TURQUOISE, the MAGICAL STONE and the ZUNI INDIANS Meldan
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Ashiwi Awan Messenger Issue 14
A:shiwi A:wan Messenger Messenger Special Issue 14 • May 5, 2021 Pueblo of Zuni Receives Capital Outlay Zuni Signs Arizona Funding for Sewer Line Extension Project Gaming Compact Governor Val Panteah and the Zuni homes on septic tank systems on The Zuni Tribe participated in a Tribal Council are pleased to Shalako Drive. The New Mexico signing ceremony on April 15 at the announce the 2021 Capital Outlay Indian Affairs Department will Heard Museum in Phoenix to mark awards from the 55th Legislative administer these funds. completion of the new gaming Session, held January 19 through compact amendments. On behalf of March 20, 2021. During each We thank our Legislators: State the Zuni Tribe, Governor Val R. regular session, there is a three- Representative Lee Alcon (House Panteah, Sr., Lt. Governor Carleton week window when legislators and District 6) and State Senators Bowekaty, and Head Councilwoman the State review Capital Outlay George Munoz (Senate District 4) Virginia Chavez met with Arizona requests. This session was all virtual and Joshua Sanchez (Senate Governor Doug Ducey and leaders due to the COVID pandemic. District 30), along with Governor from the other negotiating tribes. Michelle Lujan Grisham. We also Governor Lujan Grisham’s 2021 extend thanks to Representative The compact amendments are the initiatives included water, energy, Javier Martinez, who carried the result of five years of extensive work and broadband. The Pueblo Capital Outlay Bill, HB-285. to reach terms to extend and submitted requests for three strengthen the current gaming projects: Broadband, Sewer Line Efforts to fund broadband through compact, while modernizing key Extension, and Zuni Fair Building. -
February 2020
FEBRUARY 2020 DIAM ND 115VOL. DISTRICT MONTHLY A NEW BOX FULL OF GOOD NEWS The same way you can’t judge a book by its cover, you shouldn’t judge a monthly publication by its newsbox. Alas, most people in the Diamond District are very familiar with the dirty, scruffy blue newsboxes the Diamond District Monthly has long been distributed from. Like most other things on the street, they’ve been covered with stickers and graffiti. And, now, like most things on the street, they been replaced with sparkling new models. Continued on page 10 SAY HELLO TO THE “PURPOSE-DRIVEN SHOPPER” Everyone needs a purpose. According to a new study of 19,000 consumers in 28 countries, ages 18 to 73, many are willing to pay for it. Nearly one-third of the consumers polled said they would stop buying a brand that is inconsistent with their purpose, such as those associated with negative social or environmental impacts, or lack sustainability—in other words, products produced in ways that may damage long term natural resources to satisfy short term needs. But nearly two thirds also said they would be willing to pay up to 35% more for brands consistent with their purpose. What does this crucial insight mean to diamond and jewelry retailers? Continued on page 17 WHAT’S INSIDE In the News, pg. 4; Industry Spotlight, pg. 6; Market Trends pg. 9; Diamond District Partnership News, pg. 10; Urgent Crime Alert pg. 13; diamonddistrict.org Small Business pg. 17; Crime Report, pg 18 LETTER FROM THE EXECUTIVE DIRECTOR Dear Friends, Details matter. -
31.2 FORGING a FUTURE 2.CB.3.JD FIN 12/12/07 6:26 PM Page 48
31.2_FORGING A FUTURE 2.CB.3.JD FIN 12/12/07 6:26 PM Page 48 DYLAN POBLANO JARED CHAVEZ ELIZABETH WALLACE WAYNE NEZ GAUSSOIN Photographs by Miguel Gandert. Photographs by CODY SANDERSON KERI ATAUMBI MARIA SAMORA DAVID GAUSSOIN A NEW ERA IN JEWELRY FORGING A FUTURE Diana Pardue everal young American Indian jewelers are developing and staff member of the Fashion Institute of Technology (FIT) distinctive contemporary styles while acknowledging in New York City to attend school there. His application was S traditional ones. Like the generation before them, they successful, and his studies included jewelry classes as well as are exploring materials and techniques new to American drawing, painting and fashion design classes. Poblano spent Indian jewelrymaking. Many of these young artists have unique two years at the Fashion Institute learning new techniques, experiences, including formal training in art or design at including lost wax casting, which were influential and useful as competitive universities and select art schools. Others have he continued to develop his sense of design. been influenced by global travels and hands-on opportunities His lost-wax cast designs can be whimsical yet applicable with jewelers from other countries. The result is diverse and to contemporary lifestyles and include small cast earrings distinctive work that is engaging and intriguing. The jewelry in the shapes of couture shoes or charm bracelets that hold of eight of this new generation of young artists is currently a variety of his cast silver shoe charms. Much of Poblano’s being featured at the Heard Museum in Phoenix, Arizona. -
Restoring Sacred Waters
--------------------------- System Warning --------------------------- Warning: A problem with the cooling system has been detected. Please turn off the computer immediately, and return it for service. --------------------------- OK --------------------------- Restoring Sacred Waters A Guide to Protecting Tribal Non-Consumptive Water Uses in the Colorado River Basin Restoring Sacred Waters A Guide to Protecting Tribal Non-Consumptive Water Uses in the Colorado River Basin Julie Nania and Julia Guarino Getches-Wilkinson Center for Natural Resources, Energy, and the Environment 2014 Acknowledgements We would like to thank those who have shared their insight and on the ground experiences from seeking non-consumptive use protections in the Colorado River Basin and beyond. The input we received from tribal water resources personnel, natural resource departments, and attorneys dealing in these matters was crucial when identifying the key issues and creative solutions addressed herein. To our research assistants who spent hours editing this guide and pouring over footnotes, thank you. Chloe Bourne, Will Davidson, and Casey Strong, once again, your work was invaluable. Finally, we would like to offer a special thank you to our colleagues who volunteered their time to review various segments of this guide. Contents Chapter 1: Introduction .................................................................................................................. - 0 - Protecting Non-Consumptive Uses in the Colorado River Basin and Beyond .................................... -
EXHIBITORS --- July 17, 2018
EXHIBITORS --- July 17, 2018 • 3W ENTERPRISES/RUFF TUFF RANCH TOYS • SCHLEICH, TOMY ERTL, SAFARI & LITTLE BUSTER FARM & RANCH EQUIPMENT & TOY ANIMALS • MIDWAY 12' X 12' #7 • A SPICE ABOVE WYOMING • Prepackaged spices, dips, spreads and dressings • B 58 • ACE HARDWARE • Grills and demos • Outside • • ALLWAYZ MANFACTURING • Metal and vinyl décor, wine holders, etc • B 31-34 • • AMBRIZ JEWELRY • HAND CRAFTED SILVER JEWELRY; WINE STOPPERS; BUSINESS CARD HOLDERS; KEY CHAINS, HORSE HAIR & LEATHER ACCESSORIES • B 22 & 23 • AMERICAN BULLRIDING • MECHANICAL BULL RIDING • OUTSIDE • BGV MARKETING • Survey group and vacation info • Outside • BLAKE’S TRADING INC. • Silver, fashion jewelry, watches, dream catchers, fanny packs, purses, southwest style gifts, and painted ponies • MIDWAY 12' X 24' #2 • BLUE GREEN VACATIONS UNLIMITED, INC • Vacation information • E 9-11 • BOOT BARN • WESTERN APPAREL & WORK WEAR • Outside 40' x 80' • BUNNIES & BOW • Pillowcases, tooth fairy pillows, tea towels all personalized • B 57 • BRANDIN BUDDIES • MINATURE BRANDS; BRANDED WOODEN ITEMS AND CRAFTS, It Works Products • E 12-13 • BROWN AND GOLD EXHIBITORS --- July 17, 2018 • T-shirts sweatshirts, hats, novelty items • MIDWAY BLDG 12' X 12' #16 • BUTTERFLIES TO GO • Butterflies & insects, • E 108 & 109 • C & C ENTERPRISES • Ropes, hats, chaps, spurs, rodeo supplies, conchos, gloves, and more • Outside Midway Bldg. #4 • • CAS GIFT SHOPPE • Authentic Southwestern Indian Arts & Crafts and jewelry • E 40 & 41 • CATALINA’S ORIGINALS • Clothing and purses • E 96-100 • CAVE -
