Year 7 English Introducing Shakespeare Lesson 3 The
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A Midsummer Night's Dream Education Pack
EDUCATION PACK 1 Contents Introduction Introduction ....................................................................................................................................................3 Section 1: An Introduction to Shakespeare ……………………......................................................................……4 William Shakespeare 1564 - 1616 ..................................................................................................................5 Elizabethan and Jacobean Theatre..................................................................................................................7 Section 2: The Watermill’s Production of A Midsummer Night’s Dream....................................................10 A Brief Synopsis ............................................................................................................................................11 Character Profiles…………………………………………………………………………………………………………………………………….13 Character Map...............................................................................................................................................15 Themes of The Watermill’s A Midsummer Night’s Dream………………………………………………………………………..16 Meet the Cast................................................................................................................................................18 The Design Process........................................................................................................................................21 Costume Designs……………………………………………………………………………………………………………………………………..23 -
Activity & Resource Guide for Camp Activities
Jesters & Fools Activity & Resource Guide For Camp Activities Camp Theater 2020 Great Lakes Theater www.greatlakestheater.org 2 Welcome Jesters & Fools to Camp Theater! Dear Campers and Families, Since camp is geared for play, I’ve created brief videos for each day to inspire campers to go make theater away from the computer. This activity guide, along with the videos, contains theater activities, crafts and more to encourage campers to use their imaginations at home and create “drama” in any space. Some of these activities can be done by campers on their own, other activities will require family participation. And since theater is all about play, community, imagination and fun, I invite everyone to experience Camp Theater in their own creative way. Get Ready, Get Set and Play! Sincerely, Lisa Ortenzi Great Lakes Theater Director or Educational Programming Share Your Camp Theater Adventures With Us! Send photos and videos of activities and crafts to [email protected]” Camp Theater 2020 Great Lakes Theater www.greatlakestheater.org 3 Table of Contents Welcome Campers Page 2 Improvisation Activity Contentless Scenes Page 4 & 5 Music & Dance in the Elizabethan Era Page 6 Fairy Song & Dance Activity Page 6 Rude Mechanicals Bergamask Dance Page 7 Rude Mechanicals Awkward Dance Activity Page 7 Performing Pyramus & Thisbe Page 8 Technical Elements for Pyramus & Thisbe Costumes Page 9 Props Page 10 Scenery, Sound & Lighting Page 11 Script for A Midsummer Night’s Dream Chorus Speech Page 12 Mechanicals Scene “Pyramus & Thisbe” Page 13 & 14 Design Your Own Lion’s Mask Page 15 Create Your Own Scenic Design Page 16 & 17 Create Your Own Costume Design Page 18 & 19 Create Your Own Program Design Page 20 Coloring Pages Pages 21-25 Theater Glossary Page 26 & 27 Camp Theater Day 5 Camp Theater 2020 Great Lakes Theater www.greatlakestheater.org 4 Improvisation Contentless Scenes Scenarios for Scenes You will need 2 people for this improvisation exercise. -
A Midsummer Night's Dream
THE SHAKESPEARE THEATRE OF NEW JERSEY EDUCATION PRESENTS SHAKESPEARE LIVE! 2017 A Midsummer Night’s Dream BY WILLIAM SHAKESPEARE STUDENT-TEACHER STUDY GUIDE COMPILED AND ARRANGED BY THE EDUCATION DEPARTMENT OF THE SHAKESPEARE THEATRE OF NEW JERSEY Shakespeare LIVE!, The Shakespeare Theatre of New Jersey’s educational touring company, is part of Shakespeare in American Communities: Shakespeare for a New Generation, a national program of the National Endowment for the Arts in cooperation with Arts Midwest. Additional support for Shakespeare LIVE! is provided by The Investors Foundation, Johnson & Johnson, The Provident Bank Foundation, and the Turrell Fund. COVER: Mustardseed, Peasblossom and Moth from the 2015 touring production of A MIDSUMMER NIGHT’S DREAM THIS PAGE: The Mechanicals from the 2015 touring production of A MIDSUMMER NIGHT’S DREAM. ALL PHOTOS by Jerry Dahlia ©2015 unless noted. In This Guide: Classroom Activities for Teachers and Students ...............................p2 Shakespeare: Helpful Tips For Exploring & Seeing His Works .......p3 About the Playwright ................................................................................p4 Shakespeare’s London .............................................................................p5 Shakespeare’s Verse ..................................................................................p6 “Are you SURE this is English?” .............................................................. p7 A Midsummer Night’s Dream: An Introduction ...................................p8 Midsummer: -
Early Television Shakespeare from the BBC, 1937-39 Wyver, J
