City of Palm Springs, California
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Ero's Penthouse
Last save: 2019-02-27 60 Seconds animation on: https://ero.ossel.nl/index.php/a-homepage-section/penthouse/ History Started long time ago, around 2005, with a little Icosahedron or Dodecahedron dome house. Then came the question having a stair along the walls, the faces of the Polyhedral, what is its angle. Ended up with the stair on level 3, the stair-halves have an angle of 120 degrees. Interesting was dealing with one halve along a wall pointing inside and the other halve along a wall pointing outside. It is at the end a little bigger than expected, and for the static an Icosahedron as a centre, bearing up the Dodecahedron. An optimal scale is 77 step rises of 0.17 meter between the planes of floor 3 and 6. With the given 0.17 step rise, the formula step length of 0.63 meter = 2 x rises + 1 x going brings a step going of 0.29 meter: 0.63-(2*0.17)=0.29. Because I’m a European, grown up with the metric system, the measurements are in meters. Some puzzling with a free standing elevator and chimney; afterwards came the ramp to level 1. This one is that expensive in render time, defined by a lot of small cylinders, I quit further development and started to render the 60 seconds animations. 18 Months later is here the result: ErO’s Penthouse. Levels All levels ID Up Plane Down Flt Rises Height Description 9 19.89 19.675 19.38 Sky DH 0 8 14.96 14.665 14.45 3 26 4.42 Roof DH 1,4,19 7 10.88 10.605 10.54 2 21 3.57 Flat two mid of level 8 and level 6 6 6.80 6.545 6.29 3 22 3.74 Flat one mid of DH 2,3,5,11,12,18 and IH 3,4,5 5 1.70 1.542 1.36 2 -
State Finalist in Doodle 4 Google Contest Is Pine Grove 4Th Grader
Serving the Community of Orcutt, California • July 22, 2009 • www.OrcuttPioneer.com • Circulation 17,000 + State Finalist in Doodle 4 Google Bent Axles Car Show Brings Contest is Pine Grove 4th Grader Rolling History to Old Orcutt “At Google we believe in thinking big What she heard was a phone message and dreaming big, and we can’t think of regarding her achievement. Once the anything more important than encourag- relief at not being in trouble subsided, ing students to do the same.” the excitement set it. This simple statement is the philoso- “It was shocking!” she says, “And also phy behind the annual Doodle 4 Google important. It made me feel known.” contest in which the company invites When asked why she chose to enter the students from all over the country to re- contest, Madison says, “It’s a chance for invent their homepage logo. This year’s children to show their imagination. Last theme was entitled “What I Wish For The year I wasn’t able to enter and I never World”. thought of myself Pine Grove El- as a good draw- ementary School er, but I thought teacher Kelly Va- it would be fun. nAllen thought And I didn’t think this contest was I’d win!” the prefect com- Mrs. VanAllen is plement to what quick to point out s h e i s a l w a y s Madison’s won- trying to instill derful creative in her students side and is clear- – that the world ly proud of her is something not students’ global Bent Axles members display their rolling works of art. -
Palm Springs Art Museum
Palm Springs Art Museum 1. Agnes Pelton American, born Germany, 1881-1961 Between Storms, Edom Hill, 1937 oil on canvas 14 x 20 inches Museum purchase with funds provided by the General Acquisition Fund for Western Art 2-1995 2. John W. Hilton American, 1904-1983 A Touch of Spring - Indio Mountain, 1949 oil on canvas 30 x 40 inches Gift from the Christiansen Collection of 20th Century California Art 2-2005 3. Edward S. Curtis American, 1868-1952 Marcos - Palm Cañon Cahuilla (Plate 517) (from The North American Indian, volume XV), 1924 photogravure on tissue 11-1/2 x 15-1/2 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.10 Page 1 of 42 4. Edward S. Curtis American, 1868-1952 Numero - Desert Cahuilla (Plate 519) (from The North American Indian, volume XV), 1924 photogravure on tissue 11-1/2 x 15-1/2 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.12 5. Edward S. Curtis American, 1868-1952 A Desert Cahuilla Woman (Plate 522) (from The North American Indian, volume XV), 1924 photogravure on tissue 11-1/2 x 15-1/2 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.15 6. Edward S. Curtis American, 1868-1952 A desert Cahuilla female type. Facing page 122 (from The North American Indian, volume XV), 1926 photogravure on tissue 5-1/2 x 7-3/8 inches Museum purchase with funds provided by the William Holden Acquisition Fund 4-1985.94 Page 2 of 42 7. -
Inside the New American Home
