The J. Paul Getty Trust 2009 Report 2 Message from the Chair 4 Foreword 6 The J. Paul Getty Museum Acquisitions Exhibitions Scholars Councils Docents and Volunteers 26 The Getty Research Institute Acquisitions Exhibitions Scholars 38 The Getty Conservation Institute Conservation Projects Scholars 52 The Getty Foundation Grants Awarded

62 Publications 64 Staff 69 Board of Trustees, Officers and Directors 70 Financial Information The J. Paul Getty Trust

The J. Paul Getty Trust is an international cultural and philanthropic institution that focuses on the visual arts in all their dimensions, recognizing their capacity to inspire and strengthen humanistic values. The Getty serves both the general public and a wide range of professional communities in Los Angeles and throughout the world. Through the work of the four Getty programs–the Museum, Research Institute, Conservation Institute, and Foundation–the Getty aims to further knowledge and nurture critical seeing through the growth and presentation of its collections and by advancing the understanding and preservation of the world’s artistic heritage. The Getty pursues this mission with the conviction that cultural awareness, creativity, and aesthetic enjoyment are essential to a vital and civil society. Message from the Chair

The principal subject of my Trust Report letter last year was the Getty’s then-newly adopted strategic plan. The plan was developed in close collaboration between the board and the Getty’s senior management team. Its key elements are: a renewed focus on what the Getty can do best; enhanced collaboration among the Getty’s four program areas; increased flexibility in the allocation of funds across the Getty’s programs for new strategic initiatives; continued development of the core collections of the Museum and Research Institute; and strengthened leadership in the field of visual arts locally and internationally. I am pleased to report that, notwithstanding the global economic crisis, implementation of the plan priorities made significant progress throughout 2009.

An essential element of the strategic plan was implementing cost-saving measures across the Getty in order to create a new major acquisitions and strategic initiatives fund in July 2008. By the beginning of 2009, however, the Trust’s endowment had declined in value by 24 percent from $5.9 billion at the end of FY08. So, notwithstanding the cost-saving steps put in place during the prior six months, it was clear last January that more aggressive steps had to be taken immediately.

To that end, the board asked Trust President Jim Wood and his management team to develop a FY10 budget that reflected the new economic realities, while still achieving the Getty’s highest priority goals. Specifically, the board directed that the traditional formula for providing annual operating income from the endowment, which was based on a three-year averaging of endowment value, be changed to allow only a five percent draw on the substantially reduced end-of-year endowment value. The effect of this was a 24 percent reduction in the budget, which I am proud to report was achieved thanks to strong executive leadership and close collaboration across the Getty’s staff, all of whom deserve special recognition for acting decisively and without delay.

I would like to briefly highlight three major initiatives that demonstrate the Getty’s unique ability to act as a catalyst, blending expertise and philanthropic capacity to meet challenges in the visual arts. The first,Pacific Standard Time, is a Getty-led regional collaboration initiated by the Getty Foundation and Research Institute. Unprecedented in scope, it will feature exhibitions in the fall of 2011 through spring 2012 at more than 30 museums across Southern California, including one at the Getty Center. The exhibitions will showcase the work of Los Angeles artists from 1945–80, a period when this region exerted a significant influence on the world of art. Over the last decade, the Getty has contributed substantial grants for archival research, cataloguing and funding of individual exhibitions to support this important effort.

The second initiative, international in scope, addresses the critically important mission of preserving great paintings by artists such as Leonardo da Vinci, Dürer, Rembrandt, Rubens and Van Eyck that were executed on wooden panels. Very few restoration specialists worldwide have the expertise for such sophisticated work, and most of them are nearing retirement. Recognizing the urgent need to ensure that there are a sufficient number of conservators to care for these great works of art in the future, the Getty Foundation, Conservation Institute and Museum have taken the lead to create an initiative that will improve training and access to knowledge in this field.

And finally, during this past year, the Getty Conservation Institute embarked on a major effort with Egypt’s Supreme Council of Antiquities to conserve and manage the Valley of the Queens, and develop strategies to protect and conserve the wall paintings in the tomb of Tutankhamen in the Valley of the Kings.

2 The J. Paul Getty Trust The exhibition Dialogue among Giants: Carleton Watkins and the Rise of Photography in California.

In January of this year, Michael Brand announced that he would step down as director of the J. Paul Getty Museum. The entire Board joins me in expressing our deepest appreciation to Michael for his considerable contributions and strong leadership. A search is underway for his successor.

A strong board of trustees is essential to effective leadership at any institution. Two years ago, we welcomed three distinguished trustees to the Getty board: Frances Fergusson, Paul LeClerc and Neil L. Rudenstine. Each has contributed significantly to the board since joining us.

I am pleased to report that three more trustees have joined the board. Each has substantial international experience, a deep interest in the Getty’s work and a record of major accomplishment and distinction in professional fields significant to our mission.

Maria Hummer-Tuttle, former partner and chair of the management committee of the law firm Manatt, Phelps and Phillips, recently co-authored Winfield House, a volume detailing the historic London home where she lived with her husband, the former U.S. ambassador to the United Kingdom, from 2005 to 2009.

David Lee, co-founder and managing general partner of Clarity Partners, also chairs the board of overseers of the Keck School at the University of Southern California and serves as vice chairman of the board of trustees of the California Institute of Technology.

Ronald Spogli, who served as U.S. ambassador to Italy from August 2005 to February 2009, will join the board as its newest member in July 2010. Ambassador Spogli is president and CEO of Freeman, Spogli & Co. Inc., one of the leading private equity investors in the United States.

On behalf of the board, I would like to conclude by expressing our deepest appreciation to Jim Wood and his management team and the entire staff at the Getty. Their superb accomplishments over the past year continue to further the mission of the Getty both locally and around the world.

I also thank my fellow board members for their forthright and intelligent discussion, excellent fiduciary oversight, and dedication in all cases to what is best for the Getty. I am confident that the Getty will be well served by its current and new board members for many years to come.

Louise Bryson, Chair J. Paul Getty Trust Board of Trustees

The J. Paul Getty Trust 3 Foreword James N. Wood

Welcome to the Getty’s first interactive, online Trust Report. In it you will read about the many exhibitions that drew record visitors to the Getty Museum; the Getty Conservation Institute’s work in China, Europe and the Middle East; the digitization of rare books in the Getty Research Institute’s collection; and the launch of a new strategic philanthropic model by the Getty Foundation. Because it’s digital, you will be able to link to video, audio and still images to enhance the stories being told and obtain more in-depth information about the Getty’s work in Los Angeles and around the world.

The report underscores the Getty’s role both as a local and international arts institution. More than a million and a half visitors annually come to the Getty Center and Getty Villa to enjoy our collections, architecture and gardens. Scholars from around the world come to take advantage of the Getty’s significant resources. The Getty is equally well known internationally for the significant work carried out through its grants, programs and collaborative initiatives in nearly every region of the globe.

Last year, for example, the Getty Conservation Institute launched a three-year partnership with 10 countries in Central, Southern and Eastern Europe to advance photography conservation. It hosted conferences on architecture conservation in Cambodia and Croatia. In Tunisia, in partnership with the Getty Foundation and other international arts organizations, the Conservation Institute helped to launch a program that supports the conservation of mosaics, focused initially on countries to the south and east of the Mediterranean.

The Getty Foundation had a profound impact last year through its philanthropy, frequently in connection with the Getty’s other programs. For example, Connecting Art Histories, a project launched by the Foundation in partnership with the Research Institute, will enhance the teaching of art history by supporting visiting faculty and curriculum enrichment in Bucharest, Romania and New Delhi, India. Grants are also helping scholars from the Middle East, North Africa, Central Asia, and East-Central Europe—who are often isolated in their own countries—connect around themes of artistic exchange from late antiquity to the early modern period.

The Getty Museum’s exhibitions take place in Los Angeles, but the Museum’s reach extends far beyond Southern California. Curators from each of the Museum’s departments routinely collaborate with colleagues around the world on scholarship and to organize unique exhibitions. Last year, for example, the Museum worked with the Foundation on a project involving a priceless 17th-century Japanese lacquer work known as the Mazarin Chest, which is in the permanent collection of the Victoria and Albert Museum in Great Britain. A Foundation grant enabled its conservation using a variety of Western and traditional Japanese techniques, while Museum and Foundation staff worked with colleagues from the Victoria and Albert Museum to create a didactic exhibition at the Getty Museum which attracted over 100,000 visitors.

4 The J. Paul Getty Trust Panorama of Algiers. Printed by Moullot, Marseille. Photolithograph, ca. 1930s. (GRI)

Even as the Getty’s work proceeded last year, it is important to emphasize that the economic downturn that began in 2008, and which grew more difficult during 2009, made it necessary to make painful financial decisions to assure our long-term financial health. The board and the Getty’s management team determined that we must scale our operating budget to the current value of the endowment rather than postponing the day of reckoning and subjecting the institution to a prolonged period of uncertainty. Priority was given to preserving key staff, maintaining important initiatives across the Getty’s four programs, and minimizing the impact the reductions would have on visitors to the Getty Center and Getty Villa. Unfortunately, it still was necessary to eliminate nearly 200 positions. The Getty’s entire staff deserves credit for the professional way in which it has addressed the challenges presented by the worst economic downturn in the Trust’s history.

The leadership of the Getty Museum entered a period of transition this January, as Director Michael Brand announced his plans to step down. During his tenure he was instrumental in helping to restore positive relationships with Italy and Greece following demanding negotiations over claims for objects from our antiquities collection. He also presided over the opening of the Getty Museum’s new Center for Photographs, acquired numerous major works of art and was responsible for many celebrated exhibitions at the Museum. I want to thank David Bomford, the Museum’s associate director for collections, for agreeing to serve as interim director while we undertake the search for a new director.

It has been a challenging year for the Getty, as well as for our colleagues here in Los Angeles and throughout the international visual arts community. I want to thank each and every one of our dedicated staff who collectively have helped assure that adversity and change, when creatively engaged, can provide opportunities. I am pleased, but hardly surprised, to report that the Getty Museum continued to inspire visitors with outstanding exhibitions, and the Getty Foundation, Conservation and Research Institutes maintained their commitment to support essential visual arts initiatives, scholarship and preservation in Los Angeles and around the world.

The J. Paul Getty Trust 5 The J. Paul Getty Museum Michael Brand, Director

The J. Paul Getty Museum seeks to further knowledge of the visual arts and to nurture critical seeing by collecting, preserving, exhibiting, and interpreting works of art of the highest quality. To fulfill its mission, the Museum continues to develop its collection through purchase and gifts, complementing its impact through special exhibitions, publications, educational programs developed for a wide range of audiences, and a related performing arts program. The Museum strives to provide its visitors with access to the most innovative research in the visual arts while they enjoy a unique experience in viewing works of art at our Getty Center and Getty Villa sites. While benefiting from the broader context of the Getty Trust, the Museum also extends the reach of its mission via the Internet and through the regular exchange of works of art, staff, and expertise. Gian Lorenzo Bernini. Portrait This sculpture was featured of Cardinal Scipione Borghese in the exhibition Bernini and (detail), 1632. Carrara marble. the Birth of Baroque Portrait Museo e Galleria Borghese, Sculpture at the Getty Center. Rome, Italy, CCXLVI. Archivio Fotografico Soprintendenza Speciale per il Polo Museale Romano. Photograph: Arrigo Coppitz. Cast in Bronze: French The Department of Drawings Sculpture from Renaissance expanded its collection to Revolution featured a of works by Dutch artists, number of objects from which included the the collection of Her acquisition of this drawing Majesty Queen Elizabeth II, by Abraham Rutgers of including this sculpture by A Street in Jisp on a Winter’s François Girardon of Louis Day from before 1664. XIV on Horseback, 1696. (JPGM)

Fiscal Year 2009 began and ended with two exhibitions that demonstrate again the J. Paul Getty Museum’s ability to bring significant works of art to Los Angeles. In August 2008, the Museum presented an extraordinary exhibition of portrait sculptures by Gian Lorenzo Bernini and his contemporaries. Many of the works on view had never left their lending institutions or came from private collections and were seen by the public for the first time. The exhibition Bernini and the Birth of Baroque Portrait Sculpture and its accompanying catalogue will have an impact on the field of art history and on the Getty Museum’s reputation long past its closing date.

On the last day of this fiscal year, we openedCast in Bronze: French Sculpture from Renaissance to Revolution. A partnership with the Musée du Louvre, Paris, and The Metropolitan Museum of Art, New York, this exhibition is the culmination of nearly 30 years of scholarship on French bronze sculpture. It brought to Los Angeles an exceptional group of loans from our two partners, as well as from the collections of Her Majesty Queen Elizabeth II, the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections), and the Château de Versailles, among others.

Another highlight this year was the development of significant projects with two of Italy’s most important archaeological museums—the Museo Archeologico Nazionale in Florence and the Museo Archeologico Nazionale in Naples. Over the course of the next several years, these partnerships will bring important objects of stunning aesthetic quality to the Getty Villa that not only complement our own antiquities collection, but will anchor major exhibitions. From Naples, an exquisite bronze

8 The J. Paul Getty Museum Auguste Rodin. Sphinx, about View of an ephebe (youth) 1898–1900. Brown wash and as a lampbearer, about graphite. (JPGM) 20–10 B.C., on loan from Italy, in the Basilica of the Getty Villa.

statue of an ephebe (youth) as a lampbearer is now on view in the Villa’s Basilica, where it will remain until March 2011. A second bronze statue—the Apollo shooting an arrow—is undergoing conservation work at the Getty Villa, after which it too will be put on view. Both objects were discovered at Pompeii, and their installation marks the first time that they will be displayed in the United States.

In January, the Museum toasted the impressive career of Weston Naef, founding curator of the Department of Photographs. After 24 years at the Getty, Weston retired as senior curator of photographs. He fittingly chose to retire on the heels of opening an exhibition truly representative of his life’s work. Dialogue among Giants: Carleton Watkins and the Rise of Photography in California presented Watkins’ work as it had never before been shown: in the context of his most important contemporaries, while also exploring his previously unknown early career as a daguerreotypist.

The Collection

Beginning this fiscal year, the Museum made a concerted effort to broaden our drawings collection in a manner that better serves our exhibition needs. Over the course of the year we purchased 32 objects, emphasizing works by Dutch and German artists. Additionally, in December, we acquired a drawing by the renowned 19th-century French sculptor and draftsman Auguste Rodin. Sphinx (ca. 1898–1900), a brown wash and graphite drawing depicting a highly sensual nude female figure, strengthens the Museum’s collection of drawings by sculptors such as Michelangelo Buonarroti, Alessandro Algardi, and Bernini.

The J. Paul Getty Museum 9 Jim Dine. Poet Singing (The Flowering Sheets) (detail), 2008. A first for the Getty Villa, this contemporary art project featured new sculpture and poetry inspired by the ancient objects in the Museum’s collection.

Joining the collection at the same time, Landscape with the Temptation of Saint Anthony (1617) is one of the most important works by Roelandt Savery to become available in several decades. While the Museum owns three drawings by the Flemish artist, this is his first painting to enter the collection. Another artist new to the collection is Guido Cagnacci. Our acquisition of David with the Head of Goliath (ca. 1645–50) makes it only the third painting by this Italian artist in an American public collection.

The Museum’s photographs collection continues to grow impressively through acquisition and donation. This year alone, the department added more than 716 works, including a number by contemporary East Asian photographers such as Wang Qingsong, Hai Bo, Sung Soo Koo, and Kansuke Yamamoto.

Last fall, the Museum announced the acquisition of two life-size bronze casts by Pietro Cipriani. Based on two famous Hellenistic statues from the Medici collections in the Uffizi Gallery in Florence, theMedici Venus and the Dancing Faun are among the most accomplished examples of large, full-scale bronze statues cast from famous Greco-Roman works. They make a perfect bridge from the sculpture collection at the Getty Center to the antiquities collection at the Getty Villa.

Exhibitions

Among the 27 exhibitions that the Museum opened this fiscal year are two that continue our long-standing relationship with the Dresden State Art Collections.

At the Getty Villa, Reconstructing Identity: A Statue of a God from Dresden traced the modern history of a monumental Roman statue, on loan from the Skulpturensammlung. Severely damaged at the end of World War II, the statue came to the Getty Villa in 2007 in more than 150 pieces. Over the next two years, Getty and Dresden conservators disassembled and cleaned the surviving fragments, and later reassembled the ancient core. The reconstructed statue is now on view at the Villa, where it will remain until 2010.

The second exhibition mounted in partnership with Dresden, Captured Emotions: Baroque Painting in Bologna, 1575–1725, told the story of the Carracci family of painters from Bologna who revitalized the art of painting in the late 16th century, setting new standards for more than 200 years. The exhibition was co-organized with the Gemäldegalerie Alte Meister, one of the world’s premier collections of old master paintings, which lent 27 works to the exhibition, many shown in North America for the first time.

One of the Getty Museum’s strengths has always been smaller, focused exhibitions that either introduce contemporary works or highlight an area of art not represented in the permanent collection. This year, we had several examples of such exhibitions, including our first contemporary art project at the Getty Villa. For Jim Dine: Poet Singing (The Flowering Sheets), the artist created new work inspired by objects in the Museum’s antiquities collection. The installation was accompanied by a 10-minute film charting Dine’s creative process and demonstrating the continued influence of the ancient world on artists today.

10 The J. Paul Getty Museum Guido Cagnacci. David with the Head of Goliath (detail), about 1645–50. Oil on canvas. (JPGM)

At the Getty Center, a very focused, one-gallery exhibition not only told the story of Japanese lacquer made for European patrons, but also showcased a project funded by the Getty Foundation. The centerpiece of Tales in Sprinkled Gold: Japanese Lacquer for European Collectors was the recently conserved Mazarin Chest, one of the most significant and beautiful examples of Japanese export lacquer that is now in the collection of the Victoria and Albert Museum in London.

The Belles Heures of the Duke of Berry is an artistic treasure of French medieval manuscript illumination and a highlight of The Cloisters Collection of The Metropolitan Museum of Art in New York. The masterpiece was recently unbound for restoration, which offered us a unique opportunity to put on view all of its major miniatures in a single exhibition before it is reassembled.

This fiscal year, the Museum also launched a partnership with four Southern California museums that resulted in a virtual exhibition of paintings by Rembrandt van Rijn. A Web site titled Rembrandt in Southern California brings together 13 paintings by Rembrandt now in Southern California museums and was inspired by the long-term loan to the Getty of the artist’s exquisite Portrait of a Girl Wearing a Gold-Trimmed Cloak from a private collector. It also serves as a prelude to our major drawings show of works by Rembrandt and his pupils, which will be a highlight of fiscal year 2010.

Education

The Museum’s education department continued its commitment to offering a stimulating variety of programs for a wide range of audiences. Approximately 129,000 students visited our two sites with their teachers, and nearly 16,000 college and university students took part in facilitated and self-guided visits, an increase of 22 percent over the previous fiscal year.

This year, a new program at the Getty Villa highlighted our focus on object-based learning. In conjunction with the exhibition Carvers and Collectors: The Lasting Allure of Ancient Gems, visitors were provided an opportunity to handle replicas of ancient gems, facilitated by Museum educators, in the galleries. We also piloted a summer internship program at the Villa for teenagers ages 16 to 19, providing them with a unique, behind-the-scenes look at careers in museums and a better understanding of cultural stewardship issues. We were pleased to have the opportunity to speak to them.

In concert with the exhibition Jo Ann Callis: Woman Twirling, the department collaborated with photographer Jo Ann Callis and the nonprofit writing and tutoring center 826LA for this year’s Community Photoworks project. Students from Los Angeles High School met with Callis at the Getty Museum to discuss her work before being provided with cameras to capture images in their communities. The resulting photographs were exhibited at a cafe near their school.

For adults, a new lecture series was launched in June titled Getty Perspectives. As the first featured speakers, Bill Ivey, former chairman of the National Endowment for the Arts and team leader for arts and humanities in the Obama-Biden Transition Project, and cultural critic Lewis Hyde discussed cultural rights in the 21st century.

The J. Paul Getty Museum 11 Bernini and the Birth of Agamemnon, this year’s Baroque Portrait Sculpture production in the outdoor featured 60 of the artist’s theater at the Getty Villa, portrait sculptures, drawings, featured Tyne Daly and paintings, as well as and Delroy Lindo. works by many of his Photo: Craig Schwartz. contemporaries. (JPGT)

As a prelude to next year’s citywide Ring Festival, we partnered with LA Opera for a study day focusing on the visual art of medieval German manuscript illumination and the operas of Richard Wagner. The daylong event featured a lively discussion with LA Opera music director James Conlon.

In association with the Pompeii exhibition at the Los Angeles County Museum of Art (LACMA), which was curated by the Getty Museum’s Kenneth Lapatin, the Museum collaborated with LACMA on a two-day symposium at the Villa that explored the reception of Greek art in ancient Italy, linking both the exhibition and the Getty Research Institute’s scholar year theme on the display of art.

Finally, balancing fact and fiction was the theme for the second annual Villa Council-sponsored program, which featured Jonathan Stamp, historical consultant for HBO’s Rome, in conversation with journalist Patt Morrison, who once again ensured an informative and highly entertaining exchange.

12 The J. Paul Getty Museum Conservators work on the Statue of a God, which came to the Getty in over 150 pieces. This conservation project is just one manifestation of the Museum’s long-standing partnership with the Dresden State Art Collections.

Public Programs

The Museum drew some 72,000 visitors with its extensive schedule of concerts, family festivals, dance, theater, and film programs this year. The Villa’s outdoor theater production, Agamemnon, directed by Stephen Wadsworth and starring Tyne Daly and Delroy Lindo, was one of the most ambitious efforts undertaken to date, and the Villa Theater Lab continued to be popular with four sold-out productions.

Unforgettable Journeys was the theme for Selected Shorts, our annual collaboration with New York’s Symphony Space. This year’s series featured readings by Alec Baldwin, James Cromwell, Kate Burton, and Joe Mantegna, among others. Additionally, the Japanese lacquer and Carleton Watkins exhibitions inspired well-received film series at the Getty Center.

At the close of this fiscal year, the Museum’s performing arts department collaborated with the GRI and World Performance Project at Yale University on a newly commissioned performance piece by acclaimed dance and film pioneer Yvonne Rainer. Spiraling Down was performed to three sold-out audiences at downtown Los Angeles’ REDCAT in the Walt Disney Concert Hall.

The J. Paul Getty Museum 13 J. Paul Getty Museum Left: Pietro Cipriani. Dancing Faun, 1722–24. Bronze. (JPGM) Acquisitions Right: Pietro Cipriani. Venus de´Medici, 1722–24. Bronze. (JPGM)

The J. Paul Getty Museum’s collection includes Gustave Doré (French, 1832–1883) Johann Adam Klein (German, 1792–1875) Greek, Etruscan, and Roman antiquities; After the Shipwreck—Design for an Illustration of View of Koblenz with the Rhine and Fortress European paintings, drawings, sculpture, and Coleridge’s The Rime of the Ancient Mariner, ca. 1875 Ehrenbreitstein (recto); View of the Heidelberg Castle decorative arts from the Middle Ages to the end Gouache; 50.8 x 40.5 cm (20 x 15 15/16 in.) (verso), 1815 of the 19th century; medieval and Renaissance 2008.30 Pen and ink over pencil; 22.8 x 32.7 cm (9 x 12 7/8 in.) illuminated manuscripts; and photographs from 2009.28 Anton Joseph Draeger (German, 1794–1833) the 19th century to the present. Saint Cecilia, 1822 Joseph Anton Koch (German, 1768–1839) Pencil; 22.2 x 17.6 cm (8 3/4 x 6 15/16 in.) Landscape with Abraham and the Three Angels in the Acquisitions made between July 1, 2008, 2009.40 Valley of Mambre, 1797 Pen and brown ink, brown wash, heightened with white and June 30, 2009 Albert Dubois-Pillet (French, 1846–1890) gouache on reddish brown paper; 54 x 75 cm The Banks of the Marne at Dawn, ca. 1888 (21 1/4 x 29 1/2 in.) Watercolor over traces of black chalk; 15.8 x 22.2 cm DRAWINGS 2009.8 (6 1/4 x 8 3/4 in.) Jacob Adriaensz Backer (Dutch, 1608–1651) 2008.25 Edward Lear (British, 1812–1888) Petra, April 14, 1858, 1858 A Young Man with a Fur Hat Holding a Staff (recto); Aurore Dudevant (George Sand) (French, 1804–1876) Pen and brown ink with watercolor and gouache on blue Study of the Head of a Man with a White Collar (verso), A Volcano in Auvergne, 1874 paper; 36.2 x 54 cm (14 1/4 x 21 1/4 in.) late 1640s Watercolor; 11.4 x 15.2 cm (4 1/2 x 6 in.) 2008.45 Black and white chalk on blue paper; 30.1 x 20.3 cm 2009.37 (11 7/8 x 8 in.) Albert Lebourg (French, 1849–1928) Thomas Ender (Austrian, 1793–1875) 2008.32 Still Life With Candle, ca. 1867–70 View of the Residence of Archduke Johann in Gastein Charcoal heightened with white gouache; Carl Barth (German, 1787–1853) Hot Springs, ca. 1829–32 30.5 x 23 cm (12 x 9 1/16 in.) Portrait of Peter Hjort, ca. 1818–19 Watercolor over traces of pencil; 19 x 28.5 cm 2009.38 Pencil on wove paper; 9.5 x 9.3 cm (3 3/4 x 3 11/16 in.) (7 1/2 x 11 1/4 in.) 2009.10 2009.30 John Linnell (British, 1792–1882) A Landscape in Snowdonia with a Tree in the Jan Berents (Dutch, ca. 1679–after 1733) Carl Philipp Fohr (German, 1795–1818) Foreground, 1813 Winter Landscape with Figures, ca. 1723 Ruin of the Tiefburg at Handschuchsheim, 1813/14 Pencil and watercolor; 23.7 x 37.4 cm (9 5/16 x 14 3/4 in.) Gouache on vellum, heightened with gold, laid down Watercolor over pencil; 19.7 x 27.5 cm (7 3/4 x 10 13/16 in.) 2008.26 on panel; 8.3 x 14.8 cm (3 1/4 x 5 13/16 in.) 2009.29 2008.19 Gerard van Nijmegen (Dutch, 1735–1808) Christian Gottlieb Hammer (German, 1779–1864) A Design for a Title Page, 1801 Thomas Shotter Boys (British, 1803–1874) View of Dresden, 1810 Pencil, pen and gray and brown ink, and gray wash; A View of the Church of Our Lady of Hanswijk, Watercolor over graphite; 50.5 x 74.6 cm 38 x 27.4 cm (14 15/16 x 10 13/16 in.) Mechelen (Malines), Belgium, 1831 (19 7/8 x 29 3/8 in.) 2008.31 Watercolor over pencil; 26 x 36.8 cm (10 1/4 x 14 1/2 in.) 2009.32 2008.46 Ernst Ferdinand Oehme (German, 1797–1855) James Holland (English, 1799–1870) Rocky Outcropping (recto); Rocky Forest with Strollers Julius Schnorr von Carolsfeld (German, 1794–1872) The Saint Mark’s Basin, Venice, ca. 1860 (verso), ca. 1825 The Coronation of Charlemagne, 1840 Watercolor over pencil, heightened with gouache; Graphite and watercolor (recto); graphite (verso); Pen and brown ink, over pencil; 33.2 x 59.9 cm 31.8 x 92.7 cm (12 1/2 x 36 1/2 in.) 18.4 x 29.7 cm (7 1/4 x 11 11/16 in.) (13 1/16 x 23 9/16 in.) 2008.39 2009.5 2009.27 Circle of Wolf Huber (Austrian, 1480/1485–1553) Friederich Overbeck (German, 1789–1869) Julius Schnorr von Carolsfeld (German, 1794–1872) Mercenary Soldier in a Landscape, ca. 1515 Head of a Man, ca. 1820–25 Elijah Revives the Son of the Widow Zarephath, 1842 Pen and brown ink; 14.5 x 10.8 cm (5 11/16 x 4 1/4 in.) Black chalk, white heightening on brownish laid paper; Pen and black ink; 21.7 x 26.1 cm (8 9/16 x 10 1/4 in.) 2009.14 2009.13 22 x 16.5 cm (8 11/16 x 6 1/2 in.) 2009.11

