, Reese Witherspoon, Per Saari, Bruna Papandrea, Nathan Ross Blossom Films Director | Jean-Marc Vallée Cast | Nicole Kidman, Reese Witherspoon, Zoë Kravitz, Alexander Skarsgård, Adam Scott, Shailene Woodley, Laura Dern *Winner of [5] Emmy Awards, 2017* DEMOLITION Producers | Lianne Halfon, Thad Luckinbill, Trent Luckinbill, John Malkovich, Molly Smith, Russell Smith Black Label Media Director | Jean-Marc Vallée Cast | Jake Gyllenhaal, Naomi Watts, Chris Cooper, Polly Draper THE LEFTOVERS (Season 2 & 3) Producers | Sara Aubrey, Peter Berg, Albert Berger, Damon Lindelof, Tom Perrotta, Ron Yerxa, Tom Spezialy, Mimi Leder Warner Bros. Television Directors | Various Cast | Liv Tyler, Justin Theroux, Amy Brenneman, Amanda Warren, Regina King WILD Producers | Burna Papandrea, Reese Witherspoon Fox Searchlight Director | Jean-Marc Vallée Cast | Reese Witherspoon, Gaby Hoffmann, -
Nestor Serrano Mayor Michael Salgado
NEW SERIES WEDNESDAY 24TH JUNE 1 \ WEDNESDAY 24TH JUNE Police work isn’t rocket science. It’s harder. Inspired by the New York Times Magazine article “Who Runs the Streets of New Becoming the city’s most advanced police district isn’t easy. Gideon knows if he’s Orleans” by David Amsden, APB is a new police drama with a high-tech twist from going to change anything, he needs help, which he finds from Detective Theresa executive producer/director Len Wiseman (Lucifer, Sleepy Hollow) and executive Murphy producers and writers Matt Nix (Burn Notice) and Trey Callaway (The Messengers). (Natalie Martinez, Kingdom, Under the Dome), an ambitious, street-smart cop who is Sky-high crime, officer-involved shootings, cover-ups and corruption: the willing to give Gideon’s technological ideas a chance. over-extended and under-funded Chicago Police Department is spiraling out of control. Enter billionaire engineer Gideon Reeves (Emmy® Award and Golden Globe® With the help of Gideon’s gifted tech officer, Ada Hamilton (Caitlin Stasey, Reign), nominee Justin Kirk, Tyrant, Weeds). After he witnesses his best friend’s murder, he he and Murphy embark on a mission to turn the 13th District – including a skeptical takes charge of Chicago’s troubled 13th District and reboots it as a technically Capt. Ned Conrad (Ernie Hudson, Grace and Frankie, Ghostbusters) and determined innovative police force, challenging the district to rethink everything about the officers way they fight crime. Nicholas Brandt (Taylor Handley, Vegas, Southland) and Tasha Goss (Tamberla Perry, Boss) – into a dedicated crime-fighting force of the 21st century. -
History and Ethics of Film Restoration by Jeffrey Lauber a Thesis
History and Ethics of Film Restoration by Jeffrey Lauber A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Moving Image Archiving and Preservation Program Department of Cinema Studies New York University May 2019 ii ABSTRACT Film restoration and its products have been subjects of scrutiny and debate since the dawn of the practice. The process inherently bears an innumerable quantity of unresolvable uncertainties, a characteristic which has sparked discussions amongst archivists, restorers, scholars, critics, and audiences alike about the ethical implications of restoring motion pictures. This thesis contends that it would be both impractical and unproductive to impose a rigid set of ethical principles on a practice which so inevitably relies on subjectivity. Instead, it devises a more holistic understanding of film restoration practice and ethics to work towards a conceptual framework for film restoration ethics. Drawing from theoretical discourse and real-world case studies, this thesis examines the ways in which restorers have confronted and mitigated uncertainties in their work, and explores the ethical implications of their decisions. As an understanding of the philosophical and economic motivations behind film restoration provides essential foundational knowledge for understanding the evolution of its ethical discourse, the thesis begins by charting a contextual history of the practice before exploring the discourse and its core ethical concerns. iii TABLE OF CONTENTS Acknowledgements -
