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Stronger Than Ever PROMISE SCHOLAR STORIES Annual Report 2017-18
Annual Report 2017-18 Stronger than ever PROMISE SCHOLAR STORIES Annual Report 2017-18 A single scholarship can produce a Stronger thousand stories. Many studies show that college- educated communities experience reduced poverty, crime, unemployment, than ever and hopelessness, while they also see an PROMISE SCHOLAR STORIES increase in opportunity and volunteerism. Education is an access point that lifts individuals into sustainable and thriving economies and communities. Hope is what a scholarship provides: a vision for what can be despite what is. Art Direction/Design: A to Z Communications The Pittsburgh Promise 2017-18 Annual Report 3 Doing right SIMONE QUINERLY RECEIVED ONE OF THE FIRST SCHOLARSHIPS Simone always intended to go to college, but with two older sisters in school at the same time, her family was unsure how they’d manage to pay for it. Fortunately for Simone, The Pittsburgh Promise was 2008 announced her senior year of high school. first scholarships In the fall of 2008, Simone went to Edinboro University, where she majored in finance. Her transition from high school to college was are given bumpy during her first semester. The cultural changes and academic rigor challenged her, and she had the grades to prove it. Simone committed herself to improving her grades. She asked for help and found services on campus like study groups and tutors. By her second semester, Simone’s grades had improved significantly. This experience VOICES inspired her to expand her involvement on campus which led to several leadership opportunities. Simone served as the Black Student Union president, president of the Student Government Association, treasurer for the dance team, and as a resident assistant. -
V.I.E.W. Video & Arkadia Entertainment
EffectiveEFFECTIVE September AUGUST, 1, 20102011 PRICE SCHEDULE V.I.E.W. Video & Arkadia Entertainment Distributed by V.I.E.W., Inc. (Distribution) 11 Reservoir Road, Saugerties, NY 12477 • phone 845-246-9955 • fax 845-246-9966 E-mail: [email protected] • www.view.com TOLL-FREE ORDER DESK 800-843-9843 BILL TO SHIP TO (if different) (no P.O. boxes) NAME NAME ADDRESS ADDRESS CITY STATE ZIP CITY STATE ZIP PHONE COUNTRY PHONE COUNTRY EMAIL OVERSEAS: TOTAL NUMBER ITEMS AMOUNT $ WE CHARGE ACTUAL SHIPPING; How did you hear of us? LESS APPLICABLE DISCOUNT PLEASE INDICATE ❑ AIR SUB-TOTAL METHOD OF PAYMENT ❍ CHECK ❍ MONEY ORDER AMOUNT $ ❑ GROUND ❑ OTHER ❍ VISA ❍ MASTER CARD ❍ AMEX NYS RESIDENTS ADD 8.625% SHIPPING & HANDLING ACCOUNT NUMBER EXP. DATE SECURITY CODE $3.95 FIRST ITEM, $1 EACH ADDITIONAL CARDHOLDER’S NAME (PLEASE PRINT) OVERNIGHT & 2ND DAY AT COST TOTAL CARDHOLDER’S SIGNATURE FOR LIFETIME PUBLIC PERFORMANCE RIGHTS ADD $30 PER TITLE TO THE LIST PRICE. NOTE: Items in bold indicate our most recent releases. ARKADIAARKADIA PROMOTIONAL PROMOTIONAL MATERIAL MATERIAL Visit our Business-To-Business Resource Center at ___ 79001 602267900125602267900125 ArkadiaArkadia Cap BLACKBLACK $10$10 Visit our Business-To-Businesswww.viewb2bonline.com Resource Center at ___ 79002 602267900224 Arkadia Cap WHITE $10 www.viewb2b.com ___ 79002 602267900224 Arkadia Cap WHITE $10 • High & Low Resolution Photos of all front and back covers ___ 79003 602267900323 Arkadia T-shirt BLACK LG $12 • Over 25 Genre Specific Sell-Sheets with a box to insert your name ___ -
Song List 80'S FUNK
