Opera, Ballet Classical Music Holidays New Tours for 2018/19

Total Page:16

File Type:pdf, Size:1020Kb

Opera, Ballet Classical Music Holidays New Tours for 2018/19 TRAVELFOR THE ARTS AUTUMN, WINTER & SPRING 2018/19 OPERA, BALLET CLASSICAL MUSIC HOLIDAYS NEW TOURS FOR 2018/19 THE RING BERLIN IN GENEVA BAROQUE DAYS page 11 page 20 ATHENS NEW YORK ODYSSEY CITY BALLET page 24 page 26 www.travelforthearts.com +44 20 8799 8350 [email protected] welcome welcome to the world of OPERA, BALLET AND CLASSICAL MUSIC Within this brochure you will find our selection of escorted small group tours for the 2018/19 Season, carefully researched and created by our music and travel experts. As ever, we are delighted to present a selection of festive holidays to celebrate Christmas and New Year, which can be found on the gold pages at the front of the tours section of this brochure. Our ever-popular Wagner tours are then marked by one of the composer’s favourite colours, purple, while our traditional visits to major opera houses and festivals are listed in red. We are also pleased to continue our collaboration with Stephen Carpenter of Carpenter Holidays in blue, and, for further information on our à la Carte offering for individual travellers, please visit the pages at the back of the brochure. We hope you will enjoy wonderful opera, ballet and classical music on a memorable holiday with us. Tel: 020 8799 8350 | Email: [email protected] | www.travelforthearts.com BOOKING DETAILS AUTUMN, WINTER All tours mentioned in this brochure (as well as additional tours) & SPRING 2018-19 are available to view online at www.travelforthearts.com Many of our holidays are filled very quickly after the brochure We are delighted to present our selection of highlights from launch. Sometimes they are fully booked after appearing on our the 2018/19 Season, featuring the best of opera, ballet and website or as advance information in our Newsletter, so we would classical music programmes across Europe and further afield. encourage you to book early if you are interested in one of our group tours. CONTENTS MAKE AN ENQUIRY You can make an enquiry about one of our tours in three ways: Tours 4 – 29 • Call us on 020 8799 8350 À la Carte information 32 – 33 • Email [email protected] • Visit our website www.travelforthearts.com and make a booking enquiry by going into the tour and completing CALENDAR OF TOURS the Booking Enquiry Form. Date Tour Page If space is available on the tour of your choice you will be 18 – 21 Oct Rossini in Venice 17 given a 7-day option. 1 – 5 Nov Wexford Festival Opera 18 COMPLETE A BOOKING FORM 27 Nov – 1 Dec Berlin Baroque Days 20 Once you have your option, we require a completed booking form. This can be downloaded from our website 29 Nov – 3 Dec The Ravenna Festival 19 http://www.travelforthearts.com/how-to-book/ 22 – 26 Dec Christmas in Berlin 5 When you return your booking form we require your 24 – 28 Dec Christmas Ballet in Baden-Baden 6 deposit or full payment (see Late bookings). You must 23 – 27 Dec Noël at the Paris Opéra 7 read and agree to the Terms and Conditions. 29 Dec – 2 Jan New Year in Dresden 8 LATE BOOKINGS 30 Dec – 3 Jan New Year in Milan 9 If you book within 8 weeks of departure, you will need to provide 12 – 16 Jan Valletta International Baroque Festival 21 a credit/debit card number or send us a cheque for the full amount of the holiday. 8 – 13 Feb Treasures of Oman 22 28 Feb – 3 Mar Wagner in Dresden 12 BOOKING REFERENCE When you make an enquiry you will be given a booking 11 – 18 Mar The Ring in Geneva 11 reference. Please quote your booking reference on all 22 – 26 Mar Athens Odyssey 24 subsequent correspondence. 