U.S. Postal Service Honors Shirley Chisholm
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Black History Month
Black History Month As part of our passionaTe commitment to building an inclusive future for our communities, The Adecco Group proudly celebraTes the contributions, achievements, heritage and culture of African Americans during Black HisTory Month and throughout the year. To fosTer a culture of belonging and purpose, we’re offering this downloadable resource on our Diversity and Inclusion resource page. Here, you can learn more about the origins of Black HisTory Month, as well as ways to appreciaTe Black music, literature and entrepreneurship during this month and beyond. Black History Month: How It Started What started out as one week dedicated to the contributions and celebration of African American’s by Carter G. Woodson in 1926, expanded into one month starting in 1976. Woodson chose the month of February because it housed the birthdays of two men –Frederick Douglass and Abraham Lincoln– who greatly influenced the history of the Black American culture. For more information on the observance of Black History Month (also known as National African American History Month), please refer to the links provided below: Origins of Black History Month African American History Month The Continuing Importance of Black History Month The Black American Music Experience African American influence permeates every facet of our lives and culture throughout history, and music is no exception. Much of the struggle and triumph from Black Americans has been continuously chronicled through music. We present this curated playlist of artists, from sacred music to hip hop and rap, who have made a long-lasting impression throughout different genres and periods in history. -
Library of Congress Magazine January/February 2018
INSIDE PLUS A Journey Be Mine, Valentine To Freedom Happy 200th, Mr. Douglass Find Your Roots Voices of Slavery At the Library LIBRARY OF CONGRESS MAGAZINE JANUARY/FEBRUARY 2018 Building Black History A New View of Tubman LOC.GOV LIBRARY OF CONGRESS MAGAZINE Library of Congress Magazine Vol. 7 No. 1: January/February 2018 Mission of the Library of Congress The Library’s central mission is to provide Congress, the federal government and the American people with a rich, diverse and enduring source of knowledge that can be relied upon to inform, inspire and engage them, and support their intellectual and creative endeavors. Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm/. All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610. [email protected] loc.gov/lcm ISSN 2169-0855 (print) ISSN 2169-0863 (online) Carla D. Hayden Librarian of Congress Gayle Osterberg Executive Editor Mark Hartsell Editor John H. Sayers Managing Editor Ashley Jones Designer Shawn Miller Photo Editor Contributors Bryonna Head Wendi A. -
The Influence of Female Jazz Musicians on Music and Society Female Musicians Tend to Go Unrecognized for Their Contributions to Music
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:00 PM - 3:20 PM Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society Kirsten Saur Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons, Music Performance Commons, and the Women's Studies Commons Saur, Kirsten, "Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society" (2016). The Research and Scholarship Symposium. 15. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/15 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Kirsten Saur, 1 Kirsten Saur Swing It, Sister: The Influence of Female Jazz Musicians on Music and Society Female musicians tend to go unrecognized for their contributions to music. Though this has changed in recent years, the women of the past did not get the fame they deserved until after their deaths. Women have even tried to perform as professional musicians since ancient Greek times. But even then, the recognition did not go far. They were performers but were not seen as influences on music or social standings like male composers and performers were. They were not remembered like male performers and composers until past their time, and the lives of these women are not studied as possible influences in music until far past their times as well. -
Women and the Presidency
Women and the Presidency By Cynthia Richie Terrell* I. Introduction As six women entered the field of Democratic presidential candidates in 2019, the political media rushed to declare 2020 a new “year of the woman.” In the Washington Post, one political commentator proclaimed that “2020 may be historic for women in more ways than one”1 given that four of these woman presidential candidates were already holding a U.S. Senate seat. A writer for Vox similarly hailed the “unprecedented range of solid women” seeking the nomination and urged Democrats to nominate one of them.2 Politico ran a piece definitively declaring that “2020 will be the year of the woman” and went on to suggest that the “Democratic primary landscape looks to be tilted to another woman presidential nominee.”3 The excited tone projected by the media carried an air of inevitability: after Hillary Clinton lost in 2016, despite receiving 2.8 million more popular votes than her opponent, ever more women were running for the presidency. There is a reason, however, why historical inevitably has not yet been realized. Although Americans have selected a president 58 times, a man has won every one of these contests. Before 2019, a major party’s presidential debates had never featured more than one woman. Progress toward gender balance in politics has moved at a glacial pace. In 1937, seventeen years after passage of the Nineteenth Amendment, Gallup conducted a poll in which Americans were asked whether they would support a woman for president “if she were qualified in every other respect?”4 * Cynthia Richie Terrell is the founder and executive director of RepresentWomen, an organization dedicated to advancing women’s representation and leadership in the United States. -
Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM. -
The Art of Jazz Singing - “Diane's Enthusiasm for Her Subject Was Infectious
