Bryndís Snæbjörnsdóttir
Spaces of Encounter: Art and Revision in Human - Animal Relations Bryndís Snæbjörnsdóttir Valand School of Fine Arts Faculty of Fine, Applied and Performing Arts University of Gothenburg Thesis for the degree of Doctor of Philosophy in Fine Art at Valand School of Fine Arts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg. ArtMonitor is a publication series from the Board of Artistic Research (NKU), Faculty of Fine, Applied and Performing Arts, Unversity of Gothenburg Address: ArtMonitor University of Gothenburg Konstnärliga fakultetskansliet Box 141 405 30 Göteborg www.konst.gu.se Cover design: Robert Moxon Layout and design: Bryndís Snæbjörnsdóttir & Robert Moxon Cover photo: ©Snæbjörnsdóttir/Wilson Printed by: Geson Hylte Tryck © Bryndís Snæbjörnsdóttir ISBN: 978-91-977757-6-2 Cora & Curtis Abstract Title: Spaces of Encounter: Art and Revision in Human - Animal Relations Language: English Keywords: animal studies, artistic research, conceptual art, contemporary art, contextual art, fine art research, installation art, photography, post-humanism, relational art, Snæbjörnsdóttir/Wilson, site-specific art, taxidermy. ISBN: 978-91-977757-6-2 This PhD project explores contemporary Western human relationships with animals through a ‘relational’ art practice. It centres on three art projects produced by Snæbjörnsdóttir/Wilson – nanoq: flat out and bluesome; (a)fly; and seal – all utilize lens-based media and installations. Discourses on how humans construct their relationship with animals are central to all three projects. The first one looks at polar bears, the second at pets, and the third at seals, in a variety of different sites within clearly defined contexts and geographical locations. The thesis explores the visual art methodologies employed in the projects, tracing in turn their relationship to writings about human-animal relations.
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