Traditional Resource Use of the Flagstaff Area Monuments
TRADITIONAL RESOURCE USE OF THE FLAGSTAFF AREA MONUMENTS FINAL REPORT Prepared by Rebecca S. Toupal Richard W. Stoffle Bureau of Applied Research in Anthropology University of Arizona Tucson, AZ 86721 July 19, 2004 TRADITIONAL RESOURCE USE OF THE FLAGSTAFF AREA MONUMENTS FINAL REPORT Prepared by Rebecca S. Toupal Richard W. Stoffle Shawn Kelly Jill Dumbauld with contributions by Nathan O’Meara Kathleen Van Vlack Fletcher Chmara-Huff Christopher Basaldu Prepared for The National Park Service Cooperative Agreement Number 1443CA1250-96-006 R.W. Stoffle and R.S. Toupal, Principal Investigators Bureau of Applied Research in Anthropology University of Arizona Tucson, AZ 86721 July 19, 2004 TABLE OF CONTENTS LIST OF TABLES................................................................................................................... iv LIST OF FIGURES .................................................................................................................iv CHAPTER ONE: STUDY OVERVIEW ..................................................................................1 Project History and Purpose...........................................................................................1 Research Tasks...............................................................................................................1 Research Methods..........................................................................................................2 Organization of the Report.............................................................................................7 -
March 12, 13 & 14, 2021
GREEN VALLEY • AMADO • TUBAC • TUMACACORI • NOGALES Open Studio Tour March 12, 13 & 14, 2021 Ricardo Santos Hernandez Chicago, IL & Nogales, AZ 520-223-6334 [email protected] www.ricardochicanindio.com TUBAC GALLERY GUIDE Open Studio Artists’ Exhibit • February 26 to April 4 PAGE 24 Open Studio Tour • March 12, 13 and 14 • 10am to 4pm Gallery Night • Friday, March 12 • 4pm to 7pm Hidden Treasures of the Santa Cruz Valley presented by Tubac Center of the Arts, Tubac, Arizona Tesoros ocultos del Valle de Santa Cruz son presentados por El Centro de las Artes de Tubac, AZ www.TubacArts.org • 520-398-2371 Welcome! Bienvenida! Open Studio Artists’ Exhibit We are delighted to present our 13th FEBRUARY 26 TO APRIL 4 Annual Open Studio Tour. This event Visit the Open Studio Tour Artists’ Exhibit at Tubac Center of the Arts offers you an opportunity to see and to see the latest art by the studio tour artists. experience the creative process at work in studios throughout the Santa Cruz Valley. Thank you to all of our artists, Open Studio Tour galleries, and advertisers who make this MARCH 12, 13 AND 14 FROM 10AM TO 4PM catalog possible. Once a year our artists open their studios to the public. Don’t miss this opportunity to visit the studios of 38 artists in Green Valley, COVID GUIDELINES Amado, Tubac, Tumacacori and Nogales! Face masks and social distancing are required when visiting the artist’s studios, galleries, and the art center. Gallery Guide & Gallery Night We do our best to be accurate in the guide. -
Proposed Bears Ears National Monument
PROPOSAL TO PRESIDENT BARACK OBAMA FOR THE CREATION OF BEARS EARS NATIONAL MONUMENT Submitted by THE BEARS EARS INTER-TRIBAL COALITION A partnership of the Hopi, Navajo, Uintah and Ouray Ute, Ute Mountain Ute, and Zuni Governments October 15, 2015 TABLE OF CONTENTS I. INTRODUCTION…………………………………………………………………. ... 1 II. THE BEARS EARS LANDSCAPE…………………………………………………..4 A. Physical Characteristics…………………………………………………………...5 B. The Long Native American Presence…………………………………………. .... 8 C. The Tribes are Forced Off the Land...………………………………………. ..... 10 III. THE INTER-TRIBAL COALITION AND THE PREPARATION OF THIS PROPOSAL………………………………………………………………………….14 IV. MONUMENT BOUNDARIES…………………………………………………...