Genres, Registers, Text Types, Domains and Styles: Clarifying the Concepts and Nevigating a Path Through the BNC Jungle
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Tragedy, Euripides, Melodrama: Hamartia, Medea, Liminality
Vol. 5 (2013) | pp. 143-171 http://dx.doi.org/10.5209/rev_AMAL.2013.v5.42932 TRAGEDY, EURIPIDES, MELODRAMA: HAMARTIA, MEDEA, LIMINALITY BRIAN G. CARAHER QUEEN’S UNIVERSITY BELFAST, NORTHERN IRELAND [email protected] Article received on 29.01.2013 Accepted on 06.07.2013 ABSTRACT This article examines socio-historical dimensions and cultural and dramaturgic implications of the Greek playwright Euripides’ treatment of the myth of Medea. Euripides gives voice to victims of adventurism, aggression and betrayal in the name of ‘reason’ and the ‘state’ or ‘polity.’ Medea constitutes one of the most powerful mythic forces to which he gave such voice by melodramatizing the disturbing liminality of Greek tragedy’s perceived social and cultural order. The social polity is confronted by an apocalyptic shock to its order and its available modes of emotional, rational and social interpretation. Euripidean melodramas of horror dramatize the violation of rational categories and precipitate an abject liminality of the tragic vision of rational order. The dramaturgy of Euripides’ Medea is contrasted with the norms of Greek tragedy and examined in comparison with other adaptations — both ancient and contemporary — of the myth of Medea, in order to unfold the play’s transgression of a tragic vision of the social polity. KEYWORDS Dramaturgy, Euripides, liminality, Medea, melodrama, preternatural powers, social polity, tragedy. TRAGEDIA, EURÍPIDES, MELODRAMA: HAMARTÍA, MEDEA, LIMINALIDAD RESUMEN Este artículo estudia las dimensiones sociohistóricas y las implicaciones culturales y teatrales del tratamiento que Eurípides da al mito de Medea. Eurípides da voz a las víctimas del aventurerismo, de las agresiones y de las traiciones cometidas en nombre de la ‘razón’ y del ‘estado’ o el ‘gobierno’. -
International Journal of Arts and Humanities(IJAH) Bahir Dar- Ethiopia
IJAH 5(2), S/NO 17, APRIL, 2016 271 International Journal of Arts and Humanities (IJAH) Bahir Dar- Ethiopia Vol. 5(2), S/No 17, April, 2016:270-283 ISSN: 2225-8590 (Print) ISSN 2227-5452 (Online) DOI: http://dx.doi.org/10.4314/ijah.v5i2.22 Instruction in Text-Structure as A Determinant of Senior Secondary School Students’ Achievement in English Narrative Text in Ido Local Government Area, Oyo State Fakeye, Bosede Department of Teacher Education, University of Ibadan, Nigeria & Fakeye, D.O. Department of Teacher Education, University of Ibadan, Nigeria E-mail: [email protected] Abstract The study determined the effectiveness of instruction in text-structure on achievement of students in English narrative text. The pretest-posttest control group quasi experimental design was adopted for the study. The participants were 120 students in intact classes from four purposively selected senior secondary schools in Ido Local Government Area of Oyo State. Data were collected using English Narrative Text Achievement Test (r=0.86) and instructional guides. Three null hypotheses were tested at .05 level of significance. Data were analysed using Analysis of Covariance and Estimated Marginal Means. Findings revealed that treatment had significant main 2 effect on students’ achievement in English narrative text((F(2,117)=15.725; P<.05; =.107). Students exposed to instruction in text structure obtained higher posttest mean Copyright © IAARR 2016: www.afrrevjo.net/ijah Indexed African Journals Online (AJOL) www.ajol.info IJAH 5(2), S/NO 17, APRIL, 2016 272 score ( X =10.68) than their counterparts in the conventional strategy group ( 2.70) groups. -
Fantasy Football University Chapter 1
Fantasy Football University Chapter 1 What is Fantasy Football? Fantasy Football puts you in charge and gives you the opportunity to become the coach, owner, and general manager of your own personal football franchise. You'll draft a team of pro football players and compete against other team owners for your league's championship. The game and its rules are designed to mimic pro football as much as possible, so you'll live the same thrills and disappointments that go along with a football season. And your goal is simple: build a complete football team, dominate the competition and win your league's championship. Why should you be playing Fantasy Football? The game is easy to learn and fun to play. You'll become more knowledgeable about football than ever before. It does not take a huge commitment to be competitive and requires only as much time as you'd like to invest. And you don't have to be a die-hard fan to enjoy playing. In fact, most people who are trying Fantasy Football for the first time are casual fans. Chapter 2 Team & League Team name: The first step to getting started is creating a name for your new team. This is how you and your team will be identified throughout the season so get creative and have a little fun. Join or create a league: Your competition will be made up of the other owners in your league. The number of teams in a Fantasy Football league can vary but should always be an even number. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Setting in Biblical Narrative
