Congressional Entertainment Caucus Los Angeles Hearing
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Congressional Entertainment Caucus Los Angeles Hearing University of Southern California Davidson Executive Conference Center August 6, 2003 Sponsored by Congresswoman Diane Watson The USC Annenberg Norman Lear Center 2 Congressional Entertainment Caucus Hearing Congressional Entertainment Caucus Hearing The Norman Lear Center and Diane Watson, chair of the Congressional Entertainment Caucus, held the first Los Angeles Entertainment Caucus Hearing to address issues important to the entertainment sector. Topics included FCC ownership rules, piracy, runaway productions, intellectual property and copyright infringement. Members of Congress in attendance included U. S. Representatives Loretta Sanchez and Xavier Becerra. Local political figures present included Los Angeles City Council members Bernard Parks and Martin Ludlow and Culver City vice mayor Steve Rose. Expert Panelists: Congressional The Norman Lear Entertainment Caucus Center Marilyn Bergman, president The Congressional Based at the USC and chair, American Society of Entertainment Caucus was Annenberg School for Composers, Authors and established to engage Communication, the Publishers (ASCAP) members of Congress about Norman Lear Center is a entertainment industry multidisciplinary research Ann Chaitovitz, national concerns. Currently, thirty and public policy center director of sound recordings, members of Congress have exploring implications of the ASCAP joined the Caucus on a non- convergence of partisan basis. The Caucus entertainment, commerce recognizes the economic and society. On campus, the John Connolly, president, and cultural contributions of Lear Center builds bridges American Federation of the entertainment sector, between eleven schools Television and Radio Artists which brought an estimated whose faculty study aspects (AFTRA) $535.1 billion to the U.S. of entertainment, media and economy in 2001 and culture. Beyond campus, it Marshall Herskovitz, vice exports films, music, and bridges the gap between president, Producers Guild of television programs to more the entertainment industry America than 150 countries. Also, and academia, and between Caucus members are them and the public. Martin Kaplan, director, cognizant of the many Through scholarship and Norman Lear Center challenges to the industry research; through its today, such as intellectual programs of visiting fellows, property protection, conferences, public events, Vicki Riskin, president, Writers runaway productions, and publications; and in its Guild of America, west piracy, new FCC ownership attempts to illuminate and rules and the development repair the world, the Lear Steven Rose, vice mayor, City of new digital media. As a Center works to be at the of Culver City way of raising Congressional forefront of discussion and awareness on these issues, praxis in the field. Terri A. Southwick, senior vice the Caucus serves as a president & deputy general clearing house for the counsel, Walt Disney Company dissemination of vital information and as a forum to formulate and discuss Ronald Wheder, vice president, innovative approaches to Fox Pictures Studios the many challenges the entertainment sector faces. Lear Center director Martin Kaplan confers with Congresswoman Diane Watson before the hearing. 3 Congressional Entertainment Caucus Hearing Martin Kaplan: If anyone was betting against an on-time start, I'm afraid you've lost that bet. We're going to begin, and as a consequence of starting on time and staying on time, we're going to be going with the flow. So comings and goings will be part of the morning. Good morning to everybody. My name is Marty Kaplan. I'm the associate dean of the USC Annenberg School for Communication, and I'm also the director of the Norman Lear Center, which studies the impact of entertainment on society. The Lear Center is honored to be a co-convener of this event. I'd like, in particular, to thank someone who had the original idea of a Congressional Entertainment Caucus. When you think about it now, it makes such sense, but it didn't used to be. It took the leadership of the chair of the Caucus, and so I'm particularly pleased to thank her for her leadership and to salute her, please join me in welcoming Congresswoman Diane Watson. There are many speakers, as I mentioned, who will be joining us at various times, and I will introduce them as they arrive, and I ask your indulgence as we do a little hopscotch with the agenda to accommodate the changing schedules of those here. Lear Center director Martin Before we begin, I wanted to have a chance to introduce some of the other people Kaplan welcomes who are here, and, in particular, on the dais, representing the L.A. city council district the audience. no. 8, and I say with a touch of chauvinism, the holder of a degree from