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Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White. -
Melissa Errico
Melissa Errico is one of Broadway's most cherished leading ladies, as well as a blossoming recording artist who has been called "the voice of enchantment" by the NY TIMES. She released her second studio CD Lullabies and Wildflowers on Mothers Day 2008. This follows her debut CD Blue Like That (Capitol Records, EMI) produced by Arif Mardin, praised as "gorgeous" (NY TIMES), and "earthy and soulful" (USA TODAY). Melissa was nominated for the Best Leading Actress Tony Award for her work in Michel Legrand's Amour, and has been recognized with the Lucille Lortel Award, six Drama Desk nominations, two Helen Hayes Awards, four Outer Critics Award nominations and three Drama League Honors. In December of 2010, she received the "Artist of Distinction" Award from the Great Neck Arts Center, recognizing her as a Long Island native who has made her home town proud. Melissa starred on Broadway as Betty Haynes (the Rosemary Clooney role) in Irving Berlin's White Christmas, and then starred off-Broadway in the Shaw play CANDIDA, for which she was nominated for a Best Actress 2010 Drama Desk Award. When only a teenager, Melissa burst upon the Broadway scene as Cosette in Les Miserables, quickly followed by a star-turn as Kitty in Anna Karenina, and then, at age 22, to raves as Eliza Doolittle in the Broadway revival of My Fair Lady. Since then, she has starred in High Society, Amour and Dracula on Broadway, and acclaimed off-Broadway plays like Major Barbara and The Importance of Being Earnest, as well as in television and film, including CBS's Central Park West and the movies Frequency and Life Or Something Like It, opposite Angelina Jolie. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
'Anna Karenina Principle' to Better Understand and Operate Family Offices
Using the ‘Anna Karenina principle’ to better understand and operate family offices FAMILY OFFICE AND HIGH NET WORTH “If you’ve seen one family office, you’ve seen one family office.” This is a common refrain in the family office space. are predictable and sometimes preventable. In other But this dogma does the family office world a major words, like the happy families in Anna Karenina, the disservice. The sentiment behind the notion points to most successful family offices tend to adopt similar the individuality of every family. However, taking the pathways to solve problems, as well as optimize their phrase at face value can be counterproductive and operations and service delivery. lead to suboptimal advice and outcomes for families. The purpose of this article is to propose a universal, While family offices often spend an inordinate amount working definition of “family office,” a term whose of time and resources maintaining their privacy, they are ambiguity has led to inefficient communication across neither unique (nor uniquely incomprehensible) entities generations, between families and family offices, and that defy evaluation. While each family office is designed between family offices and their advisors. Sometimes around the needs of its principals, best practices do just hearing “family office” will start to generate exist and can be “fitted” to unique circumstances. So, associations for individuals affiliated with a family it is actually quite possible for families to leverage best office. But if those associations don’t come close practices and proven methods to optimize their family to matching an individual’s experience with family office and produce superior results. -
Anna Karenina the Truth of Stories “ How Glorious Fall the Valiant, Sword [Mallet] in Hand, in Front of Battle for Their Native Land.” —Tyrtaeus, Spartan Poet the St