5/1/11 3:19 PM Monday, Oct. 14, 2002 Inside The New American Home By Bill Saporito/Dallas;Harriet Barovick, Lisa McLaughlin and Desa Philadelphia/New York, Jyl Benson/New Orleans, Leslie Everton Brice/Atlanta, Betsy Rubiner/Des Moines and Sonja Steptoe/Los Angeles I really love the idea of a beautiful foyer that opens all the way through to the back of the house," says James Atkins as he rhapsodizes about the 8,000-sq.-ft. home he is building in Folsum, La., an hour north of New Orleans. The foyer features a fountain at the center of an intricate spiral staircase. The house will have a media room, a wall-size aquarium, five bedrooms, plus all kinds of ideas that he has collected in 10 years of exploring the real estate landscape. Atkins sounds like a decorator, but he resembles a doorway. He's 6 ft. 7 in., 350 lbs. and a veteran National Football League lineman who spent the past decade trying to keep other large, angry men from mangling his quarterback. Now, though, Atkins is like the rest of house-hunting, house-remodeling, house-rich and house-proud America. "I want my dream house to incorporate lots of features that reflect my interests," he says, "so my home will remain appealing and comfortable to me throughout my lifetime." Home ownership has never been more pervasive across the U.S., and judging by the success of television's Trading Spaces and hgtv and the introduction of new shelter magazines such as Cachet, LivingRoom and Chic Simple, neither has home obsession. -
An Absolutely Beautiful Architect-Designed Modern House in Springs Behind the Hedges 06.11.2018 12:48 Click Here to Sign up for Behind the Hedges Newsletter
11/6/2018 An Absolutely Beautiful Architect-Designed Modern House in Springs Behind The Hedges 06.11.2018 12:48 Click here to sign up for Behind the Hedges Newsletter HOME TOP STORIES INDUSTRY LEADERS READ BEHIND THE HEDGES MAGAZINE AN ABSOLUTELY BEAUTIFUL ARCHITECT-DESIGNED MODERN HOUSE IN SPRINGS APRIL 19, 2017 BY LAURA EULER This interesting building, by architect Michael Haverland, is set on 2.55 acres right on Accabonac Harbor, near the Pollock-Krasner House. Built by Ben Krupinski in 2008, the house is a signature Haverland design, with long low lines and many windows, all within two rectangular volumes. https://behindthehedges.com/beautiful-architect-modern-springs/ 1/5 11/6/2018 An Absolutely Beautiful Architect-Designed Modern House in Springs Click here to sign up for Behind the Hedges Newsletter HOME TOP STORIES INDUSTRY LEADERS READ BEHIND THE HEDGES MAGAZINE The exterior is cast concrete with an intriguing pattern. Sightlines as you walk through the house are intriguing; there's a fabulous sunken conversation pit that beautifully complements the midcentury aesthetic. (Is the Doberman included? SOLD!) https://behindthehedges.com/beautiful-architect-modern-springs/ 2/5 11/6/2018 An Absolutely Beautiful Architect-Designed Modern House in Springs Click here to sign up for Behind the Hedges Newsletter HOME TOP STORIES INDUSTRY LEADERS READ BEHIND THE HEDGES MAGAZINE In all, the house oers four bedrooms, including an airy master suite, in 4570 square feet. And of course there's a inviting gunite pool just out back. The property, represented by Matthew Burns, Ed Petrie, and James Petrie at Compass, is asking $6.15 million. -
The Pleasure of Your Company: Entertaining at Sunnylands
Art Price, Birds of Welcome, 1971 Photo by Ken Hayden. 2012. Photo by Ken Hayden. 2012. THE PLEASURE OF YOUR COMPANY: ENTERTAINING AT SUNNYLANDS by Anne Rowe Text, design, and all images copyright © The Annenberg Foundation Trust at Sunnylands 2014. Contents First published in 2014 by The Annenberg Foundation Trust at Sunnylands, PO Box 1770, Rancho Mirage, CA 92270, United States of America. All rights reserved. No part of this book may be reproduced or utilized, in any form or by any means, electronic or mechanical, without prior permission in writing from the publisher. Library of Congress Control Number: 2013957048 ISBN: 978-0-9858429-6-3. Printed in United States of America. Book and cover design by JCRR Design. Photo by Ken Hayden. 2012. Photo by Ken Hayden. 2012. The Annenberg Retreat at Sunnylands by Geoffrey Cowan page 6 Walter and Leonore Annenberg by Janice Lyle, Ph.D. page 6 Essays by Anne Rowe pages 7 – 73 Introduction pages 8 – 13 I now pronounce you, Mr. and Mrs. Blue Eyes pages 14 – 25 Happy New Year, Mr. President pages 26 – 37 Lunch is served, your Majesty pages 38 – 49 Summit in the Sun pages 50 – 61 The Shirt-Sleeves Summit pages 62 – 73 Epilogue pages 74 – 75 Endnotes pages 76 – 77 Acknowledgments pages 78 – 79 5 The Annenberg Retreat at Sunnylands Walter and Leonore Annenberg For more than forty years, Sunnylands served as Sunnylands was the winter home of Walter and an oasis for presidents of the United States, other Leonore Annenberg. It was their wish that in Photo by Mark Davdison. -
Architecture Resources in the Irwin-Sweeney-Miller Family Collection at the Indiana Historical Society Library
