Download Matthew Albert's CV (PDF)

Total Page:16

File Type:pdf, Size:1020Kb

Download Matthew Albert's CV (PDF) Matt Albert 1771 Plymouth Rd #210 Ann Arbor, Michigan 48105 773.988.8945 [email protected] curriculum vitae page 1 employment School of Music, Theater & Dance, University of Michigan; Chair of Chamber ​ Music, September 2016-present Meadows School of the Arts at Southern Methodist University; Director of ​ Chamber Music and SYZYGY, August 2011-May 2016 Shreveport Symphony Orchestra; Concertmaster, May 2014-May 2016 ​ Music in the Mountains; Conservatory Artistic Director, January 2014-July 2016 ​ Eighth Blackbird; violinist/violist, January 1996-July 2011 ​ University of Chicago; Ensemble in Residence, September 2000-May 2011 ​ University of Richmond; Ensemble in Residence, September 2004-May 2011 ​ education Northwestern University, Evanston, IL ​ M.M. in violin performance; 2003 University of Cincinnati College-Conservatory of Music, Cincinnati, OH ​ Artist Diploma in chamber music; 2000 Oberlin College Conservatory of Music, Oberlin, OH ​ B.M. in violin performance; 1996 Oberlin College B.A. in English; 1996 awards and honors Grammy Award, Best Chamber Music Performance, 2008, 2012, 2013 ​ Meadows Prize, 2009 ​ American Music Center Trailblazer Award, 2007 ​ CMA/ASCAP Award for Adventurous Programming, 1998, 2000, 2002 ​ Walter W. Naumburg Chamber Music Award, 2000 ​ Concert Artists Guild International Competition, First Prize, 1998 ​ selected ensembles and festivals Cabrillo Music Festival, Santa Cruz, CA; 2001-present (principal second violin) ​ Center Stage Strings, Ann Arbor, MI; 2018 (viola faculty) ​ Apple Hill Chamber Music Workshop, Apple Hill, NH; 2018 (violin faculty) ​ Alarm Will Sound, New York, NY; 2016-2017 (substitute violin and viola) ​ Eastern Music Festival, Greensboro, NC; 2012-2014 (violin faculty) ​ Ojai Music Festival, Ojai, CA; 2006, 2009 (co-music director), 2011 ​ Ensemble in Residence; MusicX, Cincinnati, OH and Blonay, Switzerland; 1999-2011 ​ ​ Baltimore Symphony, Baltimore, MD; 2010-2014 (substitute violin) ​ The Florida Orchestra, Tampa, FL; 2011-2013 (substitute violin) ​ Great Lakes Chamber Music Festival, Detroit, MI; 2002, 2005, 2009, 2011 ​ Meredith Monk & Vocal Ensemble, Songs of Ascension, Minneapolis, MN and New ​ ​ York, NY; 2008, 2009 (second violin, Todd Reynolds String Quartet) Matt Albert [email protected] curriculum vitae page 2 selected discography [performer unless otherwise noted] University of Michigan Symphonic Band: Bolcom & Friends, Soundset (2018) ​ Nancy Ambrose King: Illumination, Soundset (2017) ​ Molly Barth/David Lang: Thorn, Cantaloupe Music (2017) ​ Shostakovich String Quartets 7, 8 & 9 [producer], Navona Records (2017) ​ Meanwhile, Eighth Blackbird, Cedille Records (2012) (Grammy winner) ​ Trembling Air, Eighth Blackbird, Bridge Records (2012) ​ Lonely Motel: Music from Slide, Eighth Blackbird, Cedille (2011) (Grammy winner) ​ Jennifer Higdon: On a Wire, Eighth Blackbird with the Atlanta Symphony ​ Orchestra, ASO Media (2011) Double Sextet/2x5, Eighth Blackbird, Nonesuch (2010) ​ The Time Gallery, Eighth Blackbird, Naxos (2006) ​ strange imaginary animals, Eighth Blackbird, Cedille (2006) (Grammy winner) ​ selected performances University of Michigan Chamber Choir, Theofanidis Four Levertov Settings (2018) ​ Singapore International Festival of Arts, Nico Muhly Speaks Volumes (2018) ​ Seraphic Fire, Miami, FL, Bach St. Matthew’s Passion, concertmaster (2018) and ​ The Genius of Philip Glass: Einstein on the Beach, soloist (2016) University of Michigan Symphonic Band, Stephenson The Storyteller, concerto ​ grosso (2017) National Sawdust, Barth/Lang Thorn (2017) ​ Brooklyn Academy of Music, Dennehy The Hunger, Alarm Will Sound (2016) ​ Carnegie Hall, Sleeping Giant: Hand Eye, Eighth Blackbird (2016) ​ Shreveport Symphony Orchestra, Haydn Sinfonia