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Collision Course
FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS. -
Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
Investigating Box Office Revenues of Motion Picture Sequels ⁎ Suman Basuroy A,1, Subimal Chatterjee B
Available online at www.sciencedirect.com Journal of Business Research 61 (2008) 798–803 Fast and frequent: Investigating box office revenues of motion picture sequels ⁎ Suman Basuroy a,1, Subimal Chatterjee b, a College of Business, Florida Atlantic University, Jupiter, Florida 33458, United States b School of Management, Binghamton University, Binghamton, New York 13902, United States Received 26 October 2006; accepted 21 July 2007 Abstract This paper conceptualizes film sequels as brand extensions of a hedonic product and tests (1) how their box office revenues compare to that of their parent films, and (2) if the time interval between the sequel and the parent, and the number of intervening sequels, affect the revenues earned by the sequels at the box office. Using a random sample of 167 films released between 1991 and 1993, we find that sequels do not match the box office revenues of the parent films. However, they do better than their contemporaneous non-sequels, more so when they are released sooner (rather than later) after their parents, and when more (rather than fewer) intervening sequels come before them. Like other extensions of hedonic products, sequels exhibit satiation to the extent that their weekly box office collections fall faster over time relative to contemporaneous non- sequels. Managerial implications of the results are discussed. © 2007 Elsevier Inc. All rights reserved. Keywords: Sequels; Brand extensions; Box office revenues; Satiation 1. Introduction Spider-Man and Shrek, as well as Ocean's Thirteen, The Bourne Ultimatum, Rush Hour 3, the fourth edition of Die The study of motion picture sequels is important, both from a Hard and the fifth edition of Harry Potter. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
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Arxiv:1908.09083V2 [Cs.CL] 8 Oct 2020 Existing Supervised Approaches Suffer from Two Sig- Get Reviews fluctuates a Lot
Multi-view Story Characterization from Movie Plot Synopses and Reviews Sudipta Kar|, Gustavo Aguilar|, Mirella Lapata♠, Thamar Solorio| | University of Houston ♠ ILCC, University of Edinburgh fskar3, [email protected], [email protected], [email protected] Abstract Plot Synopsis In late summer 1945, guests are gathered for the wedding reception of Don Vito Corleone's daughter Connie (Talia Shire) and Carlo Rizzi This paper considers the problem of charac- (Gianni Russo). ... ... The film ends with Clemenza and new ca- terizing stories by inferring properties such as poregimes Rocco Lampone and Al Neri arriving and paying their re- spects to Michael. Clemenza kisses Michael's hand and greets him as theme and style using written synopses and "Don Corleone." As Kay watches, the office door is closed." reviews of movies. We experiment with a Review multi-label dataset of movie synopses and a Even if the viewer does not like mafia type of movies, he or she will tagset representing various attributes of sto- watch the entire film ... ... Its about family, loyalty, greed, relationships, and real life. This is a great mix, and the artistic style make the film ries (e.g., genre, type of events). Our pro- memorable. posed multi-view model encodes the synopses violence action murder atmospheric and reviews using hierarchical attention and revenge mafia family loyalty shows improvement over methods that only greed relationship artistic use synopses. Finally, we demonstrate how can we take advantage of such a model to ex- Figure 1: Example snippets from plot synopsis and review of tract a complementary set of story-attributes The Godfather and tags that can be generated from these. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Eros Associated Execs Admit on Hidden Camera They Will Launder Money Through Films
