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No Words, No Problem, P.15 Genre Legends: 8Pm, Upfront Theatre
THE GRISTLE, P.06 + ORCHARD OUTING, P.14 + BEER WEEK, P.30 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 04-25-2018* • ISSUE:*17 • V.13 PIPELINE PROTESTS Protecting the Salish Sea, P.08 SKAGIT STOP Art at the schoolhouse, P.16 MARK LANEGAN A post- Celebrate AGI grunge SK T powerhouse, P.18 No words, no problem, P.15 Genre Legends: 8pm, Upfront Theatre Paula Poundstone: 8pm, Lincoln Theatre, Mount 30 A brief overview of this Vernon Backyard Brawl: 10pm, Upfront Theatre FOOD week’s happenings THISWEEK DANCE Contra Dance: 7-10:30pm, Fairhaven Library 24 MUSIC Dylan Foley, Eamon O’Leary: 7pm, Littlefield B-BOARD Celtic Center, Mount Vernon Skagit Symphony: 7:30pm, McIntyre Hall, Mount Vernon 23 WORDS FILM Book and Bake Sale: 10am-5pm, Deming Library Naomi Shihab Nye: 7pm, Performing Arts Center, Politically powered standup WWU 18 comedian Hari Kondabolu COMMUNITY MUSIC Vaisaikhi Day Celebration: 10am-5pm, Guru Nanak stops by Bellingham for an April Gursikh Gurdwaram, Lynden 16 GET OUT ART 29 gig at the Wild Buffalo Have a Heart Run: 9am, Edgewater Park, Mount Vernon 15 Everson Garden Club Sale: 9am-1pm, Everson- Goshen Rd. Native Flora Fair: 10am-3pm, Fairhaven Village STAGE Green 14 FOOD Pancake Breakfast: 8-10am, American Legion Hall, Ferndale GET OUT Pancake Breakfast: 8-10:30am, Lynden Community Center Bellingham Farmers Market: 10am-3pm, Depot 12 Market Square WORDS VISUAL Roger Small Reception: 5-7pm, Forum Arts, La WEDNESDAY [04.25.18] Conner 8 Spring has Sprung Party: 5-9pm, Matzke Fine Art MUSIC Gallery, Camano Island F.A.M.E. -
8002-Cedille-On-The-Move-Booklet.Pdf
INTRODUCTION 1 JOHN ADAMS (b. 1946) I. Relaxed Groove from Road Movies (4:37) Cedille Records is devoted to promoting the finest musicians in and from Chicago by re- Jennifer Koh, violin leasing their efforts on high quality recordings. Our recording ideas come from the artists themselves, which is why we have such a widely varied catalog of innovatively programmed Reiko Uchida, piano recordings. From In 2004, Cedille released a sampler CD of calming compositions titled Serenely Cedille (Ce- String Poetic — dille Records CDR 8001). Now, five years later, we present a disc of high-energy selections st from our catalog, ideal for keeping you “on the move,” whether walking, running, biking, American Works: A 21 Century Perspective driving, exercising, or just enjoying the music’s rhythmic drive. The tracks run the gamut CDR 90000 103 from a Vivaldi flute concerto, to symphonic works by late-Classical era composers from Bohemia (Krommer and Voříšek), to (later) 19th century concertos and chamber works, to seven selections by contemporary or very recent composers. All feature propulsive rhyth- mic energy designed to keep the music (and you) moving forward. This is the piece that inspired the idea for this sampler CD. About it, the iconic American I hope you enjoy this disc, and that it inspires you to want to learn more about and hear composer writes, “Road Movies is travel music, music that is comfortably settled in a pulse more from the wonderful Chicago artists represented on this CD. Toward that end, the track groove and passes through harmonic and textural regions as one would pass through a listing in this booklet includes a short statement about each selection and its respective landscape on a car trip.” Although titled, “Relaxed Grove,” the opening movement conveys disc. -
ARIANE GRAY HUBERT Concert Pianist, Singer & Composer Www