HELENA from the WEDDING Directed by Joseph Infantolino
HELENA FROM THE WEDDING Directed by Joseph Infantolino “Absorbing...deftly written and acted!” -- Jonathan Rosenbaum USA | 2010 | Comedy-Drama | In English | 89 min. | 16x9 | Dolby Digital Film Movement Press Contact: Claire Weingarten | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 208 | fax: (212) 941-7812 | [email protected] Film Movement Theatrical Contact: Rebeca Conget | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 213 | fax: (212) 941-7812 | [email protected] 1 SYNOPSIS Newlyweds Alex (Lee Tergesen) and Alice (Melanie Lynskey) Javal are hosting a weekend-long New Year’s Eve party for their closest friends at a remote cabin in the mountains. They expect Alex’s best friend Nick (Paul Fitzgerald), newly separated from his wife, to show up at the cabin with his girlfriend Lola. Alex and Nick’s childhood friend Don (Dominic Fumasa) is also set to arrive with his wife-of-many-years Lynn (Jessica Hecht), as are Alice’s pregnant friend Eve (Dagmara Dominczyk) and her husband Steven (Corey Stoll) Any thoughts of a perfect weekend are quickly thrown out the window as Nick arrives with only a cooler of meat and the news that he and Lola have recently called it quits. Don and Lynn show up a few minutes later deep in an argument. Finally, Eve and Steven make it to the cabin with a surprise guest in tow—Eve’s friend Helena, who was a bridesmaid with Alice at Eve’s wedding. With tensions running high at the cabin, Alex tries to approach the young and beautiful Helena. -
Movie Museum JUNE 2010 COMING ATTRACTIONS
Movie Museum JUNE 2010 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY SUMMER HOURS BRIDE FLIGHT SUMMER HOURS Hawaii Premiere! HOT ENOUGH FOR aka L'heure d'été (2008-Netherlands/ aka L'heure d'été HACHI: A DOG'S TALE JUNE (2008-France) Luxembourg) (2008-France) (2009-US/UK) aka Agent 008 3/4 in Dutch/Eng w/ Eng subtitles in French/Eng w/Eng subtitles in French/English w/English in English/Japanese with (1964-UK) subtitles in widescreen with Karina Smulders, Rutger with Juliette Binoche. English subtitles & widescreen with Dirk Bogarde, Sylva with Juliette Binoche, Charles Hauer, Waldemar Torenstra. 12:15, 2:15 & 8:45 only with Richard Gere, Joan Allen, Berling, Jérémie Renier, Edith 12:30pm only Koscina, Robert Morley, Leo --------------------------------- Cary-Hiroyuki Tagawa, Sarah McKern, John Le Mesurier. Scob, Dominique Reymond, --------------------------------- Roemer, Jason Alexander. Kyle Eastwood. BRIDE FLIGHT Hawaii Premiere! (2008-Netherlands/ Directed by HACHI: A DOG'S TALE Luxembourg) Directed by Written and Directed by Ralph Thomas. Olivier Assayas. (2009-US/UK) in Dutch/Eng w/ Eng subtitles Lasse Hallström. in Eng/Jap w/ Eng subtitles with Karina Smulders, Rutger 12:30, 2:30, 4:30, 6:30 with Richard Gere, Joan Allen. Hauer. Waldemar Torenstra. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 4:15 & 6:30pm only & 8:30pm 3 3, 5, 7 & 9pm 4 5 & 8:30pm 6 & 8:30pm 7 Hawaii Premiere! Hawaii Premiere! SHUTTER ISLAND Hawaii Premiere! Film Noir Double Feature THE RED BARON THE MESSENGER (2010) THE MESSENGER DANGEROUS CROSSING aka Der rote Baron (2009) in widescreen (2009) (1953) (2008-Germany/UK) in widescreen with Leonardo DiCaprio, in widescreen Jeanne Crain, Michael Rennie. -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others.