14 The J. Paul Getty Museum Friedrich Preller (German, 1804–1878) MANUSCRIPTS Donald Blumberg (American, b. 1935) Two Female Figures in Half-Length and Ten photographs, 1969–70 a Study of a Hand, 1861 Lieven van Lathem (Flemish, ca. 1430–1493) Gelatin silver prints Graphite on white wove paper; 19.1 x 28.3 cm Miracle of the Adulterous Woman’s Repentance, Gift in honor of the artist (7 1/2 x 11 1/8 in.) leaf from Les Miracles de Nostre Dame of 2008.90 Gift of Thomas and Gianna Le Claire Philip the Good, ca. 1460 Donald Blumberg (American, b. 1935) 2009.22 Tempera colors and gold paint on parchment; 13.2 x 17.8 cm (5 3/16 x 7 in.) Ten photographs, 1969–70 Ludwig Richter (German, 1803–1884) 2009.41 Gelatin silver prints Spring Has Arrived, 1870 Gift in honor of the artist Watercolor, graphite, gouache and touches of red chalk; Nuremberg School 2009.4 20.4 x 16.7 cm (8 1/16 x 6 9/16 in.) Rainerius de Pisis, Pantheologia, Two Volumes, Manuel Álvarez Bravo (Mexican, 1902–2002) 2009.31 Printed by Anton Koberger, 1474 Ink printed on paper; 49.2 x 34.3 cm (19 3/8 x 13 1/2 in) Thirty photographs, 1930–96 Auguste Rodin (French, 1840–1917) 2009.1 Gelatin silver, platinum, and platinum/palladium prints Sphinx, ca. 1898–1900 Gift of Daniel Greenberg and Susan Steinhauser Brown wash and graphite; 48.7 x 32.4 cm 2008.88 (19 3/16 x 12 3/4 in.) PAINTINGS Esther Bubley (American, 1921–1998) 2008.60 Guido Cagnacci (Italian, 1601–1663) Sixteen photographs, 1943–60 Carl Rottmann (German, 1797–1850) David with the Head of Goliath, ca. 1645–50 Gelatin silver prints The Ruins of the Imperial Palaces in Rome, ca. 1831 Oil on canvas; 108 x 85.7 cm (42 1/2 x 33 3/4 in.) Gift of Nina and Leo Pircher Pencil and watercolor; 23.5 x 29.2 cm (9 1/4 x 11 1/2 in.) 2008.43 2008.50 2009.12 Gerard Hoet (Dutch, 1648–1733) Emil Cadoo (American, 1926–2002, Abraham Rutgers (Dutch, 1632–1699) The Death of Cleopatra, ca. 1700–10 active France and New York) A Street in Jisp on a Winter’s Day, before 1664 Oil on canvas; 57.8 x 69.9 cm (22 3/4 x 27 1/2 in.) Twenty-one photographs, 1960–69 Pen and brown and black ink and brown and gray wash; 2009.24 Gelatin silver prints 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.) Gift of Joyce Cadoo/Janos Gat Gallery 2008.18 Jean-Charles-Joseph Rémond (French, 1795–1875) 2008.74 Mountain Landscape with Road to Naples, 1821–25 Wilhelm von Schadow (German, 1788–1862) Oil on canvas; 54.6 x 75.6 cm (21 1/2 x 29 3/4 in.) Jo Ann Callis (American, b. 1940) Joseph Wintergest in a Floor-Length Coat, Standing, Gift of Fern and George Wachter in honor of Scott Schaefer Two photographs, 1984 with His Hands Placed on Top of One Another, ca. 1811–13 2008.44 Cibachrome prints Graphite; 29.5 x 22 cm (11 5/8 x 8 11/16 in.) Gift of Jo Ann Callis 2009.9 Roelandt Savery (Flemish, 1576–1639) 2008.34 Landscape with the Temptation of Saint Anthony, Oswald Adalbert Sickert (British, 1828–1885) ca. 1617 Peter Coffin (American, b. 1972) Fourteen Scenes Related to the Tale of Tom Thumb, Oil on panel; 48.7 x 94 cm (19 3/16 x 37 in.) Untitled [Rainbow Collage], 2006 ca. 1851 2008.73 Mixed-media collage with color prints; Graphite on off-white, wove paper; 38.1 x 31.8 cm 30.8 x 31.4 cm (12 1/8 x 12 3/8 in.) (15 x 12 1/2 in.) Abraham Solomon (British, 1824–1862) 2008.21 Gift of Thomas and Gianna Le Claire Two paintings, 1859 Mariana Cook (American, b. 1955) 2009.21 Oil on canvas Partial and promised gift of Barbara and Seventeen photographs, 1982–2007 Jacob van Strij (Dutch, 1756–1815) Norman S. Namerow Selenium-toned gelatin silver prints Landscape with Cattle, Sheep, and Herders, ca. 1800–10 2008.79 2009.15 Pencil, pen and black ink, and wash; 35 x 47 cm Mariana Cook (American, b. 1955) (13 3/4 x 18 1/2 in.) Thirteen photographs, January 23, 1999–February 19, 2006 2008.61 PHOTOGRAPHS Gelatin silver prints Johann Heinrich Wilhelm Tischbein (German, 1751–1829) George Arcus (American, active 1940s) Gift of a private collector Portrait of Antonio Canova, 1787 Disturbing Encounter, ca. 1940s 2008.20 Black chalk; 23.5 x 19 cm (9 1/4 x 7 1/2 in.) Bromide print; 50.8 x 40.6 cm (20 x 16 in.) Sharon Core (American, b. 1965) 2008.47 2008.22 Early American—Still Life with Steak, 2008 Cornelis Troost (Dutch, 1696–1750) Virginia Beahan and Laura McPhee Chromogenic print; 50.8 x 61 cm (20 x 24 in.) Sinterklaas: A Mother Showing Her Weeping Son His (American, b. 1946 and b. 1958) Purchased with funds provided by the Photographs Shoe of Switches, mid-18th century Sixteen photographs, 1996–2000 Council of the J. Paul Getty Museum Black chalk and gray wash, heightened with white on gray- Chromogenic and Ektacolor prints 2009.78 brown paper; 39.2 x 23.6 cm (15 7/16 x 9 5/16 in.) Gift of Nancy Goliger and Bruce Berman Eileen Cowin (American, b. 1947) 2008.33 2008.80 Two photographs, 1970–91 Unknown (Bolognese School) Jessie Tarbox Beals (American, b. Canada 1870–1942) Gelatin silver prints Seven Men on the Gallows, ca. 1630 Possibly Countess Tamara de Svirsky, 1911–20 Gift of Dan and Jeanne Fauci Pen and brown ink over black chalk; 18.7 x 26 cm Gelatin silver print; 26.2 x 18.1 cm (10 5/16 x 7 1/8 in.) 2008.82 (7 3/8 x 10 1/4 in.) Gift of Laurent Schwaar 2008.24 2008.84

The J. Paul Getty Museum 15 Judy Dater (American, b. 1941) Judy Fiskin (American, b. 1945) Dave Heath (American, b. 1931) Eight photographs, 1964–81 Fifteen photographs and one video, 1973–2006 Untitled, before 1961 Gelatin silver prints Gelatin silver prints and DVD Gelatin silver print; 35.7 x 27.8 cm (14 1/16 x 10 15/16 in.) Gift of Jack von Euw in honor of Lillian Lichtenfeld 2008.36 Gift of Donald and Grace Blumberg 2008.69 2009.3 Bianca Fonti (American?, active ca. 1920) Lala Deen Dayal (Indian, 1844–1910) Possibly Countess Tamara de Svirsky, ca. 1920 Robert Heinecken (American, 1931–2006) Views of H. H. the Nizam’s Dominions. Gelatin silver print; 23.8 x 15.6 cm (9 3/8 x 6 1/8 in.) Four photographs, 1964–70 Hyderabad (Deccan), 1889 Gift of Laurent Schwaar Gelatin silver prints Silver bromide print; 48.9 x 36.5 cm (19 1/4 x 14 3/8 in.) 2008.85 2009.16 Gift in memory of Marie McNabola and Irene Peters Leonard Freed (American, 1929–2006) Florence Henri (American, 1893–1982) 2008.78 Forty-one photographs, 1962–65 [Portrait of Sonia Delaunay], 1931 Joe Deal (American, b. 1947) Gelatin silver prints Gelatin silver print; 54.1 x 37 cm (21 5/16 x 14 9/16 in,) Ten photographs, 1974–80 2008.62 2009.45 Gelatin silver prints Leonard Freed (American, 1929–2006) Graciela Iturbide (Mexican, b. 1942) 2008.57 Twenty-four photographs, 1963–79 Eight photographs, 1974–2005 Jim Dow (American, b. 1942) Gelatin silver prints Gelatin silver and chromogenic (monochromatic) prints Twenty-five photographs, 1995–2004 Gift of Brigitte Freed Gift of Daniel Greenberg and Susan Steinhauser Chromogenic prints 2008.59 2008.87 Gift of Nancy Goliger and Bruce Berman Barry Frydlender (Israeli, b. 1954) André Kertész (American, b. Hungary 1894–1985) 2008.81 Raid, 2003, printed 2005 Two photographs, 1961–65 Marian Drew (Australian, b. 1960) Chromogenic print; 130.8 x 143.2 cm (51 1/2 x 56 3/8 in.) Gelatin silver prints Lorikeet with Green Cloth, 2006 2009.25 Gift of Leslie, Judith, and Gabrielle Schreyer Digital pigment print; 73 x 90.2 cm (28 3/4 x 35 1/2 in.) 2008.71 Ori Gersht (Israeli, b. 1967) Purchased with funds provided by the Photographs Blow Up: Untitled 15 (diptych), 2007 Justin Kimball (American, b. 1961) Council of the J. Paul Getty Museum Digital chromogenic prints Five photographs, 1996–2006 2009.44 Purchased with funds provided by the Photographs Chromogenic prints Alfred Eisenstaedt (American, b. Germany 1898–1995) Council of the J. Paul Getty Museum Gift of Jeanne and Richard S. Press Nineteen photographs, 1936–81 2009.46 2008.64 Gelatin silver prints Arthur Grace (American, b. 1947) Sung Soo Koo (South Korean, b. 1970) Gift of Nina and Leo Pircher Fourteen photographs, 1977 Five photographs, 2001 2008.48 Gelatin silver prints Gelatin silver prints Judy Fiskin (American, b. 1945) 2009.2 Purchased with funds provided by the Photographs Untitled, 1985–86 Council of the J. Paul Getty Museum Lauren Greenfield (American, b. 1966) Gelatin silver print; 20.5 x 14.6 cm (8 1/16 x 5 3/4 in.) 2008.56 Ten photographs, 1997–2008 Gift of Dan and Jeanne Fauci Dye destruction prints Sung Soo Koo (South Korean, b. 1970) 2008.83 2009.20 Three photographs, 2001 G.R. Fardon (British, 1807–1886) Gelatin silver prints Hai Bo (Chinese, b. 1962) Battery Street, ca. 1856 Gift of the artist Six diptychs, 2000 Salt print; 20.6 x 25.3 cm (8 1/8 x 9 15/16 in.) 2008.49 Chromogenic and gelatin silver prints Gift of Hans P. Kraus, Jr. 2009.19 Laura Letinsky (Canadian, b. 1962) 2008.55 Untitled #43, 2001, printed August 19, 2008 Philippe Halsman (American, 1906–1979) G.R. Fardon (British, 1807–1886) Chromogenic print; 63.5 x 77.5 cm (25 x 30 1/2 in.) Brunette Actress Lying on Bed, ca. 1950s California Street, ca. 1856 Purchased with funds provided by the Photographs Gelatin silver print; 22.8 x 34.1 cm (9 x 13 7/16 in.) Salt print; 20.6 x 25.3 cm (8 1/8 x 9 15/16 in.) Council of the J. Paul Getty Museum Gift of Leslie, Judith, and Gabrielle Schreyer Gift of Fraenkel Gallery, San Francisco 2009.79 2008.72 2008.54 Jeff Chien-Hsing Liao (Taiwanese, b. 1977) Hiroshi Hamaya (Japanese, 1915–1999) G.R. Fardon (British, 1807–1886) Ten photographs, 2004–8 Eighteen photographs, 1954–57 Three photographs, ca. 1856 Inkjet prints Gelatin silver prints Salt prints Purchased with funds provided by the Photographs 2009.34 2009.43 Council of the J. Paul Getty Museum Dave Heath (American, b. 1931) 2009.7 Two photographs, 1958–61 Richard C. Miller (American, b. 1912) Gelatin silver prints Three photographs, 1940–43 Gift of Donald and Grace Blumberg Carbro prints 2008.65 2008.38

16 The J. Paul Getty Museum Richard C. Miller (American, b. 1912) Sebastião Salgado (Brazilian, b. 1944) Various Manufacturers Three photographs, 1939–49 Eleven photographs, 1994–2009 One hundred twelve cameras, 1800–1970 Carbro prints Gelatin silver prints Wood, brass, leather, glass, and canvas Gift of The Miller Family Trust 2009.33 Gift of Gloria and Stanley Fishfader 2008.63 2008.89 Tomoko Sawada (Japanese, b. 1977) Ryuji Miyamoto (Japanese, b. 1947) ID 400 Project, #201–300, 1998 Wang Qingsong (Chinese, b. 1966) Twelve photographs, 1985–95 Gelatin silver print; 121.6 x 94.6 cm (47 7/8 x 39 1/8 in.) Three photographs, 2000–2002 Gelatin silver prints 2008.42 Chromogenic prints 2009.35 2009.18 Tomoko Sawada (Japanese, b. 1977) Yasumasa Morimura (Japanese, b. 1951) School Days/E, 2004 William James Warren (American, b. 1942) Daughter of Art History, Maja C, 1990 Chromogenic print; 19.1 x 24.1 cm (7 1/2 x 9 1/2 in.) Three photographs, 1967–68 Chromogenic print; 261.6 x 129.5 cm (103 x 51 in.) 2009.47 Gelatin silver prints Gift of LA Louver, Venice, California, in memory of Gift of William James Warren Toshio Shibata (Japanese, b. 1949) Werner Scharff 2008.77 Three photographs, 1983–96 2008.66 Gelatin silver prints Carrie Mae Weems (American, b. 1953) Yasumasa Morimura (Japanese, b. 1951) Gift of Dr. and Mrs. John V. Knaus Eight photographs, 1995 Two photographs, 1989 2008.67 Monochromatic C-prints, with sandblasted text Chromogenic prints with transparent acrylic on framing glass Osamu Shiihara (Japanese, 1905–1974) 2008.52 Gift of Daniel Greenberg and Susan Steinhauser Three photographs, ca. 1935–40 2008.86 Yasumasa Morimura (Japanese, b. 1951) Gelatin silver (bromide) prints Three photographs, 2005 2008.58 Jack Welpott (American, 1923–2007) Dye diffusion prints Twenty-eight photographs, 1950–86 Osamu Shiihara (Japanese, 1905–1974) 2009.56 Gelatin silver, Polaroid, and carbro prints Two photographs, 1930s 2008.53 Daido Moriyama (Japanese, b. 1938) Gelatin silver prints Untitled, 1980 2009.48 Jack Welpott (American, 1923–2007) Gelatin silver print; 40 x 32.7 cm (15 3/4 x 12 7/8 in.) Twenty photographs, 1963–96 Taryn Simon (American, b. 1975) 2008.23 Gelatin silver prints Three photographs, ca. 2005–7 Gift of Jack Welpott Legacy Trust Dianora Niccolini (American, b. Italy 1936) Chromogenic color prints 2008.68 Fourteen photographs, 1960–2004 2009.26 Gelatin silver prints Bruce Wrighton (American, 1950–1988) Otto Steinert (German, 1915–1978) Gift of William Knight Zewadski Six photographs, ca. 1987 Kraftwerk Bexbach, 1953 2008.76 Chromogenic prints Gelatin silver print; 54.8 x 64.8 cm (21 9/16 x 25 1/2 in.) 2008.37 Catherine Opie (American, b. 1961) Purchased with funds provided by the Photographs Six photographs, 1997–98 Council of the J. Paul Getty Museum Kansuke Yamamoto (Japanese, 1914–1987) Inkjet prints 2009.39 Twenty photographs, 1930–83 2009.23 Gelatin silver and chromogenic prints Issei Suda (Japanese, b. 1940) 2009.17 Catherine Opie (American, b. 1961) Ginza, Chuo-ku, Tokyo, 1984 Untitled #2, 1997 Gelatin silver print; 25.1 x 24.8 cm (9 7/8 x 9 3/4 in.) Liu Zheng (Chinese, b. 1969) Inkjet print; 40.6 x 104.1 cm (16 x 41 in.) 2009.42 Two photographs, 1997–2005 2008.40 Gelatin silver prints Issei Suda (Japanese, b. 1940) Gift of Dale and Doug Anderson Bill Owens (American, b. 1938) Sixteen photographs, 1974–85 2008.70 Fifteen photographs, 1972–76 Gelatin silver prints Gelatin silver prints 2008.51 2008.27 Unknown, Attributed to Carleton Watkins SCULPTURE & DECORATIVE ARTS Bill Owens (American, b. 1938) (American, 1829–1916) Pietro Cipriani (Italian, ca. 1680–before 1745) Twenty-three photographs, 1970s Engineering Camp, Copiapo, Chile, ca. 1852–55 Pair of bronzes, 1722–24 Gelatin silver prints Daguerreotype; 10.8 x 14 cm (4 1/4 x 5 1/2 in.) Bronze Gift of Robert Shimshak and Marion Brenner 2008.28 2008.41 2008.75 Unknown, Attributed to Carleton Watkins Unknown (French) Irving Penn (American, 1917–2009) (American, 1829–1916) Writing stand (Gradin), ca. 1692–1700 Still Life with Triangle and Red Eraser, 1985 Untitled [Valparaiso, Chile], ca. 1852 Oak and walnut veneered with brass, copper, silver, Cibachrome print; 57.8 x 46 cm (22 3/4 x 18 1/8 in.) Daguerreotype; 16.5 x 21.6 cm (6 1/2 x 8 1/2 in.) ebony, painted horn (some laid on gold foil), mother- Purchased with funds provided by the Photographs 2008.29 of-pearl, and tortoiseshell; silvered-bronze mounts; silk Council of the J. Paul Getty Museum velvet; 19.1 x 84.5 x 19.1 cm (7 1/2 x 33 1/4 x 7 1/2 in.) 2009.36 2009.6

The J. Paul Getty Museum 17 The exhibition Dialogue J. Paul Getty Museum among Giants: Carleton Exhibitions Watkins and the Rise of Photography in California shed new light on Watkins’ career in comparison to the work of his contemporaries.

Opening at the Getty Center between July 1, 2008, Dialogue among Giants: Carleton Watkins Captured Emotions: Baroque Painting and June 30, 2009 and the Rise of Photography in California in Bologna, 1575–1725 October 14, 2008–March 1, 2009 December 16, 2008–May 3, 2009 Bernini and the Birth of Baroque Portrait Sculpture Dialogue among Giants presented the photographs of This exhibition told the extraordinary story of the Carracci August 5–October 26, 2008 Carleton Watkins (American, 1829–1916) in the context family and their followers, who reinvigorated the art of Gian Lorenzo Bernini and his contemporaries in Rome of the birth and evolution of photography in California. painting with tremendous energy and vitality in the late transformed the portrait bust into a groundbreaking The exhibition considered the social, political, economic, 16th century. It was co-organized by the J. Paul Getty art form. Celebrating Baroque sculpture, paintings, and and artistic developments in California between the time Museum and the Gemäldegalerie Alte Meister, Staatliche drawings, this major international loan exhibition brought of statehood in 1850 and the mid-1880s and included Kunstsammlungen Dresden, one of the world’s premier together nearly 60 works from both public and private approximately 150 works, from daguerreotypes by collections of old master paintings, which lent 27 collections, including objects never before seen together. unknown makers to mammoth-plate photographs by paintings—most never before seen in North America— Bernini and the Birth of Baroque Portrait Sculpture was Watkins and his contemporaries. to the Getty for this presentation, which also included co-organized by the J. Paul Getty Museum and the National loans from Southern California collections. Gallery of Canada, Ottawa. Sur le motif: Painting in Nature around 1800 September 23, 2008–March 8, 2009 Drawing the Classical Figure Faces of Power and Piety: Medieval Portraiture During the late 1700s and early 1800s European artists December 23, 2008–March 8, 2009 August 12–October 26, 2008 made a formal practice of working outdoors in the Examining drawings from the 1300s to the 1800s, this Portraiture in illuminated manuscripts developed from clear, pure light of the Italian countryside, transcribing survey showed how the rediscovery of classical sculpture the highly stylized portrayals of the early Middle Ages to the atmosphere and depth of picturesque landscape influenced the ways in which artists rendered the human the late medieval emergence of recognizable portraits. views. Originally intended as studies for more formal, form. A selection of Italian, Flemish, Dutch, Swiss, French, This exhibition explored both historical portraits of people idealized studio paintings, the sketches they created and British drawings illustrated the powerful aesthetic, from the past—including religious figures, authors, and are today considered highly satisfying works of art in philosophical, and political forces that informed the artists—and portraits of living individuals, usually the their own right. This concise survey exhibition featured representation of the classical figure. owner or donor of a book. recent acquisitions. In Focus: The Portrait In Focus: The Landscape The Belles Heures of the Duke of Berry January 27–June 14, 2009 August 26, 2008–January 11, 2009 November 18, 2008–February 8, 2009 Drawn exclusively from the Getty Museum’s photographs Like painters and draftsmen before them, photographers The Belles Heures of John, duke of Berry, is one of the collection, this exhibition presented the evolution of the turned to the landscape as a source of inspiration after the most beloved and sumptuous books of the Middle Ages. genre from commissioned portraits to intimate views as invention of the medium was announced in 1839. Since Painted by the Limbourg brothers when the art of well as those reflecting social concerns. Works by such then, changing artistic movements and continual technical manuscript illumination in France reached new heights photographers as Félix Nadar, Edward Steichen, Walker advancements have provided opportunities for camera of elegance and sophistication, the book of hours, in Evans, and Nan Goldin were included. artists to approach the subject in diverse and imaginative The Cloisters Collection, The Metropolitan Museum of Art, ways. This exhibition, drawn exclusively from the Getty’s La Roldana’s Saint Ginés: The Making of a was presented with its individual leaves unbound. The collection, brought together works by more than 25 Polychrome Sculpture resulting display offered a once-in-a-lifetime opportunity innovative photographers who have left their mark on the Opened February 17, 2009 for the visitor to “walk through” the book to view all its history of the genre. Luisa Roldán, affectionately known as La Roldana, was major miniatures, a unique gallery of paintings of one of the most celebrated and prolific sculptors of the A Light Touch: Exploring Humor in Drawing sublime beauty. Baroque period. This intimate exhibition introduces September 23–December 7, 2008 visitors to La Roldana, whose artistic superiority As a result of its immediacy, drawing has for centuries catapulted her to fame at the Spanish royal court in been used to lampoon human character, ridicule an otherwise male-dominated profession. With her physical characteristics, and satirize behavior. This polychrome sculpture Saint Ginés de La Jara from the exhibition included works by Leonardo da Vinci, Urs Getty Museum’s collection as a focal point, this exhibition Graf, Giambattista Tiepolo, Francisco de Goya, Thomas explores the artist’s life, artistic achievement, and the Rowlandson, and Pierre Bonnard, and explored brands multifaceted process used to create masterfully lifelike of humor from wicked caricatures to wry observations of polychrome sculpture. social injustice.

18 The J. Paul Getty Museum German and Central European Manuscript Illumination Temptation and Salvation: The Psalms of King David Reconstructing Identity: A Statue of a God from Dresden February 24–May 24, 2009 June 9–August 16, 2009 December 18, 2008–June 1, 2009 Highlighting masterworks from the Ottonian, Romanesque, The 150 Psalms of the Bible played a central role in This exhibition examined the restoration history of a and Gothic periods, this exhibition featured manuscripts Christian religious life throughout the Middle Ages, their Roman statue from the Dresden State Art Collections. and leaves from the Museum’s holdings of German elusive poetry attracting both written interpretation Since its discovery in the 1600s, the figure has been and central European illumination. Illustrating the and painted decoration. This exhibition celebrated the successively restored as Alexander the Great, Bacchus, and achievement of one of the greatest epochs of German importance of the Psalms in medieval devotion and Antinous in the guise of the wine god. Damaged in World and central European art, the selections showed how revealed the splendor and variety of the illumination War II, the sculpture was recently reassembled by Getty manuscript illumination continued to flourish even after developed to accompany them. and Dresden conservators. the invention of the printed book in the 1400s. Foundry to Finish: The Making of a Bronze Sculpture The Getty Commodus: Roman Portraits Tales in Sprinkled Gold: Japanese Lacquer Opened June 23, 2009 and Modern Copies for European Collectors This didactic exhibition presented a rare look at how December 18, 2008–June 1, 2009 March 3–May 24, 2009 bronze sculpture is born. Visitors explored a process called The Getty’s marble bust of the Roman emperor The Mazarin Chest and the Van Diemen Box (now in the direct lost-wax casting—a method that yields a single, Commodus was acquired in 1992 as an Italian work of collection of Japanese art at London’s Victoria and Albert unique bronze cast of an artist’s original clay-and-wax the 1500s, but specialists later proposed that it may Museum) were made in about 1635 for European patrons. model. Thirteen step-by-step models illustrated the be from the second century a.d. Putting the object in These beautiful and important examples of Japanese sculpting and casting process. Through X-radiographs, context with Roman portraits and modern copies from export lacquer were the centerpieces of this exhibition, visitors even got a glimpse inside an original sculpture to the Mannerist and Neoclassical periods, this exhibition which also included a selection of lacquer objects see firsthand evidence of how the bronze was cast. showed how curators and conservators have determined that provided history and context. Tales in Sprinkled the sculpture’s date. In Focus: Making a Scene Gold marked the completion of a major research and June 30–October 18, 2009 Fragment to Vase: Approaches to Ceramic Restoration conservation project on the Mazarin Chest that was Photography, despite its association with truth, has been December 18, 2008–June 1, 2009 partially funded by the Getty Foundation. used to create fiction throughout its history. Drawing Exploring contemporary issues in vase restoration, this Taking Shape: Finding Sculpture in the Decorative Arts inspiration from art, literature, and cinema, this exhibition exhibition provided a behind-the-scenes look at how March 31–July 5, 2009 of photographs from the Getty’s collection included early Getty conservators assemble ancient pottery fragments Focusing on the sculptural aspects of the decorative daguerreotypes, bromoil, and platinum prints as well as into understandable forms. It illustrated how technical arts, this exhibition explored the rich plasticity of objects contemporary Polaroids and chromogenic prints. innovations, scholarly contributions, and aesthetic choices intended for functional or ceremonial use. In addition to combine to reveal the original design and iconography of Cast in Bronze: French Sculpture from sculpture, it showcased astonishingly inventive works of ceramic masterpieces. Renaissance to Revolution art, such as furniture, light fixtures, and accessories for the June 30–September 27, 2009 Carvers and Collectors: The Lasting Allure of hearth from the Getty Museum and the Temple Newsam Cast in Bronze was the first comprehensive exhibition Ancient Gems House, a historic country house near Leeds, England. on the spectacular art of French bronze sculpture— March 19–September 7, 2009 The exhibition was co-organized by the J. Paul Getty described as “among the most splendid manifestations This exhibition brought together remarkable intaglios Museum and the Henry Moore Institute, Leeds. of artistic genius in France”—from its beginnings during and cameos carved by ancient master engravers along Made for Manufacture the Renaissance until the end of the ancien régime. with some of the outstanding works by modern carvers March 31–July 5, 2009 Co-organized by the J. Paul Getty Museum, the Musée that they have inspired. The gems were displayed This exhibition was comprised of drawings for three- du Louvre, and The Metropolitan Museum of Art, Cast in together with material from later periods—illuminated dimensional objects to be made in a variety of media, Bronze reflected the latest scholarship on the subject. manuscripts, rare engravings from early catalogues, including metal, wood, glass, ceramic, and stone, with cabinets designed to house collections of gems, and other particular attention paid to how the form of a design works of art in diverse media to illustrate the lasting allure reflects an object’s function and how two-dimensional Opening at the Getty Villa between July 1, 2008, of these masterpieces in miniature. drawings were transferred to three-dimensional works of and June 30, 2009 art. Grecian Taste and Roman Spirit: Paul Outerbridge: Command Performance The Society of Dilettanti March 31–August 9, 2009 August 7–October 27, 2008 Paul Outerbridge, Jr. burst onto the New York art scene in The Society of Dilettanti was founded in 1734 in London the early 1920s with photographs that were visually fresh as a dining club for British gentlemen who had made the and decidedly Modernist. He applied his talent for the grand tour. Notorious revelers and wits, this close-knit formal arrangement of objects to the commercial world circle of aristocratic patrons, antiquarians, artists, and and was a visionary for his use of color. This exhibition architects transformed the study of classical art from a brought together nearly 100 photographs from all periods matter of private delight into one of public consequence. of Outerbridge’s career. This exhibition presented portraits, sculptures, drawings, and rare books that illuminate the society’s first 100 years. Jo Ann Callis: Woman Twirling March 31–August 9, 2009 Jim Dine: Poet Singing (The Flowering Sheets) Over the past 30 years, Jo Ann Callis has drawn inspiration October 30, 2008–February 9, 2009 and imagery from the best of Los Angeles’ traditions in This exhibition presented new works and poetry by Jim film, fashion, and design in constructing photographs. Dine based on ancient Greek sculptures in the Museum’s Fabricated tableaux of the 1980s and 1990s dominated this collection. The first contemporary art project at the Getty photographs exhibition selected from the Getty’s holdings, Villa, this installation illustrated the continuing influence gifts from the photographer Gay Block, and the artist’s of antiquity on living artists. own archive.

The J. Paul Getty Museum 19 J. Paul Getty Museum Guest Scholars

The J. Paul Getty Museum Guest Scholar Program is a Kumar Das, Asok. Independent scholar, West Bengal, residential, three-month fellowship for scholars whose India. Work on a book and exhibition project on the research is best pursued in the context of the Museum’s Mughal natural history painter Ustad Mansur. collections and in contact with its staff and the resources of Longstaffe-Gowan, Todd. Independent landscape the Getty Research Institute. The program is by invitation. architect and historian, London, England. Research for Projects listed represent scholars’ primary research while his forthcoming book on the evolution of the London in residence. square. His project explored an important and sustained cross-cultural exchange in the visual arts between Britain and the continent—namely the development of an urban 2008–9 Museum Guest Scholars planning device which has at its center a garden area Bodnár, Szilvia. Museum of Fine Arts, Budapest, Hungary. reserved for the tenants of the surrounding houses. Work on her full critical catalogue of the 15th–16th century Penichon, Sylvie. Amon Carter Museum of Art, Fort German drawings in the Museum of Fine Arts, Budapest. Worth, Texas. Preparation of a manuscript for a This catalogue will study around 450 drawings, including publication on the care and identification of 20th-century important groups of drawings by Augustin Hirschvogel and color photographic prints. Topics include history of Hans Hoffmann. the processes, characteristics of materials, common Holcombe, Melanie. The Metropolitan Museum of Art, deterioration mechanisms, identification, and storage and New York, New York. Conduct research and complete the care guidelines. catalogue for a major international loan exhibition on Schultz, Sarah. Walker Art Center, Minneapolis, medieval drawing: Pen and Parchment: The Art of Drawing Minnesota. Research to create an expanded paradigm in the Middle Ages (held at The Metropolitan Museum in for experience/interpretation as a holistic practice and 2009). The first exhibition to examine the achievements of function across the art museum. Her research explored the medieval draftsman, it aims to explore the aesthetics, new ways to articulate an integrated experience and uses, and techniques of medieval drawings. interpretive plan for the Walker Art Center. Von Dewitz, Bodo. Museum Ludwig, Cologne, Germany. Project “Bohemians” explored the construction of the image of the artist in photographic portraiture from the 19th century forward, with emphasis on the evolution of the artist’s image from the notion of the bohemian as described in literature of the period.