Concertante, concerto (2015) ​ Meadows Wind Ensemble, Kuster Two Jades, concerto (2015) ​ Grammy Pre-Telecast, Eighth Blackbird, Los Angeles, CA (2013) ​ Carnegie Hall, Eighth Blackbird, Steve Reich celebration (2011) ​ Carnegie Hall, Eighth Blackbird, Zankel recital (2008 and 2011) ​ Cleveland Orchestra, Higdon: On a Wire, concerto with Eighth Blackbird (2011) ​ Toronto Symphony, Higdon; On a Wire, concerto with Eighth Blackbird (2011) ​ Barbican Center, Eighth Blackbird, London, UK (2011) ​ Atlanta Symphony, Higdon: On a Wire, concerto with Eighth Blackbird (2010) ​ Melbourne International Festival, Eighth Blackbird, Melbourne, Australia (2008) ​ ​ ​ selected world premieres [Eighth Blackbird unless otherwise indicated] Four Levertov Settings [solo with choir], Christopher Theofanidis (2016) ​ Missings [solo], Kristin Kuster (2016) ​ …one of many circles… [solo], Marcos Balter (2012) ​ Five Farewells [solo], Kevin Puts (2011) ​ Netsuke [duo with piano], Stephen Hartke (2011) ​ On a Wire, Jennifer Higdon (2010) ​ Slide, Steven Mackey (music) and Rinde Eckert (libretto) (2010) ​ Still Life with Avalanche, Missy Mazzoli (2008) ​ Meanwhile, Stephen Hartke (2007) (winner: Grammy Award) ​ Double Sextet, Steve Reich (2007) (winner: Pulitzer Prize) ​ singing in the dead of night, Michael Gordon/David Lang/Julia Wolfe (2007) ​ Matt Albert [email protected] curriculum vitae page 3 selected master classes School of the Arts Singapore (SOTA), Singapore (2018) ​ Roosevelt University, Chicago, IL (2018) ​ South Bend Youth Symphony Orchestras, South Bend, IN (2017) ​ National Youth Orchestra (NYO-USA), New York (2017) ​ University of North Carolina School of the Arts (UNCSA), Winston-Salem, NC ​ (2017) Midwest Young Artists, Highwood, IL (2012-2013) ​ Booker T Washington High School for the Performing and Visual Arts, Dallas, TX (2011-2013) Baltimore School for the Arts, Baltimore, MD (2012) ​ University of Texas, Austin, TX (2011) ​ Eastman School of Music, Rochester, NY (2011) ​ board, competition, and consultation service Peabody Chamber Music Department External Review, Baltimore, MD (2018) ​ Franklin Pond Chamber Music Competition Jury, Morrow, GA (2018) ​ Chamber Music Yellow Springs Competition Jury, Yellow Springs, OH (2018) ​ M-Prize Artistic Director, Ann Arbor, MI (2017-2018) ​ SphinxConnect Panel Facilitator, Detroit, MI (2018) ​ SphinxConnect Artist Showcase Jury, Detroit, MI (2017) ​ TACA New Works Grant Panel, Dallas, TX (2012-present) ​ Bridge the Gap Chamber Players Board, Dallas, TX (2014-2016) ​ student accomplishments Front Porch, ensemble-in-residence, Detroit Chamber Winds & Strings (2018-2019) ​ Vanguard Reed Quintet, silver medal winner, senior wind division, Fischoff Chamber ​ Music Competition (2018) Cézanne Quartet, second prize winner, Coltman Chamber Competition (2015) ​ Brazen Brass 5, winner, Aspen Brass Quintet Fellowship (2014) ​ Altius Quartet, string division winner, Plowman International Chamber Music ​ Competition (2013); first prize winner, Coltman Chamber Competition (2014); silver medal winner, senior string division, Fischoff Chamber Music Competition (2014) Isles Trio, second prize winner, Coltman Chamber Competition (2014) ​ selected teaching responsibilities in current position String Quartets, Piano Chamber Music, Mixed Chamber Music, coach (2016-) ​ CHAMBER 470/570: Chamber Arts Collective, teacher (2018-) ​ UARTS 490: The Force of Things, co-teacher (winter 2017) ​ Chamber Music Forum, coordinator (2017-) ​ Briggs Chamber Music Competition, Director (2016-) ​ selected service responsibilities in current position Council of Departmental Representatives, department representative (2016-) ​ Michigan Chamber Players (MCP), Director (2016-) ​ Faculty Council for Graduate Studies, department representative (2016-2018) ​ Chairs Meetings, department chair (2017-) ​ Bass Search Committee, member (2016-2017) ​.