9 – 14 Apr The Mariinsky Opera in St Petersburg 25 MOBILITY 16 – 20 Apr The Berlin Festtage 13 Please note that most tours involve walking tours of approximately 17 – 23 Apr The Ring in Chemnitz 14 3 hours. If you have difficulty with mobility you may be asked to sit 22 – 25 Apr Strauss and Wagner in Vienna 15 out some of the activities on the itinerary. 6 – 10 May New York City Ballet 26 PERFORMANCE TICKETS 24 – 27 May Spring Opera in Oslo 27 All performance tickets are subject to confirmation. This is due to 7 – 11 Jun Salzburg Whitsun Festival 28 the differences in the way opera houses administer their ticket sales and the limited availability of certain performances. We will inform 14 – 17 Jun The Opéra Royal at Versailles 29 you at the point of booking when we expect to receive confirmation of the performance tickets; in most cases this will be 12 weeks prior TOURS IN ASSOCIATION WITH CARPENTER HOLIDAYS to departure, although this can vary depending on the destination. 3 – 8 Oct The Oxford Chamber Music Festival 30 SEATING ARRANGEMENTS All information is available on our website www.travelforthearts.com. For all included performances we obtain best available tickets All the flights and flight-inclusive holidays in this brochure are financially (as specified by the venue). However many of the older theatres in protected by the ATOL scheme under ATOL no.2178. When you pay for a flight Europe have non-staggered rows, little rake, cramped legroom and inclusive holiday you will be supplied with an ATOL Certificate. Please ask for sometimes poor sightlines. Please be assured that we do our best to it and check to ensure that everything you booked (flights, hotels and other request the best available tickets for all performances but that, on services) is listed on it. Please see our booking conditions for further information occasion, allowances might need to be made for the age and layout or for more information about financial protection and the ATOL Certificate go to: of the venue. www.atol.org.uk/ATOLCertificate OPENING HOURS Our office hours are Monday – Friday 9.30am to 5.30pm. We are closed on UK public holidays. There is an answerphone and we will return any out-of-hours telephone calls on the next working day if you leave your name and telephone number. Travel For The Arts 12-15 Hanger Green London W5 3EL UK Telephone: +44 20 8799 8350 Fax: +44 20 8998 7965 SWAN LAKE BY THE MARIINSKY BALLET © NATASHA RAZINA E-mail: [email protected] COVER IMAGE: L’INCORONAZIONE DI POPPEA BY THE STAATSOPER UNTER DEN LINDEN, BERLIN www.travelforthearts.com 31 welcome EXPERTS IN CULTURAL TRAVEL All our tours are led by travel experts, and many of our tour managers are also professional musicians and music specialists. Below is a selection of the many people who work with us to ensure that you have the best experience possible. Simon Rees is a freelance writer, lecturer Stephen Carpenter has planned and led and translator. For 23 years he was several tours in association with us over dramaturg at Welsh National Opera. the last three years and continues to offer tours to music festivals with his company, Carpenter Holidays. Carol Savage is a professional concert Patrick Mylon will be familiar to many and opera singer, with a degree in History of our guests, having tour managed for of Art from London University. over 10 years. He is a true opera fan, particularly of Wagner, and has attended more than 10 Ring Cycles. Zita Stockwell has been leading our Eva Gordon-Smith is a consultant, lecturer tours for over 25 years and is an expert and Blue Badge Guide. She has been on many destinations, particularly her managing concert tours in a number of native Budapest. She is a keen opera European countries for 25 years. and concert attendee. David Waite is a professional Blue Badge Raffaella Golinucci is a freelance Tourist Guide and also the