20 The J. Paul Getty Museum J. Paul Getty Museum Councils

For July 1, 2008, through June 30, 2009

Paintings Conservation Council Photographs Council Villa Council

John I. Bloomberg Susan Steinhauser, Chair (2007–9) David Alexander, Chair David G. Booth Robert Weingarten, Chair (2009–11) Patricia R. Anawalt Suzanne Deal Booth Doug and Dale Anderson John H. Biggs T. Robert Burke Denise Bethel John F. Cooke Robert F. Erburu Michael and Sharon Blasgen Lloyd E. Cotsen Deborah P. Gage Louise Henry Bryson Hanita E. Dechter Audrey Greenberg William Carter Sandra A. Ell Mary Tavener Holmes Anne Cohen Robert F. Erburu Thomas S. Kaplan Jan and Trish de Bont Harriett F. Gold Richard Kelton Nancy Dubois Barbara Poe Levee Joanne C. Kozberg David Fahey Lawrence R. McNamee Herbert L. Lucas, Jr. Harriett and Richard Gold Tania N. Norris Tania N. Norris Dan Greenberg Sol Rabin Lynda Resnick Manfred Heiting Mark Siegel Stewart A. Resnick Willard and Gloria Huyck Jorge Silvetti Gayle Garner Roski Jean McCusker Luanne Wells Anne F. Rothenberg Marjorie Ornston Malcolm H. Wiener Melvin R. Seiden Leo and Nina Pircher Harold M. Williams Mark S. Siegel Stephen Purvis and Devon Susholtz Louis Stern Richard and Strawn Rosenthal John A. Sturgeon Paul Sack Peter J. Taylor Dan and Mary Solomon George Wachter Alessandro Uzielli Malcolm H. Wiener Larry Warsh Michael and Jane Wilson Bruce and Susan Worster

The J. Paul Getty Museum 21 J. Paul Getty Museum Donors, Patrons, and Sponsors

For July 1, 2008, through June 30, 2009

Donors

Jon Landau The Wells Family

Patrons

American Honda Motor Corporation, Inc. Associations for Financial Professionals The Boeing Company Coldwell Banker Residential Brokerage Klee, Tuchin, Bogdanoff & Stern, LLP LRN Corporation Northern Trust Skadden, Arps, Slate, Meagher & Flom, LLP Sony Imageworks (IPAX) Systems Technology Associates, Inc. Univision

Sponsors

Istituto Italiano di Cultura, Los Angeles Japan Foundation, Los Angeles

22 The J. Paul Getty Museum J. Paul Getty Museum Docents

For July 1, 2008, Sandra Cooper Ellen Hart Barbara Marino Sheryl Simon through June 30, 2009 Elena Cortinas Stephanie Hart Beryl Markiles Sandra Singer Diana Cotter Clara Hartman Mary Marlow Sharon Skinner Joan Craig Phyllis Hartman Marian Martin Joanne Sliteris DOCENTS Joseph Cserepes Peggy Hayek Joanne Martinez Margaret Smith Amy Cubicciotti Jo Hearn Kaz Matamura Mieke Solari Meghan Adamovic Diane Curran Bonnie Hecht Jane McConnell Sharon Solimine Jacque Adams Arice DaCosta Jessica Hendra Celia McDonald Sylvia Sosnow Nancy Adams Jeanne Dahm Diana Hiatt-Michael Lila McElroy Anne Spackman Jim Agee Judith Day Janet Holmes Christa McNeill Johanna Spira Elena Alcalay Deborah DeBono Lucie Hostalek Claudia Medl-Rilling Sigrid Stiegelmair Ruthanne Allton Casey DeFranco Carol Howard Rubina Megji Timothy Sullivan Dawn Amenta-Roth Candace DeGraff Marilyn Howlett Zarine Metre Jackie Sutton Jan Ames Luiza Demirian Janet Hunt Marian Miller Debra Tash Patti Amstutz Denyse Dubois Karen Hurwitz Norma Morales Hrach Tavetian Estelle Anshen Mary Dubrow Betty Hyatt Ray Morse Karen Taylor Ashley Armstrong Monica Edgerton Myra Iosty Elizabeth Mullan Charles Tellalian Claire Atcheson Lucy Edward Paul Iyer Kerry Myerson George Terrell Dina Azarkman Vanae Ehret Jamie Jackson Robert Nagayama Mary Thanos Eva Barcia Sharon Elliott Mary Ann Jackson Ellen Nakamura Anke Thiel Carlos Bas Jean Enns Jody Jacobson Wedret Arthur Naselow Sandra Thomas Cynthia Baskin Marianne Escaron Sanford Jacquard Steven Negri Michael Timmons Andrew Bassi Pierre Escaron Cleon Janos Buritt Newton Lee Tirce Bonnie Bates Sharleen May Eusebio Georgianna Johnson Terri Niwayama Robin Trento Betsy Becker Tanya Evtuhov Yoon Kahm Kate Oakland Nicky Truong Jim Behm Sue Fado Gerrie Kahn Nancy Obar Leny Tward Barbara Bernstein Shiao-Ying Fang William Kahn Dianne Opp Arlene Vaillancourt Valerie Bernstein Debra Farra Patricia Keaney Betty Orr Carolina Valencia Ranjit Bhatia Beryl Feller Catherine Kelly Steven Ort Clare Ann Van Vorst Beverly Bierer Sally Fick Alden Kirkman Cynthia O’Shea Christine VanScoy Ana Bonilla Mary Finnin Diane Knechtli Judith Palm Leila Visram Catherine Brackey Karin Fintzy Mark Kreher Rhonda Pardridge Meredeth Vogler Connie Bright Elaine Fisher Josee Kubiak Sylvia Perea Ursula Von Der Ohe Joan Brown Howard Fox Rose Kujawa Lucille Petersen Mary Vourgourakis Ronna Brown Sean Fox Adam Kulbersh Sylvia Pinter Vicki Wagner Gail Browning Carmen French Suzanne Kush Sandra Reiner Gail Weintraub Charlotte Bryant Antonio Galvan Angela Lage Kathie Renger Paula Weiser Kathleen Bunker Gail Geppert Norma Landau Betty Richardson Linda Weiss Ann Burckle Glen Gessford David Leach Carolyn Richardson Marilyn Weitz Marnie Burns Ronald Getty Fermin Xavier Leal Vicki Richardson Fritzie Wernig Melissa Cagle John Godwin Gloria Lee Carmen Rivera-Mann Linda Westerschulte Bill Campbell Sylvia Godwin Mary Leiter Mandy Robinson Anita Wexler Marguerite Campbell Patricia Goldberg Lorrie Levin Robert Robinson Wendy Wharton Catherine Caron Carol Goldstein Dolores LeVine Ilene Roper Berenice Wilkinson Paula Carroll Darlene Grant Murray Levy Victor Rosario Judith Willis Carla Casilli Ana Greenberg George Lewicki Ellie Rosen Joan Wilms Beatrice Casini Marilyn Greenberg Kathryn Lewicki Louis Rosen Barbara Wing Diana Chang Diana Greene Ginny Lieberman Linda Rosenbaum Cheryl Winthrop Linda Chaussee Jeriann Griffith Nancy Litter Carol Rosenberg Monica Wolfe Ann Chen Cindy Gross Maria Loveless Marilyn Ruman Ann Wooldridge Fran Christiansen Leonie Gross Elizabeth MacDonald Armida Ruth Gerrard Wunder Helen Christman Mimi Hagani Shirley Macy Rosalind Sanger Ruth Wyle Janie Cochran Terry Haljun Edward Makasjian Anthony Sebastiano Grace Yeh Victoria Cody Beverly Hall Celeste Malott Joan Seder Elizabeth Young Bonnie Coleman Les Hanson Allegra Mancuso Peter Sego Phyllis Zatzick Judy Collins Daniel Harkins Barbara Mannis Frank Serizawa Colleen Conway Charles Harris Barbara Marcus Ginny Shields

The J. Paul Getty Museum 23 J. Paul Getty Museum Volunteers

VOLUNTEERS Dan Boone Carol Currier Cherry Fuller Aylott Paris Heric Elizabeth Klimas Bonnie Borenstein Halina Czyzewski Candace Fullmer Jim Heubach Malcolm Klugman Sandra Abramowitz John Borris Clarence Dabbay Mary Furia Haettie Heydon Ronald Knechtli Larry Ackard Marianella Botto Denise Danne Dorothy Gach Maria Hiatt Gloria Koenig Denice Adams Nancy Boudry Susan Dashe Elizabeth Gamsin Marianne Hickey Suzanne Koller Mary Alford Amanda Bowen Shahin Dastur Jennifer Gandin Jeanie High Sydney Korobkin Barbara Allen Suzette Boyd Barbara Daugherty Dominique Garcia Renate Hild Andrea Korpita Dale Allen Ilene Brick Bonnie Davidoff Arlene Gardner Carol Hillman Vassilia Kosma Roberta Allen Karl Brix Olivia Davidson Kathie Geary Karen Hirschhorn Natasha Kostan Thelma Alper Karen Brower Owen Davis Joan Geller Richard Hirschhorn Wayne Kostman Ruthanne Alton Christine Brown Judith Day Lorna Gerry Donald Hodes Bruce Kragen Gary Andrew Elsie Brown Julianne Dayer Charles Gherardi John Holland Olivia Kragen Sima Ansari Robert Brown Olga de la Vega John Gill Michael Holz Victoria Kramer Jack Antflick Marilyn Brunsdon Albert Degendorfer Jung-Mi Gilson Margaret Holzer Jodi Kriens Rose Arbuckle Rochelle Buley Rosel Degendorfer Harry Gipson Carroll Hood Jane Kubrin Edward Ashton Toby Burke Fernando Del Rio Amal Girgis Ann Harper Horn Tatsuo Kumagai Karen Asseraf Victoria Burner Larissa Delgadillo Jan Gleason Margaret Horst Valerie Kunz Donicia Atadero Darlene Burton Susan Devlin Anilka Glover Farideh Hosseiny Barbara LaFlamme Affiong Ate Gail Burton Joanne Dietch Deirdre Glynn Elma Hovanessian Angela Lage Kevin Awakuni Patricia Busch Cristina Dimitriu-Caloianu Luz Godina Diane Howard Barbara Lake Amy Ayers Onica Busuidceanu Monique Djamdjian Jackie Goldberg Li-Fang Hsu Stacey Lan Lynne Babbitt Laurel Bybee Natalie Dobkowski Jay Goldberg Linda Huff John Landau Ruth Bader Peggy Calamaro Cynthia Drake Nancy Goldberg Jo Hunt Susan Laskin Elizabeth Baiardi Gabriel Calfas Lidia Duek Arlene Goldman Diana Hurst Gloria Lasky Isabel Baldwin Aleve Camcigil Victoria Duistermars Barbara Gollin Claire Hyman Nelly Lay Ken Baldwin Gina Campbell Joyce Edelman Silvia Gonzalez Elizabeth Hyman Becky Learner Laurilyn Barbanell Joyce Canning George Edgington Sonia Gottlieb Amy Jackson Donna Lee Jayne Barbera Phyllis Carbone Judy Edwards Jerome Gottschalk Isaac Jakubowicz Lillian Lee Pat Bare Chris Cardet Heidi Ehrke Shirley Green Mary Janos Wesley Lee Starr Barnbaum Barbara Carlson Barbara Eichorn Sam Griffith Fran Janovitz Ena-Maria Lemke Dee Dee Barry Elsie Cedar Michael Eisenberg Sylvia Griffiths Raymond Jassak Thomas Lenehen Michelle Bean Caroline Cernik Chris Ericson Elizabeth Grigsby Louvenia Jenkins Joan Lenoff Donna Beatty Patricia Cevallos Lupe Espinoza Leonie Gross Carrie Jones Carol Levitt Gilda Becaro Shelley Chambers Edgar Estrada Dolores Guerrero Luke Jones Carolyn Levy Donna Beirne Karen Chapman Marc Etterman Lestary Gunawan Michelle Jones Steven Levy Paula Benard Rose Cheng Yu-Chu Evans Sharyn Gunter Virginia Jubert Sherri Lewandowski Honey Bencomo Hyejin Choe Olivia Eveslage Christian Guzman Elizabeth Juncosa Linda Lewin Sam Bensussen Yu-Feng Chou John Ezmirlian Judy Gyulai Laurie Kahan William Lickley Katherine Berber Gloria Chow Jill Ezzell Mehdi Hakimi Kotrina Kajokaite Mira Lieberman Leonard Berg Yumi Chung Patricia Falcioni Pamela Hamilton Lucy Kara Roy Liebman Phyllis Berger Gordon Clark Diane Fantl Rosemarie Hamilton Gretchen Karl Don Lipschutz Anne Berkovitz Charles Cleland Mike Farkas Lynn Hamm Annette Katz Nadia Lipszyc Kathy Berkson Sue Clinesmith Cheri Kelson Faulk Kelly Han Nancy Kelly-Marquez Catheryne Lobl Rose Bernard John Clute Elidia Faulkner Ted Hanf John Kennedy Leigh-Anne Locke Larry Bernhardt Dorothy Cohen Ilene Feinstein Georgia Harris Lori Kerman Carolyn London Kit Bessenbacher Sumako Cohrs Jules Feir Susan Harris Rima Kevorkian Maria Lopez Suleena Bibra Veronique Colas Mel Fields Arlene Hartung Samantha Khalili Len Lorber Marvin Biers Lorraine Colich Dennis Fill Sayumi Hasegawa Kristen Kido Rhea Lorber Reva Biers Aleena Conway Jenny Fisher Sara Hawley Rosmarie Kienzle Laurence Lordan Dona Bigelow Gerie Coombs Shirley Ford Fleurette Haynes Hyebum Kim Angela Lozano Lena Black Susan Cornner Robert Fouch Jo Hearn Young Kim Eva Lunday Charles Blakelock Salette Corpuz Rachel Francis Gordon Hearne Marie Kincannon Irene Lutz Margaret Blakelock Cathy Crail Michael Freeman Kay Heinemann Linda King Gary Mac Lean Charlene Bleakley Diana Crasan Inge Friedman Juliana Heinrich Ron Kinney Sue Mac Lean Danielle Boisson-Schmit Patricia Crigger Adrienne Fritz Norval Heisey Mia Kjerulf Jerry Machado Ana Bonilla Sue Crose Raymond Fuernkaes John Helm Linda Kleiger Renny Maddox Marne Bonwitt Paul Cudney Michael Fujita Jeanne Heneghan Renee Klein M. Ann Sheen MaGee

24 The J. Paul Getty Museum Phyllis Mahler Betty Nealis Marsha Rimbach Janet Shapiro Letty Totemwongse Eunice Yu L. Anne Mainieri Patricia Neithart Carmen Rivera-Mann Sue Shapses Jade Towery Rachael Zanka Joe Maiorana Sharron Nelson Marilyn Roberts Jean Sharp Don Tremblay Cecilia Zarate Richard Mallek Roberta Nethercutt William Roberts Sharon Sharpe Ruth Trostle Norm Zareski Agnes Maniskas Viet Nguyen Cynthia Robinson Shelley Shen Harriet Trunk Yvonne Zellmer Jim Maniskas Barbara Nichols Emma Robinson Ginny Shields Lilly Tsukahira George Zermeno Natalie Mann Tara Nichols Olga Robinson Haley Shoemaker Marilyn Tusher Salpy Zetlian Maxine Marcher Karen Norris Robert Robinson Jacqueline Shubitowski Angeline Twarynski Ben Zhang Joanne Mardesich Jonathan Nowak Claire Robles Renee Shulman James Tyler, Jr. Ewa Zielinska Barbara Martin Constance Nyhan Ed Roche Terry Shurack Candace Tysdal Jerry Ziesmer Michael Martin Carol O’Connor Hugo Roche Sandra Shwartz Gina Uible Suzanne Ziesmer David Matheke Cynthia Olson Robin Rock Catherine Siegel Laura Updegraff Louise Ziff Katherine Matthews Barbara Oltmann Sandra Rojas Damaritz Sierra George Valenzuela Lucy Zuyovich Kathy Matthews Brenda Ortega Renae Rollo Rosemary Sierra Helene Van Wormer Joan Maturko Elizabeth O’Sullivan Gina Romo Barbara Silver Nadia Vanek Pamela Mazoue Judith Pack Donald Rosenberg Joan Silver Fotiny Varvas Mary Ann McClelland Tara Palmer Mary Louise Rowsell Marilyn Silver Mike Vaystub Mary Jane McClintock Chuck Panama Vimala Rozner Susan Simitian Carol Virani Jane McConnell Amal Papa Nancy Rubens Barbara Simkin Darryl von Geusau Laurette McCook Linda Park Newland Betty Rubly Lorraine Simonton Rae Walker Anne McElravey Maryrose Passarelli Phil Ruggeiro Raymond Singer Christine Wallace Mary Ann McGaughey Nancy Pau Paula Ruiz Rhona Singer Suzanne Warren Judith McHenry Alice Pego Manfred Runkel Sandee Singer Manny Warson Ashley McIntosh Jill Perri Sara Russo Dewi Slayton Taneka Washington Lina Medvetsky Charina Petero Winifred Rutter Lumsden Paula Sleeth Leon Waxman Roberta Mendelsohn Laura Peterson Anne Sacks Marie Sloan Gail Weiland Anna Mercaldi Marsha Piorkowski Gwendolyn Safier James Smith Diane Weinstein Ellen Mercier Helena Poletti Ramona Salgado Eva Sokolow Madelyn Weisman Antonio Merino Margarita Pond Stanley Salmore Carla Staight Samantha Wetstein Jana Messih Jennifer Ponhold Steven Santiago Laura Stanislawski Leone White Alexander Mihalyovich Ludmila Posedel Lisa Sarkin Daniel Stark Lorna White Gilda Miller Lorraine Potts Judith Saunders Thelma Starr Rachel Whitman Paul Millman Barbara Pritzkat Mary Sawin Patricia Stoffel John Whoriskey Catherine Minter Lynne Pulliam Elsie Scarano Sandy Stoller Jessica Wick Virgil Mirano Betty Putnam Elsbeth Schaar Debra Stramaglia Despina Wieseneck Pouran Mirtaheri Gayle Rabinovitz Mary Lou Schackman Rosalie Strauss Anna Margaret Wilczek Susann Monroe Yvonne Raffaele Karen Schaefer Lynn Suffin June Wilding Giovanni Monterroso Cloris Ramos Margaret Schaffer Ann Sullivan-Pearre Linn Wile Barbara Montgomery Margarita Ramos Berwin Schindel Rika Suzuki Patricia Williams Julie Moore John Randazzo Norma Schlesinger Susanne Swift Marie Wilson Jim Morgan Shelly Rands Christine Schmidt Seidi Syrjanpaa Sidney Wineberg Kazuko Morita Linda Rasmussen Ed Schoch Claude Monique Tait Red Winter Mary Morlas Barbara Ratner Allmut Schramm Konni Tanaka Mika Winterer Heather Moro Eve Reagan Karin Schratter Anne Tarkanian Pamela Wise Edako Morrison Virginia Redel Toby Schreiber Judy Tarre Toby Wolfberg Jim Morrow Eva Reid Jessica Schulman Rima Tarshis Lillian Wong Phil Moser Larry Reilley Katherine Schulz Ada Taylor Tammi Wong Loretta Moses Rebecca Reimer Gene Schwartz Richard Teresi Vivian Wood Betty Mueller Alice Reisian Lucy Schwartz Deborah Thieriot Jennifer Woodward Jill Muhlbach Jan Sender Reitman Herbert Schwarz Carol Thompson Lily Yan Mariam Munjee Nicole Renaud Reina Scuderi Nancy Thompson Shin Yang Liz Murphy Randi Renaud Ann Sears Robert Thompson Sharon Yarden Mary Murphy Tammy Renault Marina Segall Stephen Thorne Sharon Yee-Garbade Bob Nagayama Sue Rezai Lois Seufert Terilyn Tilton Mei Ling Yeh Diane Nakamura Thomas Rhodes, Jr. Aline Seydoux Makiko Tohmatsu Gulcin Yilmazer Gudrun Naschak Amanda Ribas Masumi Shanahan Karen Tokubo Etsuko Yoshida Doreen Naylor Peggy Richman Erich Shanon Valerie Tomashevsky Gary Yoshida

The J. Paul Getty Museum 25 The Getty Research Institute Thomas Gaehtgens, Director

The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts. Its Research Library with special collections of rare materials and digital resources serves an international community of scholars and the interested public. The Research Institute creates and disseminates new knowledge through its expertise, its active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars program. The activities and scholarly resources of the Institute guide and sustain each other and, together, provide a unique environment for research, critical inquiry, and debate. Jean-Théophile Geiser. Bread seller, Algiers, 1870s. Albumen print. Ken and Jenny Jacobson Orientalist photography collection. (GRI) Vasily Kamensky. Tango s korovami, Women of Algiers. Circle of Moscow, 1914. (GRI) Charles Marville, 1858. (GRI)

During this report period, the Getty Research Institute (GRI) faced the challenge of significant budget cuts that affected every department. An intensive strategic planning process led to a reduced operating budget, but also provided an opportunity to review core GRI goals and priorities. The new budget coincided with a major reorganization that combined some existing departments, while creating new ones. Under this new structure, there will be a special focus on research projects that utilize the considerable expertise of staff across many departments, engage visiting scholars, and provide an exciting opportunity to deeply explore the extensive GRI collections.

A continuing priority is the digitization of Research Library holdings to increase their accessibility to scholars and researchers around the world. This past year, a collaborative project with the San Francisco-based Internet Archive resulted in fully searchable, digital versions of 5,000 rare books and journals. The GRI began digitizing one of its most respected collections, 15 stock books from the firm Goupil & Cie/Boussod, Valadon & Cie, an institution that was a central force in the French art market of the 19th century.

Through a number of key international partnerships, the Research Library is in the process of multilingual translations of the Getty vocabulary databases. These databases, which include the Art & Architecture Thesaurus (AAT), the Thesaurus of Geographic Names, and the Union List of Artist Names, are the most widely used electronic resources produced by the GRI. Future digitization plans include the Hutzel collection, which is part of GRI Special Collections and contains over 65,000 photographs of Italian art and architecture.

28 The Getty Research Institute Charles Brittin. Photograph Page from Anzeiger für of Venice West Cafe, Venice, Kunde der deutschen Los Angeles, ca. 1964. Vorzeit, vol. 24, Nuremberg, Charles Brittin Archive. Used 1877. Part of the GRI with permission. (GRI) collection, this work is also available on Internet Archive. (GRI)

Research

The GRI’s new periodical, the Getty Research Journal, was launched in February 2009. The first issue of this peer-reviewed journal showcased 10 research essays on objects or aspects of the Getty’s extensive archival, rare book, and artistic holdings, as well as essays that touched upon the year’s scholar research theme, Networks and Boundaries. Eight short pieces presented new acquisitions, scholarly activities, and ongoing research projects around the Getty.

The GRI archives of the Peruvian Surrealist poet and artist César Moro and editor Emilio Adolfo Westphalen, and the German art critic Franz Roh inspired the workshop “Surrealism in Latin America,” led by Professor Rita Eder of the Instituto de Investigaciones Esteticas, Universidad Nacional Autonoma de Mexico. Participants from the United States, England, and numerous South American countries explored the GRI’s archives and presented new perspectives on the phenomenon of Surrealism as it developed in the Western Hemisphere.

The Getty Research Institute 29 A two-day intensive lab presented the archive of sculptor Auguste Rodin’s last student, Malvina Hoffman, and concentrated on her commission for the Races of Mankind, a group of 104 bronze and marble sculptures created for the Field Museum of Natural History in Chicago. The lab inspired the Field Museum to plan an upcoming exhibition on Hoffman and the Races of Mankind.

The conference “German/American Artistic Exchange during the Cold War,” developed in collaboration with the Los Angeles County Museum of Art, broadened the international perspective on postwar art history with a series of scholarly presentations and conversations examining the cultural and intellectual exchanges that occurred between the United States and Germany from 1945 to 1989. Similarly, the symposium “Against Reason: John Lautner and Postwar Architecture,” presented with the Hammer Museum, encouraged discussion of the major mid-century architect John Lautner’s nonrational philosophy and its influence on global architecture and design.

Future research projects include Display of Art in Roman Palaces in the Long 17th Century, which will investigate the display of art in Roman palaces from the beginning of collezionismo to the end of the Baroque period.

Scholar Year

During the 2008/2009 scholar year, 35 Getty Center scholars and fellows engaged in research related to the theme Networks and Boundaries, which explored subjects that went beyond the boundaries of traditional Western art history. Topics ranged from pre-modern Buddhist representations in India, Tibet, and China to Mixtecs and Spanish art in colonial Oaxaca; from artistic exchanges in 19th-century Istanbul to post-1968 political art in Britain. Several scholars met each month to discuss the GRI’s Orientalist Photography Collection acquisition, and also organized a roundtable titled “Anxious Historiographies of ‘Islamic’ Art,” which examined recent disciplinary challenges facing the study of the visual cultures associated with the Islamic world. At the Villa, Professor François Lissarague led discussions with six Villa scholars and fellows on the Villa’s annual theme, The Power and Function of Ancient Images.

Two artists-in-residence, Ken Gonzales-Day and Anthony Cokes, set up exhibitions of their work at the GRI and hosted open studios, during which staff and scholars could view work in progress.

Special Collections

Three innovative and critically acclaimed exhibitions presented works drawn from Special Collections. The Marvel and Measure of Peru: Three Centuries of Visual History, 1550–1850 explored the ways that artists depicted Peru and the new visual categories they developed for classifying information. An international symposium held in conjunction with the exhibition was the culmination of a project to study, publish, and exhibit two illuminated chronicles of the history of Peru written by the Spanish Mercedarian friar Martín de Murúa and illustrated by at least two artists, including the native Peruvian Felipe Guaman Poma de Ayala.

30 The Getty Research Institute Ken Gonzales-Day. Nightfall II, 2007. This piece by GRI artist-in-residence Gonzales- Day was on view in the Scholar Common Room.

Tango with Cows: Book Art of the Russian Avant-Garde, 1910–1917 chronicled a brief but tumultuous period when Russian visual artists and poets challenged Symbolism and revolutionized book art. In the Summer 2009 issue of Artforum, Maria Gough wrote that this exhibition “… refocuses our attention on the years immediately preceding and during World War I, delivering in the process a compelling new argument about the nature of the Russian artists’ book and its legacy today.” The exhibition was accompanied by two events: “Explodity: An Evening of Transrational Sound Poetry,” which featured contemporary poets reading their own work as well as that of the Russian Futurists, and “The Book as Such in the Russian Avant-Garde,” a scholarly symposium.

Walls of Algiers: Narratives of the City featured rare books, maps, and photographs from the GRI’s unique archive of materials on the Middle East and North Africa. In conjunction with the exhibition, scholars and artists came together for a colloquium to consider the nature of the exhibition documents and address broader issues of colonialism and post-colonialism.

The GRI’s long-term project to collect archives of Los Angeles-based artists, as well as significant art historians, curators, dealers, and collectors, was especially successful this past year. Donations included the archives of collector Betty Asher; graphic artist, animator, and CalArts educator Jules Engel; curator Hal Glicksman; and the archive of George Herms, a Southern California artist, writer, and musician who is one of the founders of the West Coast assemblage movement.

Looking Ahead

With the reorganization of the GRI, the department of Contemporary Programs and Research joined with the department of Architecture and Design to establish the Department of Architecture and Contemporary Art (DACA). With its diverse expertise, this new department is well positioned to advance distinctive research initiatives and to identify innovative new partnerships.

The most encompassing of these projects is Pacific Standard Time, a collaboration between the Getty Foundation and the Getty Research Institute, which documents and examines postwar art in Los Angeles. As part of this initiative, DACA is developing a research and public programs plan that will culminate in 2011 with a publication and exhibition at the J. Paul Getty Museum.

The upcoming scholar year is devoted to the theme of The Display of Art, and will welcome scholars and fellows from Japan, China, and India. Their participation will offer a rich perspective and expand upon the GRI’s global collaborations. The new scholar year will also feature a conference with Dresden about the history of Baroque art galleries in anticipation of the Staatliche Kunstsammlungen Dresden’s renovation of its Gemäldegalerie Alte Meister.

