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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Brian Stokes Mitchell Outside at the Colonial
Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund. -
Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
February 7, 2021
VILLANOVA THEATRE PRESENTS STREAMING JANUARY 28 - FEBRUARY 7, 2021 About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the M. Louise Fitzpatrick College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Patricia A. Maskinas Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Eric J. Schaeffer and Susan Trimble Schaeffer ’78 The Thomas and Tracey Gravina Foundation For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. gratefully acknowledges the generous support of our many patrons & subscribers. We wish to offer special thanks to our donors. 20-21 Benefactors A Running Friend William R. -
Drug Facts Week Message Timely with Death of Amy Winehouse
Drug Facts Week Message Timely with Death of Amy Winehouse Details Created on Friday, 23 December 2011 11:52 Amy Winehouse, the former Grammy award-winning artist who had a very public battle with substance use disorder and her use of several illicit and licit substances, died in July of this year. Last week, however, the long awaited cause of Amy Winehouse's death was disclosed at a coroner's court in London. The findings show that Amy had died from her use of alcohol, not from the illicit substances which were the focus of much media attention. Her tragic and unfortunate loss serves to educate us that there is no "safe drug". Every time someone takes an addictive substance whether it be alcohol or cocaine, tobacco or ecstasy, there are significant risks that need to be understood. Unfortunately, our society has focused its attention in regards to the dangers of addiction according to cultural misperceptions. This non-scientific view has allowed for the de- sensitization of the real dangers of legal drugs such as alcohol and tobacco, or prescription drugs which as a result of being improperly used is resulting in an alarming rise in the use of opiates. Seeking to spread the message that all drugs carry risks and are harmful to the body, President Obama's Administration for the second year in a row is holding "Drug Facts Week" from October 31st through November 6th. The weeklong event will seek to connect teens with scientifically proven facts about drugs and substance use disorder. Last year's successful Drug Facts Week saw over 100 community events and discussions between teens and scientists. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
Top 500 Van De 00'S
2020 2020 2019 TITEL ARTIEST JAAR 1 1 IN THE END LINKIN PARK 2001 2 2 LOSE YOURSELF EMINEM 2002 3 6 POKER FACE LADY GAGA 2009 4 8 ONDERWEG ABEL 2000 5 5 EVERYTIME WE TOUCH CASCADA 2007 6 4 FIX YOU COLDPLAY 2005 7 15 DRAGOSTEA DIN TEI O-ZONE 2004 8 14 BRABANT GUUS MEEUWIS 9 13 I GOTTA FEELING BLACK EYED PEAS 2009 10 7 RAMPENEREN ALI B & THE PARTYSQUAD & YES-R 2006 11 9 L’AMOUR TOUJOURS GIGI D’AGOSTINO 2001 12 3 HET LAND VAN... LANGE FRANS & BAAS B 13 20 UNWRITTEN NATASHA BEDINGFIELD 2005 00 14 18 SUMMER JAM 2003 UNDERDOG PROJECT 2003 15 16 BAD ROMANCE LADY GAGA 2009 16 10 VIVA LA VIDA COLDPLAY 2008 17 34 1001 ARABIAN NIGHTS CH!PZ 2005 18 21 STAN EMINEM & DIDO 2000 19 37 WHENEVER, WHEREVER SHAKIRA 2002 20 12 CALIFORNICATION RED HOT CHILI PEPPERS 2000 21 11 WATSKEBURT?! DE JEUGD VAN TEGENWOORDIG 2005 22 42 I WOULD STAY KREZIP 2000 23 49 TEMPERATURE SEAN PAUL 2006 24 22 THE MAN WHO CAN’T BE MOVED THE SCRIPT 2008 25 31 VIBEN K-LIBER 2004 26 25 WHERE IS THE LOVE? BLACK EYED PEAS & JUSTIN TIMBERLAKE 2003 27 76 OYA LELE K3 2003 28 32 MAKE YOU FEEL MY LOVE ADELE 2009 29 23 HIPS DON’T LIE SHAKIRA & WYCLEF JEAN 2006 30 19 IT’S MY LIFE BON JOVI 2000 31 35 DOCHTERS MARCO BORSATO 2008 32 74 HOT N COLD KATY PERRY 2008 33 17 BOULEVARD OF BROKEN DREAMS GREEN DAY 2005 34 57 YEAH USHER 2004 35 53 PAK MAAR M’N HAND NICK & SIMON 2007 36 29 FIREFLIES OWL CITY 2009 37 27 NUMB/ENCORE LINKIN PARK & JAY Z 2004 38 30 HERO ENRIQUE IGLESIAS 2001 39 104 IT WASN’T ME SHAGGY 2001 40 88 GEEF MIJ JE ANGST GUUS MEEUWIS 2003 41 54 SURVIVOR DESTINY’S CHILD 2001 42 24 MY IMMORTAL -
TALKING to YOUNG PEOPLE ABOUT DRUGS and ALCOHOL a Useful Guide for Parents, Teachers and Anyone Looking out for a Child Or Young Person
TALKING TO YOUNG PEOPLE ABOUT DRUGS AND ALCOHOL A useful guide for parents, teachers and anyone looking out for a child or young person. HOW TO SAY THE RIGHT THING It can be difficult to talk about issues such as drugs and alcohol, especially if you aren’t sure about the facts. Yet with the right kind of advice you can play an important role in keeping young people safe and you can help them to make safer decisions as they grow older. This guide won’t turn you into an expert overnight, but it will help you to hold useful and worthwhile conversations. It will help you to become someone a young person can confide in, and talk to about drugs, alcohol and any other concerns they may have. This guide can also help if you’re a teacher, or someone who looks out for young people as part of your job or responsibilities. It’s been written with experts from AMY WINEHOUSE FOUNDATION the Amy Winehouse Foundation Resilience team, who work in secondary schools, Charity registered in England and Wales no. 1143740. colleges and community settings across the country. With many years experience of A company limited by guarantee. Registered no. 7737209. working with young people, this team knows what works (and what doesn’t work) Registered office: 5a Bear Lane London SE1 0UH when it comes to talking with young people about drugs and alcohol. 2 3 WHY MIGHT A YOUNG PERSON TRY DRUGS OR ALCOHOL? THE HELP To be very clear, not every young person will choose to try drugs or drink YOU CAN OFFER alcohol. -
Samantha Saltzman Resume
3569 Broadway, Apt 4E, New York, NY 10031 - (781) 354-0402 - [email protected] www.samanthasaltzman.com Broadway/Off-Broadway/Touring The King & I Directed by Shelley Butler 2nd National Tour Assistant Director Based on original direction by Bartlett Sher • Participated in character conversations with new principals and taught blocking in preparation for rehearsals with the director • Assisted in the recreation of original staging and dramaturgy from prompt book and documentation • Coached child actors on acting intention, review of blocking, and accent reinforcement • Trained understudies and stand-by principals and ran their rehearsals and put-ins • Sent out at regular intervals to check on and maintain the production and performances Lady in the Dark Directed by Ted Sperling New York City Center Associate Director • Oversaw and advised on Tech process and implementation, including scheduling and prioritizing creative needs in limited time frame • Responsible for taking and distributing notes to creative team and actors • Advised script adaptation and oversaw collation and implementation of changes Matilda the Musical Directed by Matthew Warchus 1st National Tour Resident Director • Traveled with the show for six months • Trained over 40 understudies and new cast members and ran rehearsals and put-ins for new cast • Regularly maintained child cast with notes and brush up rehearsals • Responsible for show coverage, including Matildas’ pre-show warm-ups and delivery of notes between shows and in rehearsals to full company Assistant -
Siriusxm to Showcase Its Biggest Exclusive Live Concerts from the Past Decade on Siriusxm's Superstar Concert Series Channel
NEWS RELEASE SiriusXM To Showcase Its Biggest Exclusive Live Concerts From The Past Decade On SiriusXM's Superstar Concert Series Channel 3/5/2020 Pop-up Channel to Feature 16 Historic SiriusXM Subscriber-only Concerts on Channel 30 Limited-time Channel starting March 9 includes Acclaimed Concerts from Paul McCartney, Garth Brooks, Bruce Springsteen, U2, Billie Eilish, Eagles, Lady Gaga, Coldplay, and More NEW YORK, March 5, 2020 /PRNewswire/ -- SiriusXM announced today the broadcast of the biggest, exclusive SiriusXM subscriber-only concerts from the past 10 years, including critically-acclaimed performances by musical icons such as Paul McCartney, Garth Brooks, Bruce Springsteen, U2, and Lady Gaga, on a dedicated limited-time channel, SiriusXM's Superstar Concert Series, starting March 9. For more than a decade, SiriusXM has invited its subscribers to exclusive concerts headlined by some of the most important names in music playing at legendary venues; Pearl Jam will perform at Harlem's world-famous Apollo Theater in a special invitation-only concert for SiriusXM subscribers and Pandora listeners March 26. SiriusXM programmers have now curated the exclusive concert series to create a limited-time channel for a national audience. SiriusXM's Superstar Concert Series channel will air one special concert, all day, on their respective broadcast date on channel 30. "A hallmark and distinctive benet of being a SiriusXM subscriber has been the chance to not only hear the best big-time and emerging artists on our great range of channels, but also to actually attend a live special show by the musical artists they love," said Scott Greenstein, President and Chief Content Ocer, SiriusXM. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
A Music Video Information Retrieval Approach to Artist Identification
A Music Video Information Retrieval Approach to Artist Identification Alexander Schindler1;2 and Andreas Rauber1 1 Department of Software Technology and Interactive Systems Vienna University of Technology fschindler,[email protected] 2 Intelligent Vision Systems, AIT Austrian Institute of Technology, Vienna, Austria Abstract. We propose a cross-modal approach based on separate au- dio and image data-sets to identify the artist of a given music video. The identification process is based on an ensemble of two separate clas- sifiers. Audio content classification is based on audio features derived from the Million Song Dataset (MSD). Face recognition is based on Lo- cal Binary Patterns (LBP) using a training-set of artist portrait images. The two modalities are combined using bootstrap aggregation (Bagging). Different versions of classifiers for each modality are generated from sub- samples of their according training-data-sets. Predictions upon the final artist labels are based on weighted majority voting. We show that the visual information provided by music videos improves the precision of music artist identification tasks. 1 Introduction To demonstrate the opportunities of a Music Video Information Retrieval ap- proach, we address the problem of music artist identification - the task of iden- tifying the performing musician of a given track. Music Video Information Re- trieval (MVIR) constitutes a cross-modal approach to Music Information Re- trieval (MIR) problems. Music videos like their underlying audio recordings are pieces of art and are used to accompany or augment the musical track. The visual part adds a second semantic layer to the song which may correlate with the other layers or contradict.