USC, city council member Bernard Parks. And we also have in the room some other guests, and as the morning moves along, as I said, I'll have a chance to introduce them. Let me start by introducing one of the other elected officials here today, the vice mayor of Culver City, Steve Rose. Before we begin the panels, and before we interrupt the panels, I will say please turn off your cell phones. Thank you for that cue. And I'd like to ask some of those who are already here on the dais to offer a few remarks, and I'd like to start by asking Congresswoman Diane Watson. Diane Watson: Good morning. Come on now. You can do better than that. Good morning. All righty! We're going to wake you up today. I first want to say to Marty Kaplan, we so much appreciate all the work you have done in helping us convene the first Congressional Entertainment Caucus hearing outside of Washington, D.C. And as you know, he is the director of The Norman Lear Center, and I want to send my thanks to Norm and to you. We have worked together over the years. I've not seen him in the last few years, but we appreciate all he does, too. I think many of you are aware that the great 33rd district has in it its starship, USC. It also has at the other end, Hollywood. And over the years, as you know, we have been very much involved with what Hollywood exports around the globe. And now that I am representing it, I thought it would be important to work together with the industry to improve our communications and to plan together so that this $500 billion industry annually can thrive. When the industry thrives, we all thrive. I'm proud to represent Sony Pictures, Capital Records, Raleigh Studios, and some of the other smaller studios within this 33rd District. At a time when the jobless rate is over two million, we want to be sure that we can bolster, in whatever way we can through Congresswoman government, the industry because they employ masses of people. Diane Watson opens the proceedings. Today's forum is representing a culmination of a series of events and hearing sessions hosted by the Congressional Entertainment Caucus over the past half year. We have 38 members who have signed on. You know, they're fascinated when you talk about the entertainment industry in Hollywood. However, this is busy season for all of us. 4 Congressional Entertainment Caucus Hearing This is a month that we have out to work our districts, work in our districts, to travel throughout the world, and so many of them are not able to come. They send their regards. They are loyal members, and they're in Washington, D.C., and so we will move on with whoever's able to pull away some time to come. And in strengthening the communication between Capitol Hill and the entertainment community, it is in all of our best interest, and we're using this as a vehicle to disseminate and to exchange information from the seat of government to the industry. And as I mentioned, the Caucus now has 38 non-partisan members from across the country. It's sponsored many briefings and events on Capitol Hill for the past several months, and the topics of our Congressional briefings range from intellectual property rights protection in a global market to domestic law enforcement efforts to combat digital piracy, to the FCC media cross-ownership rules, and to the bilateral free trade agreements with Singapore and Chile. This fall, we plan to focus on several other issues, including runaway productions, artists' rights and empowerment, and minority representation in the entertainment sector. I also am concerned about the images of America and America society abroad. What kind of perceptions do we export, and are these perceptions doing this country harm, or are they doing us good? And it's a timely subject with what is happening in this period of time. And so the Caucus has worked with various leaders in the entertainment community, including the Motion Picture Association of America, the Writers Guild, the Interactive Digital Software Association, AOL/Time Warner, Sony Pictures Studio, Universal Studios, to just name a few. And so I'm so pleased that several of the representatives from the industry are our panelists today, and we're going to look forward to hearing from them in just a second and a continued relationship with them. The panel today has been divided into four topics that are reflective of key issues of concern that have been brought to us by the industry itself, and they include runaway productions, intellectual property piracy, the FCC ruling, and independent productions. Because of the many new digital technologies there are serious questions and there are serious concerns related, and we see the erosion of intellectual property rights in the entertainment sector. This has been happening domestically but very seriously abroad, where countries like Russia and Taiwan have become major hubs of international piracy networks.