The Getty Research Institute 31 George Herms. Journal with Getty Research Institute collaged cover, ca. 1965. Special Collections George Herms Archive, ca. 1960–2002. Gift of George Acquisitions Herms. © George Herms (GRI)

Selected Special Collections Acquisitions Jean Jacques Boissard (French, 1528–1602) Placido Landini (Italian?, n.d.) Made between July 1, 2008, and June 30, 2009 Vitae en Icones Sultanorum Turcicorum, Frankfurt, 1596 Istoria dell’Oratorio di S. Maria del Bigallo e della This history of Ottoman rulers contains portrait emblems venerabile Compagnia della Misericordia dell Città di engraved by Joris Hoefnagel after the portrait medallion Firenze..., Florence, 1779 Rare Books collection of Emperor Rudolf II. Rarely found complete, this history of the Oratorio of Santa Gift of the Research Library Council, The Getty Research Maria del Bigallo and the Compagnia della Misericordia Dennis Adams (American, b. 1948) Institute describes 42 Florentine parochial churches. Recovered: 10 on 10, Adams on Garanger, Brussels, 2826–162 2829–221 1993 In this highly politicized artist’s book about the Algerian Shinz �o Fukuhara (Japanese, 1883–1948) Jean-Jacques Persoz (French, 1805–1868) struggle for independence, a single gelatin silver Paris et la Seine, Tokyo, 1922 Traite theorique et pratique de l’impression des tissus, portrait from photojournalist Marc Garanger’s Femmes A pivotal figure in Japanese modern photography, Paris, 1846 Algériennes (1960) is veiled by Adams’ lithographs of Fukuhara selected this spare group of luminous collotypes At the end of the 19th century, this influential color dilapidated Algerian housing projects outside French from over 2,000 images taken during a year in Paris. manual with 429 fabric swatches came to the attention of cities. 2809–735 numerous artists, including Georges Seurat. 2802–005 Gift of the Research Library Council, The Getty Research Shinz �o Fukuhara (Japanese, 1883–1948) Institute Nobuyoshi Araki (Japanese, b. 1940) Seiko f �ukei, Tokyo, 1931 2821–853 Zerokkusu shashin cho¯, Tokyo, 1970 Already a moving force in Japanese photography as a This first, self-published series of books by the renowned theorist and leader of the Japanese Photographic Society, Giambattista della Porta (Italian, 1535–1615) Japanese photographer includes portraits, nude studies, Fukuhara established his artistic place with this second Coelestis Physiognomiae Libri Sex, Naples, 1603 Tokyo street scenes, interiors of the Ramen Cafe taken publication consisting of 24 original views of China’s Maintaining church orthodoxy on the notion of free will, during his exhibitions there, Hiroshima bomb scenes on famed West Lake. Porta’s exposition of cosmic physiognomy explores the a TV monitor, the 1970 Osaka Expo, and selections of his 2811–198 relationship between human character and external poetry and line drawings, accompanied by a unique copy factors, such as orientation of the stars. The Highgrove Florilegium, London, 2008 of the Asahi Journal with contact photographs pasted in 2826–350 This facsimile volume of watercolors represents the work by Araki. of international artists who were invited by the Prince of Joseph Friedrich von Racknitz (German, 1744–1818) 2831–530 Wales to capture the diversity of his organic garden at Versuche zur Beurtheilung einiger Gemälde der Königl. Annibal Barlet (French?, n.d.) Highgrove. Sächs. Gemähldesammlung und deren Meister, Le vray et methodique cours de la physique resolutive, Gift of Tania Norris Dresden, 1811 vulgairement dite chymie, Paris, 1653 2832–451 In his illustrated guide to highlights of the Royal Saxon In this important and heavily-illustrated alchemical painting collection (known as the Dresden Gallery), the Joris-Karl Huysmans (n.d.) text, which contains 35 full-page woodcuts, Barlet painting connoisseur Racknitz discusses works by Peter À rebours, Paris, 1903 was particularly interested in the construction of the Paul Rubens and Giovanni Bellini. One of the seminal works of the Decadent and Symbolist alchemical laboratory. 2825–766 movements, this edition was originally published in 1884. 2823–655 The printmaker Auguste Lepère produced 220 color Georg Eberhard Rumpf (German, 1627–1702) wood engravings, and this copy was bound by leading D’Amboinsche Rariteitkamer (Ambonese Curiosity Art Nouveau bookbinder René Kieffer. Cabinet), Amsterdam, 1705 Acquired with the support of Dr. Richard A. Simms An early collection catalogue and landmark work on 2823–634 conchology is heavily illustrated with 60 full-page engravings, possibly after drawings by Maria Sybilla Anselm Kiefer (German, b. 1945) Merian. Simulating his own collection, which was lost in a Die berühmten Orden der Nacht, self-published, ca. 1996 fire, the catalogue describes the mollusks of the Moluccan This unique artist’s book consists of 29 double-page Islands. spreads that contain photographs of sunflowers Acquired with the support of the Research Library Council, transformed into “starscapes” through drawing and The Getty Research Institute painting by Kiefer. 2828–663 2818–250

32 The Getty Research Institute Georg Stengel (German, 1584–1651) The papers of the Frank Brothers furniture company, François-Antoine Gérard (French, 1760–1843) Ova paschalia sacro emblemate inscripta descriptaque, Long Beach, California, 1930–82 Album of drawings after antique and Renaissance Munich, 1635 This archive includes all existing material from the Frank sculpture and paintings, ca. 1790–93 Structured around the theme of Easter, each chapter Brothers furniture company, credited with defining and The neoclassical sculptor’s remarkable album of pen, begins with an elaborate emblem relating to the egg. promoting mid-century modern furniture design on the pencil, and wash studies dates from the time he was 2817–584 West Coast. a pensionnaire at the French Academy in Rome and Gift of Ron Frank contains approximately 280 drawings in which he Domenico Valeriani (Italian, n.d.) and Girolamo Segato 2009.M.19 copied antique and Renaissance works. (Italian, 1792–1836) 2008.M.66 Nuova illustrazione istorico-monumentale (con Atlante) Hal Glicksman (American, b. 1937) papers, ca. mid- del basso e dell’alto Egitto, Florence, 1836–37 1950s–85 Natalia Goncharova (1881–1962) Comments on ancient Egyptian culture with discussions of Consisting of correspondence, photographic material, Shest’ litografij Goncharovoj k stikham Churilina, artifacts, inscriptions, and hieroglyphics are augmented by exhibition publications, and other related material, Moscow, 1912 aquatint plates in these atlas volumes based on drawings Glicksman’s archive chronicles the contemporary Avant-garde painter and printmaker Goncharova by Segato, a well-known natural scientist. art world as experienced by a curator whose career found inspiration for this portfolio of seven lithographs 2831–782 intersected with many key exhibitions and institutions in in the poetry of the little-known Russian Surrealist Southern California during the 1960s and 1970s. Tikhon Churilin. Wiener Kunst-Stickereien, ed. Moritz Dreger, Vienna, Gift of Hal Glicksman Acquired with the support of Jan and Richard Baum 1901–02 2009.M.5 2008.PR.32 The complete set of this rare periodical (four issues) of Art Nouveau embroidery designs contains 48 color George Herms (American, b. 1935) archive, ca. 1960–2002 Robert Irwin (American, b. 1928) lithographs by Austrian artists including Josef Hoffmann, A founder of the West Coast assemblage movement, The Grand Avenue Viaduct Project, ca. 1985 Koloman Moser, and Marietta Peyfuss. The magazine’s Herms’ archive includes correspondence, unpublished This large-scale diazotype blueprint records Irwin’s lavish color plates are an example of the successful writings, working notes, books, ephemera, and design for an unrealized project sponsored by Bunker Hill marriage of Jugendstil design and modern embroidery in photographs that shed light on his career, and his Associates and The Museum of Contemporary Art, turn-of-the-century Vienna. important artistic connections and collaborations with Los Angeles. Acquired with the support of Marcella Ruble Wallace Berman and countless other artists and writers. Gift of Ed and Brandy Sweeney 2804–611 Gift of George Herms 2009.M.21 2009.M.20 Jacques-Philippe Le Bas (French, 1707–1783), after Archives and Manuscripts Frank Israel (American, 1945–1996) architectural archive, Jean-Baptiste-Siméon Chardin (French, 1699–1779) ca. 1975–96 Étude du dessein, ca. 1757 David Antin (American, b. 1932) papers, 1959–2007 Archives of this Los Angeles-based architect include This reproductive print, after Chardin’s painting of a young Archives of this performance artist, experimental poet, drawings, models, and photographs documenting the artist in a sparsely furnished room sketching Jean-Baptiste curator, and critic include extensive correspondence, 40 leading role Israel played as an architect, teacher, and Pigalle’s Mercury, is dedicated to the Queen of Sweden, years of diaries, published and unpublished manuscripts, commentator. the first owner of the painting. working notes, and nearly 200 audiotapes and videos of 2009.M.6 2009.PR.12 lectures and performances. 2008.M.56 Mary Caroline Richards (American, 1916–1999) papers, Alfred Leslie (American, b. 1927), Grace Hartigan 1940–99 (American, 1922–2008), Joan Mitchell (American, Gioseppe Bonaventura (Italian?, 17th century) Poet, ceramist, author, and arts educator, Richards taught 1926–1992), and Michael Goldberg (American, 1924–2007) Relatione della campagna d’Algieri dell’Armata Navale at Black Mountain College from 1945 through 1953. This Permanently, The Poems, Odes, and Salute, New York, del rè Christianissimo…, 1683 addition to the Richards archive is rich in correspondence, 1960 Manuscript text and a large foldout pen-and-ink drawing personal notebooks, and manuscripts documenting close This complete set of 20 screen prints published by the describe the precipitating events, military tactics, and associations with David Tudor, John Cage, and Merce Tiber Press features abstract works and poems by leading outcome of the 1683 siege of the fleet and city of Algiers by Cunningham, among others. Abstract Expressionist artists and poets from the New York French naval forces. 960036ADD2 School. 2008.M.67 2798–040

Jules Engel (American, 1908–2001) papers, 1940s–2000s, Prints and Drawings Jean-Michel Moreau le Jeune (French, 1741–1814) and bulk 1960s–90s Pierre Louis Moreau-Desproux (French, 1727–1793) This archive of Engel, a major figure in the development of Felix Bracquemond (French, 1833–1914) Projet de décoration pour le Pont Neuf, 1782 experimental animation as an art, documents how mid- Sketchbook with manuscript notes, late 19th century A large ink, wash, and crayon drawing records the 20th-century animation and modern art influenced each Forty watercolor, pencil, and pen-and-ink drawings are festivities in honor of the 1782 birth of the Dauphin. other, as reflected in Engel’s career across all media. accompanied by 40 pages of journal entries on topics Moreau le Jeune drew the decorative elements and Gift from the Estate of Jules Engel such as the Paris Commune and the old masters. Among figures in the foreground, and Moreau-Desproux drew 2009.M.3 numerous drawings of landscapes and cityscapes are the architectural elements. preliminary designs for prints. Daniel H. Farr (American, 1876–1976) gallery albums and 2008.M.69 2009.M.17 ledgers, 1919–29 Eight bound volumes of heavily annotated photographs of Edgar Degas (French, 1834–1917) art works, and photocopies of two ledger books comprise Collection of Degas prints from Ambroise Vollard the records of the Daniel Farr Gallery. (French, 1867–1939), ca. 1919 Gift of Sandra (Farr) Snowden Trump This suite of etchings, aquatints, and drypoints printed by 2008.M.68 the publisher, dealer, and writer Vollard is likely the largest set of impressions pulled from Degas’ canceled plates. 2008.PR.27

The Getty Research Institute 33 Johann Gottlieb Prestel (German, 1739–1808) and Maria Louise Laffon (French, n.d.) Katharina Prestel (German, 1747–1794) Album photographique des uniformes de l’armée Dessins des meilleurs Peintres d’Italie, d’Allemagne, et française, Paris, 1866 des Pays-Bas du Cabinet de Monsieur Paul de Praun..., With 66 hand-colored, salt-print photographs depicting Nuremberg, 1780 the uniforms of Napoleon III’s army, this private This complete suite of 47 etchings and aquatints with publication is exceptional, both for its subject matter, a an engraved title page reproduces many of the most detailed and colorful cataloguing of military uniforms, important Italian, German, and Netherlandish old and for its maker, French female photographer Louise master drawings from the collection of Paulus II Praun, a Laffon, an early member of the Société Française de Nuremberg silk merchant. Photographie. Gift of the Research Library Council, The Getty Research 2009.R.1 Institute Israel Stollman (American, 1924–2005) 2009.PR.13 Collection of stereographs and postcards, ca. 1860–1920 Claude Vignon (French, 1593–1670) Assembled since 1957 by the late Israel Stollman, following La galerie des femmes fortes, Les sept merveilles du his appointment to Ohio State University’s department monde, and Les sept sages de la Grèce, of city and regional planning, this collection consists of Paris, ca. 1640–47 nearly 800 stereographs and postcards of U.S. cities, as This bound collection of three suites of prints includes 35 well as urban sites and works of art from Russia, Ireland, prints etched and engraved by Gilles Rousselet, Abraham Australia, Italy, Greece, Japan, and Cambodia. Bosse, and Jean Couvay after Vignon’s designs, and Gift of Israel Stollman features heroic portraits of strong women, famous rulers, 2009.R.18 and Greek philosophers. Gift of the Research Library Council, The Getty Research Institute Audio and Audiovisual Recordings 2009.PR.14, 2009.PR.15, 2009.PR.16 Skip Arnold (American, b. 1957) Activities Made for TV, 1983–92 Rare Photographs This collection of 21 individual videos shows Arnold’s work as a video and performance artist in the 1980s and Anonymous early 1990s and demonstrates his range of development, Photographies d’Afrique, ca. 1858–65 including performance experiments, works designed for Printed with remarkable clarity and sharpness, 41 salted- television broadcast, and works that experiment with paper prints sized with albumen represent an overview image-processing and display mechanisms. of colonial Algeria. Accompanied by contemporary 2008.M.70 handwritten captions, these photographs represent rare Starr Goode (American, birth date undisclosed) views of Algiers, Oran, Dellys, and Kabyle villages prior to The Goddess in Art, 1987–91 modernization under French occupation. These 21 DVDs of the cable series, produced by the 2009.R.2 Los Angeles Women’s Video Center at the Woman’s Nobuyoshi Araki (Japanese, b. 1940) Building, include interviews with artists and scholars Early photographs, mail art, and exhibition invitations, discussing the roles and depiction of female deities in ca. 1970 world cultures. Dating from the first years of the artist’s career, these Gift of Starr Goode rare gelatin silver prints are examples of the staged, 2009.M.22 intimate photography for which Araki is now well Jay McCafferty (American, b. 1948) known. Nine invitation photographs are the product of Self Portrait, Every Year, 1972 (ongoing) Araki’s lesser-known experiments with the aesthetics of Project in which the artist videotapes himself shaving photomechanical reproduction, mail art, and alternative once per year, every year, since 1972. The resulting video strategies for displaying his work in everyday settings. produces a self-portrait through time, condensing the 2009.R.7, 2009.R.8 process of aging into a portrait that, at present, covers Adolphe Braun (French, 1811–1877) 37 years in less than five minutes. Four photographic albums, 1870s Gift of Jay McCafferty One of the foremost photographers of the 19th century, 2009.M.25 Braun is best known for his extensive commercial archive Keigo Yamamoto (Japanese, b. 1936) of photographs depicting important works of art. This set Collection of video works, 1976–89 of large-format carbon prints documents the circulation Eight early video works and two video documentations of early reproductive photography and its role in the of satellite art by leading Japanese artist Keigo Yamamoto, understanding and appreciation of art history. who is active in Fukui city in the west part of Japan’s Gift of Mr. Mitchell Steir main island. 2008.R.17, 2008.R.18, 2008.R.19 Gift of Keigo Yamamoto 2009.M.1

34 The Getty Research Institute Installation view of Getty Research Institute The Marvel and Measure Exhibitions of Peru: Three Centuries of Visual History, 1550–1880, July 8–October 19, 2008. Getty Research Institute Exhibition Gallery

Opening at the Getty Center between July 1, 2008 Tango with Cows: Book Art of the Russian Avant-Garde, Walls of Algiers: Narratives of the City and June 30, 2009 1910–1917 May 19–October 18, 2009 November 18, 2008–April 19, 2009 Algiers historically sheltered a diverse population. French The Marvel and Measure of Peru: Three Centuries of Drawn principally from the Getty Research Institute’s rule (1830–1962) transformed Ottoman Algeria (1529–1830) Visual History, 1550–1880 superb collection of Russian modernist books, this by imposing European governance, mapping the land, and July 8–October 19, 2008 exhibition brought into focus a brief but tumultuous classifying the people. Dramatic interventions enforced This exhibition featured two illuminated manuscripts period when Russian visual artists and poets an urban duality, separating in Algiers the “Arab” quarters along with books, prints, maps, watercolors, and revolutionized book art. They fabricated pocket-sized, (the Casbah) from the new “French” settlements. photographs that illustrated the history and culture of hand-lithographed books and juxtaposed primitive and This division endured throughout the French occupation, Peru. The exhibition highlighted the ways that artists abstract imagery with a transrational poetry they called leading to the War of Independence (1954–1962). depicted Peru and developed new visual categories zaum’ (“beyonsense”). The exhibition traced the avant- Walls of Algiers examined the city’s complex history for classifying information. The first illustrations of the garde’s use of the materials of their book art—imagery, through diverse 19th- and 20th-century visual sources. Americas did not draw on direct visual evidence, but people, language and its sounds, design, and graphic It offered, for example, a virtual tour through vintage instead were created from a combination of textual technique—to convey humor, parody, and an intriguing postcards and juxtaposed Orientalist representations descriptions and European artistic conventions. ambivalence and apprehension about Russia’s past, of “indigenous” people with photojournalist coverage Knowledge of the exotic New World was compiled and present, and future. from the Algerian War. spread through many genres of literature, such as costume and botanical books, biographical anthologies, atlases, and travel accounts—genres that were in many cases invented to deal with this unfamiliar material, and were only sometimes accurate. Fanciful visions of this world persisted alongside more scientific observations until late in the 19th century, even after the new medium of photography seemed to capture life with absolute verisimilitude. A facsimile publication of the Getty Murúa manuscript and an accompanying volume of essays by an international group of scholars were published in conjunction with this exhibition.

The Getty Research Institute 35 Oleg Minin and Steve Getty Research Institute McCaffery read Velimir Scholars Program Khlebnikov and Alexei Kruchenykh’s “Beyonsense” as part of “Explodity: An Evening of Transrational Sound Poetry” at the Getty Center on February 4, 2009.

Every year the Getty Research Institute provides Visiting Scholars Postdoctoral Fellows support for scholars from around the world to conduct research organized around a specific theme Babaie, Sussan. Independent scholar. Metropolitan Akcan, Esra. University of Illinois, Chicago. Modernity while in residence at the Getty Center. This year’s Meanings: Social Identity, International Commerce, and in Translation: Geopolitical Interactions in Residential research theme was Networks and Boundaries. the Houses of Isfahan in the Seventeenth Century. Culture. Cohen, Jean-Louis. New York University, New York. Feldman, Hannah. Northwestern University, Evanston, France and Germany: Architectural Interaction at the Illinois. The Art of Decolonization: Representation and the Projects listed represent scholars’ primary research Boundary and Beyond. Public in Paris during the Algerian War. while in residence. Enwezor, Okwui. San Francisco Art Institute, California. Grigor, Talinn. Brandeis University, Waltham, Contemporary African Photography. Massachusetts. Of Mimetic Authenticity: The Orient or 2008–2009 Getty Scholars Rome Debate beyond (post)Colonial Ambivalence. Fox, Claire Frances. University of Iowa, Iowa City. Behdad, Ali. University of California, Los Angeles. Contact Creating the Hemispheric Citizen: The OAS, Cultural Policy, Visions: On Photography and Modernity in the Middle and the Visual Arts (1945–1968). Guest Scholars East. Trajectories Frohne, Ursula. Universität zu Köln, Germany. von Berswordt-Wallrabe, Kornelia. Staatliches Museum Cokes, Anthony. Brown University, Providence, Rhode of Communication Aesthetics and Network Structures from Schwerin, Germany. Marcel Duchamp in Munich in 1912. Island. Networks: Electronica in Global, Virtual Context. the 1960s to the Present. Brejon, Arnauld. Mobilier National, Paris, France. The de Duve, Thierry. Université Charles-de-Gaulle—Lille 3, Gonzales-Day, Kenneth. Scripps College, Claremont, Tapestries of Louis XIV. Villenueve d’ Ascq, France. On Art and Its Boundaries. California. Reading Photographs, Making Photographs: Responding to the Getty Collection. Dorgerloh, Hartmut. Stiftung Preußische Schlösser und Linrothe, Rob. Skidmore College, Saratoga Springs, Gärten Berlin-Brandenburg, Potsdam, Germany. The New York. Cultural Flows across Asia: Esoteric Buddhist Loumpet, Germain. University of Yaounde I, Cameroon. History of the Museumsinsel in Berlin. Representation and Transformation. Frontiers of African Art: Objects, Identities and Cultural Networks in Cameroon in the Nineteenth and Twentieth Gallo, Daniela. Université Pierre-Mendès-France, Onians, John. University of East Anglia, United Kingdom. Grenoble, France. Neo-Classical European Sculpture and Art as a Worldwide Phenomenon and the Networks and Centuries. the Eighteenth-Century Art Market in Rome. Boundaries in the Brain that Cause Its Similarities and Purtle, Jennifer. University of Toronto, Canada. Forms of Differences from Prehistory to the Present. Cosmopolitanism in the Sino-Mongol City. Lichtenstein, Jacqueline. Université Paris IV-Sorbonne, France. The Dialectic between Rhetoric and Painting. Oulebsir, Nabila. Université de Poitiers, France. Scientific Shalem, Avinoam. Universität München, Germany. Networks and Boundaries between Disciplines: Art History Interactions Between Medieval Islamic Artistic Worlds and Michel, Christian. Université de Lausanne, Switzerland. from Johann Joachim Winckelmann to Jean Alazard European Jewish and Christian Communities. The Conditions of Artistic Production in Seventeenth- and (Germany/France/North Africa). Eighteenth-Century Europe.

Roberts, Mary Louise. University of Sydney, Australia. Predoctoral Fellows Nygren, Edward. The Huntington Library, Los Angeles. Artistic Exchanges in Nineteenth-Century Istanbul. The Letters of James Ward, R. A. (1769–1859). Behrmann, Carolin. Humboldt University, Berlin, Schulz, Andrew. University of Oregon, Eugene. Al-Andalus Schuster, Peter-Klaus. Staatlichen Museen zu Berlin, Germany. Tyrant and Martyr: On the Normativity of the in the Age of Enlightenment: Islamic Art and Culture in the Germany. The Cult of the Artist. Image in the Context of Cultural Expansion (1540–1644). Spanish Imagination, 1750–1820. Sénéchal, Philippe. Université de Picardie Jules Verne, Frassani, Alessia. City University of New York. At the Amiens, France. The Artistic Relationship between Europe Crossroads of Empire. Mixtecs and Spanish Art in Colonial Méridionale and Europe Septentrionale. Yanhuitlan, Oaxaca. Martin, Courtney. Yale University, New Haven, Connecticut. Cyclones in the Metropole: British Artists 1976–1989.

36 The Getty Research Institute Getty Research Institute Research Library Council

Research Fellows For July 1, 2008, through June 30, 2009

Penot-Lejeune, Agnès. Université Paris I Panthéon- Louise Henry Bryson Sorbonne, France. Goupil and Boussod & Valadon. G. Scott Clemons Hars-Tschachotin, Boris. Humboldt University, Berlin, Lloyd E. Cotsen Germany. Expressionist Theater and Set Design. Denise Mularoni Decker

Scholars in residence at the Getty Villa participated Robert F. Erburu under the separate research theme The Power and Florence Fearrington Function of Ancient Images. Tom Firman Manfred Heiting Villa Professor Gloria Katz Huyck Lissarrague, François. National Center for Scientific Research, Centre Louis Gernet, Paris, France. Stephen A. Kanter The Power and Function of Ancient Images. Kenneth Karmiole Richard Keating Visiting Scholars Richard Kelton D’Ambra, Eve. Vassar College, Poughkeepsie, New York. Craig Krull Beauty and the Roman Portrait: The Private Portrait in the High Empire. Herbert L. Lucas, Jr. Faraone, Christopher. University of Chicago, Illinois. Tania Norris The Function and History of Ancient Greek Amulets. Richard and Strawn Rosenthal Huet, Valérie. Université Paris 7-Denis Diderot, France. Marcella Ruble Images of “Greek” Rituals in Rome. Richard A. Simms Slater, Niall. Emory University, Atlanta, Georgia. Envisioning Apuleius. Dennis J. Tartakow Staehli, Adrian. Universität Zürich, Switzerland. Images of Media: Images and Social Communication in Archaic and Classical Athens. Villanueva-Puig, Marie-Christine. National Center for Scientific Research, Centre Louis Gernet, Paris, France. Power and Function of Images in the City of Athens in the Archaic and Classical Periods (sixth-fifth centuriesb .c.).

Postdoctoral Fellow

Tronchin, Francesca. Ohio State University, Columbus. Eclecticism in Roman Domestic Ensembles.

The Getty Research Institute 37 The Getty Conservation Institute Timothy P. Whalen, Director

The Getty Conservation Institute works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field. In all its endeavors, the GCI focuses on the creation and delivery of knowledge that will benefit the professionals and organizations responsible for the conservation of the world’s cultural heritage. Getty Conservation Institute Senior Scientist Jim Druzik holding one of a series of light filters being evaluated as part of the GCI’s Museum Lighting Research project. GCI postdoctoral fellow In conjunction with the Catherine Schmidt Patterson Getty’s Panel Paintings using Raman microspectroscopy Initiative, conservator to identify the pigments in an George Bisacca of the illuminated leaf from the Laudario Metropolitan Museum of Art of Sant ‘Agnese by Pacino di demonstrates removal of Bonaguida. the cradle from the reverse of a panel painting, at the Getty Center.

During the 2009 fiscal year (FY09), the Getty Conservation Institute (GCI) continued work in Education, Field Projects, Science, and Communications & Information Resources. This report highlights the major milestones associated with the GCI’s diverse activities, which seek to advance conservation practice—the core of the Institute’s mission.

The GCI’s strength is the depth of its intellectual capital and the dedicated professionals and organizations with which it is privileged to work. An important validation of this collective enterprise came at the May 2009 annual meeting of the American Institute for Conservation (AIC). The AIC acknowledged the GCI’s service to conservation by honoring the Institute with its Distinguished Award for the Advancement of the Field of Conservation. The award recognizes vital and longstanding support of professional development of conservators and has been given only seven times since its inception in 1996.

Education

The GCI’s Education department engages in activities to address professional development. During FY09 GCI Education began new initiatives while continuing or completing others.

In July 2008, the GCI—in partnership with the Academy of Fine Art and Design and the Slovak National Library in Slovakia— began a three-year program to advance photograph conservation in 10 countries in Central, Southern, and Eastern Europe,

40 The Getty Conservation Institute Detail of a wall painting in Basilica San Marco in Venice, Italy. the burial chamber of the Venice was the site of the April–July Tomb of Tutankhamen, 2009 International Course on Stone in Egypt’s Valley of the Conservation, which the GCI helped Kings. The GCI and Egypt’s design and organize. Supreme Council of Antiquities are working to protect the tomb and to conserve its wall paintings.

providing theoretical and practical knowledge through a series of summer schools and distance learning. Organized with GCI Science, the program draws on the expertise of the international community of photograph conservators to provide training and resources and to encourage development of a regional network of photograph conservation professionals.

GCI Education, along with GCI Field Projects, also partnered with the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), the University of Venice, UNESCO–Bresce, and the Italian Ministry of Culture to reinstitute an important component of conservation education, the International Course on Stone Conservation, which had been under evaluation since 2003. The redesigned course—held April–July 2009 in Venice—seeks to improve stone conservation practices and to create a network of well-informed conservation professionals.

A new intra-Getty program undertaken by GCI Education with the Getty Foundation and the Getty Museum is the Panel Paintings Initiative, which aims to increase educational resources and training opportunities in the structural treatment of panel paintings. This multiyear project got underway with a May 2009 Getty Center symposium entitled, “Facing the Challenges of Panel Paintings Conservation: Trends, Treatments, and Training.”

As part of its Built Heritage in Southeast Asia: Conservation Education and Training Initiative, GCI Education—working with the Authority for the Protection and Management of Angkor and the Region of Siem Reap, the Center for Khmer Studies,

The Getty Conservation Institute 41 and the Pacific Rim Council on Urban Development—organized an October 2008 forum of international and local experts in Siem Reap, Cambodia, adjacent to the World Heritage site of Angkor. The gathering made planning and conservation recommendations for the Angkor region.

In October 2008, the second Teamwork for Integrated Emergency Management course was completed in Croatia. The course, which focused on Southeastern Europe, was a collaboration of the GCI, ICCROM, and the International Council of Museums (ICOM). As part of ICOM’s Museums Emergency Program, this initiative addressed safeguarding of museums from natural and human-caused disasters.

Field Projects

GCI Field Projects seeks to advance conservation practice worldwide through model field projects that incorporate research, planning, and education. During FY09, the department engaged in major activities in the Middle East, Africa, China, and elsewhere—including Los Angeles.

A major milestone in GCI work in Egypt occurred in March 2009, when staff presented to Egypt’s Supreme Council of Antiquities (SCA) a comprehensive proposal for the conservation and management of the Valley of the Queens, with components on site and visitor management, wall paintings conservation, tomb stabilization, and site protection. A month earlier, the GCI embarked on the first campaign of its initiative on the Tomb of Tutankhamen in the Valley of the Kings. The GCI and the SCA are working on strategies to protect the tomb and to conserve its wall paintings.

