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The Baptist Missionary Association of Arkansas 2014 Annual Session
2014 Minutes The Baptist Missionary Association Of Arkansas 2014 Annual Session BMA Of Arkansas “For we are laborers together with God.” I Corinthians 3:9 BMA Headquarters Global Ministry Center Conway, Arkansas Held At Conway Central Baptist College Conway, Arkansas Trumpet Printing, Inc. Little Rock, Arkansas SIXTY FIFTH ANNUAL SESSION Baptist Missionary Association of Arkansas Held At Central Baptist College Conway, Arkansas November 6-7, 2014 The Next Annual Session Will Be At Central Baptist College Conway, Arkansas November 5-6, 2015 2015 Annual Message Dustin Wisely Alternate Speaker Gary O’Neal 1 Table of Contents Brotherhood Report 43 Christian Education Committee Report 89 Churches Represented by Messenger and/or Letter 132 Clerks’ Report 131 Committees 4 Doctrinal Statement 21 Masters Builders 43 Meeting Places and Officers of Each Session 5 Missionary Committee Report 60 Officers and Departments 3 Proceedings of 2014 Session 11 Publications Committee Report 26 Resolution Report 131 Revolving Loan Fund Report 83 Salary Schedule 10 Statement of Principles of Cooperation 13 Women’s Missionary Auxiliary Report 44 Youth Department Report 58 2 Officers and Departments —2015— Associational Officers Mike McEuen President Ron Fields First Vice-President Wade Allen Second Vice-President Wes Hulvey Clerk Michael Battenfield Clerk State Missions Paul White, Executive Director P.O. Box 195514 • Little Rock, Arkansas 72219 • (501) 565-4601 Missionaries Jim Tollison Michael Hight Alma Little Rock Hershel Conley Chad White Mountain Home Brookland Associate Missionary: Jorge Vasquez, Little Rock Associate Missionary: Carlos Lozano Christian Education Central Baptist College 1501 College Ave. • Conway, Arkansas 72034 • (501) 329-6872 President: Terry Kimbrow Publications Baptist Trumpet Mrs. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
The History of the Louisiana State University School of Music
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1968 The iH story of the Louisiana State University School of Music. Charlie Walton Roberts Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Roberts, Charlie Walton Jr, "The iH story of the Louisiana State University School of Music." (1968). LSU Historical Dissertations and Theses. 1458. https://digitalcommons.lsu.edu/gradschool_disstheses/1458 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 68-16,326 ROBERTS, Jr., Charlie Walton, 1935- THE HISTORY OF THE LOUISIANA STATE UNIVER SITY SCHOOL OF MUSIC. Louisiana State University and Agricultural and Mechanical College, Ed.D., 1968 Music University Microfilms, Inc., Ann Arbor, Michigan THE HISTORY OF THE LOUISIANA STATE UNIVERSITY SCHOOL OF MUSIC A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Education i n The Department of Education by Charlie Walton Roberts, Jr. B.Mu.Ed., Louisiana State University, 1957 M.A., Louisiana Polytechnic Institute, 1964 May, 1968 ACKNOWLEDGMENT The author acknowledges with gratitude the assistance of Dr. William M. Smith, his major professor, for his guidance throughout this study and his graduate program at Louisiana State University. -
Hurricane-Guide-2021.Pdf
2021 HURRICANE PREPAREDNESS GUIDE Useful Apps In the event of an emergency Get A #WeGot You Game Plan Like and Follow these Social Media Pages American to Stay Informed on the Latest Updates Red Cross • Local Grocers • FEMA • National Weather Service • Local Red Cross FEMA (and for your specific area) • Local News and Radio Stations Alert FM Definitions/Terminology • Tropical Depression - An organized system of clouds and/or thunderstorms with a closed wind circulation and wind speeds of 39 mph or less. • Tropical Storm - An organized system of strong thunderstorms with a defined counterclockwise circulation and sustained wind speeds of 39-73mph. • Hurricane - An intense tropical weather system with pronounced rotary circulation and sustained wind speeds of 74 mph or more. A hurricane includes wind, heavy rains and a storm surge. • Watch - Conditions are POSSIBLE in the next 48 hours. • Warning - Conditions are EXPECTED in the next 36 hours. • Storm Surge - A rising of the sea along the shore that builds up as a storm moves over water. The result of atmospheric pressure changes and wind associated with a storm Saffir/Simpson Scale CATEGORY SUSTAINED WIND (mph) TYPE OF DAMAGE 1 74 to 95 Minimal 2 96 to 110 Moderate 3 111 to 130 Extensive 4 131 to 155 Extreme 5 Greater than 155 Catastrophic CATEGORY 1CATEGORY 2CATEGORY 3CATEGORY 4CATEGORY 5 74 - 95 mph96 - 110 mph 111 - 130 mph 131 - 155 mph155 + mph 2021 HURRICANE PREPAREDNESS GUIDE Shelters EVACUATION AREA INFORMATION POINT LOCATION Tallulah, LA TA Truck Stop — Exit 171 – I-20 at U.S. 65 Bunkie, LA Sammy’s Truck Stop — Exit 53 – I-49/3601 LA 115 W Alexandria, LA Y-Not — 7525 U.S. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Doc // Louisiana Hayride: Radio and Roots Music Along the Red River
Louisiana Hayride: Radio and Roots Music Along the Red River Doc ~ APQUSISMZE Louisiana Hayride: Radio and Roots Music A long th e Red River By Professor of Music Tracey E W Laird Oxford University Press Inc, United States, 2016. Paperback. Book Condition: New. 234 x 156 mm. Language: English . Brand New Book. On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang Lovesick Blues. Up to that point, Williams s yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride-a radio barn dance or country music variety show like the Grand Ole Opry-not only launched Williams s career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH s 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride s road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its... READ ONLINE [ 9.53 MB ] Reviews It in just one of the most popular ebook. It really is full of wisdom and knowledge You are going to like just how the blogger create this pdf. -
The Lubbock Texas Quartet and Odis 'Pop' Echols
24 TheThe LubbockLubbock TexasTexas QuartetQuartet andand OdisOdis “Pop”“Pop” Echols:Echols: Promoting Southern Gospel Music on the High Plains of Texas Curtis L. Peoples The Original Stamps Quartet: Palmer Wheeler, Roy Wheeler, Dwight Brock, Odis Echols, and Frank Stamps. Courtesy of Crossroads of Music Archive, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas, Echols Family Collection, A Diverse forms of religious music have always been important to the cultural fabric of the Lone Star State. In both black and white communities, gospel music has been an influential genre in which many musicians received some of their earliest musical training. Likewise, many Texans have played a significant role in shaping the national and international gospel music scenes. Despite the importance of gospel music in Texas, little scholarly attention has been devoted to this popular genre. Through the years, gospel has seen stylistic changes and the 25 development of subgenres. This article focuses on the subgenre of Southern gospel music, also commonly known as quartet music. While it is primarily an Anglo style of music, Southern gospel influences are multicultural. Southern gospel is performed over a wide geographic area, especially in the American South and Southwest, although this study looks specifically at developments in Northwest Texas during the early twentieth century. Organized efforts to promote Southern gospel began in 1910 when James D. Vaughn established a traveling quartet to help sell his songbooks.1 The songbooks were written with shape-notes, part of a religious singing method based on symbols rather than traditional musical notation. In addition to performing, gospel quartets often taught music in peripatetic singing schools using the shape-note method. -
649 Robert Gentry‟S Louisiana Hayride Collection