ARIANE GRAY HUBERT Concert Pianist, Singer & Composer www.arianegrayhubert.com A concert pianist, singer and composer, Ariane Gray Hubert is a much acclaimed and innovative artist in several fields. Over the years, she has delighted audiences and critics all over the world with her performances, be it a piano solo recital, a piano-vocal world music program or with various music ensembles. In her orchestral works, she blends both eastern and western music traditions in a unique manner—an absolutely visionary approach. Born in Paris with a French-American double nationality, the artist started her musical journey at the age of four. She was largely influenced by her American mother, Tamara Gray, and her great- aunt, who received her training from Alfred Cortot in Switzerland. The classical training Ariane Gray Hubert received is fascinating and ranged from the renowned Russian, Austrian and French piano traditions to the rich, oral music of the east. The distinctive characteristics of this French-American artist combine playing and singing together in expressive scales, her unique improvisation, powerful rhythmical ideas and inspiration from ancient musical traditions. In the west, the artist performs for major international festivals as well as for many productions in opera and dance. She played for Radio France, Musée d’Orsay, Opera Bastille & Garnier, the Vatican, the UNESCO, the European Delegation in India on the occasion of the 50 years of the EU Treaty, the French Alliances abroad (Austria, Germany, Italy, Baltic countries, India) and for various South American festivals. In 2010, in collaboration with various festivals abroad, she played “La Note Bleue” at the closing ceremony of the Festival “Bonjour India” to commemorate the bicentenary birth anniversary of F. -
Disturbing the Peace Distribution the Sept
CLIMATE STRIKE P.12 + FREE WILL P.22 + SEAFEAST P.26 c a s c a d i a PICKFORD CALENDAR INSIDE REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*SURROUNDING AREAS 09-18-2019 • ISSUE: 38 • V.14 BEST OF BELLINGHAM Last chance to vote! P.20 BADERSON Beyond Cody Rivers P.13 DISTURBING GEORGE WINSTON THE PEACE More than Ed Bereal is a a piano wanted man P.14 man P.16 COMMUNITY A brief overview of this Tag Sale: 9am-4pm, Syre Education Center 26 Fall Garage Sale: 9am-4pm, Skagit County Fair- grounds FOOD week’s happenings THISWEEK International Day of Peace: 6pm-9pm, the Majestic FOOD Mount Vernon Market: 9am-2pm, Riverwalk Park Anacortes Farmers Market: 9am-2pm, Depot Arts Center REAR END 22 Saturday Market: 9am-3pm, Concrete Community Center Saturday Market: 10am-1pm, Lummi Island 21 Twin Sisters Market: 10am-2pm, North Fork Library Lynden Farmers Market: 10am-2pm, Centennial FILM Park Blaine Farmers Market: 10am-2pm, H Street Plaza Bellingham Farmers Market: 10am-3pm, Depot 16 Market Square Bellingham SeaFeast: 10am-8pm, Zuanich Point MUSIC Park Sedro-Woolley Brewfest: 2pm-7pm, Metcalf Street 14 GET OUT ART Skagit Valley Giant Pumpkin Festival: 9am-4pm, Christianson’s Nursery 13 Nooksack River Walk: 3pm, Horseshoe Bend Trailhead STAGE VISUAL Fall Show Reception: 2pm-5pm, River Gallery, 12 Mount Vernon Find out why love is the only thing that matters at a 20th Drie Chapek Talk: 4pm, i.e. gallery, Edison GET OUT anniversary touring production of RENT Mon., Sept. 23 at the SUNDAY [09.22.19] Mount Baker Theatre. -
Kaikhosru Shapurji Sorabji's Quintet for Piano and Four Stringed Instruments and Its Intended Performance by Norah Drewett and the Hart House String Quartet
91 Kaikhosru Shapurji Sorabji's Quintet for Piano and Four Stringed Instruments and its intended performance by Norah Drewett and the Hart House String Quartet Marc-AndrC Roberge Abstract This article attempts to reconstruct the history of what was to be the first per- formance of Kaikhosru Shapurji Sorabji's Quintet for Piano and Four Stringed Instruments (1919-20), which was scheduled to be given on 29 November 1925 at Aeolian Hall in New York by the pianist Norah Drewett and the University of Toronto's Hart House String Quartet as part of a concert sponsored by Edgard Varese's International Composers' Guild. The performance never took place for reasons that are not entirely clear but have to do mostly with the work's difficul- ties. The article also provides an introduction to the work itself, which Sorabji dedicated to his friend, the composer Philip Heseltine. Most people who have heard of Kaikhosru Shapurji Sorabji (1892-1988), the Parsi composer and pianist active who lived as a recluse in England for most of