To the east, Field Projects continued work with the Jordanian Department of Antiquities and the World Monuments Fund in developing the Middle Eastern Geodatabase for Antiquities, Jordan (MEGA-J), a geographic information system that will aid in protecting and managing Jordan’s archaeological sites. A prototype of this Arabic-English, Web-based system—developed in collaboration with consultant Farallon Geographics, Inc.—was released for testing in Jordan in late spring 2009.

The GCI’s long-term collaboration with the Dunhuang Academy at the Chinese World Heritage site of the Mogao Grottoes continued, as the results of a visitor carrying capacity study of the grottoes were integrated into a visitor management tool and simulation model developed for the site by Kiran Consulting of San Diego. The GCI and the Academy also conducted a comprehensive risk assessment to determine which of the 492 decorated grottoes can be open to visitation without adversely affecting their wall paintings.

FY09 marked the initiation of Mosaikon, a five-year mosaics conservation program in the Mediterranean area, with an initial focus on countries south and east of the Mediterranean. The program—which builds on mosaics conservation work the GCI has conducted in Tunisia—is a partnership of the GCI, the Getty Foundation, ICCROM, and the International Committee for the Conservation of Mosaics (ICCM). It was officially launched at the ICCM conference in Palermo in October 2008.

In March 2009, the GCI organized a Getty Center gathering on the conservation challenges facing historic cities and urban settlements as part of its Historic Cities and Urban Settlements Initiative. The meeting brought together international heritage professionals and decision makers with GCI staff and will help guide the Institute’s priorities with regard to critical urban

42 The Getty Conservation Institute GCI staff member Tina Segler (foreground) and intern Sharra Grow (from the Winterthur/University of Delaware Program in Art Conservation) painting test panels at the Getty Center as part of the GCI’s project on conservation of outdoor painted surfaces, which seeks to better protect outdoor artworks.

conservation issues, which include better integration of conservation and urban development planning, and improved communication among conservation professionals, decision makers, the private sector, and the public.

As an outgrowth of the GCI’s Injection Grouts for the Conservation of Architectural Surfaces project—which involves both Field Projects and Science staff—a Los Angeles workshop was held in May 2009 that provided an overview of injection grouts for architectural surfaces. GCI staff shared with the workshop participants the protocol for laboratory testing of injection grouts developed by the Institute. Several months earlier, an extensive bibliography on grouts prepared by staff was published online.

In December 2008, the Los Angeles Office of Historic Resources launched pilot surveys that are part of the initial phase of SurveyLA—the city’s first comprehensive program to identify its significant historic resources. SurveyLA, which is being conducted with GCI technical and advisory support, grows out of the Institute’s Los Angeles Historic Resource Survey Project, which laid the foundation for the survey. During FY09, the project publication The Los Angeles Historic Resource Survey Report, which provided the survey’s framework, was published online.

Science

The objective of the work of GCI Science is to develop and disseminate appropriate and sustainable solutions to conservation problems associated with objects and collections, architecture, sites, and monuments.

During FY09, GCI Science expanded its work in modern and contemporary art conservation, which began in 2002 with research into identification and cleaning of modern paints. This year marked new initiatives in plastics preservation— including working as a partner in the European Commission-funded project POPART (Preservation of Plastic ARTefacts in museum collections)—and in the conservation of outdoor painted surfaces, which has the objective of better protecting outdoor painted art works from ultraviolet radiation and graffiti. As part of its continuing modern paints research, the GCI partnered with Tate in London and Dow Chemical Company to identify additional cleaning materials and techniques for artists’ acrylic emulsion paints.

The Museum Lighting Research project, which is studying ways to reduce damage to art works on paper caused by museum lighting, began a new phase in summer 2008, working with the Georgia O’Keeffe Museum in Santa Fe on a demonstration project. Collaboration with the O’Keeffe has included microfading assessment on selected O’Keeffe watercolors, and installation at the museum of specially designed filters developed in partnership with the University of Texas at El Paso.

As the result of a cooperative venture between GCI Science and inXitu, Inc., a portable, noninvasive XRD/XRF—an analytical instrument which provides information on the elemental composition of materials—was designed and built to fill a gap in the quality of information obtainable from an art object without invasive sampling. Work on the portable XRD/XRF was completed in FY09 and information on the instrument presented in a workshop as part of the AIC annual meeting.

The Getty Conservation Institute 43 The ancient site of Petra, GCI Chief Scientist Jordan. The GCI is working Giacomo Chiari using with Jordan’s Department polynomial texture of Antiquities and the mapping on the World Monuments Fund mosaic of Neptune and to develop a Web- Anfitrides in the ancient based system using GIS city of Herculaneum, technology that will aid in Italy, where the GCI protecting and managing is providing scientific archaeological sites. support to help address conservation problems. Photo: © Giorgio Torraca.

Science’s Collections Research Laboratory (CRL) began a collaboration with the Getty Museum to conduct scientific analysis of manuscripts and panel paintings of 14th-century Florentine artist Pacino di Bonaguida, in conjunction with a Museum exhibition planned for 2012 that will include a section devoted to the CRL’s conservation and technical studies. The participation of GCI Science staff in this project may serve as a model for integration of a conservation component into future exhibitions.

During FY09, GCI Science partnered with the Herculaneum Conservation Project (HCP)—which is sponsored by the Packard Humanities Institute and conducted in collaboration with the Soprintendenza Speciale per i beni Archeologici di Napoli e Pompei, under the management of the British School at Rome. The overall objective of the HCP is to conserve and enhance the ancient city of Herculaneum. The GCI’s Herculaneum Project, a collaboration with the HCP, aims to provide scientific support through analytical investigations to address conservation problems at the site.

44 The Getty Conservation Institute Photography being GCI graduate intern undertaken as part of Hande Cesmeli (right) the assessment of tombs working with a participant in Egypt’s Valley of the in the GCI’s May 2009 Queens, where the GCI and injection grouts workshop at Egypt’s Supreme Council of the Getty Center. The workshop Antiquities are collaborating was an outgrowth of the on a comprehensive plan Institute’s Injection Grouts for conservation and for the Conservation of management of the site. Architectural Surfaces project. Photo: Stephen Rickerby.

Communications & Information Resources

An essential aspect of the GCI is dissemination of information regarding our work and the work of conservation colleagues. The Institute also seeks to expand resources for the field.

At the May 2009 AIC meeting, the GCI formally introduced the Conservation Thesaurus (CT), which is being developed in collaboration with the conservation community. Modeled on other Getty vocabulary databases, the CT will support a variety of functions tailored to the conservation field, including the searching, indexing, cataloguing, and retrieval of conservation information. Once developed, it will be available online free of charge.

In order to provide greater access to up-to-date information on GCI programs and activities, the Institute launched a bimonthly e-mail bulletin, the GCI Bulletin, in October 2008. The bulletin supplements GCI coverage found in Conservation, The GCI Newsletter by offering brief updates on projects, conferences, courses, and publications, with Web links to detailed information.

The Getty Conservation Institute 45 Instructor Monique Fischer The Getty Conservation with participants in a three- Institute Projects year photograph conservation program for Central, Southern, and Eastern Europe, organized by the GCI in partnership with the Academy of Fine Art and Design and the Slovak National Library in Slovakia.

The work of the Getty Conservation Institute is Conservation of Photographs and Photographic Panel Paintings Initiative primarily project based. The Institute’s projects Collections for Countries of Central, Southern, This multiyear collaborative project was developed to are grouped under the GCI department leading and Eastern Europe address the need for educational resources and training the initiative. Many of these projects entail This project aims to advance the field of photograph opportunities in the structural treatment of panel interdepartmental collaboration and most involve conservation in Central, Eastern, and Southern Europe paintings. A symposium entitled “Facing the Challenges close collaboration with a variety of local, national, through a three-year course, Fundamentals of the of Panel Paintings Conservation: Trends, Treatments, and and international partners. Conservation of Photographs, that combines annual Training” was held in May 2009 at the Getty Center. In summer schools with distance learning and mentoring addition, work continued on the development of a project activities. Module 1 of the course—comprising a three- bibliography and plans for future training opportunities, Projects between July 1, 2008, and June 30, 2009 week summer school in Bratislava, Slovakia and an eight- such as residencies and short courses. Partners: The Getty month distance mentoring phase—was completed in Foundation; The J. Paul Getty Museum. spring 2009. A planning meeting for Module 2 was held in Education Preventive Conservation Case Study Martin, Slovakia in March 2009. Partners: Academy of Fine The GCI and its partners completed an online didactic Arts and Design, Bratislava; the Slovak National Library, Built Heritage in Southeast Asia: Conservation case study for use in academic programs in conservation, Martin, Slovakia. Education and Training Initiative museum studies, architecture, or engineering that This project addresses key areas in conservation 16th International Course on Stone Conservation illustrates the interrelated issues affecting the practice of education and training within Southeast Asia. In October The goals of this multipartner collaboration are to preventive conservation and the creation of a sustainable 2008, a four-day international forum was held in Siem improve stone conservation practices through training, conservation strategy. The study focused on the Reap, Cambodia, “Siem Reap: Urban Development in the to create a network of conservation professionals, and Amsterdam house museum Ons’ Lieve Heer op Solder Shadow of Angkor,” which focused on rampant urban to disseminate reference and teaching materials related (Our Lord in the Attic) and was made available online in development and conservation of heritage sites. Partners: to stone conservation. The redesigned course was held April 2009. Partners: The Netherlands Institute for Cultural Authority for Protection and Management of Angkor April–July 2009 in Venice, Italy. Partners: International Heritage; Museum Ons’ Lieve Heer op Solder, and the Region of Siem Reap, Cambodia; Center for Centre for the Study of the Preservation and Restoration The Netherlands. Khmer Studies, Cambodia; Pacific Rim Council on Urban of Cultural Property (ICCROM), Rome; UNESCO–Regional Science Workshop Series Development, Los Angeles. Bureau for Science and Culture in Europe; Università The purpose of this project is to improve conservation IUAV di Venezia; Soprintendenza per i Beni Architettonici Conservation and Management of Archaeological practice by disseminating current scientific research to e Paesaggistici di Venezia e Laguna, Italian Ministry for Sites: Tunisia professional conservators through a series of short courses Culture; and Soprintendenza Speciale per Patrimonio The goal of this workshop series is to build conservation and related activities that draw upon the research of the storico, artistico, etnoantropologico e per il Polo Museale capacities among Tunisian managers of archaeological GCI’s Science department. In December 2008 a planning della città di Venezia e dei comuni della gronda lagunare, sites. The project complements the mosaic technician meeting was held at the Getty Center for the upcoming Italian Ministry for Culture. training undertaken by Field Projects. In June 2009 the colloquium “Cleaning of Acrylic Painted Surfaces,” final workshop for site managers was held, at which Museums Emergency Program Education Initiative and in May 2009 a planning meeting for the upcoming the principles of conservation complemented practical This collaborative training initiative is part of an short course “Poultice Desalination of Porous Building conservation methodologies to ensure sustainable international program designed to assist museums in Materials” took place in Venice, Italy, in conjunction with conservation actions at archaeological sites. Partner: developing emergency preparedness and response the 16th International Course on Stone Conservation. Institut National du Patrimoine, Tunisia. measures. The second course, Teamwork for Integrated Emergency Management, concluded with a final meeting of the participants and instructors in Croatia in October 2008. Partners: ICCROM, Rome; International Council of Museums, Paris.

46 The Getty Conservation Institute Field Projects Conservation and Management of the Valley Evaluation Techniques for Decorated Surfaces of the Queens in Mexico Architectural Records and Information Systems (ARIS) The project seeks to enhance site management as a The project aimed to develop evaluation techniques for The ARIS course in Rome educates mid-career discipline both in Luxor and in greater Egypt through synthetic polymer treatments over time on decorated professionals and educators in recording and detailed planning for conservation and management of surfaces in Mexico, using murals at the pre-Columbian site documentation principles, methods, tools, and the Valley of the Queens site, joint implementation of the of Cholula in Puebla, Mexico as case studies. Work was techniques. An evaluation of the 2007 course was plan with the Supreme Council of Antiquities, and training completed on methods for documenting and linking in undertaken as part of the planning process for the 2009 of Egyptian personnel in planning and management for situ condition assessment with results of scientific analysis course to be held in September 2009 in Rome. Partner: archaeological sites and wall paintings conservation. of samples and environmental monitoring to evaluate ICCROM, Rome. The assessment report for the valley was released the impact of previous treatment with synthetic polymers Architectural Paints Research and approved, providing the basis for the proposed on current conditions. Partner: Instituto Nacional de Using comparison of architectural paints as a case conservation and management project. The fourth annual Antropología e Historia. meeting of organizations working on the West Bank was study, the project aims to develop a methodology for Historic Cities and Urban Settlements Initiative held in January 2009, and the GCI hosted three Egyptian empirically measuring the visual appearance of painted The aims of this initiative are to contribute to the colleagues as part of the project’s development. Partner: surfaces—including texture, transparency, and gloss, and enhancement of practices in conservation and Supreme Council of Antiquities, Egypt. the influence of light temperature and ambient-reflected management of historic cities and urban settlements light on color and appearance. Laboratory research on Conservation of América Tropical by addressing critical needs and issues through architectural paints has confirmed the specific ways The principal goal of this work is to conserve, protect, implementation of targeted projects ranging from research historic and commercial paints differ visually. interpret, and provide public access to the mural América and education to field work. A survey of city planners, China Principles Tropical by David Alfaro Siqueiros at the El Pueblo de Los architects, and administrators involved in the conservation The China Principles project is designed to maximize Angeles Historical Monument in downtown Los Angeles. of historic cities was conducted, and in March 2009 adoption of good site conservation and management Finalization and legislative approvals for the design of the GCI organized a meeting that brought together practice throughout China. Current work aims at the protective shelter and interpretation center were international heritage professionals and decision makers dissemination and application of the principles at two achieved in 2009. Partners: City of Los Angeles; The Getty with GCI staff to help guide the Institute’s priorities with sites: the Mogao Grottoes and the Qing Imperial Summer Foundation. regard to critical urban conservation issues. Resort of Chengde (Shuxiang Temple). The carrying Conservation of Mosaics in Situ Injection Grouts for the Conservation of Architectural capacity study for Mogao is being integrated into the This project has two distinct components: research and Surfaces: Research and Evaluation overall visitor management systems for the grottoes; the testing to better understand causes of deterioration The project’s objective is to evaluate the working project team continues to develop monitoring protocols of in situ mosaics and to develop methods for their properties and performance characteristics of injection for long-term validation and refinement of causes of maintenance, conservation, and presentation; and grouts for conservation of architectural surfaces and to deterioration in the caves and their relationship to visitor technician training in Tunisia, which aims to raise provide reliable tools for conservators and conservation use. The results of research and testing programs for standards of conservation and maintenance of mosaics at scientists to assess and compare different grouts in the conservation of painted decoration and exposed wood sites and build capacity of professionals responsible for laboratory and field. Laboratory testing of a series of at Shuxiang Temple were presented at the International the mosaics’ care and management. Two training courses commercial and custom-mix grouts continued, and in Seminar on Conservation of Painted Surfaces on Wooden were conducted for technicians in Tunisia and mentoring conjunction with the annual meeting of the American Structures in Beijing. Partners: State Administration of and support were provided to technician trainees on Institute for Conservation in May 2009 the first in a series Cultural Heritage of China; the Australian Department sites where they are currently working. Partners: Institut of proposed workshops was held for conservators to of the Environment, Water, Heritage and the Arts; the National du Patrimoine, Tunisia; Israel Antiquities disseminate information resulting from the project. Dunhuang Academy; the Chengde Cultural Heritage Authority; English Heritage. Bureau. Participating institutions in the Chengde Project Los Angeles Historic Resource Survey are the Chinese Academy of Cultural Heritage and the Earthen Architecture Initiative The project aims to develop and support the Hebei Provincial Bureau of Cultural Heritage. The initiative seeks to further the conservation of earthen implementation of a best practice model for the architecture through seismic stabilization and retrofitting identification and survey of historic resources for use Conservation and Management of the Tomb of historic earthen buildings, development of suitable by government/city authorities, using Los Angeles as of Tutankhamen grouts for repair of structural damage, and development the model. The GCI published the Los Angeles Historic This five-year, three-stage project will result in the of resources and networks for professionals. The Resource Survey Report: A Framework for a Citywide conservation and long-term management of the Tomb Terra Literature Review was published and an experts Historic Resource Survey and supported the City of of Tutankhamen. It involves scientific analysis and workshop, Mediterra, held in Villanovaforru, Sardinia, Los Angeles Office of Historic Resources (OHR) in the investigation to determine the tomb’s environmental produced a strategic plan for coordinating conservation development of a citywide historic context statement, conditions and state of its wall paintings, development of and research efforts in the Mediterranean region. Partners: survey field guide, and database. With funding from appropriate conservation treatments, and implementation CRATerre-ENSAG, Grenoble, France; Department of the Getty Foundation, the public program was officially of a sustainable approach to its management, including Architecture in the University of Cagliari, Italy; Escola launched and three pilot surveys commenced to test and training of Egyptian wall paintings conservators. The Superior Gallecia (for Mediterra); School of Engineering at further develop the historic context statements and overall first campaign, undertaken in January 2009, carried out the Pontifica Universidad Católica del Perú. methodology. Partners: Office of Historic Resources, City of initial documentation and a condition survey of the tomb. Los Angeles; The Getty Foundation. Partner: Supreme Council of Antiquities, Egypt.

The Getty Conservation Institute 47 Management Planning Pharaonic Mummy Case Design Wall Paintings at the Mogao Grottoes This project contributes to the field of cultural heritage The project designed and built hermetically sealed oxygen- This project focuses on developing and implementing a management by promoting professional dialogue and free, nitrogen environment mummy cases to preserve model methodology for conservation in Cave 85 of the exchange of site management experiences reflective and display mummies in the Egyptian Museum in Cairo. Mogao Grottoes that is applicable to similar sites along of different political, cultural, and economic contexts, Fabrication of components for 25 mummy cases was the Silk Road and on educating conservation professionals and by developing reference materials that can be carried out in Los Angeles during early 2009 and the cases through the jointly developed master’s degree program adapted and utilized in a variety of situations. A case are ready for assembly in Cairo. Partners: Supreme Council at Lanzhou University. Two wall paintings conservation study summarizing experiences derived from putting site of Antiquities, Egypt; Egyptian Museum; National Museum courses for Dunhuang Academy and Courtauld Institute of management theory into practice at the site of Joya de of Egyptian Civilization. Art students were held and staff from the academy and the Cerén in El Salvador was published, and the outcomes State Administration of Cultural Heritage were hosted by Southern African Rock Art Project of this work and the GCI’s work on the conservation of the GCI in August 2008. Partners: State Administration of The project aims to develop and embed sustainable the Hieroglyphic Stairway at the site of Copán, Honduras, Cultural Heritage of China; Dunhuang Academy; Lanzhou approaches to rock art conservation, accessibility, and were discussed at a panel organized by the GCI at the XXII University; Courtauld Institute of Art, London; Chinese management in the 12 countries of the Southern African Simposio de Investigaciones Arqueológicas in Guatemala Academy of Cultural Heritage. region. A three-week workshop on development of rock City, July 2008. art site management plans was held in late summer Middle Eastern Geodatabase for Antiquities (MEGA) 2008 at Mapungubwe National Park, South Africa, with Science The project aims to develop a national, Web-based, participants from South Africa, Botswana, Zambia, English-Arabic geographic information system (GIS) to be and Zimbabwe, at which participants revised and Alternative Climate Control for Historic Buildings used as a tool in managing archaeological sites, as well improved management plans for three rock art sites at The goal of this project is to demonstrate the application of as to establish a national site inventory and to provide Mapungubwe. Partners: South African Heritage Resources controlled ventilation and heating or dehumidification as information on heritage sites to researchers. The system Agency; South African National Parks; Clanwilliam Living viable climate-control strategies for improving collection is currently being developed in partnership with the Landscape Project, South Africa; Rock Art Research environments in historic buildings in hot and humid Jordanian Department of Antiquities and in late spring Institute, University of the Witwatersrand, Johannesburg; regions. A conservation-focused system was installed in 2009, a prototype of MEGA-Jordan was released for testing Southern African Rock Art Project member countries. the 18th-century Lodge of Retirement, part of the Quinlong at four regional offices of the department. MEGA will Garden complex in the Forbidden City, Beijing, China. Terra 2008: 10th International Conference on the Study subsequently be adapted and expanded for use in Iraq. Partners: Franciza Toledo, lecturer, Federal University of and Conservation of Earthen Architectural Heritage Partners in Jordan: Department of Antiquities, Jordan; Pernambuco, Brazil; the Palace Museum, Beijing; World Working with partners in Mali, the GCI in February 2008 World Monuments Fund, New York. Partners in Iraq: Monuments Fund, New York. co-organized this international conference to strengthen World Monuments Fund; Iraq State Board of Antiquities the network of earthen architecture professionals, promote Antibodies Research and Heritage; UNESCO; Department of Antiquities, Jordan. best practices in earthen architecture conservation, and This project uses enzyme-linked immunosorbent assay Modern Murals disseminate the latest scientific research. During this to show the deterioration of organic binders such as This project aimed to identify needs for the maintenance reporting period, the proceedings from the conference animal glue, egg, casein, and plant gums when they are and care of this underserved cultural heritage resource. were prepared and edited for publication. Partners: subjected to artificial aging in the presence and absence of An experts meeting of public arts administrators held Ministry of Culture of Mali, with support from the pigments. The results of recent research were presented at the GCI in August 2008 was key in pinpointing a Direction Nationale du Patrimoine Culturel and at ICOM-CC in New Delhi, September 2008, and at the variety of conservation needs with respect to public Musée National du Mali. annual AIC conference in Los Angeles, May 2009. Partners: murals, including the need to develop policies for the Metropolitan Museum of Art, New York; University of Heritage Values, Stakeholders and Consensus Building care and maintenance of murals at the time that they Perugia, Italy; Philip Klausmeyer, Worcester Art Museum, This project aims to disseminate to heritage educators are commissioned and/or subsequently. Preliminary Massachusetts. and students case studies on values-based processes recommendations for managing long-term care and for management decision making, including identifying Asian Organic Colorants maintenance of modern murals were developed. stakeholders, eliciting their values, and managing This collaborative scientific research project aims to Organization of World Heritage Cities World Symposia stakeholder values in site decisions. A second component develop strategies for analysis of natural dyes and Aimed at improving conservation and management of investigates the application of consensus-building and pigments used in Asia. Acquisition of raw biological historic cities, this project involves collaborating with conflict-resolution concepts, methods, and expertise to sources from the 30 identified groups used in Asia and the Organization of World Heritage Cities in organizing heritage place management. A case study on the site of preparation of reference samples has been completed, their world symposia, specifically in the design and Jarash, Jordan, was tested and prepared for publication, as has the project bibliography. Partners: Dunhuang coordination of a symposium’s scientific content to and work commenced with the Consensus Building Academy, China; Jan Wouters, conservation scientist. advance discussion on conservation challenges facing Institute on research into applying methods and tools for those responsible for World Heritage Cities; this includes consensus building and conflict resolution to heritage the organizing of keynote presentations and a workshop place management. Partner: Department of Antiquities, for mayors of World Heritage cities. The proceedings of the Jordan. 9th World Congress held in Kazan, Russia, in 2007 were published online and preparation was undertaken for the 10th Congress, to be held in Quito, Ecuador in September 2009. Partners: Organization of World Heritage Cities; City of Quito.

48 The Getty Conservation Institute Collections Research Laboratory Magnesian Limestone Project  Outdoor Painted Surfaces The GCI’s Collections Research Laboratory engages in This project seeks to understand and address the rapid This project aims to improve conservators’ scientific research focused on the collections of the deterioration of magnesian limestone structures in understanding of the paints used for 20th- and 21st- Getty Museum and the Getty Research Institute. Projects northern England on three fronts: stone characterization, century outdoor painted sculpture and to establish included analysis of manuscript and panel painting decay mechanism, and treatment testing. The project has procedures to improve their preservation, with techniques of Florentine artist Pacino di Bonaguida for measured field rates of decay related to environmental particular focus on the works of Roy Lichtenstein. inclusion in an upcoming 2012 exhibition; study of ancient changes using a time-lapse system; laboratory research Working closely with the Lichtenstein Foundation, two glass production and trade through the analysis of trace found that clay minerals present in stone appear to reference sets of the paint systems used on his works element components; examination of bronze foundry play a minor role in the decay process; and preliminary have been created, and will be monitored for stability methods; characterization of ancient vase-painting treatment tests found that removal of salts from fine- and resistance to fading. Analytical protocols have techniques using synchrotron radiation techniques; and grained stone requires a modified poultice. Partners: also been developed that can distinguish between analysis of a hidden Rembrandt portrait. English Heritage; Princeton University, New Jersey. many of the paints used on outdoor works by artists, fabricators, and conservators. Partner: Roy Lichtenstein Desalination of Porous Building Materials Microfading Research Foundation. This project addresses the knowledge gap concerning This project seeks to improve methods for evaluating poulticing of salts from carved stone and wall paintings the light sensitivity of art works by direct nondestructive  Preservation of Plastics and works to establish guidelines for conservators on measurement. Work has included testing various The GCI has joined a consortium of European partners use of desalination systems for building materials. A modifications to the optics of the microfading tester on a long-term study into the conservation issues of case study on the oldest home in New Orleans, which developed by Paul Whitmore and improving evaluation plastics, known as Preservation of Plastic ARTefacts in suffers from severe salt problems, was completed and protocols. Partners: Carnegie Mellon University, Pittsburgh; museum collections (POPART), whose primary research preparation is underway for a 2010 course on desalination Canadian Conservation Institute; Smithsonian Institution; objective is to assess the best methods for analysis of of historic structures. Partners: European Community; Georgia O’Keeffe Museum, Santa Fe; Instituut Collectie plastics. An agreed-upon set of reference plastics was Historical Monuments Research Laboratory, France; Nederland (ICN); National Gallery of Art, Washington, D.C.; collected and distributed among all POPART partners, Cologne Institute for Conservation Science, Cologne Museum of Modern Art, New York; Buffalo State College, and the GCI designed a round-robin test so various University of Applied Sciences, Germany; Applied Physics New York. analytical techniques can be compared and evaluated. Department, Eindhoven University of Technology, The Partner: POPART Consortium. Modern and Contemporary Art Research Netherlands; The Netherlands Organization for Applied The GCI is engaged in a series of initiatives related to the Museum Lighting Research Scientific Research, Built Environment and Geosciences; conservation of modern and contemporary art. These This project seeks to reduce the photochemical stress of IUAV of Venice–Faculty of Architecture, Venice, Italy; include: museum exhibition lighting on sensitive art works through Madame John’s Legacy, New Orleans. the reevaluation of current illumination guidelines and  Los Angeles Murals Herculaneum Project the creation of better protective filtration. The first The primary objective of this project is to assess current The objective of this project is to provide scientific commercial production of a new filter for incandescent anti-graffiti and UV-absorbing coatings for protecting support for conservation of the ancient site of lighting that reduces overall energy flux to art works by murals against these causes of deterioration. During Herculaneum, Italy, through implementation of new approximately 50 percent was completed and this year, six test murals were produced at the Getty and recently developed scientific instruments and test installation of filtered lighting undertaken at the Center for use in evaluating these coatings. methodologies. Activities included developing a Georgia O’Keeffe Museum. Partners: University of Texas comprehensive procedure to test injection grouts in the  Modern Paints at El Paso; Georgia O’Keeffe Museum, Santa Fe. lab and in the field; studying wall paintings alterations This project deals with issues surrounding the New Instrumentation Development and their causes; documenting conditions of wall conservation of modern synthetic paints, and focuses The objective of this project is to develop and produce paintings using a new textural mapping instrument; and on the effects of cleaning acrylic painted surfaces, new scientific instrumentation to further analytical detecting voids in plasters non-invasively using laser causes of some modern oils becoming sensitive to research capabilities in conservation science. A new speckle interferometry. Partners: British School at Rome; water application, and analytical techniques to study portable X-ray diffraction/X-ray fluorescence instrument Herculaneum Conservation Project; Giorgio Torraca. paints used by a number of influential 20th-century was developed and implemented as part of the artists and how the paints change with age. Partners: Lime Mortars and Plasters department’s portable laboratory; computed tomography Courtauld Institute of Art, London; Clyfford Still The aim of this project is to enhance knowledge of the scan was used to fully analyze a large Roman bronze and Museum and Estate, Denver; Dia Art Foundation; fundamental properties and performance of high-calcium other works from the Getty Museum; and laser speckle Dow Chemical Company; Hirshhorn Museum and lime mortars and plasters in order to provide a wider basis interferometry was used to show detachments in the Sculpture Garden, Washington, D.C.; Instituut Collectie for appropriate choice of materials and methods in the plaster of the walls in the Termae of Herculaneum. Nederland; Robert Ryman; Sam Francis Foundation; conservation of this widely used building material. Testing Partner: inXitu, Inc. Solomon R. Guggenheim Museum, New York; Tate, was conducted on the performance properties of lime- London. Organic Materials in Wall Paintings pozzolan mortars and the project team participated in The goal of this project is to improve the practice of wall American Society for Testing and Materials interlaboratory paintings conservation by developing a methodology for studies seeking to revise the physical testing of limes. identification of organic materials used as binders, which Partner: Raymond Lemaire International Centre for are particularly vulnerable during intervention. Two cases Conservation, Leuven, Belgium. studies were conducted in collaboration with the Italian government—one on Agnolo Gaddi frescoes in the Church of Santa Croce in Florence, and the other on Andrea Pozzo frescoes in the Church of St. Francis Saverio in Mondovi— and the most useful methodology identified. Partners: Opificio delle Pietre Dure, Italy; Courtauld Institute of Art, London; Vatican Museum Laboratory; Instituto Centrale del Restauro, Italy; several institutes of the Italian National Council of Research; and a number of Italian universities.