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39 Wyver, J. This is a preliminary version of a book chapter published in Shakespeare Survey 69: Shakespeare and Rome, Cambridge University Press, pp. 347-360, ISBN 9781107159068 Details of the book are available on the publisher’s website: https://www.cambridge.org/core/what-we-publish/collections/shakespea... The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 An intimate and intermedial form: early television Shakespeare from the BBC, 1937-39 In the twenty-seven months between February 1937 and April 1939 the fledgling BBC television service from Alexandra Palace broadcast more than twenty Shakespeare adaptations.1 The majority of these productions were short programmes featuring ‘scenes from…’ the plays, although there were also substantial adaptations of Othello (1937), Julius Caesar (1938), Twelfth Night and The Tempest (both 1939) as well as a presentation of David Garrick’s 1754 version of The Taming of the Shrew, Katharine and Petruchio (1939). There were other Shakespeare-related programmes as well, and the playwright himself appeared in three distinct historical dramas. In large part because no recordings exist of these transmissions (or of any British television Shakespeare before 1955), these ‘lost’ adaptations have received little scholarly attention. -
Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
A Midsummer Night's Dream
The Shakespeare Theatre of New Jersey A MIDSUMMER NIGHT’S DREAM: Know-the-Show Guide A Midsummer Night’s Dream by William Shakespeare Know-the-Show Audience Guide researched and written by the Education Department of Artwork by Scott McKowen The Shakespeare Theatre of New Jersey A MIDSUMMER NIGHT’S DREAM: Know-the-Show Guide In This Guide – The Life of William Shakespeare ............................................................................................... 2 – A Midsummer Night’s Dream: An Introduction ......................................................................... 3 – A Midsummer Night’s Dream: A Synopsis ................................................................................. 4 – Who’s Who in the Play ............................................................................................................. 6 – Sources and History .................................................................................................................. 7 – Aspects of Midsummer ............................................................................................................. 8 – Midsummer Tidbits ................................................................................................................. 10 – Commentary & Criticism ........................................................................................................ 11 – Theatre in Shakespeare’s Day .................................................................................................. 12 – In this Production .................................................................................................................. -
A Midsummer Night's Dream
47th Season • 450th Production SegerStrom StAge / JANUArY 21 - FeBrUArY 20, 2011 David Emmes Martin Benson ProdUciNg ArtiStic director ArtiStic director presents A MIDSUMMER NIGHT’S DREAM BY William Shakespeare Cameron Anderson Nephelie Andonyadis Lap Chi Chu John Ballinger & Ken Roht SceNic deSigN coStUme deSigN LightiNg deSigN origiNAL mUSic Ken Roht John Ballinger Kimberly Egan Joshua Marchesi Jamie A. Tucker* CHOREOGRAPHY MUSIC DIRECTOR SoUND DESIGN PRODUCTION MANager STAGE MANAGER directed BY Mark Rucker Laurie Smits Staude hoNorArY ProdUcer corPorAte ProdUcer A Midsummer Night’s Dream • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Theseus, Duke of Athens ........................................................... Elijah Alexander* Hippolyta, Queen of the Amazons ..................................... Susannah Schulman* Egeus, an Athenian citizen ........................................... William Francis McGuire* Hermia, daughter to Egeus, in love with Lysander ...................... Kathleen Early* Demetrius, in love with Hermia .................................................. Tobie Windham* Lysander, in love with Hermia .......................................................... Nick Gabriel* Helena, in love with Demetrius ......................................................... Dana Green* Peter Quince .................................................................................. Hal Landon, Jr.* Nick Bottom, a weaver ....................................................................... Patrick -
A Midsummer Night's Dream
A MIDSUMMER NIGHT’S DREAM TEACHER PACK 1 ABOUT THIS PACK This pack supports the RSC’s 2021 performances of Michael Morpurgo’s Tales from Shakespeare, A Midsummer Night’s Dream. Michael Morpurgo’s retellings approach Shakespeare’s best loved stories from different perspectives and reimagine them for young people, and these writing resources will invite your pupils to do the same, considering how they might interpret them. The activities provided in this pack are specifically designed to support KS1-3 pupils in their writing and offers a number of writing opportunities centred around A midsummer Night’s Dream, exploring the story, characters and vocabulary. In the ‘notes from the classroom’ boxes you will find helpful hints and suggestions for how activities might be adapted for younger or older pupils. This pack was created in collaboration with Jan Anderson, an RSC Associate School teacher from Springhead Primary School. These symbols are used throughout the pack: CONTENTS READ Notes from the production, About the Approach Page 2 background info or extracts Activity 1 : The Woods outside Athens Page 3 ACTIVITY Activity 2 : Meeting Puck Page 5 A practical or open space activity Activity 3 : Meeting the Lovers Page 7 WRITE Activity 4 : The Fairy King and Queen argue Page 8 A classroom writing or discussion activity Activity 5 : Titania and Bottom Page 10 Resources Page 13 ABOUT THE APPROACH The practical activities which are described in this pack act as an important part of the writing process because they give pupils the content for their writing, including: • A deep understanding of plots and settings • Detailed understanding of characters and their relationships, dilemmas and motivations • A rich vocabulary to use in their writing The exploratory exercises aim to provide a strong audience and purpose for writing, enabling pupils to write for effect on the reader. -