INTROSPECTION AND INTERNAL OPERATIONS: ARCHITECTURE RESOURCES IN THE IRWIN-SWEENEY-MILLER FAMILY COLLECTION AT THE INDIANA HISTORICAL SOCIETY LIBRARY Above photographs are courtesy of the Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Maire Gurevitz, Archivist, Indiana Historical Society What does IHS have to offer? The Irwin-Sweeney-Miller Family Collection is more diverse and comprehensive, but less architecture specific than the IMA Miller House collection or the Columbus Archives. Strengths of our collection are: Personal, business, and philanthropic correspondence from all family members J. Irwin Miller public speaking preparation notes and speech transcripts Casual/candid family photographs Life at the Miller House A game of baseball in the yard, ca. 1960s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at the Miller House Xenia Miller and Alexander Girard seated in the Conversation Pit, ca. 1970s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at the Miller House Birthday party for Will Miller, ca. 1960s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at the Miller House J. Irwin, Will, and Betsy Miller relaxing on the patio, ca. 1960s. Irwin- Sweeney-Miller Family Collection Life at the Miller House J. Irwin, Margaret, Xenia, and Betsy Miller relaxing in the Conversation Pit, ca. 1960s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Life at Miller House J. Irwin and Xenia Miller entertaining at home, ca. 1980s. Irwin-Sweeney-Miller Family Collection, Indiana Historical Society Introspection An excerpt from a bound volume of J. Irwin Miller’s writings and collected quotations, ca. 1934-1959. Irwin-Sweeney-Miller Collection, Indiana Historical Society Introspection What experiences and interactions inspired J. -
A Retro-Styled Conversation Pit Adds Volume in This Los Angeles Renovation
A Retro-Styled Conversation Pit Adds Volume in This Los Angeles Renovation “If we can’t go up, let’s go down” By Morgan Goldberg Photography by Naho Kubota November 3, 2020 “EVERYTHING I OWN IS COLORFUL, SO I NEEDED THAT NEUTRAL BACKGROUND TO SUPPORT IT,” GERALDINE CHUNG ELUCIDATES. NOV | ISSUE TWO ISSUE | ARCHITECTUAL DIGEST ARCHITECTUAL As the founder of LCD, a fashion boutique that promotes her 1953 house in L.A.’s Mar Vista neighborhood. Though the The inviting conversation pit is a true showstopper. young, emerging designers, Geraldine Chung has a daily life previous owner had already flipped the interior with standard filled with color. To balance out her vibrant clothing and art, white tiles and wall paint, it lacked the depth and detail of a she looked to employ serene, neutral hues in the remodel of true home. Geraldine entrusted Kristin Korven and Jeff Kaplon A seat in the of architecture and design studio Part Office with the challenge of transforming and personalizing the cozy crater provides blank slate — all while keeping it predominantly a unique, lower-than- white. By playing with a mix of tones and materials, usual perspective. nuance and intrigue were achieved. “The quick antidote to a renovation is just painting everything white, and the more unanimous your palette is, Through original the more generic it feels. Using different shades glass sliding doors, throughout subliminally reminds you that you’re in a lush garden view a very custom space,” Kristin explains, comparing the existing and updated decor. lies ahead. The cabinet bases With soothing Benjamin Moore Dove Wing on the are also eye-level, walls and a glossy version on the wood floors, the contrast is minimal yet impactful. -
1 . Name of Paschal House 2. Location 3334 Alamance Drive Raleigh
NPS Form 10-900 OMB No. 1024-0018 (Rev. 10-90) of the interior Natiollal This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter onl categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1 . Name of historic name Paschal House other names/site number 2. location street & number 3334 Alamance Drive N/A not for publication city or town Raleigh N/A vicinity state North Carolina code NC county Wake code 183 zip code 27609 3. State/Federal Certificat ion As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ~ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property -2L meets __ does not meet the National Register Criteria. I recommend that this property be considered significant tiona statewi loca. (_ See continuation sheet for additional comments.) o State or Federal agency and bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
Selections from the Gift Collection of Walter and Leonore