The Getty Conservation Institute 49 Reference Collection GCI Information Center The GCI Reference Collection is a repository of reference The Information Center supported the mission of the and standard materials used for scientific investigation of Institute by providing expertise and support to the work of works of art consisting of pigments, binding media, dyes, conservation staff throughout the Getty and conservation and stone, among others. During this reporting period, professionals worldwide. The center responded to over the collection was enriched by well-identified organic 2,000 inquiries from staff, scholars, interns, and members dyes (supplied by the GCI’s Asian Organic Colorants of the interested public; acquired nearly 2,500 new titles project), modern paint materials (primarily from the for the Conservation Collection in the Research Library at GCI’s Modern Paints project), an important new collection the Getty Research Institute; and contributed over 1,000 of different modern parchment samples from Slovenia, records to the Bibliographic Database of the Conservation and a variety of photographs and photographic materials Information Network (BCIN). from conservation colleagues and the general public Public Programs around the world. As part of the Conservation Matters series, lectures were Research on the Conservation of Photographs presented on a recently restored 17th-century garden in This project seeks to advance techniques for identifying France, the conservation of the Ahichhatragarh-Nagaur variations in photographic processes and providing Fort in India, and the scientific examination of the insight into post-processing chemistry and chemical Mona Lisa; a panel discussion on the ethical dilemmas treatment of photographs as needed for their long-term in the conservation of modern and contemporary art was preservation and conservation. A collaboration with the also presented. In addition, the GCI collaborated with National Museum of Media in Bradford, UK, resulted other organizations on the presentation of two panel in new discoveries relating to identification of rare and discussions: “Climate Change and Preserving Cultural experimental photographs from the Royal Photographic Heritage in the 21st Century” with the Natural Resources Society. Work with the Atelier de Restauracion et de Defense Council, and “myhistoricLA: Preserving Los Conservation de Photographies de la Ville de Paris and Angeles” with the City of Los Angeles Office of Historic the Henri Cartier-Bresson Foundation focused on the Resources and the Library Foundation of Los Angeles. first large-scale test of a new scientific methodology Publications developed at the GCI for provenance identification and During this recording period, the GCI published four authentication of 20th-century gelatin silver photographs. books, including two works growing out of GCI projects. Partners: Department of Chemistry, California State Two issues of Conservation, The GCI Newsletter were University, Northridge; National Museum of Media, also published. Published online in PDF format were five Bradford, United Kingdom; Harry Ransom Center, volumes related to GCI projects (see page 61), as well as University of Texas at Austin; Atelier de Restauration et de four previously published GCI books. Conservation des Photographies de la Ville Paris; Henri Cartier-Bresson Foundation, Paris; Centre de recherché sur Web Dissemination (getty.edu/conservation) la conservation des documents graphiques, Paris; Image Updates included descriptions of GCI projects, recent Permanence Institute, Rochester, New York. editions of Conservation, The GCI Newsletter, and video documentation of three lectures from the Conservation Matters series, as well as videos on the Asian Organic Communications and Information Resources Colorants project and the Built Heritage in Southeast Asia: AATA Online (aata.getty.edu) Conservation Education and Training Initiative. Also added AATA Online is a comprehensive database of abstracts was the Our Lord in the Attic online case study, created of literature related to the preservation and conservation as part of the GCI’s Preventive Conservation Case Study of material cultural heritage. Over 3,600 records were project. added to the database during FY09. Partners: International Institute for Conservation of Historic and Artistic Works (IIC), London; ICCROM, Rome. GCI Bulletin In October 2008, the GCI Bulletin was launched. This free bimonthly e-bulletin provides timely information to professional colleagues around the world on the activities of the Getty Conservation Institute. Five issues have been published.

50 The Getty Conservation Institute

Christian Ost, dean of ICHEC Getty Conservation Institute Brussels Management Guest Scholars School and a 2008–2009 GCI Conservation Guest Scholar. Photo: Dennis Keeley, for the GCI.

The Getty Conservation Institute’s Conservation 2008–2009 Conservation Guest Scholars Guest Scholar Program awards residential grants Cissé, Lassana. Cultural Mission of Bandiagara, Mali. to researchers, scientists, and professionals in Work on “The Conservation and Management of African conservation and allied fields to pursue independent Living Cultural Sites: The Case of the Bandiagara Cliff research. Designed to encourage innovative ideas Dwellings.” and perspectives on heritage conservation, the program encourages proposals that address the Mackay, Richard. Godden Mackay Logan Heritage theoretical underpinnings of conservation and Consultants, Sydney, Australia. Work on “Critical Success explore critical issues and applications related to Factors in Cultural Heritage Management.” conservation of the visual arts. Residencies are Ost, Christian. ICHEC Brussels Management School, awarded on a competitive basis and range from Belgium. Research on “A Guide for Town Planning three to nine months in duration. in Historic Cities Using Economics of Conservation Projects listed represent scholars’ primary research Methodology.” while in residence. Zancheti, Silvio. Federal University of Pernambuco, Recife, Brazil. Research on “Indicators of Authenticity and Integrity for Urban Heritage Areas.”

The Getty Conservation Institute 51 The Getty Foundation Deborah Marrow, Director

The Getty Foundation fulfills the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the understanding and preservation of the visual arts locally and throughout the world. Through strategic grants and programs, the Foundation strengthens art history as a global discipline, promotes the interdisciplinary practice of conservation, increases access to museum and archival collections, and develops current and future leaders in the visual arts. The Foundation carries out its work in collaboration with the Getty Museum, Research Institute, and Conservation Institute to ensure that the Getty programs achieve maximum impact. Cliff May, rendering by Christian A. Choate. 1956 Model Home, 1956. Presentation drawing. Courtesy University Art Museum, UC Santa Barbara.

Craig Kauffman. Untitled Eleanor Antin. 100 BOOTS Wall Relief, 1967. Acrylic Turn the Corner, Solana lacquer on vacuum-formed Beach, California, Plexiglas. Gift of the Kleiner May 17, 1971, 2:00 pm Foundation, Los Angeles (mailed: August 9, 1971). County Museum of Art. Courtesy Ronald Feldman © Museum Associates/ Fine Arts, New York. LACMA/Art Resource, New York.

The Getty Foundation moved in new directions over the past year as we completed the transition to a strategic philanthropic model. Towards the beginning of the year, we phased out many of our regular grant categories and competitions, shifting resources to newly launched special initiatives. Our grant making is now based primarily on a core group of programs aimed at increasing access to collections, strengthening art history internationally, and advancing the practice of conservation. Each initiative is undertaken in collaboration with the Getty Research Institute (GRI), the Getty Conservation Institute (GCI), or the J. Paul Getty Museum as well as external partners. In addition, we continue to offer support for the development of professionals in the visual arts, both in Los Angeles and throughout the world.

Pacific Standard Time: Art in L.A. 1945–1980

The Pacific Standard Time initiative, undertaken in collaboration with the GRI, aims to document and interpret the history of art in Los Angeles in the post-World War II decades. Over the past six years, the Foundation has worked behind the scenes, providing grants to local arts and educational organizations to identify, preserve, and make accessible the archival records that form the necessary basis for scholarship on the period. During the past year, Pacific Standard Time moved into its public phase with grants for a series of 23 coordinated exhibitions to be presented across Southern California in 2011 and 2012. Exhibitions will range from a broad survey of painting and sculpture during the postwar period at the Getty Museum, to a focus on the 1970s at the Museum of Contemporary Art (MOCA), a survey of California design at the Los Angeles

54 The J. Paul Getty Trust Ed Ruscha. Standard Station, Ten-Cent Western Being Torn in Half, 1964. Oil on canvas. Photo: Paul Ruscha.

County Museum of Art (LACMA), the Light and Space movement at the Museum of Contemporary Art San Diego, and African American art at the UCLA Hammer Museum and the California African American Museum, to name only a few. Together, the Pacific Standard Time exhibitions represent an unprecedented collaboration among the region’s cultural organizations that will provide a unique opportunity for regional, national, and international audiences to explore and celebrate the extraordinary artistic legacy of Los Angeles.

Museum Catalogues Online

The Foundation launched the five-year Online Scholarly Catalogue Initiative to explore the many ways in which online scholarly collection catalogues can be more current, interactive, and widely available than traditional printed books. While print catalogues have long provided the primary sources of information about museum objects for scholars and the general public, their high cost and static nature prevent them from being easily updated to reflect new knowledge. With Foundation support, and drawing upon the expertise of Getty Museum colleagues, a group of nine major museums in the United States and London have begun experimenting with online projects, with the goal of producing replicable models in order to help all museums as they consider the transition to an online environment. Participating museums include the Art Institute of Chicago, Freer/Sackler Galleries, Getty Museum, LACMA, National Gallery of Art, San Francisco Museum of Modern Art, Seattle Art Museum, Tate, and the Walker Art Center.

The J. Paul Getty Trust 55 Albrecht Dürer. Adam and Eve, 1507. Oil on panel. © Museo del Prado (España).

Connecting Art Histories

Art history has always been at the heart of the Getty’s mission, and the Foundation’s role in this effort has long been distinguished by its international focus and its support for scholars around the world. At the same time, in recent years an increasing number of scholars in the developing world have sought to broaden the study of art history in their countries and to engage their colleagues abroad. The Foundation’s Connecting Art Histories initiative, in collaboration with the GRI, is creating new opportunities for intellectual exchange across geographical regions. Grants support visiting faculty and curriculum development at art history departments and research centers in the developing world, as well as intensive seminars that bring together international groups of scholars to carry out collaborative research programs, thus increasing international networks. The first grants were awarded in 2009 to support visiting faculty at Jawaharlal Nehru University in New Delhi, research seminars in the Mediterranean region organized by the Kunsthistorisches Institut in Florence, and fellows and visiting lecturers at New Europe College in Bucharest. Related to this initiative, the Foundation also supported the launch of Art in Translation, an online journal containing translations of key art history texts from around the world.

New Conservation Initiatives: Mosaikon and Panel Paintings

The Foundation launched two conservation initiatives during the past year in collaboration with Getty and external partners: Mosaikon, in partnership with the GCI, ICCROM, (the International Centre for the Study of the Preservation and Restoration of Cultural Property), and ICCM (the International Committee for the Conservation of Mosaics), for the conservation of mosaics in the Mediterranean; and the Panel Paintings Initiative, with the GCI and Getty Museum, to train the next generation of conservators to take care of older works of art painted on wood supports. A major grant was made to ICCM to support a regional coordinator for the Mosaikon initiative and to help the organization increase connections among professionals in the region. The first training grant for the Panel Paintings Initiative allowed conservators from the Prado Museum and The Metropolitan Museum of Art to undertake the complex treatment of Albrecht Dürer’s masterpiece Adam and Eve.

56 The J. Paul Getty Trust Unknown maker. The Mazarin Chest, Japanese, about 1640. Wood covered in black lacquer with gold and silver hiramakie and takamakie lacquer; inlaid with gold, silver and shibuichi alloy; mother-of-pearl shell; and gilded copper fittings. Victoria and Albert Museum, London. © V&A Images.

Bringing It Back to L.A.: The Mazarin Chest

Foundation grants for research and conservation projects, and the resulting relationships that are established with colleagues and institutions around the world, can lead to important exhibitions or programs here in Los Angeles, both at the Getty Museum and other local institutions. In 2009 the Foundation collaborated with the Getty Museum on the exhibition Tales in Sprinkled Gold: Japanese Lacquer for European Collectors, which featured the Victoria and Albert (V&A) Museum’s exquisite 17th-century Japanese lacquer work known as the Mazarin Chest. With the help of a Foundation grant to the V&A that brought together Japanese and British conservators to develop the treatment, the chest was recently conserved using both modern Western and traditional Japanese techniques. More than 100,000 people were able to view this remarkable object at the Getty and learn about the innovative conservation approach used to preserve it. We hope that such collaborations will continue to bring important cultural resources to our home city.

Professional Development

The Foundation supports a number of ongoing professional development programs including the Multicultural Undergraduate Internship program, the USC Annenberg/Getty Arts Journalism Program, and the Getty Leadership Institute. New developments in these areas during the past year include a program for intern alumni, the establishment of a full-time arts journalism track within the master’s degree program in journalism at USC, and a new Leadership Institute program for Southern California museum professionals.

Looking Ahead

In the year ahead, the Foundation will concentrate on ensuring the successful implementation of the new initiatives described above. Keenly aware that our constituency faces hardship in the current economic environment, we will listen carefully to our grantees, monitor the impact of our new programs, and disseminate the results for the benefit of our colleagues. Our grants will continue to be focused internationally as well as here in Los Angeles, serving the fields in which the Getty is active.

The J. Paul Getty Trust 57 Totoya Hokkei. Mitsu no The Getty Foundation tomoe and Tokiwa no taki, Grants Awarded 1832. 2 thread-bound books, woodblock printed, ink and color on paper. Courtesy of the Freer Gallery of Art, Smithsonian Institution. (Online Scholarly Catalogue Initiative)

Grants Awarded between July 1, 2008, and Long Beach Museum of Art Foundation, California. For Scripps College, Claremont, California. For research and June 30, 2009 research and planning for the exhibition Exchange and planning for the exhibition Clay Reconsidered: Ceramics Evolution: World Wide Video/Long Beach, in collaboration in Southern California, 1945–1980 at the Ruth Chandler with the University Art Museum at California State Williamson Gallery. $175,000 CURRENT INITIATIVES AND PROGRAMS University, Long Beach. $175,000 Online Scholarly Catalogue Initiative Pacific Standard Time: Art in L.A. 1945–1980 Los Angeles Contemporary Exhibitions, Inc., California. Through this initiative, a group of eight museums are This joint initiative of the Getty Foundation and the Getty For research and planning for the exhibition Los Angeles working together to explore scholarly collection catalogues Research Institute is documenting the history of art in Los Goes Live: Exploring the Origins of Performance Art in an online environment and to create replicable models Angeles in the post-World War II decades. In late 2011 and in Southern California. $132,000 for the museum field. early 2012, nearly 25 museums in Southern California— Museum of Contemporary Art San Diego, La Jolla, Art Institute of Chicago, Illinois. For the planning of an including LACMA, MOCA, the Hammer Museum, and the California. For research and planning for the exhibition online scholarly catalogue of the 19th-century European J. Paul Getty Museum—will present a series of linked Phenomenal: California Light and Space. $225,000 paintings collection. $240,000 exhibitions on this period. Orange County Museum of Art, Newport Beach, Museum Associates, Los Angeles, California. For the American Museum of Ceramic Art, Pomona, California. California. For research and planning for the exhibition planning of an online scholarly catalogue of the Southeast For research and planning for the exhibition Searching for Circa 1969: California Art on the Cusp. $175,000 Asian art collection of the Los Angeles County Museum Peace, Post-WWII Innovations in Clay. $141,000 Otis Art Institute (Otis College of Art and Design), Los of Art. $240,000 Armory Center for the Arts, Pasadena, California. Angeles, California. For research and planning for the National Gallery of Art, Washington, D.C. For the planning For research and planning for the exhibition Wrong: exhibition A Public Center of One’s Own: The Woman’s of an online scholarly catalogue of the 17th-century Dutch Baldessari–Heinecken, 1965–1975. $110,000 Building’s Contribution to the Arts in Los Angeles. paintings collection. $140,700 California Institute of the Arts, Valencia. For research and $130,000 San Francisco Museum of Modern Art, California. For planning for the exhibition The Experimental Impulse: Los Palm Springs Art Museum, Inc., California. For research the planning of an online scholarly catalogue of works Angeles Art from 1945 to 1980 at REDCAT. $145,000 and planning for the exhibition Backyard Oasis: The by Robert Rauschenberg in the permanent collection. City of Los Angeles, California. For research and planning Swimming Pool in Southern California Photography, $240,000 for exhibitions about the roles of the Municipal Art Gallery 1945–1980. $146,000 Seattle Art Museum, Washington. For the planning of an and the Watts Towers Art Center in the city’s postwar arts Pomona College, Claremont, California. For research online scholarly catalogue of the Chinese painting and scene. $66,000 and planning for the exhibition The Shock of the New calligraphy collection. $240,000 18th Street Arts Complex, Santa Monica, California. For at Pomona College: 1969–1973 at the Pomona College Smithsonian Institution, Washington, D.C. For the research and planning for the exhibition Collaboration Museum of Art. $190,000 Labs: Southern California Artists and the Artist Space planning of an online scholarly catalogue of the Gerhard Regents of the University of California, Oakland. For Pulverer Collection of Japanese Illustrated Books at Movement. $132,000 the arrangement and description of four arts collections the Freer Gallery of Art and Arthur M. Sackler Gallery. Filmforum, Inc., Los Angeles, California. For research and in the UCLA Chicano Studies Research Center Library and $200,000 planning for an exhibition on experimental film and video Archive. $48,000 Tate Gallery, London, England. For the planning of an art in Southern California from 1957 to 1980. $118,000 Regents of the University of California, Oakland. For online scholarly catalogue of the Camden Town Group. Friends, the Foundation of the California African research and planning for the exhibition The Ranch House: £137,800 American Museum, Los Angeles, California. For research Cliff May’s Designs for Modern Living at the University Art Walker Art Center, Inc., Minneapolis, Minnesota. For and planning for the exhibition Places of Validation, Museum at the University of California, Santa Barbara. the planning of an online scholarly catalogue of new Art and Progression at the California African American $140,000 acquisitions from 2005 to the present. $200,000 Museum. $225,000 Santa Monica Museum of Art, California. For research Japanese American National Museum. Los Angeles, and planning for an exhibition surveying the art of Beatrice California. For research and planning for the exhibition Wood. $145,000 Drawing the Line: Japanese American Art, Design & Activism in Postwar Los Angeles. $60,000

58 The J. Paul Getty Trust Connecting Art Histories Multicultural Undergraduate Internships Friends, the Foundation of the California African This initiative seeks to strengthen art historical scholarship In order to increase staff diversity in museums and American Museum, Los Angeles. $4,000 by increasing opportunities for scholars to have sustained visual arts organizations in Los Angeles County, the HeArt Project, Los Angeles. $4,000 international exchange with colleagues around the world. Getty provides summer internships for undergraduates of culturally diverse backgrounds. In addition to the Henry E. Huntington Library and Art Gallery, Jawaharlal Nehru University, New Delhi, India. For the 97 interns hosted by the following organizations in 2009, San Marino. $8,000 Distinguished Visiting Professor Program, School of Art and there were 16 interns with grants of $3,500 each in various Aesthetics. $145,000 Highways, Santa Monica. $4,000 departments at the Getty. Max-Planck-Gesellschaft zur Förderung der Historic Italian Hall Foundation, Los Angeles. $4,000 A+D Architecture and Design Museum, Los Angeles. Wissenschaften e.V., Munich, Germany. For research $4,000 HUC–Skirball Cultural Center, Los Angeles. $8,000 seminars organized by the Kunsthistorisches Institut in Florence, Italy, “Art, Space, and Mobility in the Early Ages American Museum of Ceramic Art, Pomona. $4,000 Immaculate Heart Community, Corita Art Center, of Globalization.” $200,000 Los Angeles. $4,000 Angels Gate Cultural Center, Inc., San Pedro. $4,500 New Europe Foundation, Bucharest, Romania. For Inner-City Arts, Los Angeles. $8,000 Armand Hammer Museum of Art and Cultural Center, research seminars at the New Europe College. $150,000 Inc., Los Angeles. $8,500 Institute of Cultural Inquiry, Los Angeles. $4,000 Mosaikon Armory Center for the Arts, Pasadena. $8,000 Japanese American Cultural and Community Center, This joint initiative with the Getty Conservation Institute Los Angeles. $4,000 aims to improve regional capacity for better maintenance Art Center College of Design, Pasadena. $4,000 Japanese American National Museum, Los Angeles. and preservation of the thousands of ancient mosaics in Arts and Services for Disabled, Inc., Long Beach. $4,000 the Mediterranean region, both in museums and in situ. $12,000 Association for the Advancement of Filipino American L.A. Freewaves, Los Angeles. $8,000 International Centre for the Study of the Preservation Arts and Culture, Los Angeles. $4,000 and Restoration of Cultural Property, Rome, Italy. LAXART, Los Angeles. $4,000 For the planning of two training projects related to the Autry National Center of the American West, conservation of lifted mosaics in museums in the Southern Los Angeles. $12,000 Library Foundation of Los Angeles, Central Library. $4,000 and Eastern Mediterranean regions. €37,300 California Institute of the Arts, Valencia. $12,500 Long Beach Museum of Art Foundation. $8,000 University of Cyprus, Nicosia. For a one-year grant California Science Center Foundation, Los Angeles. to strengthen the International Committee for the $4,000 Los Angeles Arboretum Foundation, Inc., Arcadia. Conservation of Mosaics (ICCM) and support the activities $4,000 of a regional coordinator for the Mosaikon initiative. California State Parks, Will Rogers State Historic Park, €174,000 Los Angeles. $4,000 Los Angeles Conservancy. $4,000 Panel Paintings Initiative California State University Long Beach Foundation, Los Angeles Contemporary Exhibitions, Inc. $4,000 The Getty Foundation, Getty Conservation Institute, University Art Museum. $8,500 Los Angeles County Metropolitan Transportation and Getty Museum have joined forces to address the Catalina Island Museum Society, Inc., Avalon. $4,000 Authority. $4,000 considerable challenges of conserving panel paintings, Center for the Study of Political Graphics, Los Angeles. Los Angeles County Museum of Natural History and the urgent need to train the next generation of Foundation, William S. Hart Museum. $4,000 specialized conservators who will care for these works in $8,500 the future. City of Culver City, Division of Cultural Affairs. $4,000 Los Angeles Municipal Art Gallery Associates. $4,000 Metropolitan Museum of Art, New York. For training and City of Los Angeles, Community Redevelopment Agency. Machine Project, Los Angeles. $4,500 Adam and Eve treatment related to the conservation of by $4,000 MAK Center for Art and Architecture, West Hollywood. Albrecht Dürer in the Museo Nacional del Prado, Madrid, $4,000 Spain. $134,000 City of Los Angeles, Department of Cultural Affairs. $4,000 Millard Sheets Gallery, Pomona. $4,000 State Art Museum, Copenhagen, Denmark. For a needs assessment survey of the field of panel painting City of Los Angeles, Department of City Planning, Office of Museum Associates, Los Angeles County Museum of Art. conservation in Europe and the United States. Historic Resources. $4,000 $8,000 DKK 1,331,000 City of Pasadena, Cultural Affairs Division. $4,000 Museum of Contemporary Art, Los Angeles. $8,000 City of Torrance, Torrance Art Museum. $4,000 Museum of Jurassic Technology, Culver City. $4,000 Claremont Museum of Art. $4,000 Museum of Latin American Art, Long Beach. $8,000 Eagle Rock Community Cultural Association, Los Otis College of Art and Design, Los Angeles. $8,000 Angeles. $4,000 P.S. ARTS, Los Angeles. $4,000 18th Street Arts Complex, Santa Monica. $8,000 Pacific Asia Museum, Pasadena. $8,000 El Pueblo Park Association, Los Angeles. $4,000 Pasadena Heritage. $4,000 Friends of Banning Park Corporation, Wilmington. $4,000 Pasadena Museum of California Art. $8,500 Friends of Robinson Gardens, Inc., Beverly Hills. $4,000 Pharmaka, Los Angeles. $4,000 Friends of the Chinese American Museum, Los Angeles. Pitzer College, Pitzer Art Galleries, Claremont. $4,000 $4,000 Plaza de la Raza, Inc., Los Angeles. $4,000

The J. Paul Getty Trust 59 Pomona College, Pomona College Museum of Art, Nugent, Kristina Marie. Columbia University, New York. Los Angeles County Arts Commission, California. For the Claremont. $4,000 $26,000 educational components of the summer 2009 Los Angeles County Arts Internship Program and alumni professional Public Corporation for the Arts of the City of Long Raynolds, William Fremont Peter. Columbia University, development workshop. $40,000 Beach, Arts Council for Long Beach. $4,000 New York. $26,000 National Committee for the History of Art, Inc., Rancho Los Cerritos Foundation, Long Beach. $4,000 Riedler, Rene. Academy of Fine Arts Vienna, Austria. Williamstown, Massachusetts. For international scholars $26,000 Rancho Santa Ana Botanic Garden, Claremont. $4,000 and students to attend the 2009, 2010, and 2011 College Art Santiago, Laura Maria. University of California, Los Association annual meetings. $144,000 Regents of the University of California, UCLA Chicano Angeles. $17,400 Studies Research Center. $4,000 National Association of Tribal Historic Preservation Schwahn, Birgit. Stuttgart State Academy of Art and Officers, Inc.,Washington, D.C. For the National Native Regents of the University of California, Fowler Museum Design, Germany. $24,500 Museum Training Program. $125,000 at UCLA. $4,000 Schwarz, Martin Michael. University of Vienna, Institute National Trust for Historic Preservation, Washington, Ryman Carroll Foundation, Los Angeles. $4,000 for Art History, Austria. $17,400 D.C. For the Los Angeles Preservation Fund. $100,000 St. Elmo Village, Inc., Los Angeles. $4,000 Serpolli, Roberta. University of Siena, Italy. $17,400 Organization of World Heritage Cities, Quebec, Canada. Santa Monica Museum of Art. $8,500 For participants from developing countries and Central Sloan, Rachel Beth. Courtauld Institute of Art, London, and Eastern Europe to attend the 10th World Congress Scripps College, Claremont. $12,500 England. $17,400 of the Organization of World Heritage Cities in Quito, Society for the Preservation of Drum Barracks, Snyder, Colleen Elizabeth. Buffalo State College, New Ecuador. $75,000 Wilmington. $4,000 York. $26,000 University of Southern California, Los Angeles. For the Southern California Asian American Studies Central, Spinelli, Ambra. Università di Bologna, Italy. $17,400 USC Annenberg/Getty Arts Journalism Program. $126,000 Visual Communications, Los Angeles. $8,000 Vávrová, Petra. Institute of Chemical Technology, Prague, The Getty Leadership Institute Tierra del Sol Center for the Handicapped Foundation, Czech Republic. $26,000 The Foundation operates the Getty Leadership Institute, First Street Gallery Art Center, Sunland. $4,000 West, Alana Annette. Ryerson University, Toronto, the premier source for continuing professional Velaslavasay Panorama, Los Angeles. $4,500 Canada; George Eastman House, Rochester, New York. development for current and future museum leaders. $17,400 Further information about Getty Leadership Institute Venice Arts: In Neighborhoods. $4,000 programs can be found at http://www.getty.edu/ Travel Grants and Other Professional Vincent Price Art Gallery Foundation, Monterey Park. leadership/. Development Opportunities $4,000 American Association of Museums, Washington, D.C. The Wende Museum of the Cold War, Inc., Culver City. For the 2010 Annual Meeting and Expo in Los Angeles, Grant Categories Concluding $4,000 California. $15,000 Following a long-range planning process, the Foundation Graduate Internships An Taisce, The National Trust for Ireland, Dublin. For reoriented its funding priorities, shifting from a primarily Graduate Internships at the Getty support full-time participants from developing countries and Central and responsive type of grant making (with juried, annual positions for students who intend to pursue careers in Eastern Europe to attend the 13th International Conference competitions) to a more proactive philanthropic model fields related to the visual arts. of National Trusts. $75,000 targeting specific issues and working with partner organizations to design special initiatives. As a result, final Abadilla, Monique Antonietta. The George Washington The Foundation of the American Institute for grants were awarded in the following categories. University, Washington, D.C. $17,400 Conservation of Historic and Artistic Works, Washington, D.C. For a strategic planning initiative. Research and Interpretation Beeny, Emily Ann. Columbia University, New York. $17,400 $100,000 Grants were awarded for the development of research Bella, Devon Renee. San Francisco Art Institute, International Council of African Museums, Nairobi, resources and publications, both electronic and print, as California. $17,400 Kenya. For delegates from Africa to attend AFRICOM’s well as interpretive projects for art works in a museum’s d’Alburquerque, Kira Sophie. Université Paris Sorbonne— 3rd General Assembly and Conference in Ouagadougou, permanent collection. Paris IV, France. $17,400 Burkina Faso. $100,000 American Academy in Rome, New York. For the Degrassat, Aude. Université Paris 1 Panthéon-Sorbonne, International Council of Museums, Paris, France. For arrangement and description of the photographic archive. France. $17,400 participants from developing countries and Central and $200,000 Eastern Europe to attend the 22nd Triennial General Gladstone, Mara Esther. University of Rochester, New American Research Center in Sofia, Ithaca, New York. For Conference in Shanghai, China. €71,000 York. $17,400 art history library acquisitions. $100,000 International Council of Museums, Paris, France. For Godts, Sebastiaan Franciscus. Royal Academy of Fine Autry National Center of the American West, Los participants from developing countries to attend the 2009 Arts Antwerp, Belgium. $26,000 Angeles, California. For the interpretive project Open Annual Conference of the International Committee for Collections. $200,000 Horta, Rebecca. John F. Kennedy University, Berkeley, Documentation (ICOM-CIDOC) in Santiago, Chile. $75,000 California. $17,400 Carnegie Institute, Pittsburgh, Pennsylvania. For the interpretive project The Warhol: Timeweb at the Andy Kerschbaumer, Sabine. University of Applied Sciences, Warhol Museum. $150,000 Graz, Austria. $17,400