Founder & professional Tour Manager and has Director of Guiding You Ltd, a tour guiding worked in the music business for many and training company. years. She also often looks after well- known musicians. TRAVEL FOR THE ARTS TEAM Richard Savage Joel Rubenstein Pablo Basombrio Vanessa Kyriacou Mark Saunsbury C.E.O. Head of Tour Sales and Product Manager à la Carte Operations Reservations Reservations Manager Manager NO SINGLE SUPPLEMENT We are delighted to be able to offer our single travellers the opportunity to book some of our tours with No Single Supplement. Please look out for this features in the introduction box of the relevant tour. 2 Tel: 020 8799 8350 | Email: [email protected] | www.travelforthearts.com BROCHURE HIGHLIGHTS CHRISTMAS BALLET IN BADEN-BADEN 24 – 28 December Tour code: BAD1 Price from £2175 The Mariinsky Ballet visit this beautiful spa- town to perform their renowned classics as well as a spectacular Ballet Gala - sure to add a sparkle to the festive season! page 6 TREASURES OF OMAN 8 – 13 February Tour code: MCT1 Price from £2720 This tour to the romantic Sultanate of Oman includes a performance of Verdi’s La traviata starring Plácido Domingo at the stunning Royal Opera House. We also see highlights of the country including the mountains and the desert. page 22 THE RING IN CHEMNITZ 17 – 23 April Tour code: CHZ1 Price from £1990 The theme of ‘woman’ is at the centre of this new Ring Cycle from the Chemnitz Opera, with each opera staged by a different female director. All performances are conducted by Guillermo García Calvo. page 14 SALZBURG WHITSUN FESTIVAL 7 – 11 June Tour code: SZG1 Price from £2275 The heavenly voices of the castrati provide the inspiration for the 2019 festival, with performances including Handel’s Alcina and a glittering Gala Concert featuring Cecilia Bartoli and Philippe Jaroussky, amongst others.
Recommended publications
  • Gluck 300 Years
    Christoph Willibald GLUCK 300 YEARS ALCESTE Livemitschnitt aus der Staatsoper Stuttgart, 2006 Catherine Naglestad, Donald Kaasch, Johan Rydh, Catriona Smith, Michael Ebbecke Chor und Orchester der Staatsoper Stuttgart Musikalische Leitung Constantinos Carydis Regie Jossi Wieler, Sergio Morabito IPHIGÉNIE EN TAURIDE Livemitschnitt aus dem Opernhaus Zürich, 2001 Rodney Gilfry, Juliette Galstian, Deon van der Walt Orchester “La Scintilla” des Opernhaus Zürich Musikalische Leitung William Christie Regie Claus Guth ORFEO ED EURIDICE Livemitschnitt aus dem Royal Opera House, Covent Garden, 1991 Jochen Kowalski, Gillian Webster, Jeremy Budd 8 07280 81119 3 Chor und Orchester des Royal Opera House Untertitel: GB, DE, FR, ES, IT Musikalische Leitung Hartmut Haenchen Katalognummer: 108 111 Regie Harry Kupfer Laufzeit: 83 min (Orfeo ed Euridice) | 165 min (Alceste) 108 min (Iphigénie en Tauride) | 60 min Bonus Anlässlich des 300. Geburtstages von Christoph Tonformat: PCM Stereo Willibald Gluck am 02. Juli 2014 Bildformat: 4:3 (Orfeo ed Euridice) 16:9 (Alceste, Iphigénie en Tauride), 1080i Full HD Christoph Willibald Gluck (1714-1787) gilt als der Reformator der Format: 50 GB Dual Layer Oper des 18. Jahrhunderts und übte einen großen Einfl uss auf die FSK: 0 Entwicklung des Musiktheaters seiner Zeit aus. Zu Ehren seines 300. VÖ: 07.07.2014 Geburtstags veröffentlicht Arthaus Musik nun eine Sonderedition mit drei preisgekrönten Inszenierungen Glucks größter Opernkompositionen auf einer Blu-ray Disc: Jossi Wieler und Sergio Morabitos „Alceste“ aus Stuttgart („Aufführung des Jahres 2006“, Opernwelt), „Iphigénie en Tauride“ aus Zürich (2001) unter der musikalischen Leitung des Barockspezialisten William Christie und Harry Kupfers legendäre Inszenierung von „Orfeo ed Euridice“ aus dem Royal Opera House mit Jochen Kowalski als Titelheld (Olivier Award).
