Oscar 28-Hawkshaw Hawkins 29-Jean Shepard 30-Loretta Lynn

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Oscar 28-Hawkshaw Hawkins 29-Jean Shepard 30-Loretta Lynn

Thirty -seven years ago a new radio station in Nashville called WSM launched a show called the WSM Barn Dance which had as its first performer 80 year- old Uncle Jimmy Thompson seated on a chair in front of the carbon mike answering requests from farm people and folks up in the hills. Who could have known then what this would lead to 37 years later? The show was the forerunner of what is now the world famous Grand Ole Opry which sports the talents of some of the biggest names in Country Music. This week, the entire music industry migrates to Nashville to celebrate WSM’s 37th anniver- sary and the 11th Annual Country Music Festival. On Saturday night, Nov. 10th, visitors will watch a super Opry show at the Ryman Auditorium fea- turing many of the Opry’s current cast shown above. The Opry cast includes: 1-Ferlin Husky 2-Roy Drusky 3-Jimmy Newman 4-Chet Atkins 5-Stonewall Jackson 6-Bobby Lord 7-George Hamilton, IV 8-Faron Young 9-Minnie Pearl 10-Marty Robbins 11-Margie Bowes 12-Archie Campbell 13-June Carter 14- Don Gibson 15-Cowboy Copas 16-Jim Reeves 17-Bill Monroe 18-Justin Tubb 19-Stringbean 20-Ernest Tubb 21-The Louvin Brothers 22-Cousin Jody 23- Hank Locklin 24-Bill Anderson 25-Roy Acufif 26-The Jordanaires 27-Lonzo and Oscar 28-Hawkshaw Hawkins 29-Jean Shepard 30-Loretta Lynn 31-Del Wood 32-Kitty Wells 33- Johnny and Jack 34-Lester Flatt and Earl Scruggs 35-Sonny James 36-Leroy Van Dyke 37-The Wilburn Brothers 38-The Glaser Brothers 39-The Willis Brothers 40-Wilma Lee and Stoney Cooper 41-Curley Fox 42- Texas Ruby 43-Skeeter Davis 44-Patsy Cline 45-Hank Snow 46-Billy Walker 47-George Morgan 48-Porter Wagoner 49-Carl Butler 50-Billy Grammer 51- Bill Carlisle 52-Jimmy Driftwood 53-Ray Price.