The CollegeSUMMER 2014 • ST. JOHN’S COLLEGE • ANNAPOLIS • SANTA FE Anna Karenina The Truth of Stories “ How glorious fall the valiant, sword [mallet] in hand, in front of battle for their native land.” —Tyrtaeus, Spartan poet The St. John’s croquet team greets the cheering crowd in Annapolis. ii | The College | st. john’s college | summer 2014 from the editor The College is published by St. John’s College, Annapolis, MD, Why Stories? and Santa Fe, NM [email protected] “ He stepped down, trying not to is not just the suspense, but the connection made Known office of publication: through storytelling that matters: “Storytelling Communications Office look long at her, as if she were ought to be done by people who want to make St. John’s College the sun, yet he saw her, like the other people feel a little bit less alone.” 60 College Avenue In this issue we meet Johnnies who are story- Annapolis, MD 21401 sun, even without looking.” tellers in modern and ancient forms, filmmakers, Periodicals postage paid Leo Tolstoy, ANNA KARENINA poets, even a fabric artist. N. Scott Momaday, at Annapolis, MD Pulitzer Prize winner and artist-in-residence on Postmaster: Send address “Emotions are what pull us in—the character’s the Santa Fe campus, says, “Poetry is the high- changes to The College vulnerabilities, desires, and fears,” says screen- est expression of language.” Along with student Magazine, Communications writer Jeremy Leven (A64); he is one of several poets, he shares insights on this elegant form Office, St. John’s College, 60 College Avenue, alumni profiled in this issue of The College who and how it touches our spirits and hearts. -
Music Man Meredith Willson
The Music Man Meredith Willson THEATER 16/17 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. -
36Th Annual Lucille Lortel Awards Announcement
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 THE OFF-BROADWAY LEAGUE & LUCILLE LORTEL THEATRE TO PRESENT AN ORIGINAL FILMED PROGRAM FOR THE 36TH ANNUAL LUCILLE LORTEL AWARDS SPECIAL CELEBRATION OF THE OFF-BROADWAY COMMUNITY – ON-STAGE, BEHIND THE SCENES, AND IN THE AUDIENCE – WILL PREMIERE ON SUNDAY, MAY 2, 2021 New York, NY (April 14, 2021) – In an unprecedented year without live theatre to recognize, The Off- Broadway League and the Lucille Lortel Theatre will present the 2021 Lucille Lortel Awards as a celebration of all the people who create Off-Broadway excellence. The pre-taped special will honor the writers, actors, directors, choreographers, designers, musicians, stagehands, producers, theatre staff, and the audiences who all contribute to the incomparable magic of Off-Broadway theatre. Featuring testimonials from members of the community, as well as fun facts, video footage from past awards shows, the Lucille Lortel Vault, and more, the program will premiere Sunday, May 2, at 7:00PM on www.lortelawards.org and will, as always, be a benefit for The Actors Fund. The 36th Annual Lucille Lortel Awards will feature an appearance by Bebe Neuwirth, Vice Chair, Board of Trustees, The Actors Fund, as well as Quincy Tyler Bernstine, Tracee Chimo Pallero, Edmund Donovan, Scott Elliott, Will Eno, Stephen McKinley Henderson, Bill Irwin, Francis Jue, Judy Kuhn, Grace McLean, Annette O'Toole, Larry Owens, Tonya Pinkins, Daryl Roth, Kristen Schaal, Jeremy Shamos, Susan Stroman, Jason Tam, and more; a brand-new performance choreographed by actor and dancer Reed Luplau; comedy sketches by the improv group The Foundation; a monologue by Phillip Taratula as Pam Goldberg; a musical performance by Crystal Monee Hall, Allen René Louis, and Michael McElroy; and an original song by Bobby Daye in memory of Off-Broadway community members who lost their lives this past year. -
Emily Pierce. Full Honors Thesis Draft. FINAL. 6.9.14.Pdf (326.6Kb)
Pierce 1 Emily Pierce Alys Weinbaum English 496 9 June 2014 Latent Love or Lust? Liberating Female Sexuality in Joe Wright’s 2012 filmic adaptation of Anna Karenina Introduction “Happy families are all alike; every unhappy family is unhappy in its own way,” opens Leo Tolstoy’s Anna Karenina. Although this novel focuses on the dysfunction, consequences, and repercussions of family, I will turn my focus onto how women are represented in this novel, and more importantly in the 2012 Joe Wright film adaptation of Anna Karenina. I’ll be examining mis-en-scene, which is “what the viewers notice most of all film techniques” (Bordwell & Thompson, 112), and this category often encompasses setting, costuming, makeup, staging, and for my purposes, score. Within my interpretation of the film, the mis-en-scene switches the spotlight from families, onto the female characters. Within this classic novel, Anna Karenina, the married “belle of St. Petersburg society” (film), has a passionate affair with a young Cavalry officer, Count Vronsky. The two other main female protagonists are: Kitty, a young girl just beginning her coming out into society at a grand ball, and Dolly, her sister, who is married with ten children to Anna’s brother, Oblonsky. Levin, Oblonsky’s friend, falls in love with Kitty and proposes, keeping in mind that he must compete with Count Vronsky for Kitty’s affections. Meanwhile, Levin and Kitty, follow the traditional love story, and Oblonsky and Dolly struggle through issues created by his affair. It is an understatement to say that both the film and novel focus on families, but I’d like to center around the female protagonists: Anna, Dolly and Kitty. -