Graduated brass weights cast in the shape of elephants (page 47). Previous page A sampling of decorative boxes that the Annenbergs received as gifts over the decades. TREASURES AT SUNNYLANDS: SELECTIONS FROM THE GIFT COLLECTION OF WALTER & LEONORE ANNENBERG January 25, 2015 through January 17, 2016 by Anne Rowe Text, design, and all images copyright © The Annenberg Foundation Trust at Sunnylands 2014. An illustration of Washington, D.C. from First published in 2014 by The Annenberg Foundation Trust at Sunnylands, the interior of the decoupage presentation 71231 Tamarisk Lane, Rancho Mirage, CA 92270, United States of America. box given to the Annenbergs by All rights reserved. No part of this book may be reproduced or utilized, in any form or by any Jay and Sharon Rockefeller (page 51). means, electronic or mechanical, without prior permission in writing from the publisher. Library of Congress Control Number: 2014951183 ISBN: 978-0-9858429-9-4. Printed in the United States of America. Book and cover design by JCRR Design. Contents The Annenberg Retreat at Sunnylands by Geoffrey Cowan page 6 Walter and Leonore Annenberg by Janice Lyle, Ph.D. page 6 Treasures at Sunnylands by Anne Rowe pages 7 – 17 Gifts from Presidents & First Ladies pages 18 – 27 Gifts from Royalty pages 28 – 33 Gifts from Diplomats pages 34 – 43 Gifts from Business Leaders pages 44 – 53 Gifts from Entertainers pages 54 – 59 Gifts from Family pages 60 – 63 Acknowledgments page 64 This eighteenth-century silver creamer was a gift from David Rockefeller (page 45). 5 The Annenberg Retreat at Sunnylands Walter and Leonore Annenberg For more than forty years, Sunnylands served as Sunnylands was the winter home of Walter and an oasis for presidents of the United States, other Leonore Annenberg. -
Asian Artists in Crystal: Steuben Glass at Sunnylands
ASIAN ARTISTS IN CRYSTAL: STEUBEN GLASS AT SUNNYLANDS January 28, 2016, through January 22, 2017 Essays by Geoffrey Cowan, Frank Lopez, and William Warmus The Unicorn (page 48) Previous page Dawn (page 59) Text, design, and all contemporary images Contents © The Annenberg Foundation Trust at Sunnylands 2015 Black-and-white photographs of Steuben crystal (pages 24 through 59 inclusive) © Erich Hartmann/Magnum Photos Steuben historical images (pages 10 through 22 inclusive unless otherwise noted) © Steuben Glass/The Corning Museum of Glass Reproductions of original drawings for the Asian Artists in Crystal series from the permanent collection of The New York Public Library (pages 60 through 77 inclusive), Print Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations The Annenbergs and Cultural Diplomacy by Geoffrey Cowan page 6 Due to the different naming conventions used by The New York Public Library and Steuben Glass, the titles of works and artist names are based on Asian Artists in Crystal: Designs by An Historical Account of Asian Artists in Crystal by Frank Lopez pages 8 – 15 Contemporary Asian Artists Engraved on Steuben Crystal by Steuben Glass, 1956. Images have been provided in many cases by the owners or custodians of the work. Individual Reflections on Asian Artists in Crystal by William Warmus pages 16 – 22 works of art appearing herein may be protected by copyright in the United States of America or elsewhere, and may not be reproduced in any form without the permission of the rights holders. Asian Artists in Crystal Collection pages 24 – 59 In reproducing the images contained in this publication, The Annenberg Foundation Trust at Sunnylands obtained the permission of the rights holders whenever possible. -
City of Palm Springs Citywide Historic Context Statement & Survey Findings
46 Context: Palm Springs between the Wars (1919-1941) O’Donnell House, Ojo del Desierto, 1925. Listed in the National Register; HSPB-19. Source: Steve Vaught, Paradise Leased. SCREENCHECK DRAFT– OCTOBER 13, 2015 City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP THIS PAGE INTENTIONALLY LEFT BLANK. SCREENCHECK DRAFT – OCTOBER 13, 2015 City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 47 CONTEXT: PALM SPRINGS BETWEEN THE WARS (1919-1941) Overview This context explores the transformation of Palm Springs from a modest spa town into a luxury winter resort in the years between the First and Second World Wars. By 1918 Nellie Coffman and her sons, George Roberson and Earl Coffman, understood the town’s potential, not as a health spa for asthmatics and consumptives, but as an exclusive winter resort for the well-to-do, and set about transforming their sanatorium into the luxurious Desert Inn, one of the most renowned hostelries in the country. Their success inspired the development of two equally spectacular hotels in the 1920s and cemented the town’s growing reputation as one of the country’s premier luxury winter resorts. The Oasis Hotel, designed by Frank Lloyd Wright, Jr. (known as Lloyd Wright) opened in 1925 by Pearl McCallum McManus;92 and the grand Hotel El Mirador, designed by Walker and Eisen in a sumptuous Spanish Colonial Revival style and opened in 1927.93 Automobile tourism played an early and important part of the success and growth of Palm Springs as a destination. In 1914, highway bonds were passed in Riverside County for extensive road improvements and construction of new routes.