…20 V. COLLABORATIVE MANAGEMENT: THE LEGAL BASIS…………………….21 A. Definition of Collaborative Management for the Bears Ears National Monument....……………………………………………………………………..21 B. Presidential Authority to Proclaim Collaborative Management for Bears Ears…23 C. The Lawful Delegation to the Tribes…………………………………………….26 VI. COLLABORATIVE MANAGEMENT: IMPLEMENTATION…………………...28 A. The Bears Ears Management Commission and the Monument Manager…………………………………………………….……...…………….29 B. Monument Planning and Operations……..……………………………………...30 C. The Fruits of Collaborative Management………………….…..………………...31 D. Federal-Tribal Agreements Supplemental to the Proclamation………………….34 VII. MONUMENT USES………………………………………………………………...34 A. Threats to the Bears Ears Landscape…………………………………………….34 B. Uses to be Resolved by the Proclamation………………………………………..36 C. Uses to be Resolved in the Management -
2018 Native American Day Artisan and Crafters Vendors
2018 Native American Day Artisan and Crafters Vendors Name of Native Vendor Name Primary Classification/Artform Artisan or Crafter Christina & Vivian Kirk CVK Krafts Navajo handmade beadwork, jewelry and shell work, shawls, lanyards, & baseball caps Corene Brown Blooming Flower Designs Beaded and silver jewelry, cedar boxes, & handmade cards Joann Fiske Native Three Feathers Dolls and pine-needle baskets & Native American jewelry Lyn Risling Lyn Risling Yurok, Hupa, & Karuk art work, cards, & children’s books Teresa McGinnis TLee McGinnis Designs Handmade Yurok earrings, necklaces, crocheted caps, & canvas drawings Gail Pilas Gail Pilas Soaps, birdfeathers, & jewelry Bill Marin Red Gear & Cece’s Jewelry Native-made screened t-shirts, silver and turquoise jewelry, & beadwork Jessica Mendez KirBear Yurok Designs Handmade jewelry and accessories using dentalium, abalone, & buckskin Dave Wilson Wilson's Den Sterling silver jewelry, beadwork, blankets, hats, & t-shirts Alejandra Juarez Luna Art Beadwork, hand-crafted folk art, & leather work Stan Padilla Stan Padilla Art & handmade jewelry Paula Whiterock Native American Justice Fund Handcrafted abalone jewelry & hand-crafted art drawing Karen & Eric Wilder Eric Wilder's Graphic Co. Kashia Pomo greeting cards, clocks, & comics Fred and Eilene Cary Yupik & Carry Native Spirit Handmade Soap Soaps, body butters, room and body mists, lotion bars, deodorants, & face masks John Balloue John Balloue Notecards, prints, calendars, magnets, & paintings (original artist work) Nona Lucardie Raven Dezign Apparel, wristbands, buttons, stickers, decals, hats, & bags (original designs) Mike Lopez Eagle River Native Designs Marble paintings & handmade jewelry Cj Touchine Red Willow Medicine Wheel Handmade Native American jewelry, leather works, & beadwork Cecelia & Mario Salcedo Comanche Creations Lanyards, keychains, necklaces, teepee lamps, shawls, & Native bears Rudy Cuellar R.O Cuellar Designs Handmade jewelry, Native American Design t-shirts, hats, & jewelry. -
2009 Inter-Tribal Gathering
The 2009 Inter-Tribal Conversations on the Colorado Plateau “An Indigenous perspective on leadership, sustainability and cultural survival” Presented by the Native America Program of the Grand Canyon Trust With support from the David and Lucile Packard Foundation and the Museum of Northern Arizona Colton House Flagstaff, Arizona November 8-10, 2009 INTER-TRIBAL CONVERSATIONS ON THE COLORADO PLATEAU Dear Conference Participants and Interested Individuals, We are proud to present the summary of the 2009 Inter-Tribal Conversations on the Colorado Plateau Gathering, with the theme of “An Indigenous perspective on leadership, sustainability and cultural survival.” We encourage you to read and use this document in your future projects. A good share of the credit for the success of the gathering goes to each of you as participants Those of us who have ancestors in this region are especially grateful to have shared in such heartfelt conversations. It was thoughtful of you to add your personal observations. Your contribution also gave a great boost to our efforts to recruit additional members, and observers in attendance also were a great