his career, know that performances of his often massive and extremely difficult works have been extremely rare as a result of a so-called ban.l The thirteen scores that Sorabji published between 1921 and 1931 contain the following warning: "All rights including that of performance, reserved for all countries by the composer." The score of his 248-page Opus clavicembalisticum (1929-30), his longest and most often cited work, contains the additional admonition: "Public performance prohibited unless by express consent of the composer." Various statements in letters make it possible to say that, in the late thirties, Sorabji had decided to turn down all requests for public performance either by himself or by others. -
An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC AN ANNOTATED CATALOGUE OF THE MAJOR PIANO WORKS OF SERGEI RACHMANINOFF By ANGELA GLOVER A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Angela Glover defended on April 8, 2003. ___________________________________ Professor James Streem Professor Directing Treatise ___________________________________ Professor Janice Harsanyi Outside Committee Member ___________________________________ Professor Carolyn Bridger Committee Member ___________________________________ Professor Thomas Wright Committee Member The Office of Graduate Studies has verified and approved the above named committee members. TABLE OF CONTENTS Abstract………………………………………………….............................................. iv INTRODUCTION……………………………………………………………………. 1 1. MORCEAUX DE FANTAISIE, OP.3…………………………………………….. 3 2. MOMENTS MUSICAUX, OP.16……………………………………………….... 10 3. PRELUDES……………………………………………………………………….. 17 4. ETUDES-TABLEAUX…………………………………………………………… 36 5. SONATAS………………………………………………………………………… 51 6. VARIATIONS…………………………………………………………………….. 58 BIBLIOGRAPHY…………………………………………………………………. -
Bmc News 14 Dec For
The Bellingham Music Club December 3, 2014, 10:30 am St. Paul’s Episcopal Church The Newsletter of the Bellingham Music Club There is no program in ‘T IS THE S EASON … January but we would love Always looking for a chance to partner with community groups, to see you at the auditions especially during the Holiday Season, Fairhaven Toy Garden asks a for high school students at philanthropic group to wrap gifts for customers. This year, they chose Trinity Lutheran: the BMC! We will wrap gifts by donation, and in exchange for our Vocal Awards , on Tuesday, commitment, all moneys will go to the Bellingham Music Club . January 13, 5 to 8 pm , and Even better, we get exposure and can have handouts & posters, and Piano Awards , on Friday, spread our enthusiasm for our Bellingham Music Club. With our 100 th January 23, 5 to 8 pm . Be Anniversary fast approaching, we want the community to know about sure to visit our website for our history and our plans for the future! more dates and details of As a BMC member, I am hopeful that I can count on you to donate our student competitions . three hours of time during the Holiday Season. It is an easy project Get-Together that should bring attention to our Bellingham Music Club and also To mark the BMC 99 th Anni- make some money. The project will be easy and fun. The wrapping versary, we will serve cof- is very basic and takes no special skill; Fairhaven Toy Garden fee, tea and special treats provides all the materials for wrapping. -
Breezy Johnson's Path to the Olympics, P.14
THE GRISTLE, P.06 + FUZZ BUZZ, P.11 + BODIES OF WORK, P.16 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 02-07-2018* • ISSUE:*06 • V.13 UP IN THE AIR My Circus Valentine, P.15 STEEP BLUE WALL Saying no to drilling, P.08 COMPETITION LAURA LOVE Breezy Johnson's path to A night to the Olympics, P.14 remember, P.18 MUSIC 30 A brief overview of this Swing Connection: 2-5pm, Leopold Crystal Ballroom Lucas Hicks Celebration: 7pm, Wild Buffalo FOOD week’s happenings Howard Rains, Trisha Spencer: 7pm, YWCA THISWEEK Ballroom We Banjo 3: 7:30pm, Mount Baker Theatre 24 Greg Ruby, Nuages: 7:30pm, Unity Spiritual Center Pearl Django: 7:30pm, Jansen Art Center, Lynden