A Human Touch
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The Dakini Project
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2014 The Dakini Project Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Comparative Literature Commons Repository Citation Idol, Kimberley Harris, "The Dakini Project" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2094. http://dx.doi.org/10.34917/5836113 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE DAKINI PROJECT: TRACKING THE “BUTTERFLY EFFECT” IN DETECTIVE FICTION By Kimberley Harris Idol Bachelor of Arts in Literature Mount Saint Mary’s College 1989 Master of Science in Education Mount Saint Mary’s College 1994 Master of Arts in Literature California State University, Northridge 2005 Master of Fine Arts University -
When December Burns Cold Like a Stone Rise to the Unknown I Now
When December Burns Cold like a stone rise to the unknown I now drown in despair when December burns Locked in one’s mind my state of being, denial Drag me away with your toxin this bliss lasts just for one moment What’s left of this world? Where’s your true purpose? These flames seem to wait atop a hill Breath to the wind I’m built up with sin What can you find beneath my ashes? See hope in others’ eyes this earth leaves nothing to thrive living beside the dead upon stacks of burial mounds My skin starts to boil The stench is too grim to bear But now there's no turning back I will not perish in dissent Cold like a stone Rise to the unknown I now drown in despair When December burns Where's your god? Where's your faith when we all die the same? The smoke now rises, the sky turns pale This is my end, my farewell Your life leaves nothing for me Burn me again and again I stand alone on this hill Flames succumb all around Black like coal In the unknown I now burn In December Jeremy Farfan - Guitar, Vocals Efrain Farfan - Guitar, Vocals Manolo Estrada - Drums Martin Tune - Bass Recorded at Atomic Sound, Red Hook Brooklyn April 20 and May 28, 2019 Recorded by Dakota Bowman Mixed by Neil Kernon Mastered by Alan Douches at West West Side Music Starved For Energy I'm Crawling through earth and through stone I gasp for one last breath of your innocent silence Covered in dirt I know you bare this hurt alone Contemplating suicide A look inside this tangled mind A noose that hangs six feet high Can you see it sway? The clouds now merge With obscure shades of grey The fields then burn With the smell of decay What more can be said For a wind thats passed This unspoken whisper Lingers in smoke as dead eyes stare down! I drown my tears over flames That vanish snow And I can't fight the dark that's consumed me My sanity has left me here. -
As Substitute, for Walden Pond
as substitute, for Walden Pond When Henry David Thoreau built his cabin and secreted him afford the $10 f ee much less the self from the world on Walden $50 they say they want now." Pond, he did without coffee and He coughs lightly after every tea. sentence. "One reason I'm here. "I have everything Thoreau You can't hold a job with bron had and still have coffee and tea," chitis. I was a coat-and-collar said i.agh Mes»er. who has done man until a little more than a much the same- thing for the past year ago. When I first came here, year on a remote beach on the I was taking four sets of pills and north shore of Copan o Bay. couldn't walk more than 30 feet at Messer could hardly be called a a time without losing my breath. hermit. "I'm not trying to escape Now I can take in my lines, from anything," he said. "As a handle my boat and do what I matter of fact, I should get myself to me. Why not? I feed them. And have to do. I take patent medicin some cleric garb and a collar, so the animals. Raccoons tore up my es. That's all I can afford." many people come back in here to tent. And there's a lynx and her He was somewhat vague about tell me their troubles. It's not any kit that live Up on the point. She'll his background except to say he one group. -
An Inspirational Novel
Uncharted An Inspirational Novel GR AEME CONNELL Chapter One A hand brushes aside his scarf, and Brewster McWhirtle feels the softness of two warm fingers nudging their way toward his windpipe for the rhythmic beat of life. He stirs and slowly liberates the young lodgepole pine that has anchored him through the night. His arm is locked, maybe frozen; it hurts to uncurl his hand. His free arm, folded above his head, is stiff, the muscles beyond feeling. His cramped fingers rest on the smooth, flat rock he’d poked a few hours earlier under the low branches between the trunk and earth. Melanie, the laser etching says on the underside, Blue Aster. A slight nudge to his left foot. What’s that? A nosy coyote? Brewster lies still, half-frozen, half-asleep, facedown in dirty, slushy snow. How do I get out of this life? Again, a tentative tap-tap. Let me die. His leg twitches from the stiffness of the hours he’s been lying there. Cold, so cold. He turns his head a degree or two, licks and spits the muck from his lips. I should be unconscious by now. With no more pain. With no more daylight. Let there be peace. “Hey, fella, you okay?” Not a coyote, just the toe of someone’s boot. “Hello-o. Can you hear me?” Brewster inches out from the tree. His groan from the pain in his arms is nothing compared to the howling he did during the snowstorm 1 Graeme Connell in the early morning hours. The blood starts to run as he stirs—a severe case of pins and needles. -