HOW TO READ THE BIBLE: EPISODE 7 Setting in Biblical Narrative STUDY NOTES SECTION 1: INTRODUCTION TO SETTING 00:00–01:04 Jon: In every story you’ve ever heard, the action took place somewhere. And that place is called “the setting.” And since we’ve been learning how to read Biblical narrative, let’s talk about how settings work in the Bible. Tim: So settings are a crucially important tool in the hands of the biblical authors. Jon: Really? Tim: Yeah. Think of it this way: when you start a story, everything is new. The plot and the characters are a mystery, until things unfold. Jon: Yeah, we have no idea what to expect. Tim: Except authors can use the setting of a story1 to prepare you for what’s coming. Jon: How so? 1. Setting acts as a stage from which the WATCH THE “SETTING IN BIBLICAL NARRATIVE” author positions the story. It frames VIDEO AND LEARN MORE AT THEBIBLEPROJECT.COM and orientates the reader to the “when” and “where” of the story. Tim: So let’s say a story begins in a courtroom. What do you think is going to happen? Jon: I expect a story about crime and justice. Tim: Yeah. Or how about the setting of a dark, old, run-down house? Jon: Oh, something scary is about to happen. Tim: Exactly. So settings evoke memories and emotions because of other stories you know that happened in similar places. The authors know this, and they can use settings to generate expectations about what could happen in this story.2 And a good author will get creative with settings, and they’ll mess with your expectations in order to make a point. -
Exploring Mood Metadata: Relationships with Genre, Artist and Usage Metadata
EXPLORING MOOD METADATA: RELATIONSHIPS WITH GENRE, ARTIST AND USAGE METADATA Xiao Hu J. Stephen Downie International Music Information Retrieval Systems Evaluation Laboratory The Graduate School of Library and Information Science University of Illinois at Urbana-Champaign {xiaohu, jdownie}@uiuc.edu ABSTRACT evidenced by the ongoing discussions to establish a “Audio Mood Classification” (AMC) task at the Music There is a growing interest in developing and then Information Retrieval Evaluation eXchange (MIREX) 1 evaluating Music Information Retrieval (MIR) systems [3], this lack of common understanding is inhibiting that can provide automated access to the mood progress in developing and evaluating mood-related dimension of music. Mood as a music access feature, access mechanisms. In fact, it was the MIREX however, is not well understood in that the terms used to discussions that inspired this study. Thus, this paper is describe it are not standardized and their application can intended to contribute our general understanding of be highly idiosyncratic. To better understand how we music mood issues by formally exploring the might develop methods for comprehensively developing relationships between: 1) mood and genre; 2) mood and and formally evaluating useful automated mood access artist; and, 3) mood and recommended usage (see techniques, we explore the relationships that mood has below). It is also intended to contribute more with genre, artist and usage metadata. Statistical analyses specifically to the MIREX community by providing of term interactions across three metadata collections recommendations on how to proceed in constructing a AllMusicGuide.com epinions.com Last.fm ( , and ) possible method for conducting an “AMC” task. reveal important consistencies within the genre-mood Our primary dataset is derived from metadata found and artist-mood relationships. -
Glossary of Literary Terms
Glossary of Critical Terms for Prose Adapted from “LitWeb,” The Norton Introduction to Literature Study Space http://www.wwnorton.com/college/english/litweb10/glossary/C.aspx Action Any event or series of events depicted in a literary work; an event may be verbal as well as physical, so that speaking or telling a story within the story may be an event. Allusion A brief, often implicit and indirect reference within a literary text to something outside the text, whether another text (e.g. the Bible, a myth, another literary work, a painting, or a piece of music) or any imaginary or historical person, place, or thing. Ambiguity When we are involved in interpretation—figuring out what different elements in a story “mean”—we are responding to a work’s ambiguity. This means that the work is open to several simultaneous interpretations. Language, especially when manipulated artistically, can communicate more than one meaning, encouraging our interpretations. Antagonist A character or a nonhuman force that opposes, or is in conflict with, the protagonist. Anticlimax An event or series of events usually at the end of a narrative that contrast with the tension building up before. Antihero A protagonist who is in one way or another the very opposite of a traditional hero. Instead of being courageous and determined, for instance, an antihero might be timid, hypersensitive, and indecisive to the point of paralysis. Antiheroes are especially common in modern literary works. Archetype A character, ritual, symbol, or plot pattern that recurs in the myth and literature of many cultures; examples include the scapegoat or trickster (character type), the rite of passage (ritual), and the quest or descent into the underworld (plot pattern). -
Towards New Ways of Looking at Texts
Towards new ways of looking at texts Andreea Macovei1 1Faculty of Computer Science “Al.I.Cuza” University Iasi, Romania [email protected] Abstract. This paper provides an overview of my PhD thesis which in a first phase, focuses on developing an ontology which exposes the various text types, both literary and non-literary in Romanian language and in a second phase (the most complex one), on formalizing a temporal annotation scheme that can be used in order to reorder the events or more precisely, the sequences of events in novels and also, the switches that may occur in literary texts such as flashbacks, flashforwards, embedded fabulae, temporal ruptures, and transitions. The classi- fication of texts in species and genres proposed by this ontology can be used in to create suggestions for readers, to identify a certain type of text, to extract rel- evant information, to analyse the format differences between two different types of texts (as those between the normative texts and the news) as a first step in au- tomatic text writing techniques, etc., while the temporal model considers a natu- ral order of events that the reader seems to perceive once she or he continues to read or, at the end of the book despite timelines (the representation of all the events chronologically exposed in a story) and storylines (the main story or plot of a literary text) in order to capture the actions of a character and his or her chronological evolution (time track) throughout a book. Keywords: Classification of Texts, Ontology, Temporality, Temporal Annota- tion 1 Introduction The issue of genre identification can be considered as a task of resolving the problem of text classification: as for each type of text, the genre is determined together with the other species and several specific features, the texts will be classified according to a predefined list of genres. -