Recommended publications
  • Public Events May 2019
    Public Events May 2019 Subscribe to this publication by emailing Shayla Butler at [email protected] Table of Contents Overview Highlighted Events ................................................................................................. 3 Youth Summer Camps ........................................................................................... 5 Neighborhood and Community Relations 1800 Sherman, Suite 7-100 Northwestern Events Evanston, IL 60208 Arts www.northwestern.edu/communityrelations Music Performances ..................................................................................... 15 Theater ......................................................................................................... 24 Art Exhibits .................................................................................................. 26 Dave Davis Art Discussions ............................................................................................. 27 Executive Director Film Screenings ............................................................................................ 27 [email protected] 847-491-8434 Living Leisure and Social ......................................................................................... 31 Norris Mini Courses Around Campus To receive this publication electronically ARTica (art studio) every month, please email Shayla Butler at Norris Outdoors [email protected] Northwestern Music Academy Religious Services .......................................................................................
    [Show full text]
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • Deconstructing David Lang's the Anvil Chorus
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2014 Deconstructing David Lang's The Anvil Chorus Brandon M. Smith Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Smith, Brandon M., "Deconstructing David Lang's The Anvil Chorus" (2014). Theses and Dissertations. 113. https://csuepress.columbusstate.edu/theses_dissertations/113 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Deconstructing David Lang's The Anvil Chorus by Brandon Michael Smith A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Degree of Bachelor of Music in Music Education College of the Arts Columbus State University Thesis Advisor Committee Member Dr. Sean Powell Honors Committee Member J&^^ f Date [g^SjLS ' Dr. Susan Tomkiewicz Honors Program Director ^trkO^h^C^^ Date £&Q indy Ticknor 1 Usually, when a piece of music is taken out of context, that is, when it is learned and performed without studying the piece, the composer, the musical genre, or the historical significance, the understanding of it for the performer is narrow and limited and the performance is less than ideal. This leads to a substandard realization of the music. Contrarily, a musician should integrate research with the learning process as to enhance the comprehensive understanding of the piece, which ultimately results in a high level of performance. This idea is important for the complex and extensive musical repertoire of the twentieth and twenty-first centuries.
    [Show full text]
  • In Low-Key Buffalo, a New-Music Milestone
    Music - June in Buffalo Celebrates 35th Anniversary - NYTimes.com Page 1 of 4 • Reprints This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. June 4, 2010 In Low-Key Buffalo, a New-Music Milestone By ALLAN KOZINN BUFFALO — This city may not seem as glamorous a place for a summer new-music festival as Tanglewood in Massachusetts or Ojai in California, and puzzlingly, the University at Buffalo does relatively little to promote the annual June in Buffalo festival, which the composer Morton Feldman founded in 1975. But June in Buffalo has a sense of mission that has made it an important part of the new- music ecology. Its drawing cards are accomplished new-music performers — among them this year, the Arditti Quartet, Signal and Ensemble SurPlus — playing works by established composers. Equally important is the part of the festival devoted to young composers. Every year about 70 apply for 20 to 25 positions as “participants.” Those chosen have their music played by the guest ensembles and dissected in workshops. This year June in Buffalo, which opened on Monday and runs through Sunday, is celebrating its 35th anniversary, as well as the 25th anniversary of the composer David Felder’s directorship — or actually, revival — of the festival. When Mr. Felder joined the University at Buffalo faculty in 1985, June in Buffalo had been dormant for five years.