Audience feedback: - “Diane Nalini demonstrated particular aspects of various singers' jazz artistry and brought her points across with concrete and specific details. I heard nuances in various singers' styles that I had never heard before. Brava!” - “Nalini’s engagement with the audience, and her superb vocals, aided her demonstrations of jazz singing. She's a very good teacher.” The Art of Jazz Singing - “Diane's enthusiasm for her subject was infectious. Her own vocal demonstrations WED. OCT 15, ONLINE were lovely to listen to, but also very instructive.” 6:30 P.M. – 8:30 P.M. $25.00 (HST INCLUDED) Join jazz singer and songwriter Diane Nalini for an entertaining Singer/songwriter Diane Nalini and engaging exploration of the art of jazz singing. With composes and sings in four examples from Bessie Smith, Ella Fitzgerald, Nat King Cole, languages. She has been a Sarah Vaughan, Billie Holiday, and others, she will provide professional jazz singer for insights into what made these singers so unique. over 25 years and has recorded and produced four Diane will also do live demonstrations, so participants will come critically-acclaimed albums, with a fifth out this year. She away with a better understanding of how singers approach has sung at jazz festivals phrasing, interpreting a song, and interacting with musicians. around the globe, and given This lecture is open to anyone with an interest in music - but no gala performances for musical background is required. President Bill Clinton and Sir Paul McCartney. To register, visit: carleton.ca/linr/registration/ Offered through Carleton University carleton.ca/linr . -
Shirley Chisholm Had Guts Marilyn L
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Journal of Women in Educational Leadership Educational Administration, Department of 1-2005 Shirley Chisholm Had Guts Marilyn L. Grady University of Nebraska-Linoln, [email protected] Barbara LaCost University of Nebraska–Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/jwel Part of the Educational Administration and Supervision Commons, and the Women's Studies Commons Grady, Marilyn L. and LaCost, Barbara, "Shirley Chisholm Had Guts" (2005). Journal of Women in Educational Leadership. 138. http://digitalcommons.unl.edu/jwel/138 This Article is brought to you for free and open access by the Educational Administration, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Journal of Women in Educational Leadership by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Shirley Chisholm Had Guts Marilyn L. Grady Barbara Y. LaCost We note the passing of Shirley Chisholm (1924-2005), a 1993 inductee to the National Women's Hall of Fame. Bom in New York, she was the oldest of four daughters. Her father was from British Guiana and her mother was from Barbados. In 1927, she was sent to Barbados to live with her maternal grandmother. She was educated in the British school system until she returned to New York in 1934. She attended Girls High School in Brooklyn, graduated cum laude from Brooklyn College in 1946, and received a masters degree in elementary education from Columbia University. She worked at Mt. Calvary Childcare Center in Harlem, was the director of the Hamilton Madison Child Care Center (1953-1959), and was an educational consultant for the Division of Day Care (1959-1964). -
March Is WOMEN’S HISTORY MONTH
March is WOMEN’S HISTORY MONTH New York State Senator ROXANNE J. PERSAUD About Women’s History Month Women’s History Month was first They have helped to shape laws, names we recognize, there are recognized nationally in 1981 when changed the course of history, made numerous others we may not, but Congress passed Pub. L. 97-28, which great strides in science, politics, they continue to make life better for authorized and requested the President sports, literature, art and many other everyone. to proclaim the week beginning March 7, areas. They have fought for the right 1982 as “Women’s History Week.” Every to vote, go to school, earn wages, One of the key events for the March, New York State joins the nation serve on juries and in the military, advancement of women’s issues was in celebrating Women’s History Month. fought discrimination and continue to the Women’s Suffrage Movement This time is used to acknowledge the effect change. which was born in New York State. The accomplishments and contributions of Movement held its first convention in There are countless women from women in the United States. Seneca Falls on July 19 and 20, 1848. New York State whose efforts are This important event became the key to Women have played an essential part in noteworthy. While there are some empowerment and change. New York and United States history. A few New York women of note... Susan B. Anthony (1820-1906) Susan B. Ruth Bader Ginsburg (1933- ) The second Anthony was a civil rights activist and suffrag- female justice to be confirmed to the ist who campaigned against slavery and for Supreme Court of the United States, Ruth women to be given the right to vote. -
Ella Fitzgerald Biography Mini-Unit
Page 1 Ella Fitzgerald Biography Mini-Unit A Mini-Unit Study by Look! We’re Learning! ©2014 Look! We’re Learning! ©Look! We’re Learning! Page 2 This printable pack is an original creation from Look! We’re Learning! All rights are reserved. If you would like to share this pack with others, please do so by directing them to the post that features this pack. Please do not redistribute this printable pack via direct links or email. This pack makes use of several online images and includes the appropriate permissions. Special thanks to the following authors for their images: Lewin/Kaufman/Schwartz, Public Relations, Beverly Hills via Wikimedia Commons U.S. Library of Congress via Wikimedia Commons William P. Gottlieb Collection via Wikimedia Commons Hans Bernhard via Wikimedia Commons White House Photo Office via Wikimedia Commons ©Look! We’re Learning! Page 3 Ella Fitzgerald Biography Ella Fitzgerald was an American jazz singer who became famous during the 1930s and 1940s. She was born on April 25, 1917, in Newport News, Virginia to William and Temperance Fitzgerald. Shortly after Ella turned three, her mother and father separated and the family moved to Yonkers, New York. When Ella was six, her mother had another little girl named Frances. As a child, Ella loved to sing and, like many jazz and soul musicians, she gained most of her early musical experience at church. When Ella got older, she developed a love for dancing and frequented many of the famous Harlem jazz clubs of the 1920s, including the Savoy Ballroom and the Cotton Club. -
Harlem Renaissance Special Points of Interest
Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions.