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1 the Story of the Faulkner Murals by Lester S. Gorelic, Ph.D. the Story Of
The Story of the Faulkner Murals By Lester S. Gorelic, Ph.D. The story of the Faulkner murals in the Rotunda begins on October 23, 1933. On this date, the chief architect of the National Archives, John Russell Pope, recommended the approval of a two- year competing United States Government contract to hire a noted American muralist, Barry Faulkner, to paint a mural for the Exhibit Hall in the planned National Archives Building.1 The recommendation initiated a three-year project that produced two murals, now viewed and admired by more than a million people annually who make the pilgrimage to the National Archives in Washington, DC, to view two of the Charters of Freedom documents they commemorate: the Declaration of Independence and the Constitution of the United States of America. The two-year contract provided $36,000 in costs plus $6,000 for incidental expenses.* The contract ended one year before the projected date for completion of the Archives Building’s construction, providing Faulkner with an additional year to complete the project. The contract’s only guidance of an artistic nature specified that “The work shall be in character with and appropriate to the particular design of this building.” Pope served as the contract supervisor. Louis Simon, the supervising architect for the Treasury Department, was brought in as the government representative. All work on the murals needed approval by both architects. Also, The United States Commission of Fine Arts served in an advisory capacity to the project and provided input critical to the final composition. The contract team had expertise in art, architecture, painting, and sculpture. -
Museums Visual Art Performing Arts Historic Sites Free Events
Museums Visual Art Performing Arts Historic Sites Free Events Museums The Academy of Natural Sciences of Drexel University African American Museum in Philadelphia The Barnes Foundation Chemical Heritage Foundation The Franklin Institute Independence Seaport Museum The Mütter Museum National Constitution Center National Museum of American Jewish History New Hall Military Museum Pennsylvania Academy of the Fine Arts (PAFA) Philadelphia Art Alliance Philadelphia History Museum The Philadelphia Museum of Art The Rodin Museum The Rosenbach Museum The Academy of Natural Sciences of Drexel University 1900 Benjamin Franklin Parkway, $16 admission The Academy of Natural Sciences is America’s oldest natural history museum and a world leader in biodiversity and environmental research. For 200 years, the Academy has explored the remarkable diversity of our natural world, sharing these discoveries with the public through extraordinary collections, inno- vative exhibits, educational programming, and publications. African American Museum in Philadelphia 701 Arch St., $10 student admission The African American Museum in Philadelphia is home to an amazing collection of objects and illustrations that chronicle and dramatically unfold the in- credible story of the black Diaspora. A massive assortment of art, artifacts, period clothing, furniture, military weapons, industrial tools, musical instru- ments, photographs, diaries, documents, records, books, journals, paintings, prints, drawings, sculptures, fiber and mixed-media works comprise our capti- vating collection. The Barnes Foundation 2025 Benjamin Franklin Parkway, $10 student admission The Barnes Foundation maintains and displays one of the world's leading collections of French impressionist and post-impressionist paintings. Featuring 181 Renoirs, 69 Cézannes and 59 Matisses --along with works by Manet, Degas, Seurat, Prendergrast, Titian and Picasso—it is a must-see for art lovers while in Philadelphia. -
ACCESS Philly by Art-Reach
ACCESS Philly by Art-Reach For $2 per person ACCESS Cardholders can attend 45 cultural sites & theaters HOW IT WORKS « Bring valid ACCESS Card with a photo ID « One (1) ACCESS Card admits the cardholder and up to three (3) people at a rate of $2 per person « EBT funds cannot be used to pay admission « Discount is not valid on special exhibitions, special events, or with any other offers ACCESS Philly is brought to you by www.art-reach.org/ACCESS Sponsored in part by ACCESS Admission Show your card at these museums, gardens and historic sites for $2 admission Academy of Natural Morris Arboretum Sciences Museum of the American African American Museum Revolution in Philadelphia Mutter Museum American Swedish Historical National Constitution Center Museum National Liberty Museum Betsy Ross House National Museum of Brandywine River Museum American Jewish History Chanticleer Garden Pennsylvania Academy of Christ Church & Burial the Fine Arts Ground Penn Museum Eastern State Penitentiary Philadelphia Museum of Art Franklin Institute Science Philadelphia’s Magic Museum Gardens Franklin Square Mini Golf Physick House Franklin Square Carousel Please Touch Museum Grumblethorpe Powel House Independence Seaport Shofuso House and Garden Museum Tyler Arboretum Insectarium & Butterfly Pavilion Waynesborough James A. Michener Art Wharton Esherick Museum Museum Woodmere Art Museum Longwood Gardens ACCESS Live Contact the box office for performance dates, times and to purchase $2 tickets 1812 Productions FringeArts Philadelphia Theatre 11th Hour Theatre -
2017 Annual Report
2017 Annual Report THE BARNES FOUNDATION 2017 ANNUAL REPORT 1 CONTENTS 3 LETTER FROM THE CHAIR OF THE BOARD OF TRUSTEES 4 LETTER FROM THE EXECUTIVE DIRECTOR AND PRESIDENT 5 OFFICERS AND TRUSTEES OF THE BARNES FOUNDATION 5 APPOINTMENTS 5 BOARD COMMITTEES 6 EDUCATION 8 FIFTH ANNIVERSARY CELEBRATION 9 PARKWAY 100: CELEBRATING THE BENJAMIN FRANKLIN PARKWAY'S CENTENNIAL 11 EXHIBITIONS 14 ARCHIVES, LIBRARY, AND SPECIAL COLLECTIONS 16 CONSERVATION 19 PROGRAMS 21 AUDIENCE ENGAGEMENT INITIATIVES 23 ADMISSION INITIATIVES 24 EVENTS 26 DONORS 41 VOLUNTEER LEADERSHIP COMMITTEES 44 STAFF AND VOLUNTEERS PREVIOUS: Maurice Brazil Prendergast. The Beach "No. 3", c. 1914–15. BF359 OPPOSITE: Henri Rousseau. Outskirts of Paris, c. 1895. BF844 THE BARNES FOUNDATION 2017 ANNUAL REPORT 2 LETTER FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear friends, In Art as Experience (1934), John Dewey become an integral part of the cultural wrote, “Art is not something apart, not fabric of the city and broadened its something for the few, but something reach around the country and the world. which should give meaning to all the We have welcomed over 1.5 million activities of life.” In these few words, visitors—including 60,000 students Dewey—a close collaborator of Albert from the School District of Philadelphia C. Barnes, and the Foundation’s first and 85,000 adults and children on our director of education—captured the PECO Free First Sundays. To honor this essence of Dr. Barnes’s guiding princi- milestone, we presented a monthlong ples in creating his Foundation. Now, constellation of anniversary programs 95 years after its founding, we further dedicated to our many audiences. -
National Historical Park Pennsylvania
INDEPENDENCE National Historical Park Pennsylvania Hall was begun in the spring of 1732, when from this third casting is the one you see In May 1775, the Second Continental Con The Constitutional Convention, 1787 where Federal Hall National Memorial now ground was broken. today.) gress met in the Pennsylvania State House stands. Then, in 1790, it came to Philadel Edmund Woolley, master carpenter, and As the official bell of the Pennsylvania (Independence Hall) and decided to move The Articles of Confederation and Perpet phia for 10 years. Congress sat in the new INDEPENDENCE ual Union were drafted while the war was in Andrew Hamilton, lawyer, planned the State House, the Liberty Bell was intended to from protest to resistance. Warfare between County Court House (now known as Con building and supervised its construction. It be rung on public occasions. During the the colonists and British troops already had progress. They were agreed to by the last of gress Hall) and the United States Supreme NATIONAL HISTORICAL PARK was designed in the dignity of the Georgian Revolution, when the British Army occupied begun in Massachusetts. In June the Con the Thirteen States and went into effect in Court in the new City Hall. In Congress period. Independence Hall, with its wings, Philadelphia in 1777, the bell was removed gress chose George Washington to be Gen the final year of the war. Under the Arti Hall, George Washington was inaugurated has long been considered one of the most to Allentown, where it was hidden for almost eral and Commander in Chief of the Army, cles, the Congress met in various towns, only for his second term as President. -
National Register of Historic Places Inventory
Form No. ^0-306 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM FOR FEDERAL PROPERTIES SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Independence National Historical Park AND/OR COMMON LOCATION STREET & NUMBER 313 Walnut Street CITY. TOWN CONGRESSIONAL DISTRICT t Philadelphia __ VICINITY OF STATE CODE COUNTY CODE PA 19106 CATEGORY OWNERSHIP STATUS PRESENT USE ^DISTRICT —PUBLIC —OCCUPIED —AGRICULTURE 2LMUSEUM -BUILDING(S) —PRIVATE X-UNOCCUPIED —^COMMERCIAL 2LPARK .STRUCTURE 2EBOTH —WORK IN PROGRESS —XEDUCATIONAL ^.PRIVATE RESIDENCE -SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS -OBJECT —IN PROCESS X-YES: RESTRICTED ^GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: REGIONAL HEADQUABIER REGION STREET & NUMBER CITY. TOWN STATE PHILA.,PA 19106 VICINITY OF COURTHOUSE, ____________PhiladelphiaREGISTRY OF DEEDS,ETC. _, . - , - , Ctffv.^ Hall- - STREET & NUMBER n^ MayTftat" CITY. TOWN STATE Philadelphia, PA 19107 TITLE DATE —FEDERAL —STATE —COUNTY _LOCAL CITY. TOWN CONDITION CHECK ONE CHECK ONE ^EXCELLENT —DETERIORATED —UNALTERED 2S.ORIGINALSITE _GOOD h^b Jk* SANWJIt's ALTERED _MOVED DATE. —FAIR _UNEXPOSED Description: In June 1948, with passage of Public Law 795, Independence National Historical Park was established to preserve certain historic resources "of outstanding national significance associated with the American Revolution and the founding and growth of the United States." The Park's 39.53 acres of urban property lie in Philadelphia, the fourth largest city in the country. All but .73 acres of the park lie in downtown Phila-* delphia, within or near the Society Hill and Old City Historic Districts (National Register entries as of June 23, 1971, and May 5, 1972, respectively). -
Ben Franklin Parkway and Independence Mall Patch Programs
Ben Franklin Parkway and Independence Mall Patch Programs 1 Independence Mall Patch Program Introduction – Philadelphia’s History William Penn, a wealthy Quaker from London earned most of his income from land he owned in England and Ireland. He rented the land for use as farmland even though he could have made much more money renting it for commercial purposes. He considered the rent he collected from the farms to be less corrupt than commercial wealth. He wanted to build such a city made up of farmland in Pennsylvania. As soon as William Penn received charter for Pennsylvania, Penn began to work on his dream by advertising that he would establish, “ A large Towne or City” on the Delaware River. Remembering the bubonic plague in London (1665) and the disastrous fire of 1666, Penn wanted, “ A Greene county Towne, which would never be burnt, and always be wholesome.” In 1681, William Penn announced he would layout a “Large Towne or City in the most convenient place upon the river for health and navigation.” Penn set aside 10,000 acres of land for the Greene townie on the Delaware and he stretched the town to reach the Schuylkill so that the city would face both rivers. He acquired one mile of river frontage on the Schuylkill parallel to those on the Delaware. Thus Philadelphia became a rectangle 1200 acres, stretching 2 miles in the length from east to west between the 3 rivers and 1 mile in the width North and South. William Penn hoped to create a peaceful city. When he arrived in 1682, he made a Great Treaty of Friendship with the Lenni Lenape Indians on the Delaware. -
The Barnes Foundation in Philadelphia
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2013 The Barnes Foundation in Philadelphia Laurel Caffee Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation Caffee, Laurel, "The Barnes Foundation in Philadelphia" (2013). Anthropology Senior Theses. Paper 150. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/150 For more information, please contact [email protected]. The Barnes Foundation in Philadelphia Abstract The Barnes Foundation presents an example of a Museum art collection that—with its move from its original Lower Merion location to Center City Philadelphia on the Benjamin Franklin Parkway—has finally achieved its (stated) goal of becoming a more accessible and open institution. However, the relocation of a museum to a more accessible location does not create instant open/public accessibility. This is an examination of the history of the Barnes Foundation, its inception, along with Philadelphia’s yearning form an additional upscale elite clientele. My goal is to evaluate the new Barnes vis-à-vis its original mission as it settles into its new facility. I examine various critical periods in the history of the Barnes including its function and mission before and immediately after the death of Dr. Albert Barnes, the fiscally embattled period following the death of Dr. Barnes successors, and the circumstances surrounding its move to its current Center City location where it has been recently relocated adjacent to another cultural jewel, the Rodin Museum. My argument is that the new Barnes Foundation museum is less about fulfilling or continuing the original mission or Dr. -
The Faulkner Murals: Depicting the Creation of a Nation
DEPICTING the CREATION of a NATION The Story Behind the Murals About Our Founding Documents by LESTER S. GORELIC wo large oil-on-canvas murals (each about 14 feet by 37.5 feet) decorate the walls of the Rotunda of the National T Archives in Washington, D.C. The murals depict pivotal moments in American history represented by two founding doc uments: the Declaration of Independence and the Constitution. In one mural, Thomas Jefferson of Virginia is depicted handing over his careful ly worded and carefully edited draft of the Declaration of Independence to John Hancock of Massachusetts. Many of the other Founding Fathers look on, some fully supportive, some apprehensive. In the other, James Madison of Virginia is depicted presenting his draft of the Constitution to fellow Virginian George Washington, president of the 1787 Constitutional Convention, and to other members of the Convention. Although these moments occurred in the Pennsylvania State House in Philadelphia (Independence Hall)—not in the sylvan settings shown in the murals—the two price less documents are now in the National Archives Building in Washington, D.C., and have been seen by millions of visitors over the years. When the National Archives Building was built in the Jefferson’s placement at the front of the Committee of mid-1930s, however, these two founding documents were Five reflects his position as its head. Although Jefferson was in the custody of the Library of Congress and would not the primary author of the Declaration, his initial draft was be transferred to the Archives until 1952. Even so, the ar edited first by Adams and then by Franklin. -
ACTION PLAN for LOGAN CIRCLE Reconnecting Communities
Reconnecting Communities ACTION PLAN FOR LOGAN CIRCLE Project for Public Spaces, Inc. May 2003 Reconnecting Communities ACTION PLAN FOR LOGAN CIRCLE VINE STREET EXPRESSWAY, PHILADELPHIA, PA Prepared by: Project for Public Spaces, Inc. 153 Waverly Place New York, NY 10014 212.620.5660 and Center City District 917 Filbert Street Philadelphia, PA 19107 215.440.5500 May 2003 This action plan is an excerpt from the VINE STREET: RECONNECTING COMMUNITIES report where overall long term goals for improvement and revitalization are outlined. The full report is available in PDF format at http://pps.org/vineonline 3 Logan Circle Turning Logan Circle into one of the best public spaces in the world It is not an exaggeration to say that Logan Circle could become the greatest, most rec- ognized and popular public space and attraction in Philadelphia and one of the best in the world. The Swann fountain is probably the grandest in the country and its location, as the centerpiece of the city's most prominent institutions, makes it unique and perhaps unparalleled anywhere. However, the existing situation couldn't be much worse. The fountain is nearly inaccessi- ble to pedestrians, being cut off by five lanes of fast moving traffic. It is surrounded by unused parkland. The institutions themselves seem to be hiding as well, and very few of them have banners, outdoor activities or other attention grabbers on their exteriors. Yet there is a great opportunity to make changes very quickly and without a lot of money given the existing characteristics of the users and spaces in Logan Circle. -
Origins of the Philadelphia School of Design for Women, 1848 to 1876
Art and Industry in Philadelphia: Origins of the Philadelphia School of Design for Women, 1848 to 1876 o A TWENTIETH-CENTURY PHILADELPHIAN, Moore College of Art and Design seems a permanent fixture on the city's cultural Tlandscape. Now on Logan Square with the even more venerable Franklin Institute and Academy of Natural Sciences, from 1880 to 1959 Moore occupied an imposing building at Broad and Master Streets, north of City Hall. Originally known as the Philadelphia School of Design for Women, it began in 1848 as a charitable effort to train "needy and deserving" young women in textile and wallpaper design, wood engraving, and other salable artistic skills. During the 1850s, governance passed from the woman founder to men of the city's financial and manufacturing elite. Curriculum and policies frequently reflected both conflict and com- promise among the differing goals of managers, faculty, and students. By 1919 the school claimed thousands of alumnae. After its merger in 1932 with the Moore Institute of Art, Science, and Industry, this experiment in vocational art training continued to flourish as a women's college dedicated to commercial art, in an era when many other single-sex institutions foundered under the impact of changing attitudes towards coeducation.1 This article is drawn from a dissertation in progress, a detailed narrative of the school's early years appeared in the author's M A thesis, "The Philadelphia School of Design for Women, 1848 to 1876" (University of Delaware, 1989) In partial return for numerous intellectual -
Planning for Growth Benjamin Franklin Parkway
CENTER CITY: PLANNING FOR GROWTH BENJAMIN FRANKLIN PARKWAY The proposals for enhancing the Benjamin Franklin Parkway have emerged from over five years of collaborative work with the Parkway Council Foundation, the Fairmount Park Commission, the Philadelphia Art Commission and the Pennsylvania Horticultural Society. In 2003, a new conceptual master plan was prepared by the Olin Partnership. Additional design and traffic engineering work was done by Brown & Keener Bressi, Cope Linder Architects, Lager Raabe Skafte Landscape Architects, Kise Straw & Kolodner, Urban Engineers, Cloud Gehshan Associates, The Lighting Practice and Grenald Waldron Associates. The advancement and implementation of these enhancements is anticipated soon. B. Krist, GPTMC BENJAMIN FRANKLIN Philadelphia PARKWAY Museum of Art SPRING GARDEN D V L B S T T T T T T T T T T T T T T T T T T T T T T S S U S S S S S S S S S S S S S S S S S S S S B T T D H H H D H D H H H H H H D H H H H H H N S A T T T T T T T T T T T T T T T T M R N N 1 3 2 1 0 9 8 7 6 5 4 0 9 8 7 6 5 O 3 O 2 2 U 2 1 1 1 1 2 1 1 1 1 1 R L R S 2 C F B B H E O U N C Y JA L M R K I E I N CALLOWHILL L H L FR R AN P IV KL O E IN T R S PK I W R Y VINE ST H C T T S S FRANKLIN LOGAN R D SQUARE E R SQUARE P 3 I 2 N RACE ST U J Convention CHERRY ST Center ARCH ST 30th St Station (Amtrak) JFK BLVD CiCCiitytyty HallHHaallll MARKET ST G N I CHESTNUT ST D N A L INDEPENDENCE NATIONAL S SANSOM ST ’ HISTORICAL PARK N N E WALNUT ST P RITTENHOUSE WASHINGTON LOCUST ST SQUARE SQUARE SPRUCE ST T T T Prepared by S S S H H H T T T 6 5 4 2 2 2 PINE ST Center City District & T LOMBARD ST S H Central Philadelphia Development Corporation T 7 2 SOUTH ST May 2008 (Revised) BENJAMIN FRANKLIN PARKWAY KEY PRINCIPLES & OBJECTIVES • Achieve a better balance between pedestrians and vehicles while improving access to cultural institutions.