An Exploration of Afro-Southern Speculative Fiction
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction Hilary Word Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Word, Hilary, "Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction" (2020). Electronic Theses and Dissertations. 1817. https://egrove.olemiss.edu/etd/1817 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. POST-SOUL SPECULATION: AN EXPLORATION OF AFRO-SOUTHERN SPECULATIVE FICTION A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by HILARY M. WORD May 2020 Copyright © Hilary M. Word 2020 ALL RIGHTS RESERVED. ABSTRACT This thesis is an examination of female authored, post-soul, Afro-Southern speculative fiction. The specific texts being examined are My Soul to Keep by Tananarive Due, Stigmata by Phyllis Alesia Perry, and Sing, Unburied, Sing by Jesmyn Ward. Through exploration of these texts, I posit two large arguments. First, I posit that this thesis as a collective work illustrates how women-authored Afro-Southern speculative fiction based in the post-soul era embodies and champions womanist politics and praxis critical for liberation through speculative elements. Second, I assert that this thesis is demonstrative of how this particular type of fiction showcases the importance of specificity of setting and reflects other, often erased facets of African American identity and realities by centering the experiences of contemporary Black Southerners. -
PARATEXTUALITY and the LOST URTEXT Anthony Enns the Term
ANTHONY ENNS PARATEXTUALITY AND THE LOST URTEXT Anthony Enns The term “paratext” refers to the elements of a literary work that ac- company the text but are not considered part of the text itself, such as title pages, introductions, annotations, appendices, etc. Gérard Genette famously described the paratext as the “threshold…between the inside and the outside” of a text, and this threshold represents “a privileged place of a pragmatics and a strategy, of an influence on the public, an influence that…is at the service of a better reception for the text and a more pertinent reading of it” (2). In other words, the contextual information and critical commentary provided in the paratext ultimately serves the author’s own interests by ensuring that the text is interpreted correctly: “The way to get a proper reading is…to put the (definitely assumed) reader in possession of information the author considers necessary for this proper reading…[such as information] about the way the author wishes to be read” (209). Genette also noted that paratextual elements have expanded over time in order to satisfy “the educated public’s growing curiosity about the ‘making’ of the text and about the unearthing of versions the author had abandoned” (339). Paratexts were thus increasingly seen as necessary “supplements” or “acces- sories” to a literary work, and a text without a paratext is now viewed as “a power disabled…like an elephant without a mahout” (410). If a text without a paratext is “an elephant without a mahout,” then a “paratext without its text is a mahout without an elephant,” which Gen- ette dismissed as “a silly show” (410). -
Reading Framework
WHAT IS NAEP? The National Assessment of Educational Progress (NAEP) is a continuing and nationally representative measure of trends in academic achievement of U.S. elementary and secondary students in various sub- jects. For nearly four decades, NAEP assessments have been conducted periodically in reading, mathe- matics, science, writing, U.S. history, civics, geography, and other subjects. By collecting and reporting information on student performance at the national, state, and local levels, NAEP is an integral part of our nation’s evaluation of the condition and progress of education. THE 2009–2010 NATIONAL ASSESSMENT GOVERNING BOARD The National Assessment Governing Board was created by Congress to formulate policy for NAEP. Among the Governing Board’s responsibilities are developing objectives and test specifications and designing the assessment methodology for NAEP. Members Doris R. Hicks Andrew C. Porter Principal and Chief Executive Officer Dean, Graduate School of Education Honorable David P. Driscoll, Chair Dr. Martin Luther King, Jr. Charter University of Pennsylvania Former Commissioner of Education School for Science and Technology Philadelphia, Pennsylvania Melrose, Massachusetts New Orleans, Louisiana Warren T. Smith, Sr. Amanda P. Avallone, Vice Chair Kathi M. King Vice President Assistant Principal & 8th Grade Teacher 12th Grade Teacher Washington State Board of Education Summit Middle School Messalonskee High School Olympia, Washington Boulder, Colorado Oakland, Maine Mary Frances Taymans, SND David J. Alukonis Kim Kozbial-Hess Former Executive Director Former Chairman 4th Grade Teacher and Educational Secondary Schools Department Hudson School Board Technology Trainer National Catholic Educational Hudson, New Hampshire Toledo, Ohio Association Washington, DC Louis M. Fabrizio Henry Kranendonk Director Mathematics Curriculum Specialist Oscar A.