60 The J. Paul Getty Trust Duke University, Durham, North Carolina. For the Escuela Nacional de Conservación Restauración y Victoria and Albert Museum, London, England. For the publication series Objects/Histories: Critical Perspectives Museografía, Coyoacán, Mexico. For equipment and symposium “Crossing Borders: The Conservation, Science, on Art, Material Culture, and Representation. $100,000 library acquisitions for a new postgraduate course in and Material Culture of East Asian Lacquer.” £38,000 photographic conservation. $50,000 Museum of Fine Arts, Budapest, Hungary. For the Wagner Free Institute of Science, Philadelphia, preparation of a catalogue of the 15th- and 16th-century Friends of the Coptic Museum, Cairo, Egypt. For a Pennsylvania. For the preparation of a conservation plan German drawings collection. €100,000 conservation survey of the manuscripts collection. for the plaster ceiling of the 19th-century exhibit hall. $100,000 $75,000 Museum of Fine Arts Houston, Texas. For Documents of 20th-Century Latin American and Latino Art: A Digital George Eastman House, Rochester, New York. For a Archives and Publications Project. $150,000 conservation survey of the daguerreotypes of Albert Sands Scholars and Fellows at the Getty Center Southworth and Josiah Johnson Hawes at the George Purdue University, West Lafayette, Indiana. For the and Getty Villa Eastman House; The Metropolitan Museum of Art, New publication The Corpus of the Mosaics of Turkey. $150,000 York; and the Museum of Fine Arts, Boston. $150,000 In 2009, 94 residential grants were administered by the Soprintendenza Speciale per il Patrimonio Storico, Foundation on behalf of the Getty Research Institute, Getty Historic Royal Palaces, East Molesey, Surrey, England. For Artistico ed Etnoantropologico per il Polo Museale della Conservation Institute, and Getty Museum. For a complete the implementation of a conservation plan for the White Città di Roma, Italy. For the preparation of a catalogue list of residential grant recipients, please visit the Museum, Tower of the Tower of London. £75,000 of the sculpture collections of the Museo Nazionale del Research Institute, and Conservation Institute chapters of Palazzo di Venezia. $160,000 Louisiana Museum Foundation, New Orleans. For this report. conservation of the collections of the Louisiana State Stadt Dessau-Rosslau, Germany. For the preparation of a Matching Gifts Museum, the final grant awarded through the Fund for catalogue of the 15th- and 16th-century German drawings New Orleans, established following Hurricane Katrina. The Getty awarded 383 matching gifts totaling $770,260. collection in the Anhaltische Gemäldegalerie Dessau. $200,000 €93,000 Maharana of Mewar Charitable Foundation, Udaipur, Sterling and Francine Clark Art Institute, Williamstown, Rajasthan, India. For the preparation of a conservation Massachusetts. For the publication of the catalogue plan for the City Palace Complex. $75,000 Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute. $100,000 Obispado de Huacho, Lima, Peru. For the preparation of a conservation plan for the Chapel of San Cristóbal de Stiftung Preussischer Kulturbesitz, Berlin, Germany. For Rapaz. $64,000 the preparation of a catalogue of the Northern European medieval collection in the Skulpturensammlung of the Opera di Santa Croce, Florence, Italy. For the preparation Bode-Museum, Staatliche Museen zu Berlin. $200,000 of a conservation plan for the frescoes and wall paintings by Giotto in the Church of Santa Croce. $75,000 University of Vermont and State Agricultural College, Burlington. For the preparation of a catalogue of the Ormylia Foundation, Greece. For treatment and research Islamic illustrated manuscripts in the Khuda Bakhsh related to the conservation of post-Byzantine textiles from Oriental Public Library in Patna, India. $100,000 the Monastery of Simonos Petra at Mount Athos. $100,000 Victoria and Albert Museum, London, England. For Philadelphia Museum of Art, Pennsylvania. For a the publication of a catalogue of the French furniture conservation residency related to the treatment of collection. $50,000 St. Francis Confronts the Antichrist by Cristóbal de Villalpando. $100,000 Visual Resources Association Foundation, Irvine, California. For the project Cataloguing Cultural Objects. Project Restore, Los Angeles, California. For the $26,400 preparation of a conservation plan for wall paintings in Los Angeles City Hall. $73,000 Conservation Grants were awarded for the conservation of works Society for College and University Planning, Ann Arbor, of art as well as historic buildings, landscapes, and Michigan. For dissemination of the results of the Getty archaeological sites. Foundation’s Campus Heritage Preservation Initiative. $307,000 Achi Verein, Zurich, Switzerland. For a pilot conservation training program at the ancient fortress and monastery at Transylvanian Reformed Church District, Cluj-Napoca, Wanla, Lower Ladakh, India. $120,000 Romania. For the implementation of a conservation plan for the Reformed Church. $200,000 Beth Sholom Synagogue Preservation Foundation, Elkins Park, Pennsylvania. For the preparation of a University College London, England. For the preparation conservation plan for the Beth Sholom Synagogue of an archaeological site management plan for the State Building. $75,000 Archaeological Park of Ancient Merv, Turkmenistan. $73,000 Cathedral of San Carlos Borromeo, Monterey, California. For the implementation of a conservation plan for the University of Cincinnati Foundation, Ohio. For an Royal Presidio Chapel. $100,000 interdisciplinary study related to the conservation and presentation of a video wall by Nam June Paik. $75,000 Ennis House Foundation, Los Angeles, California. For the preparation of a conservation plan for the Ennis House. University of Dublin, Trinity College, Ireland. For the $73,000 preparation of a conservation plan for the Old Library. €47,000

The J. Paul Getty Trust 61 The inaugural issue of the Publications Getty Research Journal was published in February, 2009.

J. Paul Getty Museum Death and Resurrection in Art Inside the Getty Enrico de Pascale Edited by William Hackman and Mark Greenberg Adélaïde Labille-Guiard Using artworks from ancient Egyptian tomb paintings A behind-the-scenes look at the J. Paul Getty Trust’s four Artist in the Age of Revolution to contemporary works by Damien Hirst, this volume programs—the Museum, Research Institute, Conservation Laura Auricchio explores depictions of death and resurrection through Institute, and Foundation—is provided in this unique guide. This book is the first full-length study in English of the life several thematic chapters. and work of Adélaïde Labille-Guiard, a female artist active Jo Ann Callis during the French Revolution. Discovering Art: Dogs Woman Twirling Discovering Art: Cats Judith Keller The Art of Mantua Discovering Art: Kids This lively catalogue celebrates artist Jo Ann Callis, who Power and Patronage in the Renaissance John Harris and Catherine Lorenz is well known for her sensuous, evocative photographic Barbara Furlotti and Guido Rebecchini These colorful board books for young children are filled tableaux that suggest mysterious, often unsettling This gorgeously illustrated volume tells the story of the with delightful images from the J. Paul Getty Museum’s narratives. Gonzaga family’s quest to make the city one of Italy’s most collection accompanied by a bit of read-aloud rhyme. dazzling artistic centers. Papers on Special Techniques in Athenian Vases European Art of the Seventeenth Century Edited by Kenneth Lapatin Bernini and the Birth of Baroque Portrait Sculpture Rosa Giorgi Papers from an international symposium cover the social Edited by Andrea Bacchi, Catherine Hess, and Jennifer With hundreds of illustrations, this guide presents contexts, conservation, analysis, experimentation, artists, Montagu, with the assistance of Anne-Lise Desmas the most important artists and artistic concepts of the workshops, production, markets, and exchange of Greek A groundbreaking study, this exquisite catalogue examines seventeenth century. vases in techniques beyond black- and red-figure. the stunningly life-like portrait sculptures of Gian Lorenzo Bernini, the greatest sculptor of the Baroque period. Faces of Power and Piety Paul Outerbridge Erik Inglis Command Performance Captured Emotions Featuring images found in illuminated manuscripts, this Paul Martineau Baroque Painting in Bologna, 1575–1725 book explores medieval portraiture and its goal to present Paul Outerbridge, American photographer and master of Edited by Andreas Henning and Scott Schaefer a person not at a particular moment in time, but as the early color process, produced a dynamic body of work. Bolognese portraits from the Baroque period, which were subject wished to be remembered through the ages. Beautifully reproduced in this engaging catalogue are highly emotive and often deeply religious, are explored in photographs from all periods and styles in his career: Fruits of Desire this beautiful catalogue. still-life images, commercial magazine photography, and A Seventeenth-Century Carved Ivory Cup nudes. Carleton Watkins in Yosemite Eike D. Schmidt Weston Naef This beautiful gift book is illustrated with stunning detail The Prayer Book of Charles the Bold All the grandeur of the American West in the mid- photography of Balthasar Griessmann’s large ivory goblet A Study of a Flemish Masterpiece from the Burgundian nineteenth century is reflected in this selection of that celebrates the benefits and risks of wine. Court photographs made by Carleton Watkins in and around Antoine de Schryver The History of the Church in Art Yosemite Valley, California. Preface by Thomas Kren Rosa Giorgi This volume reproduces all of the miniatures from this The Colors of Clay This richly illustrated volume analyzes key elements of exquisite manuscript and provides in-depth research on Special Techniques in Athenian Vases the Christian church—including key events, leaders, and its origins and the artists who created it. Beth Cohen practices—as portrayed in art. Now available in paperback, this lavish volume examines Seeing the Getty Collections at the Getty Center Illuminated Manuscripts of Germany and Central Athenian terracotta vases made in techniques other than Foreword by David Bomford Europe in the J. Paul Getty Museum the well-known black- and red-figure styles. This small book—full of details from the collections— Thomas Kren simulates the experience of visiting the J. Paul Getty The richness of the J. Paul Getty Museum’s holdings in Museum and the delight of discovering similarities among German and Central European manuscripts from the ninth otherwise disparate works. to the eighteenth century is explored in this beautifully illustrated and accessible volume.

62 The J. Paul Getty Trust The Splendor of Roman Wall Painting Limited run project publications: Getty Research Institute Umberto Pappalardo Abridged from the 2004 publication Domus: Wall Painting Conservation Management Planning: Art of the Defeat, France 1940–1944 in the Roman House, this gorgeous volume showcases the Putting Theory into Practice Laurence Bertrand Dorléac beauty and intricacy of ancient frescoes found in twenty- The Case of Joya de Cerén, El Salvador Translation by Jane Marie Todd eight Roman villas. Carolina Castellanos and Françoise Descamps Foreword by Serge Guilbaut Through examination of lessons learned in conservation Dorléac provides an unflinching look at the art scene Taking Shape management planning at Joya de Cerén, the document in France during the German occupation, including Finding Sculpture in the Decorative Arts highlights key matters to consider for implementing a individual acts of collaboration and resistance. Introduction by Martina Droth sustainable and successful management planning effort. Essays by Charissa Bremer-David, Katie Scott, Mimi The Blind Spot Hellman, and Mary D. Sheriff Proceedings: World Congress of the Organization An Essay on the Relations between Painting and Thirty-eight extraordinary works of decorative art and of World Heritage Cities Sculpture in the Modern Age furniture that incorporate sculptural forms or assert Kazan, 19–23 June 2007 Jacqueline Lichtenstein a sculptural presence are highlighted in this lovely Edited by Juan Manuel Martinez, Françoise Descamps, Translation by Chris Miller catalogue. and Kathleen Louw This volume gives an overview of the debate concerning This proceedings volume from the ninth World Congress the supremacy of painting or sculpture that captivated Techniques of Chinese Lacquer of the Organization of World Heritage cities examines the French writers and artists beginning in the seventeenth The Classic Eighteenth-Century Treatise on Asian dynamic linkage between heritage and economics. century. Varnish Filippo Bonanni Publications made available online: The Fragment This is the first English translation of Jesuit Filippo An Incomplete History Bonanni’s eighteenth-century treatise, considered the The Los Angeles Historic Resource Survey Report: Edited by William Tronzo most important and comprehensive early study of Chinese A Framework for a Citywide Historic Resource Survey Almost everything we know about the past comes from lacquer in Europe. Prepared by Kathryn Welch Howe physical and narrative fragments; the essays in this This report outlines a systematic but flexible framework volume investigate the history of the fragment, whether Translating the Past for conducting research and documenting resources, received or created. Laurent de Premierfait and Boccaccio’s De casibus identifying and evaluating properties using professional Anne D. Hedeman standards, engaging the public, and ensuring access Getty Research Journal This volume examines several richly illuminated copies to survey results for both community agencies and Number 1 of a fifteenth-century French translation of Giovanni city agencies. Edited by Thomas W. Gaehtgens and Katja Zelljadt Boccaccio’s Latin text De casibus, a collection of ancient The Getty Research Journal is a new art history publication and contemporary cautionary tales that was a bestseller Technician Training for the Maintenance of that showcases work from the Getty Research Institute and in its day. In Situ Mosaics the other programs of the J. Paul Getty Trust. Thomas Roby and Livia Alberti This is a collection of didactic materials developed for Introduction to Metadata Second Edition Getty Conservation Institute training courses on the maintenance of in situ mosaics organized for workers with the Institut National du Edited by Murtha Baca Printed publications: Patrimoine of Tunisia. Available in French and English. Updates in this edition include an essay on standards- based rights metadata for cultural institutions and The Craftsman Revealed Terra Literature Review “Practical Principles for Metadata Creation and Adriaen de Vries, Sculptor in Bronze An Overview of Earthen Architecture Conservation Maintenance.” Jane Bassett Edited by Erica Avrami, Hubert Guillaud, and Mary Hardy $30.00 paperback With contributions by Peggy Fogelman, David A. Scott, This volume reviews a range of studies that inform earthen and Ronald C. Schmidtling II architecture conservation in order to analyze strengths Meyer Schapiro Abroad Presenting the results of the technical study of twenty- and weaknesses in the research literature, evaluate Letters to Lillian and Travel Notebooks five bronzes, this heavily illustrated volume reveals the directions on which recent research has focused, and Edited by Daniel Esterman methods and materials used in their creation and contains identify gaps in knowledge. Published here are the sketches and observations made important information for conservators. by art historian Meyer Schapiro on his first trip through Recording, Documentation, and Information Europe in 1926-27. Plant Biology for Cultural Heritage Management for the Conservation of Heritage Places Biodeterioration and Conservation Volume I: Guiding Principles Sculpture and Enlightenment Edited by Giulia Caneva, Maria Pia Nugari, Robin Letellier, with contributions from Werner Schmid Erika Naginski and Ornella Salvadori and François LeBlanc. This pioneering book chronicles the transformation of Collected here are wide-ranging scientific contributions Volume II: Illustrated Examples public art in eighteenth-century France from religious to from the field of plant biology relating to the conservation Edited by Rand Eppich and Amel Chabbi secular subjects. of art, architecture, and archaeological sites. This two-volume publication is an outgrowth of the GCI’s Recording, Documentation, and Information Management (RecorDIM) Initiative.

The J. Paul Getty Trust 63 J. Paul Getty Trust Staff

Brett S. Abbott Reymundo Arellano Andrea Bestow Kevin Bustamante Tsovinar Chamilian Melissa Abraham Roxanne Arellano Artine A. Beyleryan Ruben Bustamante Calvin W. Chan Rita Abrahamyan Josh Argyle Somsak Bhombuth Everett J. Butterworth Lisa S. Chan Jennifer L. Adam David Armendariz Beril Bicer-Simsir Stacey J. Byers Lem Irene S. Chang Elmira Adamian Rebecca Loraine Armenta Patricia L. Biegel Jacqueline M. Cabrera Breanne Chappell Andre T. Adams Frederick W. Armentrout Ralf Bischofberger Jose J. Cabrera Sean Charette Arturo Adams Gizelle C. Armstrong Mitchell H. Bishop Mario Cabrera Charles Chatelain Marcus E. Adams Michael C. Aronowitz John M. Blaney Ruperto A. Cadena Chanique Chatham Neville Agnew Stephanie Arriaza Anne L. Blecksmith-Granata Andrea Cajucom Cornelio Chavez Jennifer Agorrilla Katherine Arroyo Melissa M. Blomquist Aimee Calfin Eugenio Chavez Aaron A. Aguilar Emile Askey Sarah Thomas Bloom Elissa S. Calfin Kirk Cheatham Alfonso Aguilar Thomas K. Asmann Julia Bloomfield Linda A. Calka Robert S Checchi Alfredo Aguilar Christina Aube Cynthia Bluhm Molly C. Callender Cherie C. Chen Brenda Aguilar John R. Avveduto Lindsay A. Blumenfeld Cesar O Calvillo Jennifer Chen Victor Aguilera Carolyne F. Aycaguer Renee V. Bobbitt-Galella Esteban Calvillo Ming Chen Wilson A. Aguilera Victor K. Ayitiah Alice Boccia Carole P. Campbell James S. Cheney Denilya Akens Sondra Fuller Aylott Foekje Boersma Eddie Campbell Hyeon Cheun Salvador Alamo Gabrielle Azucena Jeremy N. Boersma Karen F. Campbell Bonar Chhay Armando Albovias Murtha Baca Daniel Boland Larry E. Campbell Giacomo Chiari Jennifer Alcoset Tuyet Bach David Bomford Antonio Ignacio Campos Jeffrey A. Chipman Khachik Aleksanyan Kenneth W. Bagley Peter L. Bonfitto Isaias Campos Michael Theodore Chomick Christopher Alexander Stephanie Baker Marcel Bonner Lesly Campos Jeffrey H. Chon Joan M. Alexander Susan M. Baldocchi Michelle A. Bonnice Alfredo Campusano Bruce Chorney Linda A. Alexander Everett H. Ball Jan Boomgaarden Claudia N. Cancino Susan Chow Peter Alexon Thomas V. Baltazar Mark C. Bordelon Anita F. Canfield Nehemiah O. Chua Martha L. Alfaro Kristin Myla Balugay Richard J. Bordelon Robert J. Cangemi Sue Ann Chui Steven T. Algert Gregory J. Bannan Gilbert B. Borruel Naldo S. Cantalupo Michele L. Ciaccio Salima A. Ali Iman Barba Leslie R. Borsay Debra I. Canter David M. Clardy Rheim B. Alkadhi Mark T. Barbarino Antonia M. Bostrom Orlando Canton Stephen Clark Scott Christopher Allan Jean Barbaro Michel Bouchard Nicolette Marie Cantu Jeanette M. Clough Howard M. Allegan Raziul Bari Zarina Bouinatcheva Juan Antonio Carbajal Joan B. Cobb Susan M. Allen Jan E. Barnett Rick B. Bourn Robert Carey Erin S. Coburn Sophia J. Allison Reem Baroody Andrew Bowlus Michael E. Carlile Jeffrey Cody Chen Almacen Kuldip S Basra Ura D Bradley Paula M. Carlson Kathryn L. Cody Nahrain Al-Mousawi Jane L. Bassett Linde Brady Mary E. Carosello Laura Cogburn Martin Alpuerto Deborah S. Bauer David A. Brafman Cathryn J. Carpenter David A. Cohen Emmanuel Alvarado Jesus Bautista Luis R. Brambila Jr. Charles S. Carrico Jeffrey Cohen Karla Alvarez Andrea Baxter Michael A. Brand Diana Carroll Susan Colangelo Mari-Tere Alvarez Michelle Bean Erin Kelly Branham Leslie Carroll Ryan M. Cole Salvador R. Alvarez Amy M. Beauchamp Pamela J. Braunstein David M. Carson Ted Cole Veronica Alvarez Michael M. Beck Charissa Bremer-David Josephine Carter Kristopher Coleman Alvaro Alvarez-Zavala Donna A. Beckage Beth M. Brett Prima Casetta Pamela Coleman Argelia Ambriz Jennifer S. Bedford Arkisha Bridgeman Carol L. Casey Kristen M. Collins Miguel A. Ambriz Antonio Beecroft Richenda L. Brim Maura F. Casey Alexandra Collins-Shotwell Marcia Americas Jonathan S. Bell Kenneth Briscoe Clarissa Castaneda Joel A. Colon Madjdaldin Amirsoleymani Stephen William Bell Gregory M. Britton Adolfo Castillo Margaret A. Combs Susan P. Amorde Vincent L. Beltran Marcella C Brodsky Elvia Marina Castillo Robert Combs Victoria Amundsen Janice E. Bender Michael J. Brooks Estela Castillo Catherine A. Comeau Joe C. Ancajas Douglas A Benjamin Azania J.M. Brown Heldrych E. Castillo Christopher Coniglio Barbara Anderson James M. Benjamin Michael Christopher Brown Guillermo Castorena Brian Considine Sarah Anderson Veronica L Bennett Kenneth Brown Jr. Catarina A. Castruccio-Prince John N. Conte Elizabeth E. Andres Christina M. Bentcheva Eric M. Bruehl Jose Juan Ceja Nolberto Contreras Rhonda Anjelly Dinah Berland Michelle R. Brunnick Marlon Centeno Trinidad Contreras Ana Aparicio Elise Anabel Berman Olivia Bueno David A. Cerda Donna Conwell Shannon Arakaki Gail Denise Bernhart James L. Bullock Rogelio Pacheco Chacon Christine A. Cook Sargis Arakelyan Marge Bernstein Joel W. Burden Panyapon Chaiveera Emily Cooke Ralph David Arcuri Julius A. Best Jacklyn Burns Zarui Chakmakehyan Kathlyn Cooney

64 The J. Paul Getty Trust Jack R. Cooper Eric Doehne Susan J. Flanagan Natalie Gibas Aaron Michael Hagan Rick Jay Cooper Monica S. Doettger Leota J. Flaten Jocelyn Gibbs Christopher J. Hagel Tom Cordero Tiarna M. Doherty James L. Flauta Douglas F. Gil Carol Hahn Genevieve Cordova Archie L. Domineck Michael D. Fleming Maria L Gilbert Carl P Hall Katy Corella Andres Dominguez Julia R. Flinker Marilyn L. Gillette Kenneth Hamma Carmen Corona Sofia Dondoe Mary Flores Mark Raymond Gillette Michael Hammer Jose L. Correa Dean Donnell Narriman R. Flores ShaVaughn R. Gilliom Michael C. Hammers Shelly M. Corrigan John P. Donohoe Jesse Flores Jr. Benedicte Gilman Kathie V. Han John D. Cortes Angela C. Donougher Robert Flores Sr. Patricia Gilson Ian Hanlon Alexandra Cortez Carol A. Donovan Dalton Flowers Giancarlo A. Giurini Gwen J. Hanna Mario D. Cortez Erin Kathleen Donovan Robert Flynn Jeremy V. Glatstein Claire Anne Hanson Tahnee Cracchiola Zarir H. Dordi Paul M. Foley Bridget Sue Gleaves Richard Charles Hards George V. Credle III Annette J. Doss Kecia L. Fong David L. Glickman Michael Hargraves Carol Cressler Ryne Christopher Doty Stephanie L. Ford Elizabeth Rose Gluvna Rudolph Harlow Sally Ann Crosby White Loisann Dowd Terence Ford Cynthia A. Godlewski Marc Harnly Clyde Lewis Crossan Eugene Downing Cheryl A. Foster Kelli A. Golding Patricia Harpring Melissa J. Crowley Wendell Downing Lori E. Fox Bryan M. Goldstein Thomas M. Harrell David C. Cruz Judy Dragon Brandon Kyle Franklin Rita Gomez Natilee O. Harren Dennise Cruz Matthew C. Drake Sergio Frausto Yirley Y. Gomez Elizabeth Harrington Joana R. Cruz Jim G. Drobka Rosanne Rudin Freed Lenny Jose V. Gonzales Carolyn Harris Ruth Cuadra Jennifer Drolet Cheryl S. Freeman Agustin Z. Gonzalez Ernest J. Harris Robert E. Cuellar James R. Druzik Hassan Freeman Enid Claudia Gonzalez John C. Harris Arturo I. Cuevas Dionna Denise Dudley Sarah Kathleen Freeman Griselda Gonzalez Keala M. Harris Sheila Cummins Kathy J. Dunlop Ronald S. Frias Roberto Gonzalez Ann B. Harrison Laurance E. Cushman Ruben Duran Anatoliy Fridman Roberto J. Gonzalez Autumn Harrison Amit Dadhwal Tracy E. DuVernet Barbara M. Friedenberg Steve Castro Gonzalez Mary L. Hart Jens Daehner Hayk Dzhandzhapanyan Raymond E. Friedl Genevieve Gonzalez-Turner Shanna Lynn Hart Alison J. Dalgity Michael E. Easley Lauren M Friedman Alexander Scranton Gordon Timothy M. Hart Luana L Dalmeida Robert Easterbrook Eric Duvone Friend Carl Gordon Myron A. Hartwig Thomas Stephen Daly Krizia Ebalo Norman Harvey Frisch Hillary P. Gordon Lois Harty Theodore Dancescu Lauren E. Edson Matias Fuentes Kristen Liann Gordon Jennifer Harvey Elizabeth Daniels Rebecca M. Edwards Jane Fujimoto Walter M. Gorecki Mahsa Hatam Jeannette V. Danielson Rock Edwards Lesli Fujimoto-Lou Joseph Gorelik Kurt Hauser Douglas M. Danlag Susan E. Edwards Alexander Ryo Fujinaka Viktor Grabarchuk Richard Frank Hayden Kathleen Dardes Elnor Eggart Diane L. Fulton Colleen Graham Lynette T. Haynes Andra M. Darlington Katherine Eggert Barbara L. Furbush Erica Grall Terry L. Haywood Michael Sudaria Daus Christopher Eldridge Andrew Michael Furman Karissa L. Grasty Pamela L. Heath Monika Davies Nathan G. Elliott Jonathan C. Furmanski William Graves Virginia A. Heckert Adrienne A. Davis Todd E. Ellis Randy M. Furnier Anthony Gray Kate Elizabeth Heckmann Amanda Sutton Davis Matthew J. Elm Sarah Gabagat Oren L. Gray Deborah E. Hede Ami Davis Nancy E. Enneking Rogene Gad Kimra A. Grayson Stephen Heer Brian Davis Sheridan Noelani Enomoto Wolfgang Thomas Gaehtgens Philip F. Graziadei Jeffrey L. Heger Catherine L. Davis Randy R. Eppich Kathleen M. Gaines Valerie Greathouse Arlen S. Heginbotham Larry Davis Ann Y. Erwin John L. Gale Jean Green Karen Hellman Wanda Leinani Davis Elizabeth Escamilla Michael E. Galindo Marvin M. Green Marjorie L. Hendrix Herman H. Davis IV Florencio Escardo Ruben Gallardo Mark D. Greenberg Randall Henry Moira Morgan Day Angela M. Escobar Julian Gallardo Jr. Shane H. Greene Florentino Hernandez Dexter A. De Los Santos Carly E. Eskin Jose M. Galvez Gretchen M. Greenwood Juan Carlos Hernandez Wim de Wit Omar Estrada Jay M. Gam Tisha L. Greenwood Mauricio Alfredo Hernandez Jason Edward Dean Kathleen Evanoff Brett Alex Gano Amanda Catherine Grevey Samuel Herod Kristen Ulrikka Decker Orin L Evans Steve B. Garbade Cynthia Griffin Ryan Joseph Herren Jade DeCosta Peter Evans Benjamin Garcia Michael R. Griffin Johana Herrera Arlene DeFinis Stephanie C. Evans Dario Garcia Scott L. Griffith Paul Scott Hersey Michael D. DeHart Harriet L. Faber Erin Garcia Sergio A. Grijalva Catherine Hess Stephanie Dawnel DeLancey Bryan T. Fair Gregg J. Garcia Leigh Grissom Ronald Hew Susan C. DeLand Jessica R. Fairley Jessica E. Garcia Valerie V. Gross Sally Hibbard Martha Demas Beverly Faison Jesus Garcia Michael F. Grout James Hickey Robert D. DeMoss Wai Lap Edmond Fang Junias B. Garcia Cristian A. Grunca Matthew Christopher Hickey Clare Denk Ruzanna Faramazova Oscar A. Garcia Cecily M. Grzywacz John Andrew Hicks Susan Denness David P. Farneth Piedad Garcia Carmen Guerra Carolyn E. Higgins Ellen A. Dennig John Farrar Ross A. Garcia Jesse Guerrero Hope Hill Laura A. Dennis Ann D. Fath Sandy Garcia Roberto Guerrero Jason Hill Joey J Derosier Larry G. Faulkner Cecily Gardner Frances Guillen Charles F. Hillen Lora Chin Derrien Francisco Manalon Favis Judy Gardner Albrecht W. Gumlich Judith R. Hillier Francoise M.M. Descamps Rodney R. Fayton Gwynne Garfinkle William D. Gunn Rika I. Hiro Anne-Lise B. Desmas Leonie F. Fedel Katherine Ann Gates Shailendra Gupta Leslie Hirst Kiyoko L. Devine Gail Feigenbaum Andrew Gavenda Michelle L. Gurman Eric J. Hithe James E. Dew Melanie S. Ferguson Catherine Geard Lorenzo Gutierrez Emily Ho Margot Dewar Lilia E. Fernandez Brian Gee Ramos Benjamin Gutierrez Tahnee M. Hodgson James DeYoung Daniela Ferrari-Edwards Gertrude G. Geeraerts Raul A. Gutierrez Stephen Hojda Rajinder Singh Dhaliwal Valerie Ferraro Graham Gelberg Michelle A. Guy Sally Holloway Nina Diamond Eddie D. Ferrer Shira M. Geller Beth Guynn James L. Hollowell Juan Diaz Amila Ferron Steven C. Gemmel Susan V. Guzzardi Mary Holtman Judith Dillin Henry T. Field Melena Gergen Elizabeth K. Guzzetta Jennifer J. Homer Theresa Dillon Micah L. Fields-Cosey Zhenya Gershman Ngok L. Ha Margaret M. Honda Stepheny Dirden Scott Fife Mahnaz Ghaznavi Billie G. Hackney Nicholas K. Honeysett

