1 X-Men Origins: Wolverine
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
The Daily Feather
Start Your Day with Danielle Macroeconomic Research Analysis & Insights Subscribe to The Daily Feather www.quillintelligence.com Deadpool of Labor VIPs Downward Payroll Revisions and • Powell’s characterization of the labor market being in “quite a strong Yield Curve Inversion Trending. position” defies Fed’s revision rule of thumb: three straight months Coincidence? We Think Not. of up or down revisions signal cycle turns; August marked month 120 Private Nonfarm Payroll Benchmark (avg per month, K) five, accompanied by a similar stretch of yield curve inversion Private Payroll Two-Month Revisions (sum total, K) 100 U.S. 3-month/10-year Yield Spread (bps) • Fed economists treat benchmark revisions as stronger indicators of 80 trend change vs. real time revisions with the first year of a significant benchmark revision tending to foreshadow the next; BLS private 60 payroll data was benchmark revised by -0.4%, the worst since 2010 40 • Analyzing the timeframe from January and March 2019 with the lat- 20 ter the last for which benchmark revisions are available indicates a 0 worsening trend suggesting next August’s BLS benchmark revision -20 through March 2020 will be deeper -40 -60 In Time travel has a protocol. But don’t let Deadpool 2 violating said -80 protocol, dictated by Marvel Cinematic Universe (MCU —yes, there Apr MayJun JulAug SepOct NovDec Jan FebMar AprMay JunJul AugSep really is an acronym for that), dissuade you from catching the brilliant ‘18 ‘19 Source: Bloomberg, BLS, U.S. Treasury sequel to the quirkiest of all the mega-franchise’s offerings. So what if Cable, portrayed by Josh Brolin, changes the past in the present. -
2016 Spring Newsletter
Official Fan Club Site—www.juicenewtonfanclub.com 2016 Spring Newsletter Hi Everyone, The support and love for Juice has never been as powerful and as proven as it was over the last few months. This issue of the newsletter will feature some new information about Juice and will introduce you to the 2016 “O” Award winner. Paul 1 A Hit All Over Again I am pleased to announce that Juice is once again on the charts with the song that is as classy as she is. ‘Angel of The Morning’ is once again on the charts thanks to the blockbuster movie ‘Deadpool.’ (more on this later) A whole new generation of fans are listening to Juice and have joined the fan club or in- quired about the song. Congratulations Juice!! 'Deadpool' Director Tim Miller and Songwriter Chip Taylor on the Film's Soft-Rock Center- piece, 'Angel in the Morning' (http://www.billboard.com/articles/business/6882938/behind-deadpool-soundtrack-tim-miller-chiptaylor-juice-newton-angel-in-the-morning) “There'll be no strings to bind your hands / Not if my love can't bind your heart.” That’s the first thing you hear over the Marvel logo in the No. 1 movie in the country, Deadpool. As '80s pop country singer Juice Newton sings about an illicit love affair she just can’t shake in her 1981 hit “Angel of the Morning,” Ryan Reynolds’ f-bomb blasting anti-hero gets busy kicking ass. It makes zero sense on the surface, and yet director Tim Miller says that the song was the only track con- sidered to open the superhero flick that grossed another $55 million over the weekend to easily hold on to the No. -
Legion HANDBOOK D10944