Song List DANCE MUSIC THE CREEPS -CAMILLE JONES/FEDDE LEGRAND MAKE LOVE -ROOM 5 MESMERISED -FAITH HILL DROP THE PRESSURE -MILO/MIAMI SOUND MACHINE IN DA CLUB -BEYONCE REMIX LITTLE L -JAMIROQUAI PICTURES -SNEAKY SOUND SYSTEM NASTY GIRL -INYA DAY/ SHEILA E GLAMOROUS LIFE -SHEILA E LAST NIGHT A DJ SAVED MY LIFE -MARIAH CAREY SHUT UP AND DRIVE -RHIANNA UMBRELLA SIGNS -JUSTIN TIMBERLAKE SOMETHING TO MAKE YOU FEEL - SILOSONIC CRAZY IN LOVE -BEYONCE NAUGHTY GIRL IRREPLACEABLE WORK IT OUT LOVE FOLLOSOPHY -JAMIROQUAI COSMIC GIRL FEELS LIKE IT SHOULD DEEPER UNDERGROUND PLAY DJ -J LO DO IT WELL TRICK ME -KELLIS BILLY JEAN -MICHAEL JACKSON HORNY AS A DANDY -DANDY WARHOLS YOU AND YOUR HAND -PINK WHO KNEW? GET THE PARTY STARTED WHEN I SEE YOU -MACY GRAY THING CALLED LOVE -THE DARKNESS LONG TRAIN RUNNING -DOOBIE BROTHERS VERTIGO -U2 80’S FUNK THERE’S NO STOPPIN US -OLLIE AND JERRY RHYTHM OF THE NIGHT -DE BARGE MIDAS TOUCH -MIDNIGHT STAR CONGA -GLORIA ESTEFAN RHYTHM OF THE NIGHT DR BEAT EVERYBODY DANCE -SISTER SLEDGE GLAMOROUS LIFE -SHEILA E THINKING OF YOU NASTY GIRL -VANITY BOOGIE OOGIE -TASTE OF HONEY I’M COMING OUT -DIANA ROSS AINT NOBODY -CHAKA KHAN TELL ME SOMETHING GOOD SWEET DREAMS -EURYTHMICS GOOD TIMES -CHIC BURNING DOWN THE HOUSE -TALKING HEADS ALL NIGHT LONG -LIONEL RICHIE AND THE BEAT GOES ON -THE WHISPERS ROCK STEADY KISS -PRINCE WANNA BE YOUR LOVER SHE’S FRESH -KOOL AND THE GANG MELLOW /DINNER MUSIC WONDERFUL -INDIA ARIE HEADING IN THE RIGHT DIRECTION -RENEE GEYER JEALOUS GUY -DONNY HATHAWAY WHAT’S GOIN ON -MARVIN GAYE IF I AINT GOT YOU -ALICIA KEYS BIG GIRLS DON’T CRY -FERGIE THIS MASQUERADE -GEORGE BENSON SWEET THING -CHAKA KHAN FIRE AND RAIN -JAMES TAYLOR STOP AND STARE -ONE REPUBLIC THIS CORNER OF THE EARTH -JAMIROQUAI BESOME MUCHO -DIANA KRALL THANK YOU -DIDO NATURE BOY -GEORGE BENSON SOMEDAY WE’LL ALL BE FREE -DONNY HATHAWAY. -
George Benson on Broadway Solo Transcription
George Benson On Broadway Solo Transcription If cracking or calycled Urbanus usually hoised his chromomere gelatinises mysteriously or inherit sublimely and brashly, how bucked is Milo? Gregory remains ill-conditioned after Garvin dragonnade instantly or planks any futurology. Stateside or penile, Chad never beneficiated any bondswoman! Right now available as george benson and solo discussing what situation he was like how i stumbled upon how everything from. We work with raised fourth and richard harrison likely have to unspecified error banner on. Sweet Little Bullet from a Pretty average Gun. Kenny g one of broadway theater critic fitzgerald could be one day, solo transcriptions library provide your fingers closer to. The George Benson Solo Example space is a transcription of the phrases from the Benson solo that it am using I a going to money the 2nd line. Breezin' Wikipedia. Pamela Ryman is on Facebook. You are very all to star your dreams and your plans. Japanese Garahaku art form. He demonstrates his signature scat-style singing on This Masquerade and soloing over go On Broadway vamp It also includes several virtuoso solo jazz and. Can we use whatever data and tailor ads for you? Chord Changes, difficulty, personal taste, etc. George Benson On Broadway Sheet Music Alto Pinterest. The benson or general inquries, the appearance of white robert ryman in case, wendell writes excellent solos from his playing style typified by. Sit down with members of Mariachi Sol De Oro, Carrie, Ricky, and Birdman. Kim calls for stronger military capabilities as party congress ends. Hank Marvin Gypsy Jazz. Get educated and inspired by watching tutorials, lessons, and leading people into. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Leon Russell – Primary Wave Music