Call us: (800) 891-1526 | M - F 8AM to 4PM ET Call Us: (800) 891-1526 M - F 8AM to 4PM ET Solutions About Free Trial Login Eros Associated Execs Admit on Hidden Camera They Will Launder Money Through Films Eros Associated Execs Admit on Hidden Camera They Will Launder Money Through Films By GeoTeam | March 29th, 2017 | Categories: Guest Contributors, In Depth Research, premium, Sector News | 0 Comments Contributed by FG Alpha Management for GeoInvesting, LLC Summary A CNN India exposé catches four Eros International (NYSE:EROS) associated director/producer/writers on hidden camera discussing methods for laundering money through their films. Rather than disassociate themselves with these film executives following the exposé, Eros instead worked closely with all of the individuals and even acquired a 50% interest in one of their production companies in 2016. The apparent ties to money launderers raises serious questions about Eros’s use of numerous offshore asset havens and its byzantine entity structure. Additional questions should be asked about the company’s tumultuous financial controls including (a) the use of at least 9 different auditors (b) 12 auditor resignations over the past 4 years and (c) insider allegations of the use of dummy production deals to channel assets to company family members. In order to protect U.S. investors, today we are calling for a full and thorough investigation of the company. “Black money is money which is earned through any illegal activity controlled by country regulations. Black money proceeds are usually received in cash from underground economic activity and, as such, is not taxed. -
Rush Hour 3 Hindi Dubbed Movie Download
Rush Hour 3 Hindi Dubbed Movie Download Rush Hour 3 Hindi Dubbed Movie Download 1 / 2 The Rush Hour franchise is a series of American action comedy films created by Ross ... Ratner saw the film and decided to include a similar scene in Rush Hour 2 (2001). ... for Rush Hour 3, Brett Ratner joked that the fourth Rush Hour film could be released in 2012. ... Create a book · Download as PDF · Printable version .... 3 years ago109.4K views. raat -ki-kahaniya .... 11 May 2018 - 2 min - Uploaded by top newsrush hour 3 full movie in hindi 720p Download kese .... Watch Rush Hour 3 starring Jackie Chan in this Comedy on DIRECTV. It's available to watch on TV, online, tablets, phone.. Home of Warner Bros Movies, TV Shows and Video Games including Harry Potter, DC Comics and more!. Feb 22, 2020 - This Pin was discovered by m.. Discover (and save!) your own Pins on Pinterest.. Rush Hour 3 2007 BRRip 300MB Hindi Dual Audio 480p ... Name: Rush Hour 3 2017 ... Language: Bengali Dubbed ... Next The Last Samurai 2017 Bangla Dubbed HD Movie DVDRip Download · Previous Goblin: The Great .... Purchase Rush Hour 3 on digital and stream instantly or download offline. With a combined box- office gross of nearly a billion dollars worldwide,the Rush Hour f.. Rush Hour 2 is a 2001 American action comedy film directed by Brett Ratner and written by Jeff ... the year's 11th-highest-grossing film worldwide as well as the second-highest- grossing PG-13 film. A sequel, Rush Hour 3, was released on August 10, 2007. -
PLAYLIST (Sorted by Decade Then Genre) P 800-924-4386 • F 877-825-9616 • [email protected]
BIG FUN Disc Jockeys 19323 Phil Lane, Suite 101 Cupertino, California 95014 PLAYLIST (Sorted by Decade then Genre) p 800-924-4386 • f 877-825-9616 www.bigfundj.com • [email protected] Wonderful World Armstrong, Louis 1940s Big Band Young at Heart Durante, Jimmy April in Paris Basie, Count Begin the Beguine Shaw, Artie 1960s Motown Chattanooga Choo-Choo Miller, Glenn ABC Jackson 5 Cherokee Barnet, Charlie ABC/I Want You Back - BIG FUN Ultimix Edit Jackson 5 Flying Home Hampton, Lionel Ain't No Mountain High Enough Gaye, Marvin & Tammi Terrell Frenesi Shaw, Artie Ain't Too Proud to Beg Temptations I'm in the Mood for Love Dorsey, Tommy Baby Love Ross, Diana & the Supremes I've Got My Love to Keep Me Warm Brown, Les Chain of Fools Franklin, Aretha In the Mood Miller, Glenn Cruisin' - Extended Mix Robinson, Smokey & the Miracles King Porter Stomp Goodman, Benny Dancing in the Street Reeves, Martha Little Brown Jug Miller, Glenn Got To Give It Up Gaye, Marvin Moonlight Serenade Miller, Glenn How Sweet it Is Gaye, Marvin One O'Clock Jump Basie, Count I Can't Help Myself (Sugar Pie, Honey Bunch) - Four Tops, The Pennsylvania 6-5000 Miller, Glenn IDrum Can't MixHelp Myself (Sugar Pie, Honey Bunch) Four Tops, The Perdido - BIG FUN Edit Ellington, Duke I Heard it Through the Grapevine Gaye, Marvin Satin Doll Ellington, Duke I Second That Emotion Robinson, Smokey & the Miracles Sentimental Journey Brown, Les I Want You Back Jackson 5 Sing, Sing, Sing - BIG FUN Edit Goodman, Benny (Love is Like a) Heatwave Reeves, Martha Song of India Dorsey, Tommy -
Magazine-1-4.Qxd (Page 2)
SUNDAY, OCTOBER 4, 2015 (PAGE-4) MOVIE-REVIEW PERSONALITY Comedy as a poor joke A teacher on a mission Saibal Chatterjee As completely meaningless as its silly title, Singh is Bliing is an Gopal Sharma NOBODY COMES HERE BUT THIS MADAM OFTEN COMES AND HAS attempted comedy that is funny for all the wrong reasons. It has no sto- Notwithstanding the innumerous hurdles and eco- ry, no screenplay and no logic. nomic constraints, a very humble and optimistic Gov- ENGAGED TWO FEMALE TEACHERS FOR OUR CHILDREN’S STUDY. SHE EVEN Co-produced by Akshay Kumar himself, the film is designed to give ernment teacher is moving ahead with her missionary the Bollywood star a standard range of things to do on the screen. On zeal to reform the children taking to rag- picking and TEACHES ON SUNDAYS. WE ARE PAYING NOTHING AND EVEN THE BOOKS, his part, with all his mannerisms intact, he plunges headlong into the begging and imparting them free education in a labour assignment. colony near Jammu Railway Station. NOTEBOOKS, PENS/ PENCILS, BAGS ETC ARE MANAGED BY THIS TEACHER. Unfortunately, Singh is Bliing is so utterly brainless that no matter While doing justice with her job and teaching chil- how enthusiastically Akshay strives to make it work with his brand of dren at a Govt Higher Secondary School in district Sam- buffoonery, he only hits his head against a shoddy wall of a script. ba (Sumb), this teacher (Lecturer) is also sparing time Singh is Bliing is Prabhudheva's first 'original' Hindi film, but it recy- for these children of ‘lesser God’ and trying hard to illu- cles all the cliched, lowbrow tropes he is known for. -
Landslide Win Predicted for BJP in Haryana with 68-72 Seats
Indian Horizon National English Daily [email protected] www.indianhorizon.org RNI No: Deleng/2013/51507 In memory of Dr Asima Kemal and Prof. Dr. Salim W Kemal [email protected] Volume Price: 3.00 No: 6 Issue No: 285 Published from New Delhi & Hyderabad New Delhi, Tuesday, October 22, 2019 Pages 12 + 4 pull out (P16) Assam bypolls: Over Japan to celebrate Naruhito’s One of the biggest: Murray on 74% polling till 5 pm, enthronement on Tuesday 1st singles title since surgery likely to rise P-5 P-8 P-11 Briefs Maharashtra: BJP-led NDA looks set to win big UP bypolls record low voter New Delhi, Oct 21 (IANS) The turnout at 44.4% BJP-led NDA was on Monday Lucknow, Oct 21 (IANS) Poll- bly, the BJP currently has 302 predicted to retain power in Ma- ing in the by-elections to 11 As- members, the Samajwadi Party harashtra with a huge majority, sembly seats in Uttar Pradesh on 47 and the Bahujan Samaj Party with IANS-C-Voter Exit Poll giving Monday recorded a low turnout 18. The BJP’s ally Apna Dal (Son- it between 192 and 216 seats in the of 44.47 per cent at 5 p.m. elal) has eight legislators, while 288-member Assembly. Gangoh in Saharanpur re- the Congress has seven MLAs in The BJP-Shiv Sena combine corded the highest polling per- the House. had bagged 185 seats in the last centage of 57.8, while the Luc- The by-elections were rela- Assembly elections held in 2014, know Cantt seat recorded the tively peaceful and the release after which a government head- lowest at 27.1 per cent.