The Dark Side of the Albano Crater Lake
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Distribution, Demography, Ecology and Threats of Amphibians in the Circeo National Park (Central Italy)
Acta Herpetologica 11(2): 197-212, 2016 DOI: 10.13128/Acta_Herpetol-18061 Olim palus, where once upon a time the marsh: distribution, demography, ecology and threats of amphibians in the Circeo National Park (Central Italy) Antonio Romano1,*, Riccardo Novaga2, Andrea Costa1 1 Consiglio Nazionale delle Ricerche, Istituto di Biologia Agroambientale e Forestale, Via Salaria Km 29,300 I-00015 Monterotondo Scalo, Rome, Italy. * Corresponding author. E-mail: [email protected] 2 Viale dello Statuto 37, Latina, Italy. Submitted on 2016, 27th February; revised on 2016, 27th June; accepted on 2016, 7th July Editor: Gentile Francesco Ficetola Abstract. The Circeo National Park lies in a territory that was deeply shaped by human activity, and represents one of the few remaining patches of plain wetland habitat in Central Italy. In this study distribution and few demographic information of the amphibians in the Park were provided. Seven species and 25 bibliographic and 84 original breeding sites were recorded, and population size estimations were carried out for a population of these three species: Pelophylax sinkl esculentus, Bufo balearicus and Rana dalmatina. For the studied populations of pool frog and green toad the oper- ational sex ratio and the demographic effective population size was also estimated. For Rana dalmatina, which is strictly associated to forest environment, a positive and significant correlation between the number of egg clutches and maxi- mum depth of the swamps was found. The State plain forest is the most important habitat for amphibians’ conservation in the park. The occurrence of dangerous alien species was investigated and they are evaluated as the major threat for amphibians in the park, especially the crayfish Procambarus clarkii in the State plain forest. -
'Truth': Representations of Intercultural 'Translations'
eScholarship California Italian Studies Title Sleights of Hand: Black Skin and Curzio Malaparte's La pelle Permalink https://escholarship.org/uc/item/0xr9d2gm Journal California Italian Studies, 3(1) Author Escolar, Marisa Publication Date 2012 DOI 10.5070/C331012084 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Sleights of Hand: Black Fingers and Curzio Malaparte’s La pelle Marisa Escolar La pelle [1949], written towards the end of Curzio Malaparte’s rather colorful political career,1 has long been used as a litmus test for its author, helping critics confirm their belief in a range of divergent and often contradictory interpretations. At one end of the spectrum is the view that he was an unscrupulous “chameleon” who distorted the reality of the Allies’ Liberation of Italy to suit his own interests.2 At the other is the claim that he was a true artist whose representations of the horrors of war absorb historical details into what is a consummately literary work.3 In other words, La pelle has been read either as a vulgar deformation or a poetic transcendence of the historical moment it purports to represent.4 And yet Malaparte’s narrative of the myriad social transformations following the Armistice actually combines concrete historical events (the Allies’ arrival in Naples and in Rome, the eruption of Vesuvius on March 22, 1944, and the battle of 1 Malaparte, born Kurt Erich Suckert, joined the Partito Nazionale Fascista in September 1922 and resigned in January, 1931 just before moving to France. Upon his return to Italy in October 1931, he was expelled from the party (despite having already left it) and sentenced to political exile on Lipari for five years of which he served less than two (Martellini Opere scelte xcii-xciv). -
Geochronology of Volcanic Rocks from Latium (Italy)
R£:-Imcu-...:n UELLA !'oclt;TA 1TALl .... N.... DI MlNER.