    [Show full text]
  • Suffering and Social Conscience in the Passion Genre from JS Bach's
    Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Johann Jacob Van Niekerk A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Giselle Wyers, Chair Geoffrey Boers Shannon Dudley Program Authorized to Offer Degree: School of Music ©Copyright 2014 Johann Jacob Van Niekerk University of Washington Abstract Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Chair of the Supervisory Committee: Giselle Wyers Associate Professor of Choral Music and Voice The themes of suffering and social conscience permeate the history of the sung passion genre: composers have strived for centuries to depict Christ’s suffering and the injustice of his final days. During the past eighty years, the definition of the genre has expanded to include secular protagonists, veiled and not-so-veiled socio- political commentary and increased discussion of suffering and social conscience as socially relevant themes. This dissertation primarily investigates David Lang’s Pulitzer award winning the little match girl passion, premiered in 2007. David Lang’s setting of Danish author and poet Hans Christian Andersen’s “The Little Match Girl” interspersed with text from the chorales of Johann Sebastian Bach’s St. Matthew Passion (1727) has since been performed by several ensembles in the United States and abroad, where it has evoked emotionally visceral reactions from audiences and critics alike.
    [Show full text]
  • THIRD COAST PERCUSSION with Notre Dame Vocale, Carmen-Helena Téllez, Director PRESENTING SERIES TEDDY EBERSOL PERFORMANCE SERIES SUN, JAN 26 at 2 P.M
    THIRD COAST PERCUSSION with Notre Dame Vocale, Carmen-Helena Téllez, director PRESENTING SERIES TEDDY EBERSOL PERFORMANCE SERIES SUN, JAN 26 AT 2 P.M. LEIGHTON CONCERT HALL DeBartolo Performing Arts Center University of Notre Dame Notre Dame, Indiana AUSTERITY MEASURES Concert Program Mark Applebaum (b. 1967) Wristwatch: Geology (2005) (5’) Marc Mellits (b. 1966) Gravity (2012) (11’) Thierry De Mey (b. 1956) Musique de Tables (1987) (8’) Steve Reich (b. 1936) Proverb (1995) (14’) INTERMISSION Timo Andres (b. 1985) Austerity Measures (2014) (25’) Austerity Measures was commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center and Sidney K. Robinson. This commission made possible by the Teddy Ebersol Endowment for Excellence in the Performing Arts. This engagement is supported by the Arts Midwest Touring Fund, a program of Arts Midwest, which is generously supported by the National Endowment for the Arts with additional contributions from the Indiana Arts Commission. PERFORMINGARTS.ND.EDU Find us on PROGRAM NOTES: Mark Applebaum is a composer, performer, improviser, electro-acoustic instrument builder, jazz pianist, and Associate Professor of Composition and Theory at Stanford University. In his TED Talk, “Mark Applebaum, the Mad Scientist of Music,” he describes how his boredom with every familiar aspect of music has driven him to evolve as an artist, re-imagining the act of performing one element at a time, and disregarding the question, “is it music?” in favor of “is it interesting?” Wristwatch: Geology is scored for any number of people striking rocks together. The “musical score” that tells the performs what to play is a watch face with triangles, squares, circles and squiggles.
    [Show full text]
  • The Jewish Museum and Bang on a Can Present ETHEL Performing the String Quartets of Julia Wolfe
    The Jewish Museum and Bang on a Can Present ETHEL Performing the String Quartets of Julia Wolfe Photos by Matthew Murphy (ETHEL) and Peter Serling (Julia Wolfe) Thursday, February 28, 2019 at 7:30pm Scheuer Auditorium at the Jewish Museum 1109 5th Ave at 92nd St | New York, NY Tickets: $20 General; $16 Students and Seniors; $12 Jewish Museum Members Available at www.thejewishmuseum.org. Includes museum admission. New York, NY – Bang on a Can and the Jewish Museum’s 2018-2019 concert season, pairing innovative music with the Museum’s exhibitions and showcasing leading female performers and composers, continues on Thursday, February 28, 2019 at 7:30pm. The acclaimed string quartet ETHEL performs the complete string quartets of Pulitzer Prize-winning composer Julia Wolfe: Dig Deep, Early that Summer, Four Marys, and Blue Dress. This is the first performance of all of Wolfe's string quartets at one time, on one stage. Julia Wolfe's string quartets, as described by The New Yorker, "combine the violent forward drive of rock music with an aura of minimalist serenity [using] the four instruments as a big guitar, whipping psychedelic states of mind into frenzied and ecstatic climaxes." This performance is presented in conjunction with the exhibition of fellow New York City cultural icon Martha Rosler: Irrespective. Established in New York City in 1998, ETHEL quickly earned a reputation as one of America’s most adventurous string quartets. Twenty years later, the band continues to set the standard for contemporary concert music. ETHEL is Ralph Farris (viola), Kip Jones (violin), Dorothy Lawson (cello), and Corin Lee (violin).