ARTIST:TITLE:ALBUM:LABEL:CREDIT:YEAR:LeonThisCarneyTheW,P1972TightOutCarpentersAA&MWNow1973IfStopP1974LadyWill1975 SongI Were InRightO' Masquerade &AllBlueRussellRope The Thenfor Thata Stuff CarpenterYouWoodsWisp Jazz LEON RUSSELL facebook.com/LeonRussellMusic twitter.com/LeonRussell Imageyoutube.com/channel/UCb3- not found or type unknown mdatSwcnVkRAr3w9VBA leonrussell.com en.wikipedia.org/wiki/Leon_Russell open.spotify.com/artist/6r1Xmz7YUD4z0VRUoGm8XN The ultimate rock & roll session man, Leon Russell’s long and storied career included collaborations with a virtual who’s who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, Oklahoma, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector’s renowned studio group, Russell played on many of the finest pop singles of the ’60s, also arranging classics like Ike & Tina Turner’s monumental “River Deep, Mountain High”; other hits bearing his input include the Byrds’ “Mr. Tambourine Man,” Gary Lewis & the Playboys’ “This Diamond Ring,” and Herb Alpert’s “A Taste of Honey.” In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. -
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
20 Pittsburgh Public Schools Designated As City of Pittsburgh Historic Structures Albert M
Protecting the Places that Make Pittsburgh Home Pittsburgh History & Landmarks Foundation Nonprofit Org. 1 Station Square, Suite 450 U. S. Postage Pittsburgh, PA 15219-1134 PAID www.phlf.org Pittsburgh, PA Address Service Requested Permit No. 598 Special Issue PublishedP forH the membersL of the PittsburghF History &N Landmarks Foundationews No. 159 March 2001 The Two-Year Process and the Buildings 20 Pittsburgh Public Schools Designated as City of Pittsburgh Historic Structures Albert M. Tannler One of the discoveries made during the vote not to designate the remaining Allegheny County Historic Site Survey 18. Council chose to do the former, undertaken by the Pittsburgh History & but not the latter. Satisfactory Landmarks Foundation from 1979 “Guidelines” had not yet been pre- through 1984 was the large pared by the HRC and the number of architecturally and School administration for culturally significant public Council review; in addition, school buildings in the City of several members of Council Pittsburgh. In 1986 Landmarks objected to the omission of staff members Lu Donnelly some of the buildings from the and Martin Aurand prepared a list of nominees. National Register of Historic In any event, on December 8, 1999, Places nomination of what was 20 Pittsburgh public school buildings, called the Pittsburgh Public Schools 18 of which are on the National Thematic Group. As a result 49 Register of Historic Places, were desig- public school buildings dating from nated City of Pittsburgh Historic 1850 to 1939 were placed on the Structures. This designation provides National Register in 1986 and 1987. These protection only for the building (Please see the listing on page 2.) These 20 schools facades. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Robert Kenneth Wright's Copeland's Song List
Robert Kenneth Wright’s Copeland’s Song List Song Artist Medium A Kiss to Build a Dream On Louis Armstrong Vocal A Lovely Day Bill Withers Vocal A Song for Mama Boyz II Men Vocal A Whole New World Disney Vocal Addicted to Love Robert Palmer Vocal All I Do Stevie Wonder Piano (WT) All of Me John Legend Vocal/Piano Anniversary Tony Toni Tone Vocal Ask of You Raphael Saadiq Vocal Autumn in New York Tony Bennett Vocal Autumn Leaves Matt Monro Vocal Bad Case of Loving You Robert Palmer Vocal Bad Moon Rising Creedence Clearwater Vocal Beat It Michael Jackson Vocal Before I Let Go Frankie Beverly/Maze Vocal Billie Jean Michael Jackson Vocal Blueberry Hill Fats Domino Vocal Brick House Commodores Vocal Brown Eyed Girl Van Morrison Vocal Buffalo Soldier Bob Marley Vocal Can’t Help Falling in Love Elvis Presley Vocal Can’t Let Go Anthony Hamilton Vocal Careless Whisper George Michael Vocal Cause I Love You Lenny Williams Vocal Celebration Kool and the Gang Vocal Change the World Eric Clapton Vocal Cheek to Cheek Fred Astaire Vocal Circle of Life Disney/Elton John Vocal Close the Door Teddy Pendergrass Vocal Cold Sweat James Brown Vocal Could You Be Loved Bob Marley Vocal Creepin’ Luther Vandross Vocal Dat Dere Tony Bennett Vocal Distant Lover Marvin Gaye Vocal Don’t Stop Believing Journey Vocal Don’t Want to Miss a Thing Aerosmith Vocal Don’t You Know That Luther Vandross Vocal Early in the Morning Gap Band Vocal End of the Road Boyz II Men Vocal Every Breath You Take The Police Vocal Feelin’ on Ya Booty R. -