-\LOG1A E l'ETROLOGIA, 1985, Vu!. 40, pp. 73·106 Geochronology of volcanic rocks from Latium (Italy) MARIO FORNASERl Istituto di Geochirnica dell'Universita, Citta Universit:nia, Piazza Aldo Moro, 0018.5 ROffia Centro di Studio per la Geocronologia e la Geochimica delle Formazioni Recenti del CN.R. ABSTRACT. - The age determination data for A few reliable age measurements arc available volcanic rocks from Latium (haly) are reviewed. for the Sabatini volcanoes, rather uniformely scat· This paper reports the geochronological data obtained tert-d between 607 and 85 ka. The "tufo rosso a chefly by the Ar-K t~hnique, but also by Rb-Sr, scorie nere,. from the sabatian region, which is ""'rh, "C and fission tI"1lcks methods. the analogue of the ignimbrite C from Vico has a The Latium region comprises rocks belonging to firmly established age of 442 + 7 ka. This formation the acidic volcanic groups of Tolfa, Ceriti and Man. can be considered an impor-tant marker not only ziana districlS and to Mt. Cimino group, having for the tephrochronology but also, more generally, strong magmatic affinity with the Tuscan magmatic for the Quaternary deposits in Latium. province and the rocks of the Roman Comagmatic Taking into account all data in the literature Region. lbe last one encompasses the Vulsinian, the oldest known product of the Alban Hills show Vicoan, Sabatinian volcanoes, the Alban Hills and an age of 706 ka, but more recent measurements rhe volcanoes of the Valle del Sacco, often referred indicate for these pt<xluclS a mol'C recent age to as Mts. -
Copyright Statement
COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
First Premarital Screening of Thalassaemia Carriers in Intermediate Schools in Latium
Journal ofMedical Genetics, 1978, 15, 202-207J Med Genet: first published as 10.1136/jmg.15.3.202 on 1 June 1978. Downloaded from First premarital screening of thalassaemia carriers in intermediate schools in Latium E. SILVESTRONI, I. BIANCO, B. GRAZIANI, C. CARBONI, AND S. U. D'ARCA From the 'Centro di Studi-della Microcitemia di Roma% Istituto d'Igiene dell'Universitd di Roma, Italia SUMMARY In the 1975 to 1976 school year, under the auspices of the Health Authorities of the Latium Region, the Rome Microcythaemia Centre carried out for the first time a partial screening survey of thalassaemia carriers among the students of the compulsory intermediate school in Latium. This work was the beginning of a new preventive school health service aimed at the prophylaxis of Cooley's disease. In 23 places investigated in Latium, 17 724 students were examined, 13 354 of whom were in Rome and 4370 elsewhere. The mean percentage of co-operation was 70% and the mean percentage of thalassaemia 2.42%. Thalassaemic students were invited to attend the centre for a check-up along with their families: about half had already come in by the end of June 1976. All students examined, whether normal or thalassaemic, have received written results of the tests. The screening survey aroused notable interest and obtained wide approval both at school and at home. The news of being thalassaemia carriers, even if not welcome, was never the cause of family tragedy. copyright. Under the auspices of and with financial support from Informed consent having been obtained, a team of the Health Authorities of the Latium Region, the doctors took 1 ml venous blood from each student in Rome Microcythaemia Centre initiated and carried out the school dispensary. -
Europe Escape 12-Day Tour
Europe Escape 12-day tour Itinerary for all departure dates in 2021 Click here if you are travelling in 2022 This is the flagship tour that started it all for Expat Explore! Journey to 8 of Europe’s most popular countries. Start off by getting to know the Italian way of life in Rome and the romantic Venice. Explore the gem that is Paris, and meander through the countryside of France. Cross borders to the heart of the Swiss Alps and see castle- lined riverbanks in Germany’s Rhine Valley. Explore the vibrant streets and beautiful canals of Amsterdam. There’s so much more in store - if it’s a taste of Europe you want, this tour is for you. The Europe Escape remains one of the favourites! Start Point on Day 1 End Point on Day 12 Rome Rome 07:00 hrs at hotel in Rome 17:00 hrs at hotel in Rome (traffic dependent) Day 1: Start of tour in Rome Welcome to your 12-day Europe tour! Make sure you have your camera ready, because the photo opportunities are endless. This morning we kick things off with the option to visit the stunning Colosseum and the ruins of the ancient Roman Forum. The Colosseum is a spectacular icon of Rome, offering fabulous views of the city, and an unbelievable feeling of drifting backwards in time, to when gladiators, chariots and lions dominated the arena. This afternoon we Conquer the Capital together! Join your tour leader as they show you and share the history of some of the city’s most iconic sites. -
Geochemicaljournal,Vol.28,Pp. 173To 184,1994 C H