649 Robert Gentry‟s Louisiana Hayride Collection Archives and Special Collections Louisiana State University in Shreveport Shreveport, Louisiana Biography Tillman Franks was born in Stamps, Arkansas on September 29, 1920 but moved to Shreveport, Louisiana at the age of two. As a teenager he contracted the flu and was confined to bed. To pass the time he listened repeatedly to Roy Acuff‟s Would You Care?and was impressed with the sincerity of the artist. He decided at that young age to make Country Music his profession. He graduated from Byrd High School where he formed the band, The Rainbow Boys with Claude King and Buddy Attaway. He volunteered for the U.S. Army in 1942 and was sent to the island of Saipan where he formed another band and had a radio program on WXLD. Discharged in 1945, he came home and married Virginia Suber in 1946. In 1946, he got a job playing bass on KWKH and worked with Webb Pierce and the Bailes Brothers who invited him to play with them on the inaugural Louisiana Hayride broadcast. That launched his music career and he began making friends with young artists whom he guided or would later manage. He developed the careers of so many well known artists who are all mentioned in his book which he published in 2000. He died at the age of eighty-six on October 26, 2006, but not without appreciation. A Tillman Franks Appreciation Day was celebrated in 1996 where many famous artists came to pay tribute to his talents and his accomplishments. -
Bivocational and Smaller Membership Church Council Report
BIVOCATIONAL AND SMALLER MEMBERSHIP CHURCH COUNCIL REPORT SOUTHERN BAPTIST CONVENTION EXECUTIVE COMMITTEE 901 Commerce Street Nashville, Tennessee Submitted to Dr. Frank Page Chief Executive Officer June 14,2016 SBC Bivocational and Small Church Advisory Council In 2014 Dr. Frank Page, Chief Executive Officer, SBC Executive Committee, appointed an Advisory Council to develop a report for the Executive Committee on how the Southern Baptist Convention and its entities can better understand and work with the vast number of smaller membership churches and those whose pastor is bivocational. This Council was formed through the leadership of Dr. Ken Weathersby, Vice President for Convention Advancement, SBC Executive Committee. Ray Gilder, pastor of First Baptist Church, Gordonsville, Tennessee and Executive Director of the Bivocational and Small Church Leader- ship Network was asked to serve as Chairman. Dr. Mark Tolbert, Director, Caskey Center for Church Excellence, New Orleans Baptist Theological Seminary was asked to serve as Vice Chairman. The Council was composed of the following members: Antoine, Jr., Ira Director, Bivocational Pastors Ministry, Baptist General Convention of Texas Houston, TX Beachum, Jr., Vernon E. Pastor, First Baptist Church, Fort Ashby, WV Biswas, Paul Pastor Cambridgeport Baptist Church, Cambridge, MA Brabson, Sr., Fredrick Pastor, New Covenant Baptist Church, Knoxville, TN Clark, Bobby Pastor, Abbot Baptist Church, Mansfield, AR Donahoe, Gordon Pastor, Neely’s Bend Baptist Church, Madison, TN 3 Gilder, Ray Executive -
Townsquare Media Shreveport License, LLC KTUX-FM, KVKI-FM
Townsquare Media Shreveport License, LLC Stations Comprising Employment Unit KTUX-FM, KVKI-FM, KRUF-FM, KXKS-FM, KEEL-AM, KWKH-AM EEO PUBLIC FILE REPORT (2/1/19-1/31/20) (Note: 12-month period determined by FCC license renewal filing date and not on calendar basis) I. VACANCY LIST See Master Recruitment Source List (MRSL) for recruitment source data Recruitment Sources (RS) Used RS Referring Job Title to Fill Vacancy Hiree Account Executive 2, 8, 9,12, 13, 14, 16 13 Account Executive 2, 8, 9,12, 13, 14, 16 13 Account Executive 2, 8, 9,12, 13, 14, 16 2 Townsquare Media Shreveport License, LLC KTUX-FM, KVKI-FM, KRUF-FM, KXKS-FM, KEEL-AM, KWKH-AM EEO PUBLIC FILE REPORT (2/1/19-1/31/20) (Note: 12-month period determined by FCC license renewal filing date and not on calendar basis) II. MASTER RECRUITMENT SOURCE LIST (MRSL) No. of Source Entitled Interviewees RS RS Information to Vacancy Referred by RS Number Notification? over (Yes/No) 12-month period 1 Shreveporthelpwanted.com No 0 2 Employee Referral No 1 3 NAACP/Shreveport Chapter No 0 4 Southern University No 0 5 LSU/Shreveport No 0 6 Bossier Parish Community College No 0 7 Stephen F. Austin University, Dept. of Comm No 0 8 Chamber of Commerce No 1 9 All radio station websites: No 0 www.mykisscountry937.com www.k945.com www.965kvki.com www.therockstation99x.com www.710keel.com www.kwkhonline.com 10 Self/Walk-ins No 0 11 On Air Announcements on all stations No 1 12 Indeed (via Greenhouse) No 2 13 Linked In (via Greenhouse) No 5 14 Townsquaremedia.com No 1 15 GlassDoor.com (via Greenhouse) No 0 16 Job Fair No 1 TOTAL INTERVIEWEES OVER 12-MONTH PERIOD 12 III. -