African Strings Project: 7:30pm, McIntyre Hall, B-BOARD Mount Vernon Curtis Salgado: 7:30pm, Lincoln Theatre Laura Love: 8pm, Bellingham Unitarian Fellowship 22 COMMUNITY FILM Cupid’s Folly: 3-5pm, Bloedel Donovan Think and Drink: 7-pm, Van Zandt Community Hall 18 GET OUT Legendary Banked Slalom: Through Sunday, Mt. MUSIC Baker Ski Area Swan Watch: 7-10am, Tennant Lake, Ferndale 16 Two for the Road: 10am, Whatcom Falls Park Hearty Party 5K: 11am, Max Higbee Center ART Roller Derby: 5:30pm, Lynden Skateway Rough Stock Rodeo: 7pm, NW Washington Fair- 15 grounds, Lynden STAGE FOOD Anacortes Winter Farmers Market: 9am-2pm, Depot Arts Center 14 Enjoy a sexy and sassy evening of Feast for the Senses: 5:30-8:30pm, Lairmont Manor VISUAL GET OUT dance, music and stories when Upcycled Valentines: 10am-12pm, Ragfinery Birds of Winter Art Walk: 2-5pm, downtown Mount ”Sugar: A Valentine’s Cabaret” Vernon 12 Winter Show: 2-9pm, FishBoy Gallery takes the stage Feb. -
Applied Music Faculty Bios Bozena Jedrzejczak Brown - Piano
Applied Music Faculty Bios Bozena Jedrzejczak Brown - Piano Ms. Brown holds a Masters degree in Harpsichord Performance (2000) from The Peabody Institute, in the studio of Webb Wiggins. She also studied harpsichord at Northern Illinois University, earning an Individualized Masters degree (1998), and received a BM in Music Theory (1991) from The Frederic Chopin University of Music in Warsaw, Poland. She is a piano instructor at Garrison Forest School’s Music and Arts Department, and teaches harpsichord and figured bass at The Baltimore School for the Arts. Ms. Jedrzejczak Brown free-lances as a basso continuo player on harpsichord and chamber organ, and has performed with many groups in the Mid-Atlantic region, including Washington Cornett and Sackbut Ensemble, Orchestra of the 17th Century, Richmond Symphony Orchestra, Mid-Atlantic Symphony, Bach Concert Series Orchestra, and others. Hanchien Lee - Piano Since her debut with the Philadelphia Orchestra at age sixteen, pianist Hanchien Lee has performed throughout the US, in Europe, and across her native Taiwan. She has delighted audiences at Steinway Hall in New York, Phillips Collection in Washington DC, the Basilica San Pietro in Italy, and the National Concert Hall in Taipei, Taiwan. As a concerto soloist, she has appeared with diverse ensembles such as the Taiwan National Orchestra, Capella Cracoviensis in Poland, the Plainfield Symphony in New Jersey, and the Chamber Orchestra of Perugia, Italy. Among her many awards are top prizes in the Heida Hermanns and Wonderlic Piano Competitions as well as the prestigious ChiMei Scholarship in Taiwan. Ms. Lee earned the Doctor of Musical Arts degree from the Peabody Conservatory, the Master of Music degree and Artist Diploma from Yale University, and the Bachelor of Music degree from the Curtis Institute of Music, where she was admitted at age 11. -
Béla Bartók and the Golden Section
Béla Bartók and the Golden Section Gareth E. Roberts Department of Mathematics and Computer Science College of the Holy Cross Worcester, MA Math/Music: Aesthetic Links Montserrat Seminar Spring 2012 March 30 and April 2, 2012 G. Roberts (Holy Cross) Béla Bartók Math/Music: Aesthetic Links 1 / 29 Béla Bartók Born in Nagyszentmiklós Hungary (now Sînnicolau Mare, Romania) in 1881. Died in New York, Sept. 1945. Could play 40 songs on the piano by age 4. Writes first piece of music at age 6. Quickly becomes a chapel organist and an accomplished pianist and composer. Studies at the Catholic Gymnasium (high school) in Pozsony where he excels in math and physics in addition to music. Enters the Academy of Music (Liszt is 1st president) in Budapest in 1899. Avid collector of folk music (particularly Hungarian, Romanian, Slovakian and Turkish). Influenced by Debussy and Ravel; preferred Bach to Beethoven. Considered to be one of Hungary’s greatest composers (along with Franz Liszt). G. Roberts (Holy Cross) Béla Bartók Math/Music: Aesthetic Links 2 / 29 Béla Bartók (cont.) Figure: Bartók at age 22. Very interested in nature. Builds