67Th Annual Gala
the salvation army greater new york division’s 67th Annual Gala Honoring the actors fund The Pinnacle of Achievement Award jameel mcclain LA A The Community Service Award G AL U Special Performances by N 1 N er tony yazbeck A b H em marin mazzie T ec 67 D jason danieley Co-Hosts er 1 cemb kathie lee gifford De hoda kotb DECEMBER 1, 2014 The New York Marriott Marquis BCRE Brack Capital Real Estate USA congratulates The Salvation Army for all of their continuing good works. MULTIMEDIA SPONSOR DECEMBER 5, 2012 31 30 THE SALVATION ARMY GREATER NEW YORK DIVISION 65TH ANNUAL GALA LETTER FROM THE DIVISIONAL LEADERS LT. COLONELS GUY D. & HENRIETTA KLEMANSKI ELcomE to THE SALVation ARMY’S 67th ANNUAL CHRistmas GALA! WThe Salvation Army in Greater New York has all have used their God-given talents to a rich history of helping and bringing hope to touch the hearts of audiences everywhere. those who are in need. Thousands of people Meanwhile, The Actors Fund, this year’s across the Greater New York area stand united Pinnacle of Achievement honoree, has been in support of The Salvation Army’s mission as serving entertainers and performers in need for we go about “Doing the Most Good.” We are over 130 years. privileged to serve God by serving others and In 2015, The Salvation Army will we fight with conviction to battle against the commemorate its worldwide Sesquicentennial elements that keep people at the margins. We anniversary. We will celebrate those who have serve our neighbors, friends, and family in an given to The Salvation Army, as well as the suc- effort to help rebuild lives with compassionate cess and triumphs of those who have received. -
Intersemiotic Translation of Russian Classics for Foreign Audiences
Russian Journal of Linguistics 2019 Vol. 23 No. 2 399—414 Вестник РУДН. Серия: ЛИНГВИСТИКА http://journals.rudn.ru/linguistics DOI: 10.22363/2312-9182-2019-23-2-399-414 ∗ “A Sensible Image of the Infinite” : Intersemiotic Translation of Russian Classics for Foreign Audiences Olga Leontovich Volgograd State Socio-Pedagogical University 27 Lenin Prospect, Volgograd, 400066, Russia Tianjin Foreign Studies University No. 117, Machang Road, Hexi Disctrict, Tianjin, China Abstract The article is a continuation of the author’s cycle of works devoted to foreign cinematographic and stage adaptations of Russian classical literature for foreign audiences. The research material includes 17 American, European, Chinese, Indian, Japanese fiction films and TV series, one Broadway musical and 9 Russian films and TV series used for comparison. The paper analyses different theoretical approaches to intersemiotic translation, ‘de-centering of language’ as a modern tendency and intersemiotic translation of literary works in the context of intercultural communication. Key decisions about the interpretation of original texts are made by directors and their teams guided by at least three goals: commercial, creative and ideological. Intersemiotic translation makes use of such strategies as foreignization, domestication and universalization. The resignifying of a literary text by means of the cinematographic semiotic system is connected with such transformations as: a) reduction — omission of parts of the original; b) extension — addition, filling in the blanks, and signifying the unsaid; c) reinterpretation — modification or remodeling of the original in accordance with the director’s creative ideas. A challenge and at the same time one of the key points of intersemiotic translation is a difficult choice between the loyalty to the original, comprehensibility for the target audience and freedom of creativity. -
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth.....................................................................................................