    [Show full text]
  • Alberto Zedda
    Le pubblicazioni del Rossini Opera Festival sono realizzate con il contributo di Amici del Friends of the Note al programma Rossini Opera Festival Rossini Opera Festival della XL Edizione Sotto l’Alto Patronato del Presidente della Repubblica XL edizione 11~23 agosto 2019 L’edizione 2019 è dedicata a Montserrat Caballé e a Bruno Cagli MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI Regione Marche Enti fondatori Il Rossini Opera Festival si avvale della collaborazione scientifica della Fondazione Rossini Il Festival 2019 si attua con il contributo di Ministero per i beni e le attività culturali Comune di Pesaro Provincia di Pesaro e Urbino Comune di Pesaro Regione Marche in collaborazione con Intesa Sanpaolo Fondazione Gruppo Credito Valtellinese Fondazione Scavolini con l’apporto di Abanet Internet Provider Bartorelli-Rivenditore autorizzato Rolex Eden Viaggi Grand Hotel Vittoria - Savoy Hotel - Alexander Museum Palace Hotel Harnold’s Hotel Excelsior Ratti Boutique Subito in auto Teamsystem Websolute partecipano AMAT-Associazione marchigiana attività teatrali AMI-Azienda per la mobilità integrata e trasporti ASPES Spa Azienda Ospedaliera San Salvatore Centro IAT-Informazione e accoglienza turistica Conservatorio di musica G. Rossini Si ringrazia UBI Banca per il contributo erogato tramite Art Bonus United Nations Designated Educational, Scientific and UNESCO Creative City Cultural Organization in 2017 Il Festival è membro di Italiafestival e di Opera Europa Sovrintendente Ernesto Palacio Direttore generale Olivier Descotes Presidente Relazioni
    [Show full text]
  • Gioachino Rossini
    MATILDE DI SHABRAN GIOACHINO ROSSINI Olga Peretyatko Juan Diego Flórez Paolo Bordogna Anna Goryachova Nicola Alaimo Michele Mariotti Orchestra del Teatro Comunale di Bologna GIOACHINO ROSSINI MATILDE DI SHABRAN Conductor Michele Mariotti “There truly is a Rossini miracle!” (Deutschlandradio). Acclaiming Orchestra Orchestra del Teatro the mastery of tenorissimo Juan Diego Flórez and the breathtaking Comunale di Bologna young soprano Olga Peretyatko in the lead roles, the press hailed Chorus Coro del Teatro Comunale di Bologna the premiere of Rossini’s Matilde di Shabran at the Rossini Opera Chorus Master Lorenzo Fratini Festival in Pesaro as the “high point of the festival” (the Berlin daily Der Tagesspiegel). Matilde di Shabran Olga Peretyatko Matilde di Shabran was given its world premiere performance in Edoardo Anna Goryachova Rome in 1821. A genuine international hit, it was staged in Vienna, Raimondo Lopez Marco Filippo Romano London, Paris, New York and throughout Italy all before 1830. The Corradino Juan Diego Flórez music of Rossini’s last “opera semiseria” – thus half serious and half Ginardo Simon Orfila comic – contains a succession of beguiling ensemble pieces. The plot Aliprando Nicola Alaimo revolves around the knight Corradino, who has withdrawn to his castle Isidoro Paolo Bordogna and professes to hate his fellow humans. When he meets Matilde di Contessa d’Arco Chiara Chialli Shabran, however, he experiences unknown emotions that have Egoldo Giorgio Misseri nothing to do with hatred... Rodrigo Luca Visani Leading the Orchestra del Teatro Comunale di Bologna, conductor Staged by Mario Martone Michele Mariotti commands an ideal ensemble of singers: while Juan Diego Flórez, “perhaps the best Rossini tenor of our time” Video Director Tiziano Mancini (Deutschlandradio), sings the role of Corradino, that of Matilde is “gorgeously sung by Olga Peretyatko” (The New York Times).
    [Show full text]
  • Opera Festivals
    2012 Festivals Opera JMB Travel Consultants - Opera specialists for 26 years, sharing your passion DestinationsAix-en-Provence Opera Festival ...........................4 Salzburg Opera Festival .......................................8 Bregenz Opera Festival ........................................5 Puccini Opera Festival .........................................9 Bayreuth Opera Festival .......................................5 Puccini Opera and Wine Escorted Tour ................9 Munich Opera Festival .........................................6 Verona Opera Festival........................................10 Macerata Opera Festival ......................................6 Wexford Opera Festival .....................................11 Pesaro – The Rossini Opera Festival .....................7 Wexford Opera Festival Escorted Tour ................11 Savonlinna Opera Festival ...................................7 Call to discuss your requirements with our specialists on 01242 221300 JMB Travel is one of the leading UK tour operators specialising solely in Opera, and has 26 years’ unrivalled Introductionexperience in catering to the particular needs of the Opera lover. We couple that professionalism and care of the individual’s requirements with a huge choice that covers over 10 different Music Festivals noted for their Opera, where well over 50 different productions will be performed during the season. The holidays include virtually in every case, the best grade The air holidays and flights in this brochure are ATOL protected opera ticket,
    [Show full text]
  • OPERA BROADCASTS from the ROYAL OPERA HOUSE - in PARTNERSHIP with the EUROPEAN BROADCASTING UNION and the BBC Broadcast Schedule —Spring/Summer 2019
    OPERA BROADCASTS FROM THE ROYAL OPERA HOUSE - IN PARTNERSHIP WITH THE EUROPEAN BROADCASTING UNION AND THE BBC Broadcast Schedule —Spring/Summer 2019 Please Note: due to production considerations, cast members for each production are subject to change. Please consult associated cue sheet for more details. Please also be aware that all timings listed below are approximate, as several of these operas will be performed at the Royal Opera House weeks before their syndication release. For exact times, please consult the associated cue sheet. PROGRAM #: BBC 19-01 RELEASE DATE: May 18, 2019 OPERA: Falstaff (in Italian) COMPOSER: Giuseppe Verdi LIBRETTIST: Arrigo Boito CAST: Sir John Falstaff, a fat knight Sir Bryn Terfel, baritone Alice Ford, wife of Ford Ana Maria Martínez, soprano Ford, a wealthy man Simon Keenlyside, baritone Nanetta, the Fords' daughter Anna Prohaska, soprano Fenton, one of Nannetta's suitors Frédéric Antoun, tenor Mistress Quickly Marie-Nicole Lemieux, contralto Meg Page Marie McLaughlin, mezzo-soprano Dr. Caius Peter Hoare, tenor Bardolph Michael Colvin, tenor Pistol Craig Colclough, bass ENSEMBLE: Royal Opera House Orchestra and Chorus CONDUCTOR: Nicola Luisotti CHORUS DIRECTOR: William Spaulding DIRECTOR: Robert Carsen REVIVAL DIRECTOR: Daniel Dooner SET DESIGNER: Paul Steinberg COSTUME DESIGNER: Brigitte Reiffenstuel LIGHTING DESIGNERS: Robert Carsen & Peter van Praet Approx. Length: 2 hours, 30 minutes PROGRAM #: BBC 19-02 RELEASE DATE: May 25, 2019 OPERA: Das Rheingold, Part I of ‘The Ring of the Nibelung’ (in German)
    [Show full text]
  • Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018
    Andrews University Digital Commons @ Andrews University Faculty Publications 12-2-2018 Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018. Marianne Kordas Andrews University, [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/pubs Part of the Musicology Commons Recommended Citation Kordas, Marianne, "Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018." (2018). Faculty Publications. 1506. https://digitalcommons.andrews.edu/pubs/1506 This Other is brought to you for free and open access by Digital Commons @ Andrews University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Program notes for Camerata Milwaukee for Dec 2, 2018 Our Advent-tide program this year includes several solo vocal cantatas, works by two Ursuline nuns, three Italian Christmas concertos, and various other baroque delights. Giuseppe Torelli is primarily known as a member of the Bolognese school of violinists and composers. He helped shape the genres of concerto and sonata into their mature forms under a variety of names, such as tonight’s “sinfonias”, which were published in 1692 as part of his Opus 5. Rather than the larger works which later came to be associated with this term, these two pieces are examples of trio sonatas scored for two violinists and basso continuo (a harpsichordist or organist who fills in the chordal structure plus a cellist reinforcing the bass line). The Italian nun Isabella Leonarda entered the Collegio di Sant'Orsola—an Ursuline convent in her hometown of Novara in northern Italy near Milan— at the age of sixteen.
    [Show full text]
  • Queen of Heaven Music of Isabella Leonarda in Honor of the Virgin Mary
    Classical Music Agency 33 W 60TH Street, Lib1-8 New York, NY 10023 Tel: +1-917-572-6859 DCA License #: 0897404 AGAVE BAROQUE REGINALD MOBLEY, countertenor Queen of Heaven Music of Isabella Leonarda in Honor of the Virgin Mary Although the Roman Catholic establishment did not accept the Divine Feminine as orthodoxy, within the walls of many convents in 17th century Italy, nuns ascribed to the Blessed Virgin Mary her own trinity, venerating her as Maiden, Mother, and Queen of Heaven. They also cultivated an unorthodox tradition of making music at a time when women typically had neither the education nor the freedom to write and perform music at a professional level. Anna Isabella Leonarda was born to a wealthy family who opted to send their daughter to spend her life as a nun rather than having to pay a hefty marriage dowry. Leonarda entered the Collegio di Sant’Orsola at sixteen, where she received a solid musical education and lived a fairly privileged life within her order, rising to be- come Mother Superior in her sixties, and dying a local celebrity at the age of 84. Leonarda published 20 volumes of music over a sixty year career––a worthy accomplishment for any 17th century com- poser, let alone a woman in an age of repression. Leonarda was an accomplished poet, and most probably wrote the texts to the three motets on this album. Her poetry is intimate, deeply personal, and speaks to the central place the Virgin Mary held in the worship life of the Ursuline sisters. Leonarda’s collection of instrumental music, published in 1693, includes the earliest known sonata for solo violin and basso continuo written by a female composer.
    [Show full text]
  • Finding Their Voice: Women Musicians of Baroque Italy
    Trinity University Digital Commons @ Trinity The Expositor: A Journal of Undergraduate Research in the Humanities English Department 2016 Finding Their Voice: Women Musicians of Baroque Italy Faith Poynor Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_expositor Part of the Musicology Commons Repository Citation Poynor, F. (2016). Finding their voice: Women musicians of Baroque Italy. The Expositor: A Journal of Undergraduate Research in the Humanities, 12, 70-79. This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in The Expositor: A Journal of Undergraduate Research in the Humanities by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Finding Their Voice: Women Musicians of Baroque Italy Faith Poynor emale musicians began to achieve greater freedom and indepen- dence from men during the Baroque period, and their music and Fcreative talent consequently began to flourish. Due to the rise in popularity of female vocal ensembles that resulted after the establishment of the con- certo delle donne in 1580, women composers in early modern Italy gained greater access to musical training previously only available to men or nuns. As seen by the works of composers and singers such as Francesca Caccini and Barbara Strozzi, this led to an unprecedented increase in women’s mu- sical productivity, particularly in vocal music. The rise of female vocal ensembles in the early Baroque period was a pivotal moment in women’s music history, as women finally achieved wide- spread recognition for their talents as musicians.
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland.
    [Show full text]
  • CV English - Noëmi Nadelmann —
    CV English - Noëmi Nadelmann — Noëmi Nadelmann is a swiss soprano and one of the leading opera and concert singer of her generation. She made her debut in 1987 at the Teatro La Fenice in Venice as Musetta in 'La Bohème' with Renata Scotto as Mimi. Since that time she has sung major roles in the great opera houses of the world, in the major concert halls and with the world's leading orchestras. Noëmi Nadelmann has sung Musetta at the Metropolitan Opera in New York, Opéra National Paris (Bastille) in Paris (conductor: Daniel Oren), Vienna State Opera, Komische Oper Berlin (conductor: Simone Young), Dutch National Opera Amsterdam (director: Pierre Audi) and the Lyric Opera of Chicago. She has sung Violetta in 'La Traviata' at the Komische Oper in Berlin (director: Harry Kupfer, conductor: Yakov Kreizberg), Hessisches Staatstheater Wiesbaden, Deutsche Oper Berlin (director: Götz Friedrich), Opernhaus Zürich (director: Jürgen Flimm, conductor: Franz Welser- Möst) and the State Opera House Hamburg. She has also sung the title role in 'Lucia di Lammermoor' at the Komische Oper Berlin (director: Harry Kupfer, conductor: Yakov Kreizberg, Vladimir Jurowski) and the State Opera House Hamburg. Noëmi Nadelmann has sung the tiltle role in 'Manon' at the Deutsche Oper Berlin and Marschallin in 'der Rosenkavalier' on their tour to Beijing (conductor: Uwe Schirmer) as well as at the Israeli Opera in Tel Aviv (conductor: Asher Fisch). Armida in 'Rinaldo' she was a tremendous success at the Bavarian State Opera in Munich (director: David Alden, conductor: Harry Bicket) and at the State Opera Berlin (director: Nigel Lowery, conductor: René Jacobs).
    [Show full text]
  • Michaela Kaune Soprano
    Konstantin Unger Artists.Management Scheffelstrasse 11 | D - 65187 Wiesbaden +49 611 51 0099 76 / +49 176 846 24 222 [email protected] www.ungerartists.com Michaela Kaune Soprano The internationally highly demanded soprano Michaela Kaune has invitations to major opera companies all over the world. Recently she sang Sieglinde in Beijing in WALKÜRE, a coproduction of the Salzburg Easter Festival and the Beijing Music Festival. With the same role she has been invited to the Grand Théâtre de Genève. At the Staatsoper Berlin she had to cancel due to the corona virus the role of Leonore in FIDELIO (2020). In June 2018 she made her Glyndebourne Festival debut as Marschallin in ROSENKAVALIER. Later this year, in September, Michaela Kaune sang the same role at the Ópera de Colombia in Bogotá. The Marschallin, one of her signature roles she sang in houses like the Opéra de Paris, the Bavarian State Opera, the Deutsche Oper Berlin, the China National Centre for the Performing Arts, Beijing a.o. She made her Elbphilharmonie-debut with the final scene of CAPRICCIO under Marek Janowski. Furthermore she appeared regularly at the Bavarian State Opera Munich and at the Semperoper Dresden and was invited to the Opéra National de Paris, the Vienna State Opera, the New National Theatre Tokyo, the Nederlandse Opera, Amsterdam, the Théâtre de la Monnaie Brussels, the Grand Théâtre de Genève and the Vlaamse Opera, Antwerp, as well as to the Salzburg Festival, the Bayreuth Festival, the Ravinia Festival, the Budapest Festival, the Maggio Musicale in Florence, the Festival de Radio France, the Bremen festival, the Carnegie Hall New York and to the NHK Symphony orchestra Tokyo.
    [Show full text]
  • Georg Friedrich Händel (1685-1759)
    Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella
    [Show full text]