impressive collection of plants, insects and minerals. Fond of sunflowers and fir-cones. “We follow nature in composition ... folk music is a phenomenon of nature. Its formations developed as spontaneously as other living natural organisms: the flowers, animals, etc.” — Bartók, At the Sources of Folk Music (1925) Notoriously silent about his own compositions. “Let my music speak for itself, I lay no claim to any explanation of my works!” G. Roberts (Holy Cross) Béla Bartók Math/Music: Aesthetic Links 3 / 29 Ernö Lendvai Beginning in 1955, the Hungarian musical analyst Ernö Lendvai starts to publish works claiming the existence of the Fibonacci numbers and the golden ratio in many of Bartók’s pieces. -
Download Program Notes
Piano Concerto No. 3 in D minor, Op. 30 Sergei Rachmaninoff s a youngster, Sergei Rachmaninoff en- He composed four piano concertos over A rolled on scholarship at the St. Petersburg the course of his career and was the solo- Conservatory, but he proved so indifferent ist at the premiere of each. A pendant to a student that the school threatened to cur- these is a fifth, ever-popular work for piano tail its support. At that point his cousin, and orchestra, the Rhapsody on a Theme the pianist Aleksandr Ziloti, stepped in to of Paganini (1934). Of the bunch the plush provide a measure of discipline that Rach- Second Concerto and the knuckle-bust- maninoff’s parents and professors had not ing Third, along with the Rhapsody, have managed to instill. He swept his promising staked indelible places in the repertoire. but unfocused kinsman off to the prepara- The Third, in fact, has earned a reputation tory division of the Moscow Conservatory as one of the most technically daunting of and enrolled him in the piano studio of the all the standard piano concertos, and pia- famously strict Nikolai Zverev. It did the nists have often cited it as a sort of Everest trick, and gradually Rachmaninoff started they feel compelled to vanquish, no matter making good on his talent. Soon he trans- the colossal effort required. Rachmaninoff ferred to the senior division of the Conserva- himself maintained that his Third Concer- tory, into Ziloti’s own piano studio. to was “more comfortable” to play than his By the time he graduated, in 1892, Rach- Second. -
FREDERIC CHOPIN, a POET of SOUND by Prof
FREDERIC CHOPIN, A POET OF SOUND by Prof. Irena Poniatowska In the nineteenth century; in Paris, at the time when the art of piano playing was in full bloom, the virtuoso pianists of the period were referred to in the following terms: Thalberg was a 'king'; Liszt, a 'prophet'; Herz, a 'solicitor'; Kalkbrenner, a 'minstrel'; Madame Pleyel, a 'Sybil'; Tausig, a 'Mephisto', the last of the virtuosi; Doehler - simply a 'pianist',1 whereas Chopin was most frequently nicknamed a 'poet', or even ‘Ariel' or 'Raphael' of the piano2. In 1838, Ernest Legouvé, the Paris critic, when asked to name the world's number one pianist: Liszt or Thalberg, perversely concluded that “Chopin is...”3 The Polish artist was then distinct amongst all the great masters of the keyboard with his artistry being indeterminable in its beauty, one, which could not be described otherwise than the poetry of sound. This truly poetic aura of Chopin's art of piano playing was depicted through, among others, the reviews by Léon Escudier from 1841 and 1842, respectively: 'Hark, how Chopin day-dreams, how he cries, how sweetly, tenderly, how melancholically does he sing (.. .) [He] is a pianist of feelings, par excellence'; or: 'Chopin is a Poet first and foremost, and a sensitive one indeed, who attempts at rendering the poetic quality predominant in his music',4 Whereas Théophile Gautier wrote: “Chopin stands for a melancholic elegance, a dreamy charm, a female sensitivity, anything which upon a soul might be delicate, tender, ethereal (...) Touched with his fingers, the keys seem to be brushed by an angel's wing.5” The “angel” pattern reappeared not infrequently whilst it came to describing the Chopin's playing manner, as well as his personality as a whole.