The J. Paul Getty Trust 65 MiJin Hong Surinder Kumar Kent Mark Leonard Rafael Maravilla Gary G. Miller Ray T. Hoofard Peter Bjorn Kerber Deborah A. Lepp Rigoberto Maravilla Meagan E. Miller Thomas D. Hook Maurice Kerr Laura Lesko Louis Marchesano Sabina G. Miller Eric J. Hormell Rosalie G. Keszek Shayne Letford Laure Marest-Caffey Carmen Mireles Jr. Amy Jill Hortz Anita D. Keys Aradenia Letona Robert Margherita Eduardo Mireles-Raya Katherine Quincy Houghton Kashmira Khadem Nancy Leu Theresa A. Marino Harold Mitchell Oriant Howard Anais Khalatbari Veronica Leute Diane Mark-Walker Michael L. Mitchell Scarlett Hu Herant Khanjian Jeffrey L. Levin Angel R Marquez Mark Mitton Ashlie A. Hubbard Kathleen Kibler Rachel Levy Warren L. Marr Joshua Mix Sally A. Hubbard Kristen Chantal Akemi Kido Laura Gavilan Lewis Deborah Marrow Stacy L. Miyagawa Christian Huemer John Bertram Kiffe Jennifer Li Kevin L. Marshall Virginia P. Mokslaveskas Sarah Huffman Angie Kim Donna L. Liermann Anne P. Martens Catherine Mole Gary J. Hughes Jee Yeon Kim Jasmine Lin Cynthia Martin Joe Molina Shelley J. Hull Millie Kim Lucy Lin Rebecca R. Martin Nelle Molitor William G. Humphries Moon Kim Aimee C. Lind Paul Martineau Amita S. Molloy Diane Huseby Linda M Kincheloe Diana Lindberg Angel Martinez Chenani Moncayo Jose A. Ibanez Sharon King Mark Lindelien Anthony E. Martinez Carola Monje Ayelet Ifrah William W. King Karl F. Link Anthony Jamie Martinez Frank E. Montecino Joel Ilao Kelly King-Schlegel Amy Linker Hilary Martinez Oscar Montes Anabel Iniguez Bettijo Kinseth Benjamin H. Liou Ramirez Williams Martinez Idalia E. Montez Flora F. Ito Jack L. Kish Raymond S. Lipscomb David Martinez-Morales Kieron Moore John A. Ivanoff Laurel Kishi Michael D. Lira Martik Martirossian Federico Mora Alice Jackel Ava N. Klein Charles T. Locke Roya Massih Oscar Morales Jason B. Jackson Lisa A. Klikoff Dominique Loder Brenda E. Mata Sonia M. Morales LaDoris G. Jackson John Eldon Knox Steven Loeb Antonio Matos Jessica A. Moreno Percival Jackson Danielle L. Koenig Daniela Loewenthal Ani L. Matosian Tony Moreno Ricardo Jacobo David Koff Judith P. Logan Gary M. Mattison Ayanna J. Morgan Christopher S. Jacobs Aynne Kokas Kathleen Lohmann Maegan Mattock Kyle Morgan Liska Jacobs Steven Konstantine Grace Lokuszta Leif Henson Matundan Emily A. Morishita John M. Jacoby Edouard Kopp Bradley James Long Jainine D. Mays Thomas Moritz Mirnamik Jafarov Daniel Koppich Christina Lopez Joy B. Mazurek Elizabeth D. Morrison Culvert James Cynthia H. Kossayan Elisa Lopez Sarah McCarthy David S. Morritt Salazar Martin Jaquez Gus G. Kowalewski Francisco Lopez Thomas Walter McClintock Mary G. Morton Joseph Jaquias Thomas Kren Guadalupe Lopez Tanya McCollum Stanley K. Moses Julie L. Jaskol Mark J. Krier Robert V Lopez David H. McCormick John M. Mossbacher Mary Jeffries Hripsime Krikorian Rogelio Lopez Iain C. McCormick Matthew R. Mundon Denise Jenkins Christopher Kudyk Catherine Lorenz David Lamar McDaniel Jr. Gregorio Munoz Won Seok Jeong Zita V. Kuliesis Laura A. Losee Elizabeth McDermott Grace Murakami Barbara A. Jesuele Raj Kumar Alfredo Loteria Jr. Rikki McDowell Kevin F. Murphy Richard L. Jewett Adella C. Kunny Irene A. Lotspeich-Phillips Sofia McDowell Mindy J. Murphy Keri L Jhaveri Yasimin Kunz Kathleen Louw Susan M. McGinty Marlyn R. Musicant Myriam L. Jimenez Jay I. Kurtz James A. Lovell Charlotte McGlohon Catherine Myers Patricia Jimenez Roger A. Kussro Victor Gregory Lovett Maureen B. McGlynn David K. Myers Donovan U. Johnson Kelly Kathleen Kutasy McKenzie D. Lowry Timothy A. McGrew Weston Naef Kari E. Johnson Bon Tyrone Daniel La Joey Yong Lu John R. McHugh-Dennis Mara Naiditch Kathleen M. Johnson David A. Lacey Lawrence Gary Lucero Sally McKay Steve Nakama Renee Johnson Anne C. Lacoste Ann M. Lucke Gary McKean Russell Nakamura Robin E. Johnson Tero Lahtinen John A. Ludden Stewart M. McKinlay Judy Nakano Alexus Annie Johnson-Hall Madhav N. Lalla Joyce P. Ludmer Chester W. McLaughlin Janie Nam Marion Jones Barbara LaMori Rex Lui Nicholas McNally Nasrollah Namdari Mark Anthony Junius Sandra Landau Arturo Luna William McNeil Carole Namowicz David Jurado Lucette Landry Gabriel Luna David J. Mechanic Lisa N. Nanakorn Michael Kacey Barbara A. Lane Jose Luna Lazaro C. Medellin Matthew Nanni Elizabeth C. Kahn Ruth E. Lane Juan Carlos Luna-Alvarez Lorenzo Medellin Emmabeth Nanol Elliott Kai-Kee William Y. Lane Leonardo Luna-Lopez Jacqueline Ann Marie Medina Elke Nash Lynne R. Kaneshiro Gerald Langston Anne M. Lyden Rojas Martha Medrano Carmen Nasr Michael T. Kaneshiro Shereen Lanzarotta Augustine Gail Lyons Kristina Meinking Rebecca Marie Nath Sue S. Kang Karin Lanzoni Claire L. Lyons Ernesto Melena Erik J. Nemeth Arthur Kaplan Kenneth D. S. Lapatin Susan Macdonald Paul E. Melendez Cesar A. Nevarez Tobi L. Kaplan Anca Lasc Che A. Machado Umer Memon Martha Nevarez Marilyn R. Kari Tyrone Latimore Carreon Pedro Macias Debra A. Mena Thanh Nguy Stephanie Karos Jeanette LaVere Ernie Mack Christian Mendez Christine T. Nguyen David Gene Karraker Nora M. Lavie Rainer T. Mack Marco A. Mendez Khanh-Lien Huu Nguyen Paul H. Karratti Michelle D. Lawrence Jennifer S. Macro Albert Mercado Minhlinh Nguyen Carlos Kase Dane Andrew Lay Barbara Ann Madden Vinnie Merrill Chris P. Nichols Everett Katigbak Diane Lazar Shin Maekawa Teresa Mesquit Jane L. Niles Rajinder P. Kaushal Kimly Thi Le Ajit S. Mahal Roy Messineo Luther Nixon Bryan Keene Thomas Learner Jeffrey P Maish Bruce A. Metro Myat Noe Lionel Keene Dale A. Ledbetter Susan Lansing Maish Karen J. Meyer-Roux Cassandra M. Norman Susan A. Keithley Annette Leddy Kate E. Malsbury Amy E Meyers Christopher J. Norman Blum Amber Keller Christopher Lee Jose M Mancia Michael Meyners Christopher Norris Judith Keller Leanne J. Lee Jane H. Mandel Ron Meza Philip M. Nowlen Kevin P. Kelly Yu P. Lee Luann Manning Nancy E. Micklewright Veronica Nunez Kristin A. Kelly Harmony Star Leiker Carlos A. Mansilla David Milano Akbadeth Obphrachanh Polly Kelly Heather Leisy Terry Lynn Mantanona Travis Miles Michael O’Byrne Christopher D. Kent Michael A. Lemos Maria C. Mapes Robert Sean Millard Franco Marino Ocampo

66 The J. Paul Getty Trust Kathleen Ochmanski Joe Pinato German Rodriguez Laura Elizabeth Satterfield Ben N. Soltane Gary Richard Ochoa Darcy L. E. Pinelo J. Pablo Rodriguez David Andrew Saunders Linda W. Somerville Katherine O’Connor Melissa Piper Reina Rodriguez Kirsten Schaefer Anna C Sones Christine R. Odionu Michelle M. Piper Ruben Rodriguez Scott J. Schaefer Jung Won Song Nancy Ogata Alma Pirtle Sandra J. Rodriguez David J. Schilling Anthony Sorasithi Ivy Okamura Wendell Pitpit Victor Hugo Rodriguez Michael Schilling Susanna Lou Ann Sorenson Rachelle Okawa Jerry Podany Everett S. Rogers Mara Schiro Francisco Sosa Wayne Okubo Brenda Podemski Michael G. Rogers Sabine B. Schlosser Theresa Anne Sotto Franklin S. Olayemi Isotta Poggi Robin A. Rogers Erica Schmidbauer Ellen South Kelli O’Leary Yana Polshina Irma Rojas Eike D. Schmidt T’Dell Sparks III Tammie O’Leary Kam Chuen Poon Ann Jacquelyn Roll Karen Schmidt Christine Spier Aaron Olivas Anne C. Popadic Bernard Scott Rollins Amra Elizabeth Schmitz Andomeria L. Squire-Bailey Lawrence Olliffe Isak Popok Leslie Rollins Ann K. Schneider James Brooke St. David Omote Vicki G Porter Francisco J. Romero Willem Scholten Laurent Stephen St. Edael M. Ordaz Katrina E. Posner Gabriel Romero David Schow Amanda Stacho Natalie Orlov Janice L. Poss Juan Romero Stephanie Schrader Martha L. Steele Leslie John Orm Ray Prado Gerardo Romo Laura C. Schroffel Vladimira W. Stefura Rogelio Oropeza Jacqueline Prescod Tony F. Romo Tracey L. Schuster Cary L. Stehle Aura Orozco Daniel Prescott Rebecca Ronsaville Christine Marie Sciacca Jannon Sonia Stein Lou Ortillano Leah Prescott Lisa Rosas Stefanie W Scott Ann I. Steinsapir Nestor M. Oscares Andrew Moore Pribuss Ellen M. Rosenbery Don Scott III Alla Stepanova Gail A. Ostergren Merritt Price Jack Ross Mark K. Sealey Annelisa C. Stephan Diana L. Oxford Andrew Alex Prince Joshua N. Ross David Benjamin Sears James E. Stephenson George Pace Sheila Prospero Robert L. Ross Ruben L. Sebastian Lance T. Stewart Rufo N. Pajo Juan Carlos Pulido Charles A. Rossow Bruce Segler Jacob Stewart-Halevy Lisa A. Paladini Oscar Pulido Jeannie Rozzi Christina C. Segler Karen Stokes Anushik Paldzyan Allison Pultz William F. Rubio Michael Kenji Seko Mark C. Stone Kristina Lawrence Palmer Jesus L. Quezada Juan J. Rueda Evelyn Sen Stacey Rain Strickler Adrienne M. Pamp Anthony Quiroga Michael T. Ruhr Eidelriz Senga Ron Stroud Roberta G. Panzanelli Christina Rachal Sam Ruiz Eriberto T. Serna Dusan C. Stulik Alexandra Paperny Leslie Rainer Tasha Tamika Rush James T. Serrano Deborah Stussman Joanne C. Paradise Mwenda N. Raingoni Marianne C. Rusk Deborah H. Setele Romita Stutts Marta E. Paredes Nicholas Raistrick Barry J. Russakis Betsy Severance Alondra Jeanette Suarez Aaron Park Knutsen Kathlin Ralston Maryl Ann Ryan Carlos F Sevillano Minna H. Suh Deborah Park Irma Ramirez Asmik Saakyan Stephen C. Shaffer Sapna Suh Jeremy L. Parks Adan Ramos Mary Reinsch Sackett Purvi H. Shah Erin Sullivan Brett Parrott Christian T. Ramos Kimberly Sadler Swati D. Shah Wendy Sumida Michael Justin Parsons Crisaldi Ramos Lilit Sadoyan Ohannes G. Shahinian Joselito E. Sumilang Rey P. Pascua Daniel G. Ramos Ronald Saenz Janak Jay Shamji Susan M. Sundquist Katharine C. Pastides Dalmej Randhawa Sheila Safaei-Far Peter Shapiro Supatra Sutham Darrell K. Pate Edwin M. Raneses Jr. Jomar Sahagon Keeli A. Shaw Marie Svoboda Bhupendra S. Patel Roberto Luna Rangel Tulika Sahoo Micaela Shea Lynce B. Swain Praneet Patel Ramon Rangel Jr. Suriya B. Sakngam Phillip Shearer Sara Swallow Laura Fenley Patrizi Patrick J. Ratchford Adrian Salas Cynthia Anne Shein Todd Swanson Jason M. Patt Victor M. Raya Charles G. Salas Kimberly A. Shelton Luke J. Swetland Brett J. Patti Nancy D. Real Aurelio Salazar Matthew P. Sheridan Khursheed Syed Doris Payreder Andrew Joseph Reams Christina G. Salazar Sarah Sherman Yvonne Szafran David Raul Paz Glynnis J. Reed Eliseo Medellin Salazar Karen Shields Catherine L. Taft Humberto Paz Marcia Reed Richard W. Salazar Michael A. Shirvanian Kelly L. Tagami Jose L. Paz Marnier Delord Reed Eduardo G. Salcedo Michael J. Shoemaker John Tain Rebecca Peabody Edward Reel Julio A. Salcido Joseph M. Shubitowski Lisa Christine Talbot Phoebe Kathleen Peckos Sandra K. Regan Nestor Salcido Koteswar Silla Medardo D. Talledo Annette Pedrosian Arquietia Reid Kathleen E. Salomon Jose Silonxochitl Jia Tan Steve Pepdjonovic Jemima Rellie Noel L. Samson David Silva Aurora Tang Andrew J. Perchuk Vincent Requena Amalia Romero Sanchez Carolyn D. Simmons Wazir Taniwal Alvarez Jose Efrain Perez Thomas W. Rhoads Eduardo Sanchez Chloe Simon Toby Tannenbaum Amilcar Perez Michael L. Rice John Sanchez Julio C. Sims German J. Tapia Andres Perez Pamela A. Rice Jose H. Sanchez Wasif Sindhi Christy Paige Tatum Armando A. Perez James M. Richards Juan Sanchez Nindapal Singh Erin Taylor Cathy L. Pericone Jaime Rico Milo J. Sanchez Pancham Singh Katherine Taylor Stacy L. Perkins-Smith Sharon L. Rico Rodrigo Sanchez Rani Singh Rebecca Taylor Nancy L. Perloff Deborah Ringgold Angelisse Gabrielle Sanders Vijay Singh Samoura Taylor Boneshia R. Perri Luis Rios Jr. Anthony M. Sanders David Singleman Vanessa S. Taylor Kimberly Perry Erik G. Risser Dirk H. Sanders Vladimir A. Slavin Sahar Tchaitchian Christel Claire Pesme Carlos Tomas Rivas Ranjit Singh Sandhu Hassane Smiri Jill E. Tenney Louella J. Peters-Conway Rachel Rivenc Ilda Sandoval Brenda A. Smith Igor Tepman Sena M. Peterson DaNetta Rizzo Kelly Grace Sanger Donald Danny Smith Frances Terpak Chris H. Petrakis William Kent Roberson Joseph J. Sanitate Elizabeth M. Smith Arthur Clark Terrill III Seth Daniel Pevnick Jeanne M. Roberts Bonnie Santangelo Jovita T. Smith Alfredo Tesoro Chi Hung Pham Michael V. Roberts Ariel Santomauro Michael J. Smith Jeanne Marie Teutonico Hoa Phan Jessica K Robinson Antonio C. Santos Michael John Smith Shasekala Thadchanamoorthy Alan Phenix Thomas C. Roby Judy Santos Stanley R. Smith Linda Chou Theung Eric C. Phillips Salvador M. Rodarte Anna Sapenuk Stuart C. Smith Bing Thi Glenn R. Phillips Marie I. Rodas Vincent Sarish Tyrone V. Smith David A. Thomas Janine Kathryn Pibal Avis C. Rodriguez Arega R. Sarkisyan Carol A. Snell Derrell B. Thomas Mary W. Pilla Carlos Rodriguez Kanoko Sasao Teresa Soleau Scott M. Thomas

The J. Paul Getty Trust 67 Seth Evin Thomas Wesley W. Walker Christopher Woods Arthur Thompson William Lamar Walker DeVaughn Woods Jennifer P. Thompson Chris Wallace Jessica Lynn Woodson Kevin Thranow Hilary L. Walter Patricia Woodworth Natalia A. Tibelius Marc S. Walton Anne T. Woollett Ricky Tillman Robert J. Walton Marcus C. Wright Katherine A. Timme Jennifer Anne Ward Annie Wu Galina Tirnanic Jesse G. Ward Edith Wu Lynne A. Tjomsland Jonathan R. Ward Philman M. Wu Anna Shahrazad Tkatch Gary Warning Elise Yakuboff Peter I. Tokofsky Kristen Warren David S. Yamazaki Virginia M. Toledo Wanda J. Washington Musheg Yazdzhyan Yevgeniy Tomilko Lena Watanabe Edmund O. Yeboah Alan Tomlinson Anne S. Watson Beng Lin Yeo Susan M Tompkins Stephen L. Watson Nancy Yocco Julian Topper Suzanne Watson Saeyeon Yoon William R. Tormey Neil Jeffrey Wax Kevin M. Young Rene Torres James Richard Way Lynn D. Yudell Rosio J Torres Clark Wayne Genevieve Yue Tom L. Toth Jr. Patrick L. Weakland Anna M. Zagorski Juan D. Tovalin Anwar Weaver Sandra Zalman Carrie E. Tovar Jeffrey Weaver William Robert Zaluski Liem Tran Christina Anita Webb Michelle Zamora Julia Tranner Erick Weber Rebecca Zamora Karen Trentelman Jack V. Weber Jacqueline Zarate Robin L. Trento Warren Weber Jose L. Zarate David C. Trinidad Zachary Barr Wegner Cameron E. Trowbridge George Weinberg Arsineh Zargarian Nicole L. Trudeau Joan Weinstein Yves Zeboulon David J. Trujeque Marisa N. Weintraub Jay A Zeiden Annette Truong Beverly Weisblatt Katherine Zelljadt Iyesha Turner Stephan P. Welch Desiree Zenowich Michael L. Turner Amber Wells Nancy Turner Eric Wells Hanmo Zhang Paige Turner Nicholas West Polina Zhitomirsky Timothy Turner Kimberley D. Westad Tricia Zigmund Adalberto M. Turriaga Maureen T. Whalen Erin R. Zolkosky Paul R. Tyan Timothy P. Whalen Elizabeth Zozom Guy Wheatley Nancy Tyner Isabella A. Zuralski Elizabeth Udwin William Hawxhurst Wheelock Ron Uejo Diane M. Whisnant Jesse Zwack Katherine Underwood Philip White Rosa Maria Urrutia Richard White Rose Urrutia Theodore R. White III Reuben L Uy Sheryl White-Turre Victor F. Uy J. David Wholihan Jackie Valdez Jeff R. Wiebe Deborah A. Valenta Karol Wight Joanna Valentine Kimberly Ann Wilkinson Noelle Valentino Donovan R. Williams George Valladares James M. Williams Lucena Lau Valle Jefferson Nathaniel Williams Raul C. Vallejo Katherine S. Williams Fleet Christopher H Van Petrus T. Williams James L. Vanderpool Heather-Rose Williamson Erna Vanesyan Antoine M. Wilmering Rodolfo C. Vargas Laurie Wilson Agripina Vasquez Lillian Elaine Wilson Angela Vasquez Matthew G. Wilson Maria J. Velez Michael R. Winder Julie Ventimiglia Alice Wingate Rebecca M. Vera-Martinez Peter M. Wirchanske Leandro Felipe Vieira Annabelle S. Wiseman Julie C. Viereck Tracy G. Witt Patrick M. Villalobos Gabriel Wolde Ricardo Villaneda Julie P. Wolfe Jennifer Villavicencio Davina May Wolter Michael Vivens Lorinda Wong Reagan V. Vo Kathaliya Wongsatittham Tram Vo Anna Woo Tuan H. Vo James N. Wood David L. Wainwright James Woodard Ted R. Walbye Jermaine Woodard Justin Michael Walder Jimmy L. Woodland Niranjan Walia David Woodruff Tessa Walker Tia Marie Woodruff

68 The J. Paul Getty Trust Board of Trustees, Officers and Directors

As of June 30, 2009

Board of Trustees Trustee Emeriti Officers and Directors Louise H. Bryson Lewis W. Bernard James N. Wood Chair President and Chief Executive Officer John H. Biggs Frances D. Fergusson Patricia A. Woodworth John F. Cooke Vice President, Chief Financial Officer Maria D. Hummer-Tuttle and Chief Operating Officer Ramon C. Cortines Joanne C. Kozberg Lloyd E. Cotsen Stephen W. Clark Vice Chair Vice President, General Counsel and Secretary David Lee Robert F. Erburu Chairman Emeritus Paul LeClerc James M. Williams John T. Fey Vice President, Chief Investment Officer, Luis G. Nogales and Treasurer Vice Chair David I. Fisher Ron Hartwig Stewart A. Resnick David P. Gardner Vice President, Communications Chairman Emeritus Neil L. Rudenstine Michael Brand Gordon P. Getty Director, Museum William E.B. Siart Vice Chair Vartan Gregorian Thomas Gaehtgens Director, Research Institute Mark S. Siegel Agnes Gund Timothy P. Whalen Peter J. Taylor Helene L. Kaplan Director, Conservation Institute Jay S. Wintrob Jon B. Lovelace Chairman Emeritus Deborah Marrow Vice Chair Director, Foundation James N. Wood Herbert L. Lucas Jr. Stuart T. Peeler Rocco C. Siciliano Jennifer Jones Simon J. Patrick Whaley John C. Whitehead Harold M. Williams President Emeritus Blenda J. Wilson

The J. Paul Getty Trust 69 J. Paul Getty Trust Financial Information

$6.4 $6.0 $5.6 $5.6 $5.1 $4.9 $4.8 $4.5 $4.4 $4.3

2000 2001 2002 2003 2004 2005 2006 2007 2008 2009

Endowment Value Amounts in billions

Footnote: Endowment Value is from Financial Statements and includes investments net of payables and receivables, investments loaned under a securities lending agreement, and it excludes investments whose use is limited.

70 The J. Paul Getty Trust Statements of Financial Position

June 30, 2009 and 2008

(Amounts in thousands) 2009 2008

Assets Cash $ 253 288 Receivables: Investments 76,645 44,189 Interest and dividends 2,690 5,947 Other 1,643 2,130 Investments 4,335,106 5,738,151 Investments loaned under securities lending agreement 126,203 240,738 Investments whose use is limited 1,640 1,783 Collateral held under securities lending agreement 128,220 249,690 Property and equipment, net 1,305,159 1,355,651 Collections and other assets 1,914,480 1,886,685 $ 7,892,039 9,525,252

Liabilities and Net Assets Liabilities: Accounts payable $ 15,013 27,910 Payables on investment purchases 72,893 59,641 Accrued and other liabilities 204,875 130,946 Payable under securities lending agreement 130,828 249,690 Bonds payable 626,630 630,555 1,050,239 1,098,742

Net assets: Unrestricted 6,840,223 8,425,044 Temporarily restricted 1,017 916 Permanently restricted 560 550 6,841,800 8,426,510 $ 7,892,039 9,525,252

The J. Paul Getty Trust 71 Statements of Activities

Years ended June 30, 2009 and 2008

(Amounts in thousands) 2009 2008

Change in unrestricted net assets: Revenues and other support: Sales and other income $ 24,505 25,204 Contributions 4,396 3,849 Investment loss: Interest and dividend income, net 45,617 74,334 Net realized and unrealized loss on investments (1,290,686) (213,872) Net investment loss (1,245,069) (139,538) Net realized and unrealized loss on rate swap agreements (47,696) (30,359) Net assets released from restriction 386 393 Total revenues, support, and losses (1,263,478) (140,451) Expenses: Program services: Museum 170,197 181,300 Research Institute 53,042 67,431 Conservation Institute 33,015 41,547 Foundation 33,259 46,395 Total program services 289,513 336,673 Supporting services: General and administrative 11,240 11,890 Total expenses 300,753 348,563 Pension and other post retirement plans adjustments (20,590) 53,168 Loss on debt extinguishment — (17,318) Change in unrestricted net assets (1,584,821) (453,164) Change in temporarily restricted net assets: Contributions 487 632 Net assets released from restriction (386) (393) Change in temporarily restricted net assets 101 239 Change in permanently restricted net assets: Contributions 10 225 Change in net assets (1,584,710) (452,700) Net assets, beginning of year 8,426,510 8,879,210 Net assets, end of year $ 6,841,800 8,426,510

72 The J. Paul Getty Trust Statements of Cash Flows

Years ended June 30, 2009 and 2008

(Amounts in thousands) 2009 2008

Cash flows from operating activities: Change in net assets $ (1,584,710) (452,700) Adjustments to reconcile change in net assets to net cash used in operating activities: Depreciation and amortization 47,889 48,230 Amoritization of bond discount — 1,222 Net realized and unrealized loss on investments 1,290,686 213,872 Unrealized loss on interest rate swap agreements 47,696 30,359 Noncash contributions of art (4,025) (2,903) Loss on disposition of property and equipment 4,342 5,998 Gain on disposition of collection items — (66) Pension-related changes 25,251 (22,907) Contributions restricted for long-term investment (10) (225) Changes in operating assets and liabilities: Interest and dividends receivable 3,257 (411) Other receivables 487 1,883 Other assets 259 1,453 Accounts payable (12,897) 7,512 Accrued and other liabilities 982 (6,869) Net cash used in operating activities (180,793) (175,552) Cash flows from investing activities: Proceeds from sales of investments 5,271,979 4,835,136 Purchases of investments (5,061,538) (4,583,539) Purchases of collection items (24,012) (81,351) Proceeds from the sale of collection items — 66 Purchases of property and equipment (4,991) (8,454) Proceeds from sale of property and equipment 3,235 35 Net cash provided by investing activities 184,673 161,893 Cash flows from financing activities: Proceeds from bonds payable 350,475 540,950 Payments on bonds payable (354,400) (524,255) Payments on termination of swap agreement — (3,280) Contributions restricted for long-term investment 10 225 Net cash provided by (used in) financing activities (3,915) 13,640 Net decrease in cash (35) (19) Cash, beginning of year 288 307 Cash, end of year $ 253 288 Supplemental disclosure of cash flow information: Cash paid during the year for interest $ 20,715 21,887

The J. Paul Getty Trust 73 The J. Paul Getty Trust

Visit www.getty.edu to order additional With acknowledgements to: Addresses copies of this report and to find out more James N. Wood Visit the Getty online at www.getty.edu about the Getty. President and CEO The J. Paul Getty Trust Stacey Byers 1200 Getty Center Drive, Suite 403 Published by the J. Paul Getty Trust Executive Assistant, Office of the President Los Angeles, CA 90049-1691 Tel: 310-440-7360 Maureen McGlynn Kristen Warren Fax: 310-440-7722 Assistant Director, Communications Manager, Executive Projects and Board Specialist, [email protected] Office of the President Maria Velez The J. Paul Getty Museum Creative Services Manager Ron Hartwig 1200 Getty Center Drive, Suite 1000 Vice President, Communications Los Angeles, CA 90049-1687 Jessica Robinson Tel: 310-440-7330 Project Management Coordinator Mary Flores Manager, Communications Fax: 310-440-7751 Kim Sadler Project Management Coordinator Michael Brand The Getty Research Institute Director, The J. Paul Getty Museum 1200 Getty Center Drive, Suite 1100 Kathy Barreto Los Angeles, CA 90049-1688 Editor John Giurini Tel: 310-440-7335 Assistant Director, The J. Paul Getty Museum Fax: 310-440-7778 Linda Theung The Getty Conservation Institute Assistant Editor 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 Amra Schmitz Tel: 310-440-7325 Project Specialist, The J. Paul Getty Museum Fax: 310-440-7702 Thomas Gaehtgens The Getty Foundation Director, The Getty Research Institute 1200 Getty Center Drive, Suite 800 Los Angeles, CA 90049-1685 Andrew Perchuk Tel: 310-440-7320 Deputy Director, The Getty Research Institute Fax: 310-440-7703 Liz McDermott For information on grant policies and Administrative Assistant, The Getty Research Institute procedures, visit www.getty.edu/grants or write to the Getty Foundation. Timothy P. Whalen Director, The Getty Conservation Institute All works of art and archival materials illustrated are in the collections of the Jeffrey Levin J. Paul Getty Museum (JPGM) or the Editor, The Getty Conservation Institute Getty Research Institute (GRI) unless otherwise indicated. Anna Zagorski Research Associate, The Getty Conservation Institute Design: Guerard Design Office Typefaces: Zine Sans Angela Escobar © 2009 J. Paul Getty Trust Publications Specialist, The Getty Conservation Institute Deborah Marrow Director, The Getty Foundation Angie Kim Principal Project Specialist, The Getty Foundation Kathleen Johnson Principal Project Specialist, The Getty Foundation

Thanks to colleagues in the Communications department, and the rest of the Getty staff who assisted with this publication.

74 The J. Paul Getty Trust