A Selected Song List
Martini Lunch: A Selected Song List Swing and Big Band Ballads and Slow Tempo R&R/Contemporary A Foggy Day As Time Goes By Ain’t No Sunshine When She’s Gone All of Me At Last Bye Bye Love All the Things You Are Bewitched Can’t Take My Eyes Off of You Ain’t That a Kick in The Head Blue Moon Crazy Little Thing Called Love Autumn Leaves Feel Like Making Love Daydream Believer Beyond the Sea Fever Dancing in the Streets Blue Sky I Left My Heart in San Francisco Dazed and Confused Bye Bye Blackbird I’ll Be Seeing You Every Breath You Take Chicago I Only Have Eyes for You Green Eyed Lady Don’t Get Around Much Anymore In a Sentimental Mood I Shot the Sheriff Fly Me to the Moon La Vie en Rose I’m a Believer In the Mood Misty In My Life Isn’t It Romantic Moon River I’ve Just Seen a Face It Had to Be You Moonlight Serenade Johnny B Goode Jump, Jive, Wail My Funny Valentine Just the Way You Are L-O-V-E Nearness of You Layla Love is Here to Stay Someday My Prince Will Come Lean on Me Mack the Knife Someone to Watch Over Me The Luckiest More Sometime Ago Margaritaville My Kind of Town (Chicago is) Somewhere My Love Moondance Night and Day Somewhere Over the Rainbow Mustang Sally On a Clear Day Speak Softly Love (Godfather theme) My Girl Route 66 Strangers in the Night Pick Up the Pieces Satin Doll Summer Wind Rock Around the Clock Spanish Flea Summertime Rock This Town Steppin’ Out Tenderly Rolling in the Deep Stompin’at the Savoy That’s All Spooky Tangerine What a Wonderful World Stand by Me Take the A Train When I Fall in Love Sweet Caroline That’s Amore You Are My Sunshine This Masquerade Theme from New York, NY Unforgettable Waiting On the World to Change Theme from Peter Gun Wichita Lineman There Will Never Be Another You Latin/Bossa Nova You Are So Beautiful The Way You Look Tonight And I Love Her You Are the Sunshine of My Life Witchcraft Blue Bossa Your Song When the Saints Go Marching In Caravan Cantaloupe Island Ethnic and Special Occasion Blues and Soul Days of Wine and Roses Beer Barrel Polka All Blues Desafinado Holidays/Christmas songs . -
Paquito D' Rivera
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. PAQUITO D’RIVERA NEA Jazz Master (2005) Interviewee: Paquito D’ Rivera (June 4, 1948 - ) Interviewer: Willard Jenkins with recording engineer Ken Kimery Date: June 11, 2010 and June 12, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 68 pp. Willard: Please give us your full given name. Paquito: I was born Francisco Jesus Rivera Feguerez, but years later I changed to Paquito D’Rivera. Willard: Where did Paquito come from? Paquito: Paquito is the little for Francisco in Latin America. Tito, or Paquito Paco, it is a little word for Francisco. My father’s name was Francisco also, but, his little one was Tito, like Tito Puente. Willard: And what is your date of birth? Paquito: I was born June 4, 1948, in Havana, Cuba. Willard: What neighborhood in Havana were you born in? Paquito: I was born and raised very close, 10 blocks from the Tropicana Cabaret. The wonderful Tropicana Night-Club. So, the neighborhood was called Marinao. It was in the outskirts of Havana, one of the largest neighborhoods in Havana. As I said before, very close to Tropicana. My father used to import and distribute instruments and accessories of music. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Willard: And what were your parents’ names? Paquito: My father’s name was Paquito Francisco, and my mother was Maura Figuerez. Willard: Where are your parents from? Paquito: My mother is from the Riento Province, the city of Santiago de Cuba.