Book by Mark O'donnell and Thomas Meehan Music by Marc Shaiman
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PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Audience Insights Table of Contents
GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11 -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
A Visual Guide to Identifying Cats
A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6 -
December Newsletter Draft 1
Volume I No. 6 December, 2018 6320 Domingo Rd, NE, Suite B, Albuquerque, NM 87108 (505) 265-9119 Inside This Issue… 2019 Season Tickets Now on Sale You can now order tickets for the 60th Anniversary Season. Shows and details for ordering are inside. See p. 2 Celebrate 60 Years of MTS MTS Presents Elf Join us for an evening celebrating 60 years of great musical theatre Musical Theatre Southwest is proud to present Elf - The Musical at on February 2. the African American Performing Arts Center (AAPAC) December See p. 2 14-30. The delightful musical is based on the 2003 New Line Cinema film, HAIR Sells Out and tells the story of how Buddy, an orphaned baby crawls into November Run Santa’s bag one Christmas Eve and is taken to the North Pole to be raised by the elves. But Buddy’s inability to make toys - and his Hair has sold out all of its height - finally leads Santa to tell him that he is actually human. performances, thanks to great Buddy goes in search of his birth father, Walter, in New York City. audiences and reviews. But when Buddy finds out that Walter is a man who is on Santa’s See p. 2 naughty list, he decides to help his dad find the true meaning of Christmas. Save the Dates Elf is wonderful entertainment for the whole family! Elf features songs by Tony Award nominees, Matthew Sklar and Chad Beguelin (Disney’s Aladdin on Broadway, The Wedding Singer), with a book December 1 @ 6:15 PM – Ushers by Tony Award winners, Thomas Meehan (Annie, The Producers, for Eddie Money at Route 66 Casino Hairspray) and Bob Martin (The Drowsy Chaperone). -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
Crazy for You
CRAZY FOR YOU THE NEW GERSHWIN® MUSICAL Music and Lyrics by George Gershwin and Ira Gershwin; Book by Ken Ludwig. Co- conception by Ken Ludwig and Mike Ockrent. Inspired by material by Guy Bolton and John McGowan. Originally produced on Broadway by Roger Horchow and Elizabeth Williams THE STORY ACT ONE It is backstage at the Zangler Theater in New York City in the 1930s during a performance of the "Zangler Follies." Impresario Bela Zangler is in love with Tess, his Dance Director but since Zangler is married, Tess rejects his advances. Also back stage is Bobby Child, heir to a wealthy banking family, who yearns to be in show- business. Bobby talks Zangler into letting him audition on the spot, but the audition is not a success. Outside the theatre, Bobby is accosted by Irene, his wealthy fiancée, whom he doesn't want to marry, then by his mother, who insists that he go to Deadrock, Nevada to foreclose on a property. Bobby escapes the argument by conjuring up the Follies Girls. When he returns to reality, he chooses Deadrock over Irene and hurries off to Grand Central station and for Deadrock. Deadrock is a has-been mining town where the only woman in town is Polly Baker, a feisty postmistress. Her father, Everett, owns the Gaiety Theater that has now gone to seed. Everett has received a letter from New York stating that a banker named Bobby Child has been sent to foreclose on the theatre as the mortgage payments have not been made. Polly vows that if she ever meets this "Bobby Child "she'll do "something ugly". -
Usc Thornton Symphony
USC THORNTON THORNTON SYMPHONY UNIVERSITY CHORUS: TONIGHT! Friday | APRIL 23, 2016 | 8:00 PM ST. JOHN’S EPISCOPAL CATHEDRAL 514 WEST ADAMS BOULEVARD LOS ANGELES, CA 90007 SHOU PING LIU conductor JEREMY S. BAKKEN conductor CHOONGWOO STEVE KO conductor NAN DENG piano This recital is presented in partial fulfillment of the requirements for the Masters and Doctor of Musical Arts degrees in Choral Music and is supported in part by the Noble Foundation Grant for Graduate Choral Music Recitals. PROGRAM LEONARD BERNSTEIN “Something’s Coming/Tonight” ARR. ED LOJESKI (from West Side Story) Jeremy S. Bakken, conductor Joanna Smeeton, soloist Choongwoo Steve Ko, soloist CARL ORFF Carmina Burana II. Reie XXV. O Fortuna Shou