Color: the Language of Energy
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Spirituality CONVENER: Pomona E-Mail: [email protected] #6001 a #6004 a CLASS FEE: $9 Deep Trance Meditation Medicine Wheel Ceremony Sec
28 summer ‘10 Free FOR UMKC STUDENTS REGISTER BY PHONE! 816-235-1448 #6007 A Italian Paganism: Everyday Practices of Stregheria Have you ever heard of Stregheria, the “Old Religion” of Italian witches? Learn how to bring inner paths these beautiful and potent spiritual practices into your daily life. Basic knowledge of Wicca or Neo- paganism is recommended, but not required. Come prepared to participate! Spirituality CONVENER: Pomona E-mail: [email protected] #6001 A #6004 A CLASS FEE: $9 Deep Trance Meditation Medicine Wheel Ceremony Sec. A: 1 session; Saturday, July 17; 1:00 PM - 3:30 PM; Flarsheim Hall, Rm. 262, 5110 Rockhill Rd., UMKC Campus, Join us for group meditation using Created by Cherokee medicine man War Eagle at KCMO, South of 51st. On Rockhill Rd.; LIMIT: 12 Samadhi Nirvana Yoga technique (deep trance, the time of the harmonic convergence, at a place cessation, union with the Divine, or oneself). Brain- where a rainbow ended seventeen years earlier, this waves of deep delta can be reached, releasing one medicine wheel is dedicated to the healing of Earth #6008 A from “mind chatter”/negative thinking. This is not and all on it. Come add your stone, your prayers Fundamentals of Tibetan “guided” meditation - a “deep trance state” is given and your energy to 600 stones from all over the Buddhism—Sangha Book Group while in session. Swami Ramaraaja has been a world -- from Machu-Picchu to the Palace of the “The Fundamentals of Tibetan Buddhism” by Re- spiritual practitioner for over thirty years and offers Dali Lama. Bring your favorite food to share after becca McClen Novick will be our study guide. -
A Adamski, George, 83, 133 Alcubierre, Miguel, 117 Alternative
Index A Childress, David Hatcher, 44, 48, 119 Adamski, George, 83, 133 Christie, Agatha, 127 Alcubierre, Miguel, 117 Chupacabra, 80 Alternative 3, 174 Clarke, Arthur C., 8, 17, 57, 113, 120, 121, Amazing Stories, 2, 38, 41, 46, 53, 61, 65, 105, 112 124, 149 Ancient astronauts, 136 Clarke, David, 67, 72, 73, 82 Anti-gravity, 119 Clegg, Brian, 26, 88, 113, 117, 129 Antimatter, 126 Clifton, Mark, 91 Apollo Moon landings, 163 Close Encounters of the Third Kind, 38, 72, Ark of the Covenant, 142 160, 175 Armageddon, 171 Cold fusion, 125 Arnold, Kenneth, 62, 65, 68 Conspiracy theory, 30, 44, 50, 51, 55, 58, 64, Asimov, Isaac, 13, 26, 64, 98, 112, 124, 130, 65, 67, 145, 148, 155, 157, 159, 167 158, 165 Cox, Brian, 95 Asteroid impact, 171 Cultural tracking, 70 Astounding Science Fiction, 8, 12, 22, 57, 64, 91, 97, 107, 115, 117, 121, 125, 158, 165 Atlantis, 37, 42, 59, 106, 139, 143 D Däniken, Erich von, 135, 136, 143, 150 Dash, Mike, 35, 36, 79 B De Camp, L. Sprague, 141 Ballard, J.G., 82 Dean Drive, 113 Bates method, 103 Death ray, 127 Berlitz, Charles, 36, 68 deFord, Miriam Allen, 9, 22 Bermuda Triangle, 36, 139 Dianetics, 97 Binder, Otto, 67 Dick, Philip K., 26, 52, 56, 77, 99, 156, 163, 170 Blavatsky, Madame, 94, 141 Disch, Thomas M., 169 Blish, James, 90, 104 Ditko, Steve, 104 Boltzmann brain, 76 Doc Savage, 112 Brown, Dan, 94, 126, 156 Doctor Strange, 104 Brown, Fredric, 27, 77 Doctor Who, 37, 145, 162 Brunner, John, 107 Dowsing, 101 Doyle, Arthur Conan, 88 Dyatlov Pass Incident, 31 C Campbell, John W., 13, 57, 64, 91, 99, 107, 115, 130 E Capricorn One, 163 EmDrive, 115 Carpenter, John, 51, 57 England, George Allan, 4 Champions, 104 Extrasensory perception (ESP), 54, 66, 88, 91, 121 Chemtrails, 167 Ezekiel, 134 © Springer International Publishing Switzerland 2017 A. -
Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M. -
Tucson Art Academy Online Skip Whitcomb
TUCSON ART ACADEMY ONLINE SKIP WHITCOMB PAINTS WHITE Any good to professional quality Titanium or Titanium/Zinc White in large tubes(150-200ML) size. Jack Richeson Co., Gamblin, Vasari, Utrecht, Winsor & Newton are all good brands, as are several other European manufacturers. I strongly recommend staying away from student grade paints, they do not mix or handle the same as higher/professional grade paints. YELLOWS Cadmium Yellow Lemon Cadmium Yellow Lt. (warm) Cad. Yellow Medium or Deep Indian Yellow ORANGES Cadmium Yellow Orange (optional) Cadmium Orange REDS Cadmium Red Light/ Pale/ Scarlet (warm) Cadmium Red Deep Permanent Alizarin Crimson Permanent Rose (Quinacridone) BLUES Ultramarine Blue Deep or Dark Cobalt Blue Prussian Blue or Phthalo Blue