THE OFFICIAL HANDBOOK OF THE LEGION OF MARY PUBLISHED BY CONCILIUM LEGIONIS MARIAE DE MONTFORT HOUSE MORNING STAR AVENUE BRUNSWICK STREET DUBLIN 7, IRELAND Revised Edition, 2005 Nihil Obstat: Bede McGregor, O.P., M.A., D.D. Censor Theologicus Deputatus. Imprimi potest: ✠ Diarmuid Martin Archiep. Dublinen. Hiberniae Primas. Dublin, die 8 September 2005 ACKNOWLEDGMENTS: Excerpts from the English translation of The Roman Missal © 1973, International Committee on English in the Liturgy, Inc. All rights reserved. Translation of The Magnificat by kind permission of A. P. Watt Ltd. on behalf of The Grail. Extracts from English translations of documents of the Magisterium by kind permission of the Catholic Truth Society (London) and Veritas (Dublin). Quotation on page 305 by kind permission of Sheed and Ward. The official magazine of the Legion of Mary, Maria Legionis, is published quarterly Presentata House, 263 North Circular Road, Dublin 7, Ireland. © Copyright 2005 Printed in the Republic of Ireland by Mahons, Yarnhall Street, Dublin 1 Contents Page ABBREVIATIONS OF BOOKS OF THE BIBLE ....... 3 ABBREVIATIONS OF DOCUMENTS OF THE MAGISTERIUM .... 4 POPE JOHN PAUL II TO THE LEGION OF MARY ...... 5 PRELIMINARY NOTE.............. 7 PROFILE OF FRANK DUFF .......... 8 PHOTOGRAPHS:FRANK DUFF .......facing page 8 LEGION ALTAR ......facing page 108 VEXILLA ........facing page 140 CHAPTER 1. Name and Origin ............ 9 2. Object . ...............11 3. Spirit of the Legion . ...........12 4. Legionary service ............13 5. The Devotional Outlook of the Legion .....17 6. The Duty of Legionaries towards Mary .....25 7. The Legionary and the Holy Trinity ......41 8. The Legionary and the Eucharist .......45 9. -
Captain America
The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume. -
Historic District Design Standards Were Produced with Participation and Input from the Following Individuals and Committees
Center Street Historic District Design Standards ACKNOWLEDGMENTS The Logan Center Street Historic District Design Standards were produced with participation and input from the following individuals and committees: Steering Committee: Municipal Council: o George Daines o Holly Daines o Kristan Fjeldsted o Tom Jensen* o Jeff Gilbert o S. Eugene Needham o Heather Hall o Herm Olsen o Jonathan Jenkins o Jeannie Simmonds* o Gene Needham IV *Indicates participation on the Steering Committee o Chris Sands o Gary Saxton Logan City: o Evan Stoker o Mayor Craig Petersen o Katie Stoker o Michael DeSimone, Community Development o Russ Holley, Community Development Historic Preservation Commission (HPC): o Amber Pollan, Community Development o Viola Goodwin o Aaron Smith, Community Development o Tom Graham* o Debbie Zilles, Community Development o Amy Hochberg o Kirk Jensen, Economic Development o David Lewis* o Keith Mott IO Design Collaborative o Gary Olsen o Kristen Clifford o Christian Wilson o Shalae Larsen o Mark Morris Planning Commission: o Laura Bandara o David Butterfield o Susan Crook o Amanda Davis Adopted __________ o Dave Newman* o Tony Nielson o Eduardo Ortiz o Russ Price* o Sara Sinclair TABLE OF CONTENTS Background Chapter 1 Introduction 6 Chapter 2 Historic Overview of Logan 6 Chapter 3 The Value of Historic Preservation 8 3.1 Historic Significance 9 3.2 Benefits of Historic Preservation 9 3.3 Sustainability 10 Chapter 4 Four Treatments of Historic Properties 11 Chapter 5 Preservation Incentives 12 Chapter 6 The Design Standards 14 6.1 Purpose 14 6.2 How to Use 14 Chapter 7 The Historic Preservation Committee & Project Review 15 7.1 The Committee 15 7.2 Project Review 15 Design Standards Chapter 8 Residential 19 8.1 Residential Historic Overview 19 8.2 Building Materials & Finishes 20 8.3 Windows 23 8.4 Doors 25 8.5 Porches & Architectural Details 26 8.6 Roofs 27 8.7 Additions 28 8.8 Accessory Structures 30 8.9 General 31 8.10 Design for New Construction & Infill 36 TABLE OF CONTENTS cont. -