Mass Lyric SAMPLER
SAMPLER Dawn Songs Also by Peter Riley (* Shearsman titles) Poetry Love-Strife Machine The Canterbury Experimental Weekend The Linear Journal The Musicians, The Instruments Preparations Lines on the Liver Tracks and Mineshafts Ospita Noon Province Sea Watches Reader Lecture Sea Watch Elegies Royal Signals Distant Points Alstonefield * Between Harbours Noon Province et autres poèmes Snow Has Settled … Bury Me Here * Author Passing Measures: A Collection of Poems The Sea’s Continual Code Aria with Small Lights Alstonefield (extended edition) Excavations A Map of Faring SAMPLER The Llŷn Writings * The Day’s Final Balance: Uncollected Writings 1965–2006 * Best at Night Alone Western States Twelve Moons Greek Passages * The Derbyshire Poems * The Glacial Stairway Due North * Pennine Tales Prose Two Essays Company Week The Dance at Mociu * Peter Riley Dawn Songs preceded by Mass Lyric SAMPLER and followed by On First Hearing Derek Bailey Shearsman Books First published in the United Kingdom in 2017 by Shearsman Books 50 Westons Hill Drive Emersons Green BRISTOL BS16 7DF www.shearsman.com ISBN 978-1-84861-545-8 Copyright © Peter Riley, 2017 The right of Peter Riley to be identified as the author of this work has been asserted by him in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements Dawn Songs was first published in a shortened version on the author’s website. Mass Lyric was first published in Additional Apparitions edited by David Kennedy and Keith Tuma, The Cherry on the Top Press, 2002, since which it has been revised and extended. On First Hearing Derek Bailey was first published in Great Works no. -
Benjamin Britten(1913–76)
Benjamin Britten (1913–76) Curlew River: A Parable for Church Performance (1964) A virtuous wife raped by the vicious son of a an artist who, for all his deep curiosity about Roman tyrant; a Japanese mother, maddened other cultures, was grounded in the tradition by grief perhaps, in search of her abducted set in train by the Enlightenment, that West was son. How much can The Rape of Lucretia and probably best. However, neither The Rape of Curlew River have in common? For a start Lucretia nor Curlew River attempts to synthesise there’s a span of 18 years between the first the European past and present or East and performances of each work, during which time West; both are simultaneously and separately Benjamin Britten’s interests moved in different present in each work and are somehow brought directions. Then The Rape of Lucretia is described together within the performance itself. Indeed as an opera, while Curlew River was subtitled ‘performance’ may be said to act as a bridge ‘A Parable for Church Performance’. It’s true that between these two worlds. So the principal both works tell their tales within a specifically action of the church parable has the Madwoman Christian framework, with the man and woman and the Traveller being ferried across the Curlew of the chorus in Lucretia struggling to relate River, while in the chamber opera Tarquinius her rape and eventual suicide to Christian must ride from his army camp outside Rome ideas about suffering and redemption, and into the heart of the city to ravish Lucretia. -
Guitar Magazine Master Spreadsheet
Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros. -
Suarez, Marta (2020) Motherhood, Domesticity and Nurture in the Post- Apocalyptic World: Negotiating Femininity in the Walking Dead
Suarez, Marta (2020) Motherhood, Domesticity and Nurture in the Post- apocalyptic World: Negotiating Femininity in The Walking Dead. In: Women who Kill. Gender and Sexuality in Film and Series of the Post-Feminist Era. Bloomsbury. ISBN 9781350115613 Downloaded from: https://e-space.mmu.ac.uk/624730/ Version: Accepted Version Publisher: Bloomsbury Please cite the published version https://e-space.mmu.ac.uk CHAPTER MOTHERHOOD, DOMESTICITY AND NURTURE IN THE POST-APOCALYPTIC WORLD: NEGOTIATING FEMININITY IN THE WALKING DEAD (AMC, 2010-) Marta Suarez The Walking Dead is a post-apocalyptic series that deals with the collapse of civilisation and its aftermath, following the spread of a virus that raises the dead and transforms them into predatory hunters of flesh. The narrative follows Rick Grimes, a deputy from a small town in Georgia. Having been in a coma during the outbreak, he wakes up to find walkers1 roaming the streets. He joins some survivors, reunites with his family and eventually becomes the leader of the group (S1E3). It is during this initial reunion that we are introduced to the first of the female characters discussed in this chapter, Carol. The second, Maggie, is introduced at the start of the second season when Rick arrives at her father’s farm (S2E2). The third character, Michonne, appears briefly at the end of S2, with a more extended introduction at the start of S3. The three are the longest-surviving female characters and are still alive at the time I am writing2. All three evolved from a pre-outbreak life connected to domestic spaces and distanced from acts of killing to a post-outbreak life as warriors and protectors of the group. -