presence at the meetings. Thank you very much for an enlightening and stimulating presentation. Individual comments were exactly what were needed for us to envision land protection that has identity and meaning to Tribal peoples. Your discussion-group presentation was the highlight of the conference. Your contributions will help the Grand Canyon Trust incorporate Native American perspectives in our efforts to protect Indigenous lands and develop future strategy. We have already begun to implement some of your suggestions, and we are confident they will improve our process to protect and restore the Colorado Plateau and promote a region where generations of people and all of nature can thrive in harmony. -
Of Silt and Ancient Voices: Water and the Zuni Land and People
NAN TIONAL CENTER FOR CASE STUT DYY TEACHING IN SCIENCE OfOf SiltSilt andand AncientAncient Voices:Voices: WaterWater andand thethe ZuniZuni LandLand andand PeoplePeople by Kelly M. Cobourn Department of Forest Resources and Environmental Conservation, Virginia Tech Edward R. Landa Department of Environmental Science and Technology, University of Maryland Gail E. Wagner Department of Anthropology and Associated Faculty, Environment and Sustainability Program, University of South Carolina, Columbia Part I – Survival in a Harsh Environment Th e Justice Department team huddled in the hallway of the U.S. Court of Claims. Judith sat in the judge’s chambers, nervously eyeing the curious mix of Harvard Law teak and leather furniture and government grey steel. Today was “decision day” on the settlement, and she had brought the cell phone that the fi rm had just given its associates, pleased that this new one fi t in her purse. Th e rolling attaché at her side was packed with depositions from anthropologists, engineers, economists and soil scientists. As she sat waiting, her mind drifted to the black rock and the red sandstone bluff s, the sweet smell of juniper and piñon, and the tears of the Pueblo’s elders. Judith had fi rst travelled to Zuni Pueblo a year ago, armed with only a rudimentary understanding of the issues. She arrived in Albuquerque, New Mexico, on a blazing hot, dry day in mid-August. Th e heat only intensifi ed as she drove west from the airport towards Zuni Indian Reservation into the scorching sun, crossing a desert spotted with scraggly sagebrush and juniper. -
1 Navajo and Zuni Turquoise
Navajo and Zuni Turquoise: A Squash Blossom Necklace Case Study By Lucy Gamble Native American jewelry has been admired as adornment and investigated as functional works of cultural significance since the earliest Spanish contact in the 1500s. The unique styles of Native American jewelry across the American Southwest distinguish the pieces as emblems of their region and culture. Although each piece of jewelry is distinct, there are many reoccurring design elements and symbols throughout generations and various tribes. One identifiable widely repeated element of Native American jewelry is the use of the naturally occurring stone turquoise. Turquoise is used in many different types of jewelry, but it is prominently featured in the squash blossom necklace. In my thesis, I use methods of material culture and symbolic anthropology to investigate the use of turquoise in the squash blossom necklace. My work focuses on a collection of squash blossom necklaces collected from donors between 1935 and 1985, and housed at the Colorado Springs Fine Arts Center, to examine design elements and themes amongst the necklaces. Investigating the issues of transforming cultural items to commodities, I analyze these objects as reflective of the culture from which they originate. The market for Native American jewelry complicates the cultural analysis of these objects. When a jeweler is creating a piece within a cultural context it can be examined as reflective of that particular culture, but when the piece is created to be sold there are complications. Placing a value on the necklace puts a price on the cultural value, which in turn has the consumer viewing culture as commodity.