    [Show full text]
  • The Little Match Girl Passion a CONDUCTOR’S GUIDE
    DAVID LANG’S the little match girl passion A CONDUCTOR’S GUIDE JOHANN JACOB VAN NIEKERK Johann Jacob Van Niekerk Assistant Professor of Music Centre College [email protected] 8 CHORAL JOURNAL Volume 56 Number 2 David Lang’s the little match girl chorus version in 2008, published passion is an unusual piece on many by Red Poppy Music and available levels. Lang (b. 1957) combines the for rent from G. Schirmer Inc. It is story of Christ’s crucifi xion—based most suitable for professional choirs on Bach’s treatment thereof in his and more experienced university and St. Matthew Passion (1727) —with the community groups. story of “The Little Match Girl,” a The passion genre is a genre that fairytale by Hans Christian Ander- extends back more than seven cen- sen that tells the harrowing tale of turies, and Lang reworks this format a little girl who freezes to death on into a vehicle that allows the audience a cold New Year’s Eve in Denmark. to not only witness the slow demise The music for the little match girl pas- of the innocent girl but more impor- sion is equally unusual. Lang’s use of tantly to feel as if they were somehow minimalist cells, expanded over fi fteen part of this injustice. It is this sense of movements, is unlike any other stan- complicity that has largely contrib- dard piece in the choral repertoire. uted to the work’s universal success. The composition, while tricky at fi rst Reactions have been astounding: on sight, eff ortlessly weaves these cells a critical level it has been lauded since into an approachable and relatable its premiere and was awarded the idiom for singers and audiences alike.
    [Show full text]
  • Third Practice Electroacoustic Music Festival Department of Music, University of Richmond
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 11-3-2017 Third Practice Electroacoustic Music Festival Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Third Practice Electroacoustic Music Festival" (2017). Music Department Concert Programs. 505. https://scholarship.richmond.edu/all-music-programs/505 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. LJ --w ...~ r~ S+ if! L Christopher Chandler Acting Director WELCOME to the 2017 Third festival presents works by students Practice Electroacoustic Music Festi­ from schools including the University val at the University of Richmond. The of Mary Washington, University of festival continues to present a wide Richmond, University of Virginia, variety of music with technology; this Virginia Commonwealth University, year's festival includes works for tra­ and Virginia Tech. ditional instruments, glass harmon­ Festivals are collaborative affairs ica, chin, pipa, laptop orchestra, fixed that draw on the hard work, assis­ media, live electronics, and motion tance, and commitment of many. sensors. We are delighted to present I would like to thank my students Eighth Blackbird as ensemble-in­ and colleagues in the Department residence and trumpeter Sam Wells of Music for their engagement, dedi­ as our featured guest artist. cation, and support; the staff of the Third Practice is dedicated not Modlin Center for the Arts for their only to the promotion and creation energy, time, and encouragement; of new electroacoustic music but and the Cultural Affairs Committee also to strengthening ties within and the Music Department for finan­ our community.