Known Impacts of Tropical Cyclones, East Coast, 1858 – 2008 by Mr Jeff Callaghan Retired Senior Severe Weather Forecaster, Bureau of Meteorology, Brisbane
ARCHIVE: Known Impacts of Tropical Cyclones, East Coast, 1858 – 2008 By Mr Jeff Callaghan Retired Senior Severe Weather Forecaster, Bureau of Meteorology, Brisbane The date of the cyclone refers to the day of landfall or the day of the major impact if it is not a cyclone making landfall from the Coral Sea. The first number after the date is the Southern Oscillation Index (SOI) for that month followed by the three month running mean of the SOI centred on that month. This is followed by information on the equatorial eastern Pacific sea surface temperatures where: W means a warm episode i.e. sea surface temperature (SST) was above normal; C means a cool episode and Av means average SST Date Impact January 1858 From the Sydney Morning Herald 26/2/1866: an article featuring a cruise inside the Barrier Reef describes an expedition’s stay at Green Island near Cairns. “The wind throughout our stay was principally from the south-east, but in January we had two or three hard blows from the N to NW with rain; one gale uprooted some of the trees and wrung the heads off others. The sea also rose one night very high, nearly covering the island, leaving but a small spot of about twenty feet square free of water.” Middle to late Feb A tropical cyclone (TC) brought damaging winds and seas to region between Rockhampton and 1863 Hervey Bay. Houses unroofed in several centres with many trees blown down. Ketch driven onto rocks near Rockhampton. Severe erosion along shores of Hervey Bay with 10 metres lost to sea along a 32 km stretch of the coast. -
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Etherology, Or, the Philosophy of Mesmerism
TUFTS COLLEGE Tufts College Library « PHRENOLOG1.0AL BUST. See Page 164. • E THEE 0 LOG Y; OR, THE PHILOSOPHY OF MESMERISM . AND PHRENOLOGY: INCLUDING A NEW PHILOSOPHY OF SLEEP AND OF CONSCIOUSNESS, WITH A REVIEW OF THE PRETENSIONS OF NEUROLOGY AND PHRENO-MAGNETISM BY J. STANLEY GRIMES, COUNSELLOR AT LAW, FORMERLY PRESIDENT OF THE WESTERN PHRENOLOGICAL SOCIETY, PROFESSOR OF MEDICAL JURISPRUDENCE IN THE CASTLETON MEDICAL COLLEGE AND AUTHOR OF 4 A NEW SYSTEM OF PHRENOLOGY.' All the known phenomena of the universe may he referred to three general princi- ples, viz.: Matter, Motion, and Consciousness.—p. 17. NEW YORK: SAXTON AND MILES, NO. 205 BROADWAY PHILADELPHIA :-J AMES M. CAMPBELL. BOSTON I SAXTON, PEIRCE & CO. 1845. year by Entered according to Act of Congress, in the 1845, J. STANLEY GRIMES, the Southern District In the Clerk's Office of the District Court of of New York. 1 i m CONTENTS. SECTION I. page. SYNOFSIS OF ETHEROLOGY . 17 SECTION II. HISTORY OF ETHERIUM ..... 39 Ignorance of the Ancients concerning the causes of Ethe- rean Phenomena — Witchcraft — Divination — Magic — Discoveries which led to a Scientific Knowledge of Ethe- ropathy—Van Helmot—Mesmer—His Career—D'Eslon —Adverse Report of the French Commissioners—Foissac and the Academy of Medicine—Their favorable report —Gall—La Place. SECTION III. NATURE OF ETHERIUM ..... 75 Theory of Light—Of Heat—Of Electricity—Of Magnetism— Of Gravitation—Newton's Conjecture—Rev. Mr. Town- shend on the Mesmeric Medium—Sunderland's Notions —Animal Electricity—Experiments of Crosse—Electric Fishes. SECTION IV. OXYGEN ........ 127 SECTION V. PHILOSOPHY OF SLEEP 130 Liebig's Error. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time.