“It Wasn't God Who Made Honky Tonk Angels”-- Kitty Wells (1952)
“It Wasn’t God Who Made Honky Tonk Angels”-- Kitty Wells (1952) Added to the National Registry: 2007 Essay by John Rumble (guest post)* Kitty Wells When Kitty Wells first recorded for Decca Records in 1952, she had toured for years with her husband, Johnnie (later Johnny) Wright, and his partner, Jack Anglin. But the mother of three was tired of the road, and earlier sessions for RCA had yielded no hits. This time, her main concern was the session fee she would earn. Wells had moved back to Nashville, her hometown, with Johnnie & Jack on the strength of that duo’s 1951 hit “Poison Love,” their entrée to the Grand Ole Opry cast. Now, with Johnnie’s prospects looking up, she pondered leaving full-time entertaining altogether. As it turned out, Wells’s “It Wasn’t God Who Made Honky Tonk Angels,” her first Decca release, quickly scaled “Billboard” magazine’s country charts. The hit made Wells a major star, and an Opry member in her own right. To be sure, country music had boasted successful female artists since the 1920s. The Carter Family’s Sara and Maybelle Carter, cowgirl singer Patsy Montana, and Opry comedienne Minnie Pearl had already won national fame. But Wells was the first to reach #1 in the decade after World War II, when country entered its takeoff phase. In these years, American women faced enormous pressures to leave their wartime jobs, renounce political concerns, and return to keeping house and raising children. Popular magazines, psychologists, and men (whose jobs women had filled) all told them so. -
Cultural Heritage: Historic Preservation, Arts, and Culture
Cultural Heritage: H 1 Historic Preservation, 2 3 Arts, and Culture 4 4 5 5 6 7 8 9 10 11 12 13 personal vision statements: “Acitywithcultureand characteryoucan’tfind anywhereelse.” GREAT EXPECTATIONS: SHREVEPORT-CADDO 2030 MASTER PLAN 5 .1 5 | CULTURAL HERITAGE: HISTORIC PRESERVATION, ARTS & CULTURE Chapter Summary his chapter focuses on two closely-related sectors: historic preservation and arts and culture in Shreveport-Caddo. Both of these sectors are critical to promoting Shreveport’s unique history, character, and cultural vitality—to enhance residents’ pride in the city, Tto reinforce its unique place in the region, and to attract visitors and new residents. The Master Plan Area’s historic resources listed on the National Register of Historic Places are identified, with a discussion of the current lack of any protections for historic resources, the absence of an historic preservation infrastructure in Shreveport, and options to promote historic preservation. The chapter identifies the myriad arts and cultural activities available in the Master Plan Area, the contribution of the arts to the economy, and provides recommendations on strengthening arts and culture in Shreveport, particularly in revitalizing downtown. Strategies and actions include: • Create the basic civic infrastructure for historic preservation: staff time at the MPC; a thorough inventory of historic sites for integration into land use decision making; a citizens’ Historic Resources Advisory Committee; a demolition delay ordinance downtown; and regulatory changes that promote adaptive reuse and make it financially feasible. • Create a “one stop shop” for information and guidance on historic preservation within the Metropolitan Planning Commission (MPC) • Raise public awareness among residents and visitors about Shreveport’s history and culture with interpretive signs, heritage trails with different themes for self-guided digital tours, and events.