Konstantin Stanislavski an Actor's Work: a Student's Diary
An Actor’s Work Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author’s original intentions, putting the two books previously known as An Actor Prepares and Building a Character back together into one volume, and in a colloquial and readable style for today’s actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. Konstantin Stanislavski An Actor’s Work A Student’s Diary Translated and edited by Jean Benedetti First published 2008 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, 0X14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 This edition published in the Taylor & Francis e-Library, 2007. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Routledge is an imprint of the Taylor & Francis Group, an informa business Translation, text and Afterword © 2008 Routledge Translator’s Foreword and editorial matter © 2008 Jean Benedetti Introduction © 2008 Declan Donnellan All rights reserved. -
School Radio
School Radio A Midsummer Night’s Dream 2: THE REHEARSAL Adapted by Julia Cranney SCENE 3: QUINCE’S HOUSE, ATHENS PUCK Welcome to the other side of Athens, a place where people live in small houses, not big palaces. This is the house of Mistress Quince, who loves to write plays. Tonight she’s gathered together her friends to rehearse her latest effort. QUINCE Right then... SNUG Woah, it’s cold tonight in’t it? STARVELING I know. Call this summer? QUINCE Ladies and gentlemen… SNOUT Oi! Stop hogging the warm! FLUTE I’ll only be a minute… Ow! [FLUTE, SNUG AND STARVELING CRASH TO THE FLOOR] QUINCE Is everyone here? BOTTOM Ahem… You’re best to call our names, one by one, according to the script. QUINCE Oh yes. Here’s the list of everyone’s name, who are thought best to act in our play for the Duke and Duchess on their wedding day at night. BOTTOM Yes, good Mistress Quince, now tell us what the play is and so get to the point. QUINCE Our play is the most lamentable story and most cruel death of Pyramus and Thisbe. PUCK Pyramus and Thisbe? That’s a story about a couple of star-crossed lovers that definitely doesn’t end well. It’s meant to be a tragedy, but if this lot do it, I think it’s going to end up a comedy. 1 School Radio www.bbc.com/teach/school-radio © BBC 2020 School Radio A Midsummer Night’s Dream BOTTOM Now, good Mistress Quince, it’s time to give out the parts. -
A Midsummer-Night's Texas-Size Nightmare
A MIDSUMMER-NIGHT’S TEXAS-SIZE NIGHTMARE By Burton Bumgarner Copyright © 2009 by Burton Bumgarner, All rights reserved. Brooklyn Publishers LLC in association with Heuer Publishing LLC ISBN: 978-1-61588-193-2 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Brooklyn Publishers LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Brooklyn Publishers LLC. Questions concerning other rights should be addressed to Brooklyn Publishers LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Brooklyn Publishers LLC. -
5Ffbcc3d63870fc8d9eabbd9 a Midsummer Nights Dream 2021 Season.Pdf
THE AUSTRALIAN SHAKESPEARE COMPANY PRESENTS DIRECTED BY GLENN ELSTON MUSIC BY PAUL NORTON Featuring Hugh Sexton, Alison Whyte, Fletcher O’Leary, Dion Mills, Anna Burgess, Tony Rive, Madeleine Somers, Laurence Boxhall, Syd Brisbane, Kevin Hopkins, Richard Piper, Lizzy Brennan, Mitchell Wills, Andrew Cullimore, Penelope Gordon, Milly Whyte and Sasha Lippman Choreographer Costume Production Manager Sue-Ellen Shook Karla Erenbots Peter Amesbury Kaspa Elston Sound Set Lighting Stage Manager Andrew Nielson Joshua Sunderland Thomas Roach Brittany Coombs Adam Cartwright SYNOPSIS The tale, which takes place in the court of Athens and the woods beyond, is one of tangled loves and magic potions. Theseus, The Duke of Athens, is arranging his marriage to Hippolyta, Queen of the Amazons, whom he has just defeated in battle. But first he has to judge a matrimonial dispute. Egeus wants his daughter Hermia to marry Demetrius, but she wants to marry Lysander. Egeus claims Lysander has bewitched his daughter and, in accordance with ancient Athenian law, demands that unless she complies with her father’s wishes and marries Demetrius, she must become a nun or be put to death. Theseus gives her three days to decide and after briefly considering their options, Hermia and Lysander elope to the nearby woods - but not before disclosing their plans to her childhood friend Helena, who is desperately in love with Demetrius. Meanwhile, a bunch of tradesmen, referred to as the mechanicals, are rehearsing a show for the Duke’s marriage. Like all amateur theatricals they have their ham, in this case it is Bottom the Weaver. As Lysander notes, “The course of true love never did run smooth”, but nei- ther do Shakespearean plots, for in the woods the lovers fall under the spell cast by Oberon, King of the Fairies, who is in dispute with Titania, Queen of the Fairies.