GeochemicalJournal,Vol.28,pp. 173to 184,1994 C h em ic al c h a r acters of cr ater la k es in th e A z o res a n d Italy: th e a n o m aly o f L a k e A lb a n o M ARlNO M ARTlNl,1 L UCIANO GIANNINl,1 FRANCO PRATI,1 FRANCO TASSI,l B RUNO CAPACCIONl2 and PAOLO IOZZELL13 IDepartm ent ofEarth Sciences,U niversity ofFlorence, 50121 Florence,Italy 2lnstitute ofV olcanology and G eochemistry, University ofUrbino, 61029 Urbino,Italy 3Departm ent ofPharm aceutical Sciences, University ofFlorence,50121 Florence,Italy (Received April23, 1993,・Accepted January 10, 1994) Investigations have been carried out on craterlakesin areas ofrecent volcanism in the A zores and in Italy, with the aim of detecting possible evidence of residual anom alies associated with past volcanic activities;data from craterlakes ofCam eroon have been considered for com parison. A m ong the physical- chem ical ch aracters taken into account, the increases of tem perature, am m onium and dissolved carbon dioxide with depth are interp reted as providing inform ation aboutthe contribution of endogene fluidsto the lake w ater budgets. The greater extent of such evidence at Lakes M onoun and N yos (Cam eroon) appears associated withthe disastersthatoccurred there duringthe lastdecade;som e sim ilarities observed atLake Albano (Italy)suggesta potentialinstability also forthis craterlake. parison. W ith reference to the data collected so INTRODUCT ION far and considering the possibility that the actual Crater lakes in active volcanic system s have chem ical characters ofcrater lakes are influenced been investigated with reference to change s oc- by residualtherm al anom alies in the hosting vol- curing in w ater chem istry in response to different canic system s, an effort has been m ade to verify stages of activity, and interesting inform ation is w hether and to w hat extent these anom alies can available about R u apehu (Giggenbach, 1974), be revealed by sim ple observations. -
Organist Dedicates 70 Years Playing for the Lord Churches Unify To
THE CATHOLIC St. Philomena volunteers bridge past to future PAGES 10 & 11 May 30, 2014ommentator Vol. 52, No. 8 SERVING THE DIOCESE OF BATON ROUGE SINCE 1963 thecatholiccommentator.org C HANDS FOR GOD Organist dedicates 70 years playing for the Lord By Barbara Chenevert nun, wife, mother and four- The Catholic Commentator time cancer survivor. “I feel the joy of the spirit Sister Mary Jeanne’s pierc- within me and it comes out in ing eyes frightened 8-year-old music,” said Aubin, who has Ursula Deaton. been an organist at St. Patrick Even though the youngster Church in Baton Rouge since wanted to take piano lessons, the church parish was founded just looking at the nun scared 40 years ago. her greatly. But when Ursula’s She began playing music for mother asked sister if they Masses at St. Gerard Church in could afford her lessons, Sister Baton Rouge where her mother Mary Jeanne took young Ursu- was the organist. “When I was la’s hands in her own and said, 12, Father Baugry at St. Gerard “Some day these little hands came over to my house one will play for the Lord.” Saturday and said our daily More than seven decades organist had quit. He asked if later, the now 82-year-old Ur- I could play for the 10 o’clock sula Deaton Aubin plays daily Mass. I had never played organ for the Lord, something she has and it was an old pump organ. I been doing as a church organist struggled with it. My dad came since she was 12 years old. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
The Spirit of Rome, by Vernon Lee 1
The Spirit of Rome, by Vernon Lee 1 The Spirit of Rome, by Vernon Lee The Project Gutenberg EBook of The Spirit of Rome, by Vernon Lee This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Spirit of Rome Author: Vernon Lee Release Date: January 22, 2009 [EBook #27873] Language: English Character set encoding: ISO-8859-1 The Spirit of Rome, by Vernon Lee 2 *** START OF THIS PROJECT GUTENBERG EBOOK THE SPIRIT OF ROME *** Produced by Delphine Lettau & the Online Distributed Proofreading Team at http://www.pgdpcanada.net This file was produced from images generously made available by The Internet Archive/American Libraries. THE SPIRIT OF ROME BY VERNON LEE. CONTENTS. Explanatory and Apologetic I. First Return to Rome II. A Pontifical Mass at the Sixtine Chapel III. Second Return to Rome IV. Ara Coeli V. Villa Cæsia VI. The Pantheon VII. By the Cemetery SPRING 1895. I. Villa Livia II. Colonna Gallery III. San Saba IV. S. Paolo Fuori V. Pineta Torlonia SPRING 1897. I. Return at Midnight II. Villa Madama III. From Valmontone to Olevano IV. From Olevano to Subiaco V. Acqua Marcia VI. The Sacra Speco VII. The Valley of the Anio VIII. Vicovaro IX. Tor Pignattara X. Villa Adriana XI. S. Lorenzo Fuori XII. On the Alban Hills XIII. Maundy Thursday XIV. Good Friday XV. -
Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars.