Comments of the National Association of Broadcasters
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Updated As of 2/26/07 UEI Press Coverage
UEI Press Coverage Publication Date Title Barron’s February 26, 2007 “It sounds bland and generic, but Universal Electronics is the most dynamic name in remote controls, as the digital home emerges on Main Street-Here’s the remote!” http://online.barrons.com/article_email/SB117228385681818141- lMyQjAxMDE3NzIyNDIyODQzWj.html Twice February 21, 2007 “Universal, Vizio extend pact” Electronic House February 1, 2007 “Elements section – the price is right” Multichannel News January 15, 2007 “Web TV 2.0” Orange County January 15, 2007 “CES: Gadgets unveiled, iPhone debuts from afar” Business Journal Scoble January 9, 2007 Michael Hirsch video podcast - http://www.podtech.net/scobleshow/technology/1319/from-ces- retrevo-gang-day-2-apple-and-more Orange County January 8, 2007 “Consumer Electronics Show: An electronic extravaganza” Register Orange County January 8, 2007 “Companies doing yearly CES drill, some get honors” Business Journal Orange County January 8, 2007 “Report from CES: More convergence” Business Journal SmartHome January 7, 2007 “Denon goes wireless” Electronic House January 7, 2007 “Universal Electronics develops Sirius Home Remote” Twice January 4, 2007 “Universal Electronics, Denon Partner on ZigBee Remote” Remoteshoppe.com January 4, 2007 “Universal Electronics selected to develop advanced two-way interactive remote control for Denon’s newest line of A/V receivers and home entertainment” MSNMoney.com January 4, 2007 “Market report-In play” Electronic House January 3, 2007 “Universal Electronics unveils Z-Wave Home Control” Electronic -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Proceedings 2020 International Summit Music & Entertainment Industry Educators Association
Proceedings of the 2020 International Summit of the Music & Entertainment Industry Educators Association – October 2 & 3, 2020 – Proceedings of the 2020 International Summit 1 Contents Academic Papers Presented at the 2020 International Summit of the Music & Entertainment Industry Educators Association October 2-3, 2020 Papers are listed alphabetically by author. 4 Integrating Audio Branding into the Marketing 40 Literature, Lemonade, and DAMN.: A Historical Curriculum: A Model Perspective on Popular Music Awards (abstract only) David Allan, Saint Joseph’s University Jason Lee Guthrie, Clayton State University 8 The Crossover: Evaluating Mainstream Consumption 41 Preparing Global-Ready, and Interculturally of Urban Music Concerts (abstract only) Competent Graduates for the Music and Morgan M. Bryant, Saint Joseph’s University Entertainment Industries Eric Holt, Belmont University Kristina Kelman, Queensland University of Technology 10 The Musician’s Profit Umbrella™ and Women as 48 Summer Camp: Developing a Recruiting Hotbed That Musician-Entrepreneurs (abstract only) Teaches High School Students Music Production Fabiana Claure, University of North Texas Steven Potaczek, Samford University 11 Measuring Folk 52 Skip, Burn, Seek & Scratch: Young Adults’ Compact Michelle Conceison, Middle Tennessee State University Disc Usage Experiences in 2020 (abstract only, full 23 Tools of the Craft: The Value of Practicums in Arts article available in the 2020 MEIEA Journal https:// and Music Management doi.org/10.25101/20.4) Mehmet Dede, The Hartt School, University of Hartford Waleed Rashidi, California State University, Fullerton 27 Dude, Where’s Your Phone?: Live Event Experience 53 Legends and Legacy: Musical Tourism in Muscle in a Phone-Free Environment (abstract only) Shoals (abstract only) Matthew Dunn, University of South Carolina Christopher M. -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO THURSDAY, MARCH 5, 2015 Infinite Dial 2015: Radio’s Money Demo is driving online radio growth. Online radio gained ground in 2015 as listeners aged 25-54 tuned to the medium in record numbers. No longer just a habit for 12-24 year-olds, half of Americans aged 25- 54 listen weekly to AM/FM radio stations online or to streamed audio content available only on the internet, according to new findings from Edison Research and Triton Digital. Weekly listening among 25-54 year-olds increased by over a third during the past year. Online radio is now a majority activity and the gap between monthly and weekly listening is closing. Over half of the U.S. population (53%) now listens to online radio monthly and 44% tune in weekly. In fact, the percent that listen weekly has doubled during the past four years. As the medium matures, the impact of a new crop of older, more casual listeners may be impacting average time spent with it. For the first time since 2008, Edison reports a slight decrease in weekly time spent listening to online radio, from 13 hours, 19 minutes in 2014 to 12 hours, 53 minutes in 2015. However the total time consumed continues to rise. Usage is continuing to shift from desktops and laptops to smartphones. Nearly three quarters of weekly online radio listeners tune in on a smartphone, up from 66% last year. As listening on desktops (61%) and tablets (32%) declined slightly, streaming audio consumption on internet-connected TVs rose sharply, from 12% to 18% during the past year. -
Retransmission Consent ) )
Before the Federal Communications Commission Washington, DC 20554 In the Matter of ) ) Amendment of the Commission’s Rules ) MB Docket No. 10-71 Relating to Retransmission Consent ) ) SUPPLEMENTAL COMMENTS OF THE NATIONAL ASSOCIATION OF BROADCASTERS Jane E. Mago Jerianne Timmerman Erin L. Dozier 1771 N Street, NW Washington, DC 20036 (202) 429-5430 May 29, 2013 TABLE OF CONTENTS EXECUTIVE SUMMARY ................................................................................................. iii I. CABLE IS MISLEADING THE COMMISSION ABOUT THE IMPACT OF RETRANSMISSION CONSENT ..................................................................................... 2 II. CABLE OPERATORS, NOT BROADCASTERS, ARE MISUSING MARKET POWER ........................................................................................................................... 8 III. CABLE’S CLAIMS OF IMPROPER BROADCASTER BARGAINING ARE MISLEADING ................................................................................................................ 12 IV. MVPD EFFORTS TO UNDERMINE RETRANSMISSION CONSENT WILL HARM THE PUBLIC INTEREST .............................................................................................. 18 ii EXECUTIVE SUMMARY Cable television interests continue to reiterate inaccurate claims about retransmission consent, including erroneous contentions that a broadcaster negotiating a retransmission consent agreement on behalf of more than one local television station harms the public. Although NAB already has shown that these claims -
Tech-Notes #125.5
http://www.Tech-Notes.tv August 13, 2004 Tech-Note – 125 and a half First Edition: May 18, 1997 Our purpose, mission statement, this current edition, archived editions and other relative information is posted on our website. This is YOUR forum! On the Road in Boise, ID Editor's Comments This edition will not have all the links and pictures we normally have so we can at least get it out. I want to thank our good friend Lee Wood of KOIN-TV in Portland for his kind assistance in providing us with news items for this edition. Since our last edition, two months ago, we’ve been on the road around the country with the Tech-Notes Taste of NAB 2004 Road Show and have completed all but six venues. For the itinerary, please visit: http://www.tech-notes.tv/2004/2004-1.htm and head down to the bottom. We’re received some very favorable comments about our efforts. Visit: http://www.tech- notes.tv/2004/2004_comments.pdf We’ll be back with our regular format in a few weeks when we get this all under our belts. In an announcement we put out today, we said: Well here we are here in Boise. Many are looking forward to today's presentation which will include Kent Parsons, Utah's translator guru. He'll share some rather interesting things about the transition to low power digital and will have a working 8VSB translator with him - probably the only one in existence. In addition to this, the folks at Professional Video and Tape out of Tigard, OR will be providing lunch for all who come. -
Before the Federal Communications Commission Washington, D.C. 20554
Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Children’s Television Programming Rules ) MB Docket No. 18-202 ) Modernization of Media Regulation Initiative ) MB Docket No. 17-105 To: The Commission COMMENTS OF LITTON ENTERTAINMENT LITTON ENTERTAINMENT James E. Dunstan Mobius Legal Group, PLLC P.O. Box 6104 Springfield, VA 22150 Telephone: (703) 851-2843 Counsel to Litton Entertainment Dated: September 24, 2018 SUMMARY The Children’s Television Act (“CTA”) has worked well for nearly 30 years. Adopted and implemented on a completely bipartisan basis, broadcasters and the FCC have met the goals set forth in the CTA to provide the youth of this country with substantial educational and information (“E/I”) content. While the media landscape may have changed since 1990, over-the- air (“OTA”) broadcasting remains the dominant platform for consuming media. Litton has created nearly 3,340 original half-hour E/I programs since the inception of the CTA, and now provides three hours each to ABC, CBS, NBC, CW, and Telemundo stations. Litton used the roadmap created by Congress and the FCC to use advertising and sponsorship dollars to underwrite the production costs of high quality E/I programs. Litton provides its programming to stations free of charge – offered in exchange for Litton being able to sell the advertising slots with the programming. All of the financial risk of producing the programming falls on Litton. Litton’s programming has garnered 50 Emmy nominations and 15 Emmy awards, 46 Parents’ Choice Awards, 108 Telly Awards, and a variety of other accolades. And Litton’s programming is being watched – 1.5 billion views in the last year. -
NATAS Supplement.Qxd
A SPECIAL SUPPLEMENT TO BROADCASTING & CABLE AND MULTICHANNEL NEWS The National Academy of Television Arts & Sciences at 50 years,0 A golden past with A platinum future marriott marquis | new york october 20-21, 2005 5 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Greetings From The President Executive Committee Dennis Swanson Peter O. Price Malachy Wienges Chairman of the Board President & CEO Treasurer Dear Colleagues, Janice Selinger Herb Granath Darryl Cohen As we look backwards to our founding and forward to our future, it is remarkable Secretary 1st Vice Chairman 2nd Vice Chairman how the legacy of our founders survives the decades. As we pause to read who Harold Crump Linda Giannecchini Ibra Morales composed Ed Sullivan’s “Committee of 100” which established the Academy in 1955, Chairman’s Chairman’s Chairman’s the names resonate with not just television personalities but prominent professionals Representative Representative Representative from theatre, film, radio, magazines and newspapers. Perhaps convergence was then Stanley S. Hubbard simply known as collaboration. Past Chairman of the Board The television art form was and is a work in progress, as words and pictures morph into new images, re-shaped by new technologies. The new, new thing in 1955 was television. But television in those times was something of an appliance—a box Board of Trustees in the living room. Families circled the wagons in front of that electronic fireplace Bill Becker Robert Gardner Paul Noble where Americans gathered nightly to hear pundits deliver the news or celebrities, fresh from vaudeville and Betsy Behrens Linda Giannecchini David Ratzlaff Mary Brenneman Alison Gibson Jerry Romano radio, entertain the family. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
LINEAR TV in the NON-LINEAR WORLD the Value of Linear
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Drexel Libraries E-Repository and Archives LINEAR TV IN THE NON-LINEAR WORLD The Value of Linear Scheduling Amidst the Proliferation of Non-Linear Platforms A Thesis Submitted to the Faculty of Drexel University by Carlo Angelo Mandala Hernandez in partial fulfillment of the requirements for the degree of Master of Science in Television Management March 2017 © Copyright 2017 Carlo Angelo Mandala Hernandez. All Rights Reserved. ii Acknowledgments I would like to acknowledge and express my appreciation for the individuals and groups who helped to make this thesis a possibility, and who encouraged me to get this done. To my thesis adviser Phil Salas and program director Albert Tedesco, thank you for your guidance and for all the good words. To all the participants in this thesis, Jeff Bader, Dan Harrison, Kelly Kahl, Andy Kubitz, and Dennis Goggin, thank you for sharing your knowledge and experience. Without you, this research study would lack substance or would not have materialized at all. I would also like to extend my appreciation to those who helped me to reach out to network executives and set up interview schedules: Nancy Robinson, Anthony Maglio, Omar Litton, Mary Clark, Tamara Sobel and Elle Berry Johnson. I would like to thank the following for their insights, comments and suggestions: Elizabeth Allan-Harrington, Preston Beckman, Yvette Buono, Eric Cardinal, Perry Casciato, Michelle DeVylder, Larry Epstein, Kevin Levy, Kimberly Luce, Jim -
Audio and Podcasting Fact Sheet
NUMBERS, FACTS AND TRENDS SHAPING YOUR WORLD ABOUT FOLLOW MY ACCOUNT DONATE Journalism & Media ARCH MENU RESEARCH AREAS FACT HT JUN 16, 2017 Audio and Podcasting Fact Sheet MOR FACT HT: TAT OF TH NW MDIA Audience conomic The audio news sector in the U.S. is split by modes of delivery: traditional terrestrial (AM/FM) radio and digital formats such as online radio and podcasting. While terrestrial radio reaches almost the entire U.S. population and Ownerhip remains steady in its revenue, online radio and podcasting audiences have continued to grow over the last decade. Explore the patterns and longitudinal data about audio and podcasting below. Data on public radio is available in a Find out more separate fact sheet. Audience The audience for terrestrial radio remains steady and high: In 2016, 91% of Americans ages 12 or older listened to terrestrial radio in a given week, according to Nielsen Media Research data published by the Radio Advertising Bureau, a figure that has changed little since 2009. (Note: This and most data on the radio sector apply to all types of listening and do not break out news, except where noted.) Weekl terretrial radio litenerhip Chart Data hare med % of Americans ages 12 or older who listen to terrestrial (AM/FM) radio in a given week Year % of American age 12 or older who liten to terretrial (AM/FM) radio in a given week 2009 92% 2010 92% 2011 93% 2012 92% 2013 92% 2014 91% 2015 91% 2016 91% ource: Nielen Audio RADAR 131, Decemer 2016, pulicl availale via Radio Advertiing ureau.