70000TONS of METAL Survival Guide
www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein. -
Due North Also by Peter Riley
Due North Also by Peter Riley Poetry Love-Strife Machine The Canterbury Experimental Weekend The Linear Journal The Musicians, The Instruments Preparations Lines on the Liver Tracks and Mineshafts Ospita Noon Province Sea Watches Reader Lecture Sea Watch Elegies Royal Signals Distant Points Alstonefield Between Harbours Noon Province et autres poèmes Snow Has Settled … Bury Me Here Author Passing Measures: A Collection of Poems The Sea’s Continual Code Aria with Small Lights Alstonefield (extended edition) Excavations A Map of Faring The Llyn Writings The Day’s Final Balance: Uncollected Writings 1965-2006 Best at Night Alone Western States Twelve Moons Greek Passages The Derbyshire Poems The Glacial Stairway Prose Two Essays Company Week The Dance at Mociu Peter Riley Due North Shearsman Books First published in the United Kingdom in 2015 by Shearsman Books 50 Westons Hill Drive Emersons Green BRISTOL BS16 7DF Shearsman Books Ltd Registered Office 30–31 St. James Place, Mangotsfield, Bristol BS16 9JB (this address not for correspondence) www.shearsman.com ISBN 978-1-84861-394-2 Copyright © Peter Riley, 2015. The right of Peter Riley to be identified as the author of this work has been asserted by him in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements Excerpts from ‘Due North’ have appeared in Cleaves Journal and Poetry Salzburg Review. (+ Longbarrow Press but I acknowledge that in the notes at the end.) Section XI was published as a booklet entitled The Ascent of Kinder Scout by Longbarrow Press, Sheffield in 2014; thanks to Brian Lewis. Morning and afternoon are clasped together And North and South are an intrinsic couple And sun and rain a plural, like two lovers That walk away as one in the greenest body. -
Berber Texts from Jebel Nefûsi (Žemmâri Dialect) Author(S): Gennaro Buselli Source: Journal of the Royal African Society, Vol
The Royal African Society Berber Texts from Jebel Nefûsi (Žemmâri Dialect) Author(s): Gennaro Buselli Source: Journal of the Royal African Society, Vol. 23, No. 92 (Jul., 1924), pp. 285-293 Published by: Oxford University Press on behalf of The Royal African Society Stable URL: http://www.jstor.org/stable/715648 . Accessed: 16/12/2013 11:30 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Oxford University Press and The Royal African Society are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Royal African Society. http://www.jstor.org This content downloaded from 212.219.239.48 on Mon, 16 Dec 2013 11:30:17 AM All use subject to JSTOR Terms and Conditions 285 BERBER TEXTS FROM JEBEL NEFUSI (ZEMMARIDIALECT) JEBEL NEFUSI is a range of hills in the eastern part of Tripolitania, near the Tunis border, and about seventy miles inland from the town of Tripoli. The following texts were taken down by me from the dictation of 'Omar Ben Halifa, a native of Zemmari (FassAtol), Berber Assistant at the Royal Oriental Institute, Naples. They have been checked with the greatest care and chosen from among many others of an essentially popular and religious character. -
Sample Poem Book
The Lord is My Shepherd; I shall not Our Father which art in want. He maketh me to lie down in green heaven, Hallowed be thy I’d like the memory of me pastures; He leadeth me beside the still name. Thy kingdom come. To be a happy one, waters. He restoreth my soul. He leadeth I’d like to leave an afterglow me in the path of righteousness for His Thy will be done in earth, as it Of smiles when day is done. name’s sake. Yea, though I walk through is in heaven. Give us this day I’d like to leave an echo the valley of the shadow of death, I will Whispering softly down the ways, fear no evil; for Thou art with me; Thy our daily bread. And forgive Of happy times and laughing times rod and Thy staff they comfort me. Thou us our debts, as we forgive And bright and sunny days. preparest a table before me in the our debtors. And lead us not I’d like the tears of those who grieve presence of mine enemies. Thou To dry before the sun anointest my head with oil; my cup into temptation, but deliver us Of happy memories that I leave behind, runneth over. Surely goodness and from evil: For Thine is the When the day is done. mercy shall follow me all the days of my life; and I will dwell in the house of the kingdom, and the power, and -Helen Lowrie Marshall Lord forever. the glory, for ever.