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ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
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BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] Town Hall Party Die 'Town Hall Party' gehörte Anfang 1952 zu den ersten Country Music Shows, die im amerikanischen Fernsehen ausgestrahlt wurden und lief dort bis zum Beginn des Jahres 1961. Sie kam jeden Samstag aus einem Theater in Compton, einem Vorort von Los Angeles. Die Bühne war hergerichtet wie eine alte Scheune – dies sollte dieselbe Stimmung vermitteln, die schon drei Jahr- zehnte zuvor bei den Live-Shows vorherrschte, die über den Hörfunk gesendet worden waren. Obwohl sich Nashville sehr schnell als das kommerzielle Zentrum der Country Music etabliert hatte, gab es auch an der ameri- kanischen Westküste ein gewaltiges Fan-Potential für eine Show wie diese. In dieser Region lebten seit den 30er Jahren viele Men- schen, die es aus der Dust Bowl dorthin verschlagen hatte – während des Zweiten Weltkriegs kamen zusätzlich viele Arbeiter hinzu, die Jobs in den Munitions- und Waffenfabriken suchten. Sie alle liebten Country Music, und folglich entwickelte sich eine völlig neue Szene mit einem eigenen Sound, neuen Künstlern, Clubs, Plattenlabels, Radio-Shows und natürlich auch passenden Fernsehprogrammen. Die 'Town Hall Party' wurde rund um einen hauseigenen Interpretenstamm entwickelt, der einem 'Who's Who' der Westküsten- Szene glich – mit Künstlern wie Joe Maphis, Merle Travis, Skeets McDonald, Johnny Bond und Tommy Duncan. Gastgeber waren Jay Stewart (er präsentierte später auch die TV-Quiz-Show 'Let's Make A Deal') und Tex Ritter. In die wöchentlich ausgestrahlte Show wurden stets auch hochkarätige Gäste eingeladen – und die kamen gern, denn die Show war ungemein populär und das permanent wichtiger werdende Fernsehen erwies sich als perfektes Medium, um sich als Künstler völlig neuen Zuschauerschichten vorstellen zu können.
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Bill Drafting Template
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Various First Generation of Country Music Mp3, Flac, Wma
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Ferlin Husky TITLE Gonna Shake This Shack Tonight with guests Simon Crum & Terry Preston LABEL Bear Family Productions CATALOG # BCD 17415 PRICE-CODE AH EAN-CODE ÇxDTRBAMy174155z FORMAT 1 CD digipac with 72-page booklet GENRE Country / Rockabilly TRACKS 32 PLAYING TIME 86:04 G From his years in Los Angeles in the 1950s recording as Terry Preston, to his time as an early pioneer of the Bakersfield Sound, to his extensive tours with Elvis Presley, to his alliance with Alan Freed, to his outrageous recordings as comic alter-ego Simon Crum, Ferlin's talent for rockin' and boppin' is on full display. G Explore a very different side of the smooth-voiced crooner whose 1957 recording of Gone helped usher in the pop-influenced Nashville Sound. G Packed with 32 tracks, including six charting hits, two previously unissued recordings, and rarities released on CD for the first time. G Beautifully illustrated booklet packed with many rare and never-seen photos. G Extensive liner notes by Scott B. Bomar, featuring in-depth biographical information and insights culled from unpublished interviews with Ferlin, Jim Ed Brown, Dallas Frazier, Jan Howard, Ken Nelson, Jean Shepard, Leona Williams, and many others! INFORMATION Ferland Huskey was born in southeastern Missouri, and went on to be known by many names during his career: Ferlin Huskey, Tex Terry, Terry Preston, Ferlin Husky (without the 'e'), and Simon Crum, a comic alter-ego whom Ferlin demanded be treated as a separate person.
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Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
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Felice Bryant and Country Music Songwriting in the 1950S
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Captain Flashback
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BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Clyde Stacy TITLE Hoy Hoy Gonna Shake This Shack Tonight LABEL Bear Family Records CATALOG # BCD 17152 PRICE-CODE AH EAN-CODE ÆxAKABMRy171528z ISBN-CODE 978-3-89916-586-9 FORMAT 1 CD digipac with 28-page booklet GENRE Rockabilly TRACKS 22 PLAYING TIME 52:45 G ‘Hoy Hoy’ indeed! This record really rocks – 22 tracks recorded by an important but little-reissued Oklahoma-born singer from the classic era of rock'n'roll! G Here are all 12 tracks issued on six singles on the CANDLELIGHT,BULLSEYE, and LEN record labels between 1957 and 1961! G Also another 10 vocal and instrumental tracks not originally issued – and with Big Al Downing on piano! G When Clyde’s So Young/Hoy Hoy hit #68 in June 1957 it was the first Hot 100 entry by an artist based in the Lubbock area of Texas – beating Clyde’s high school mate Buddy Holly by six months! G Relocating to Pennsylvania in 1958, Clyde recorded in New York and registered Top 30 hits in Canada with So Young, Baby Shame and Nobody’s Darling! G Clyde’s TV appearances included 'Bandstand' and 'The Patti Page Show'! G The 28-page booklet by Wayne Russell expertly tells Clyde’s story from Oklahoma to Lubbock, to Scranton and back home. It contains rare photographs and interviews with Clyde Stacy! G Now, Clyde is scheduled to make his European debut at the Hemsby Rock'n'Roll Weekender in May 2011, and plans to 'warm-up' at the Las Vegas Rockabilly Weekend in April.
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Cash Box , Music Page October 10, 1953
31 The Cash Box , Music Page October 10, 1953 lias USE BOX, Safest! anil WESTERg EOUIUf) Ray Price, whose recording of “Wrong Side of Town” and “Who Stole ffltKfrWfSTfW* That Train Off The Track” seems to be kickin’ up lots of attention is going to be real active this month with his personal appearances. Dates have been set for Price and his Drifting Cowboys band; Don Helms, Rusty Gabbard, Jerry Rivers and Cedric Rainwater in Missouri, Oklahoma, Texas, Kansas and Colorado. At the conclusion of a ten day tour around the 14th of this month, Price and his boys will be on a Deer Hunt in Colorado. Rex Allen (Decca) broke a .record recently while recording in Nashville when he went for eleven Buck Benson hours of continuous singing. Those who assisted the Don Larkin Joe Morris WLBR—Lebanon, Pa. artist were Jerry Byrd, Grady Martin, Bobby Moore, WAAT—Newark, N. J. WKDK—Newberry, S. C. 1. Caribbean (Mitchell Torok) 1. It's Been So Long (W. Pierce) 1. It's Been So Long (W. Pierce) Jimmie Self, Owen Bradley, Marvin Hughes, Farris 2. It Zat You Myrtle (Carlitlet) 2. Hey Joe (Carl Smith) 2. A Dear John Letter and the Anita Kerr Singers. Carl 3. Private Property Coursey, Smith, 3. A Dear John Letter (Shepard & Huskey) (Johnny & Jack) (Shepard Ernest Tubb, the Carter Family, with June, Helen, & Huskey) 3. 1 Forgot More (Davis Sisters) 4. Butterfly Love (Jim Reeves) 4. 1 Forgot More (Davis Sisters) 4. Hey Jee (Carl Smith) Anita and Mother Maybelle and Lonzo and Oscar played 5.
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INDUCTEES and Nominees
INDUCTEES a n d n o m in ees ft SAM COOKE January 22nd, 1935 Chicago, Illinois Died December 11th, 1964 Los Angeles, California In 1956, Sam Cooke released his first pop song, tin’ the Night Away,” “Bring It on Home to Me” and “Lovable,” under the name Dale Cooke so as not to “Another Saturday Night.” Cooke established his own alienate the gospel following he’d amassed in his five record label (Sar/Derby) and publishing company years as lead vocalist for the Soul Stirrers. One of (Kags Music) — significant moves for a Mack artist of eight sons of a Baptist minister, Cooke saw the divi that time — and returned to the world of gospel to sion between the secular and the sanctified; so did Art help other performers enter the world of pop. Among Rupe of the Specialty label, who dropped Cooke them: Bobby Womack, Johnnie Taylor, Billy Preston when his pop aspirations became dear. Cooke’s fa and Lou Rawls. ther, mi the other hand, gave Sam has Messing. A year Although Cooke announced in February 1964 that later, Cooke recorded “You Send Me,” a song he’d he would cut back on performing in order to devote written himself, for the Keen label. It sold 1.7 million more time to songwriting and administrating his label, copies and readied Number One on both the pop and he was never far from the public eye. In June of that R&B charts. year, a 70-foot billboard in New York City advertised Cooke never really crossed over, though he com- Cooke’s two-week engagement at the Copacabana; in b in ed —Mending sensuality and spirituality, sophistica September, he appeared on the première episode of tion and soul, matinee-idol looks and gospel-singer S h in d ig ! with the Everly Brothers, the Righteous poise.
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