GREENS Viridian Viridian Hue (Phthalo Green) Chrome Oxide Green Olive Green Sap Green Yellow Green VIOLETS Mauve Blue Shade (Winsor&Newton) Dioxazine Violet or Purple EARTH COLORS Yellow Ochre Raw Sienna Raw Umber Burnt Sienna Terra Rosa Indian Red Venetian Red Burnt Umber Van Dyke Brown BLACKS Ivory Black Mars Black Chromatic Black Blue Black MARS COLORS Mars Yellow Mars Orange Mars Red Mars Violet IMPORTANT TO NOTE!! Please don’t be intimidated by this list! You will not be required to have all these colors on hand for our class. This is intended to be a recommendation for the studio. Specific colors on this list will come in handy for mixing in certain color plans. I will be happy to make suggestions along the way A good working palette for the studio would be: Cad. Yellow Lemon, Cad. Yellow Pale(warm), and/or Cad. -
Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once. -
Medical Intuition
May 2002 Volume 2, No. 2 Medical Intuition An interview with Nina Zimbelman and Patricia Johnson, MD Nina Zimbelman is a medical intuitive who works closely with Patricia Johnson, MD, a family physician in Robbinsville, North Carolina. IJHC: I am so impressed with how the two of you have come to work harmoniously together, blending intuitive awareness and holistic medical practice. Could you tell us, Nina, how your intuitive gifts developed? N: By the age of 35, I found I had achieved “The American Dream”. My husband and I had been very successful in business, making more money than we needed. Finding that money did not create happiness, I fell into a drug habit that brought me to the place where I had to choose whether to live or die. Knowing on some level it was not time for me to die, I gave up drugs and cleaned up my diet, working to regain my health. In doing so, I was led into macrobiotics, which led to Chinese Medicine. I discovered that the ancient Chinese physicians relied heavily on their intuition in tending to their patients. I began practicing with friends and colleagues, and discovered I have natural intuitive talents. IJHC: Nina, could you say a word about how you came to develop your community? N: Yes. There was never any intention around the community. I had been working in the spiritual world since 1983 and had been doing a lot of research in those dimensions. I just had a really clear connection with “the other world,” so to speak. -
Burk L. Psychic/Intuitive Diagnosis: Two Case Reports and Commentary
Burk L. Psychic/intuitive diagnosis: Two case reports and commentary. J Altern Complement Med 1997;3(3):209-211 The article by Young and Aung (1) on psychic diagnosis and the editorial call for response (2) prompted me to submit these two case reports with suggestions for future researchers. As an academic radiologist specializing in the use of MRI for musculoskeletal diseases since 1985, I found my diagnostic paradigm challenged by the following experience with a medical intuitive in 1992. Case Report #1 A thirteen year old white female who appeared younger than her stated age presented with left sciatica and was referred for radiographic evaluation. A normal film of the pelvis was followed by MR examinations of the pelvis and lumbar spine which revealed a large lesion in the left sacrum with an associated epidural mass at the L5-S1 level. The appearance was felt to be most consistent with a malignant tumor although involvement of the left sacroiliac joint raised the possibility of septic arthritis with osteomyelitis and an epidural abcess. Clinically the patient was not acutely ill or febrile so a biopsy was scheduled for several days later. In the interval between the MR studies and the biopsy a phone call was made to the medical intuitive in another part of the country, and she was given only the name and age of the patient without any information with regard to symptoms or prior imaging studies. After five seconds of silence she replied, "There is a tumor in the pelvis working its way into the spine. This is an immature girl with a terminal condition which is caused by a severe imbalance of her second energy center or chakra. -
A New Evaluation of the Colors of the Sky for Artists and Designers
Sky Blue, But What Blue? A New Evaluation of the Colors of the Sky for Artists and Designers Ken Smith* Faculty of Art and Design, Monash University, Melbourne, Victoria, Australia Received 28 April 2006; accepted 21 June 2006 Abstract: This study describes a process of relating the solid that is capable of representing most of the colors of perceptual analysis of the colors of the terrestrial atmos- the sky using four of these pigments is proposed. phere to currently available pigments used in artists’ painting systems. This process sought to discover how the colors of the sky could be defined and simulated by these AN EMPIRICAL METHOD FOR ANALYZING pigments. The author also describes how confusion over SKY COLOR the bewildering choice of suitable pigments on offer in the market place can be clarified. Ó 2006 Wiley Periodicals, Science can explain why the earth’s atmosphere appears Inc. Col Res Appl, 32, 249 – 255, 2007; Published online in Wiley Inter- blue, the preferential scattering by air molecules of short 2 Science (www.interscience.wiley.com). DOI 10.1002/col.20291 wavelength light photons emitted from the sun. For artists the consequential questions are often more likely to Key words: art; design; sky color; perceived color; envi- be not why, but rather what; what are the blue colors that ronment; pigments; painting systems are perceived in the sky? These were the fundamental questions that lead to a reappraisal of how the colors of the sky can be represented by the pigments used in con- INTRODUCTION temporary painting systems. Before attempting to answer this question, a number of parameters had to be created. -
Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern. -
Shamanic Wisdom, Parapsychological Research and a Transpersonal View: a Cross-Cultural Perspective Larissa Vilenskaya Psi Research
International Journal of Transpersonal Studies Volume 15 | Issue 3 Article 5 9-1-1996 Shamanic Wisdom, Parapsychological Research and a Transpersonal View: A Cross-Cultural Perspective Larissa Vilenskaya Psi Research Follow this and additional works at: http://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Vilenskaya, L. (1996). Vilenskaya, L. (1996). Shamanic wisdom, parapsychological research and a transpersonal view: A cross-cultural perspective. International Journal of Transpersonal Studies, 15(3), 30–55.. International Journal of Transpersonal Studies, 15 (3). Retrieved from http://digitalcommons.ciis.edu/ijts-transpersonalstudies/vol15/iss3/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. SHAMANIC WISDOM, PARAPSYCHOLOGICAL RESEARCH AND A TRANSPERSONAL VIEW: A CROSS-CULTURAL ' PERSPECTIVE LARISSA VILENSKAYA PSI RESEARCH MENLO PARK, CALIFORNIA, USA There in the unbiased ether our essences balance against star weights hurled at the just now trembling scales. The ecstasy of life lives at this edge the body's memory of its immutable homeland. -Osip Mandelstam (1967, p. 124) PART I. THE LIGHT OF KNOWLEDGE: IN PURSUIT OF SLAVIC WISDOM TEACHINGS Upon the shores of afar sea A mighty green oak grows, And day and night a learned cat Walks round it on a golden chain. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
Medical Intuition: Healing Physical Illnesses Such As Autoimmune, Cancer, and Fear-Based Illnesses
Medical Intuition: Healing Physical Illnesses such as Autoimmune, Cancer, and Fear-based Illnesses. What Is Medical Intuition? Medical Intuition is an alternative medicine process where the practitioner or Medical Intuitive uses their intuitive abilities to find the cause of a physical or emotional condition through the use of insight rather than modern medicine. Often the medical intuitive process relies on upper chakra intuition such as clairvoyance (seeing the energy body) or clairaudience (receiving information from guides and angels), because emphatically reading medical issues can result in transference of wounds or unprocessed energy. The Premise of Medical Intuition The premise of medical intuition is that instead of addressing emotional and energetic issues first, the physical symptom presents and the approach is often on how to address what’s under the physical symptom. The premise is also that you are innately whole and the body can heal itself. Life force flows through the central channel from the earth and the cosmos to 72,000 meridians, each sourcing various organs in the body. When it’s fluid - the body is healthy. When there is a block in that flow, life force energy cannot access that organ or area of the body and disease forms and affects other areas of the body. The medical intuitive process is to identify the block and whether it is energetic, emotional or physical, and how old or layered it may be. Medical intuition is a phrase applied to intuitive energy healing to give it more credibility by including the word “medical”, but all intuitive energy healing addresses the layers underneath physical, emotional, and psychological issues.