    [Show full text]
  • Eighth Blackbird: "Folktales & Legends" Department of Music, University of Richmond
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 2-23-2005 Eighth Blackbird: "Folktales & Legends" Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Eighth Blackbird: "Folktales & Legends"" (2005). Music Department Concert Programs. 352. https://scholarship.richmond.edu/all-music-programs/352 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Wednesday, February 23, 2005 • pm Modlin Center for the Arts Can:w Concert Hall, Booker Hall of Music ICM Artists, Ltd. presents eighth blackbird "Folktales & Legends" Molly Alicia Barth, flutes Michael J. Maccaferri, clarinets Matt Albert, violin Nicholas Photinos, cello Matthew L. Duvall, percussion Lisa Kaplan, piano Department ofMusic Ensemble-in-Residence with Lucy Shelton, soprano and Blair Thomas and Co. Blair Thomas, director The Modlin Center thanks Style Weekly for media sponsorship of the 2004-2005 season. r-- 1 ~~-------T_o__ n_i_g_h_t_'_s __ P__ r_o_g_r_a_m ________ ~ Les Moutons des Panurge (1969) Frederic Rzewski (b. 1938) Here Comes the Moon (2005) Renee Favand Tied Shifts (2004) Derek Bermel -Intermission- Pierrot Lunaire (1912) Arnold Schoenberg (1874-1951) with Lucy Shelton, sprechstimme, and Blair Thomas and Co. Directed by Blair Thomas Molly Alicia Barth plays on a Lillian Burkart flute and piccolo. Matthew Duvall endorses Pearl Drums and Adams Music Instruments.
    [Show full text]
  • Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello
    Monday Evening, December 11, 2017, at 7:30 The Juilliard School presents Juilliard Percussion Ensemble Daniel Druckman , Director Daniel Parker and Christopher Staknys , Piano Zlatomir Fung , Cello Bell and Drum: Percussion Music From China GUO WENJING (b. 1956) Parade (2003) SAE HASHIMOTO EVAN SADDLER DAVID YOON ZHOU LONG (b. 1953) Wu Ji (2006) CHRISTOPHER STAKNYS, Piano BENJAMIN CORNOVACA LEO SIMON LEI LIANG (b. 1972) Inkscape (2014) DANIEL PARKER, Piano TYLER CUNNINGHAM JAKE DARNELL OMAR EL-ABIDIN EUIJIN JUNG Intermission The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. CHOU WEN-CHUNG (b. 1923) Echoes From the Gorge (1989) Prelude: Exploring the modes Raindrops on Bamboo Leaves Echoes From the Gorge, Resonant and Free Autumn Pond Clear Moon Shadows in the Ravine Old Tree by the Cold Spring Sonorous Stones Droplets Down the Rocks Drifting Clouds Rolling Pearls Peaks and Cascades Falling Rocks and Flying Spray JOSEPH BRICKER TAYLOR HAMPTON HARRISON HONOR JOHN MARTIN THENELL TAN DUN (b. 1957) Elegy: Snow in June (1991) ZLATOMIR FUNG, Cello OMAR EL-ABIDIN BENJAMIN CORNOVACA TOBY GRACE LEO SIMON Performance time: Approximately 1 hour and 45 minutes, including one intermission Notes on the Program Scored for six Beijing opera gongs laid flat on a table, Parade is an exhilarating work by Jay Goodwin that amazes both with its sheer difficulty to perform and with the incredible array of dif - “In studying non-Western music, one ferent sounds that can be coaxed from must consider the character and tradition what would seem to be a monochromatic of its culture as well as all the inherent selection of instruments.
    [Show full text]
  • Volume I (Final) Proofread
    UCLA UCLA Electronic Theses and Dissertations Title The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly Permalink https://escholarship.org/uc/item/5h4626dd Author Lee, Hyunjong Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly A dissertation submitted in partial satisfaction of the requirements for the degree Doctoral of Philosophy in Music by Hyunjong Lee 2014 © copyright by Hyunjong Lee 2014 ABSTRACT OF THE DISSERTATION The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly by Hyunjong Lee Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes in this dissertation: the first is a monograph, and the second a musical composition, both of which are described below. Volume I These days, labels such as classical, rock and pop mean less and less since young musicians frequently blur boundaries between genres. These young musicians have built an alternative musical universe. I construct five different categories to explore this universe. They are 1) circuits of alternate concert venues, 2) cross-genre collaborations, 3) alternative modes of musical groups, 4) new compositional trends in classical chamber music, and 5) new ensembles and record labels. ii In this dissertation, I aim to explore these five categories, connecting them to recent cultural trends in New York.
    [Show full text]