Ping Liu, conductor WOLFGANG AMADEUS MOZART Thamos, King of Egypt, K. 345 I. Maestoso Shou Ping Liu, conductor Hope Thompson, Soprano Kirstina Rasmussen Collins, Alto David Rakita, Tenor Daniel Kim, Bass GIUSEPPE VERDI “Anvil Chorus” (from Il Trovatore) Choongwoo Steve Ko, conductor STEPHEN SONDHEIM “Send In the Clowns” ARR. MAC HUFF (from A Little Night Music) Shou Ping Liu, conductor Yidan Hu, soloist Beth Newcomb, soloist Kiera Nowacki, soloist Elisa Shimada, soloist Alex Norwick, soloist GEORGE GERSHWIN “The Jolly Tar and the Milkmaid” (from Damsel in Distress) Jeremy S. Bakken, conductor Audrey Weber, soloist Gino In, soloist MORTEN LAURIDSEN Where Have the Actors Gone ARR. IAN FREEBAIRN-SMITH Jeremy S. Bakken, conductor MARC SHAIMAN “You Can’t Stop the Beat” ARR. ROGER EMERSON (from Hairspray) Jeremy S. Bakken, conductor ELTON JOHN “Circle of Life” ARR. KEITH CHRISTOPHER (from The Lion King) Choongwoo Steve Ko, conductor The use of flash cameras, video cameras, and other recording devices is not permitted. -
Herding Cats: Infosec Follies
Herding Cats: Infosec Follies October 2012 Herding Cats: Infosec Follies 2 Here’s a hot sports opinion for you: I think our industry is terrible at information risk analysis and management. There is a significant gap between what information security professionals consider high risk and what business professionals consider high risk. I’ve been in those meetings where information security has had their legs cut out from under them, but I’ve also been in meetings where open checkbooks for security were passed around like month-old Halloween candy1. There are a number of reasons for this; let’s explore a few here. The most glaring omission is our repeated usage of inaccurate (or inconsistent) historical data. If we are terrible at forecasting when and where events will occur and their impact to our business, we look no better than the sales person who forecasts a 75% miss in the last week of the quarter. So we take an ultra conservative approach to try and cover our bases. There are a bunch of you out there who have done this successfully for a number of years, and so far you haven’t been bit. There used to be an old saying (which probably still exists in some circles, but I’m going to pretend it doesn’t anymore) in the PCI DSS compliance world that went like this: “You are compliant until you are compromised.” Meaning, it didn’t matter what you reported to your processor as long as you were breach free. The moment that breach hit, however, you were in a world of hurt as your misrepresentation of compliance status came to light. -
FOR IMMEDIATE RELEASE Contact: Renée Littleton
FOR IMMEDIATE RELEASE Contact: Renée Littleton [email protected], 202-600-4052 May 22, 2020 ARENA STAGE ANNOUNCES ITS VIRTUAL SPRING/SUMMER SEASON, LOOKING FORWARD ***Arena’s virtual events series expands with two world premiere films, masterclasses and an artists’ marketplace*** (Washington, D.C.) Arena Stage at the Mead Center for American Theater announces the expansion of its online programs and events through August 2020. Arena Artistic Director Molly Smith has curated a diverse and engaging Spring/Summer Season, Looking Forward, connecting artists and audiences locally and nationally. In addition to the popular and in-demand Gifts of Art, Molly’s Salons, Broadway dance classes and Civil Dialogues, Smith has created a robust line-up of programming. “I had a major realization a few weeks after we closed our physical doors that without plays happening on our stages at Arena, the best way to communicate with our audiences is online,” says Artistic Director Molly Smith. “We are thrilled to share the Spring/Summer Season of Looking Forward. What makes us different from anyone else? We will always be in high touch with you even online and we promise to engage you intellectually, politically, emotionally and spiritually just like we do in the theater.” Arena will premiere two films that capture the heartbeat and spirit of the D.C. region’s response to COVID-19. Arena’s education program, Voices of Now, moved its rehearsals online following the closure of schools and adapted their traditional original theater showcase to film. Inside Voices: a film by Arena Stage’s Voices of Now ensembles is a time capsule created by 120 student artists’ through a devised theater process.