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DAN020C140Y
1.
Anonymous: How Britain Went Modern. Dance & dancers. 24–26.
2.
Barnes, C.: The Firebird: Part One. Dance & dancers. 28–30.
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Barnes, C.: The Firebird: Part Two. Dance & dancers. 23–28.
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Burrows, J.: Playing the Game Harder: Jonathon Burrows in Conversation. Dance theatre journal. 4, 25–29.
5.
Clarke, M.: The Louisiana Story. Dancing times. 1009–1010.
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Daly, A.: The Natural Body. In: Moving history / dancing cultures: a dance history reader. pp. 288–299. Wesleyan University Press, Middletown, Conn (2001).
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1/20 09/26/21 Looking at Dances (DAN020C140Y) | University of Roehampton
Layson, J.: Isadora Duncan: The Life-Art, Choreographic and Performance Style of an Early Modern Dance Pioneer. In: Choreography: principles and practice : report of the fourth study of dance conference, University of Surrey, 4-7 April 1986. pp. 117–126. Published for the Dance Research Unit by the National Resource Centre for Dance, Guildford (1987).
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Lee, C.: The Foundations of Romantic Ballet. In: Ballet in western culture: a history of its origins and evolution. pp. 133–137. Routledge, New York (2002).
9.
Macaulay, A.: Federick Ashton. In: International dictionary of ballet: Vol. 1. pp. 51–56. St. James Press, Detroit (1993).
10.
Morris, G.: Section One. In: An approach to studying the choreography of Frederick Ashton(1904-1988): a study pack for teachers. pp. 3–15. National Resource Centre for Dance, Guildford (1996).
11.
Poesio, G.: Giselle: Part I. Dancing times. LXXXIV, 454–455–457, 459, 461.
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Poesio, G.: Giselle: Part II. Dancing times. LXXXIV,.
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Poesio, G.: Giselle: Part III. Dancing times. LXXXIV,.
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Preston-Dunlop, V., Purkis, C.: Rudolf Laban - The Making of Modern Dance. Dance theatre journal. 7, 11–16 (1989).
2/20 09/26/21 Looking at Dances (DAN020C140Y) | University of Roehampton
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Prickett, S.: Profile: Lloyd Newson. Dance theatre journal. 19, 27–31 (1989).
16.
Volinsky, A.K.: From the Book Of Exultation. In: What is dance?: readings in theory and criticism. pp. 255–257. Oxford University Press, Oxford (1983).
17.
Wigman, M.: The Philosophy of The Modern Dance. In: What is dance?: readings in theory and criticism. pp. 305–307. Oxford University Press, Oxford (1983).
18.
Au, S., Rutter, J.: Ballet and modern dance. Thames & Hudson, London (2012).
19.
Banes, S.: Terpsichore in sneakers: post-modern dance. Wesleyan University Press, Middletown, Conn (1987).
20.
Burt, R.: Alien bodies: representations of modernity, ‘race’ and nation in early modern dance. Routledge, London (1998).
21.
Cohen, S.J.: Dance as an Art of Imitation. In: What is dance?: readings in theory and criticism. pp. 15–22. Oxford University Press, Oxford (1983).
22.
Foulkes, J.L.: Modern bodies: dance and American modernism from Martha Graham to
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23.
Garafola, L.: The Liberating Aesthetic of Michael Fokine. In: Diaghilev’s Ballets Russes. pp. 3–49. Oxford University Press, New York (1989).
24.
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26.
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Petrov, O.: Russian Ballet and its Place in Russian Artistic Culture of the Second Half of the Nineteenth Century: The Age of Petipa. Dance Chronicle. 15, 40–58 (1992).
28.
Reynolds, N., McCormick, M.: Ballet Rising. In: No fixed points: dance in the twentieth century. pp. 519–522–527–531. Yale University Press, New Haven, [Conn.] (2003).
29.
Scholl, T.: From Petipa to Balanchine: classical revival and the modernization of ballet. Routledge, London (1994).
4/20 09/26/21 Looking at Dances (DAN020C140Y) | University of Roehampton
30.
Benbow-Pfalzgraf, T.: International dictionary of modern dance. St. James Press, Detroit, MI (1998).
31.
Greskovic, R.: George Balanchine. In: International dictionary of ballet: Vol. 1. pp. 79–85. St. James Press, Detroit (1993).
32.
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33.
Bremser, M., Sanders, L.: Fifty contemporary choreographers. Routledge, London (2011).
34.
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Souritz, E.: Red Poppy, the. Oxford University Press (2005).
36.
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37.
Ashton, F.: Notes on Choreography. In: The dance has many faces. pp. 89–92. Columbia University Press, New York (1966).
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Balanchine, G.: Marginal Notes on the Dance. In: The dance has many faces. pp. 35–43. a capella, Chicago (1992).
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Burrows, J.: A choreographer’s handbook. Routledge, London (2010).
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Climenhaga, R.: Creating Bausch’s World. In: The Pina Bausch sourcebook: the making of Tanztheater. pp. 59–128. Routledge, London (2013).
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Cunningham, M.: Two questions and five dances. In: Dance as a theatre art: source readings in dance history from 1581 to the present. pp. 198–204. Princeton Book Company, Princeton, NJ (1992).
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Denby, E., Cornfield, R.: Dance writings and poetry. Yale University Press, New Haven (1999).
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De Mille, A.: Martha: the life and work of Martha Graham. Hutchinson, London (1992).
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Duncan, I.: The dance of the future and I see America dancing. In: What is dance?: readings in theory and criticism. pp. 262–265. Oxford University Press, Oxford (1983).
47.
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48.
Fokine, M.: Letter to "The Times”, July 6th , 1914. In: What is dance?: readings in theory and criticism. pp. 257–251. Oxford University Press, Oxford (1983).
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Fokine, M.: The New Ballet. In: Dance as a theatre art: source readings in dance history from 1581 to the present. pp. 102–108. Princeton Book Company, Princeton, NJ (1992).
50.
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51.
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Meyer, A. de, Dunning, J., Buckle, R., Guest, A.H.: L’ après midi d’un faune : Vaslav Nijinsky 1912: thirty three photographs. Dance Books, London (1983).
55.
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56.
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57.
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58.
Petipa, M., Garfola, L.: The Diaries of Marius Petipa. Studies in Dance History. 3, (1992).
59.
Xanti Schawinsky: From the Bauhaus to Black Mountain. The Drama Review. 15, 30–44 (1971).
60.
Siegel, M.B.: The shapes of change: images of American dance. University of California Press, Berkeley, Calif (1985).
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63.
Henrietta Bannerman: An Overview of the Development of Martha Graham’s Movement System (1926-1991). Dance Research: The Journal of the Society for Dance Research. 17, 9–46 (1999).
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Batiste, S.L.: Darkening mirrors: imperial representation in Depression-era African American performance. Duke University Press, Durham, NC (2011).
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67.
Bracewell, M., Cotter, S.: Michael Clark. Violette Editions, London (2010).
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Brinson, P., Crisp, C.: British Classical Choreography. In: Ballet and dance: a guide to the repertory. pp. 89–189. David & Charles, Newton Abbot (1980).
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Brown, J.M.: The vision of modern dance. Dance Books, London (1980).
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Buckle, R.: Nijinsky as choreographer. Dance & dancers. 22, 20–25 (1971).
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Buckle, R.: Diaghilev. Weidenfeld, London (1993).
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Humphrey, D., Cohen, S.J.: Doris Humphrey, an artist first: An autobiography. Wesleyan University Press, Middletown, Conn.
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