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150,000 More Military Personnel Sent to Gulf
VOL. XXIII NO. 49 FRIDAY , NOVEMBER 9, 1990 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S 150,000 more military personnel sent to Gulf WASIIINGTON (AP) - Presi without sending all of their dent Bush on Thursday ordered support units, the additional massive land and sea additions combat and essential support to the U.S. military force in the forces total about 100,000. Persian Gulf to give "an ade Iraq has more than 400,000 quate offensive option" if troops in the region. needed to drive Iraq from Cheney said the Navy would Kuwait. send three additional aircraft Bush's order will add more ca.rrier battle groups and their than 150,000 military person escorts, the battleship USS nel to the 230,000 U.S. troops Missouri and a second Marine already in the area. amphibious group of 5,000 He ordered troops and tanks men. And, the defense secretary said, combat-ready National • Draft possible? I page 8 Guard brigades - the 48th in transferred from Europe, sent Georgia, the 155th in Missis in new warships and called up sippi and the 256th in combat-ready National Guard Louisiana - would be called up units. for the first time, for possible Bush, asked directly whether reassignment to the Middle he was going to war against East. They total about 10,000 Saddam Hussein, said: "I would people. like to see a peaceful solution to Also, Cheney said, the Air Today, a few days before the first anniversary of the opening of the border, a painted segment of the this question." Force "probably" would also Berlin Wall has been placed in front of the Brandenburg Gate commemorating the former division of the "If this movement of force is send reinforcements. -
Our Love Affair with Movies
OUR LOVE AFFAIR WITH MOVIES A movie producer and Class of ’68 alumnus recalls the cinematic passions of his senior year—and offers some advice on rekindling the romance for today’s audiences. By Robert Cort crush on movies began on a Around the World was a grand spectacle Louis Jourdan as Gaston realizing how damp November night in 1956. that ultimately claimed the Academy much he loved Gigi and pursuing her Dressed in my first suit—itchy Award for Best Picture. Beyond its exotic through Paris singing, “Gigi, what mir- MY and gray—I sat in the backseat locales, it was my first experience of char- acle has made you the way you are?” of our Oldsmobile as my parents crossed acters attempting the impossible. When Before that scene, what I’d observed the Brooklyn Bridge into Manhattan. At David Niven as Phineas Fogg realized about men and women in love was my Mama Leone’s I tasted Parmesan cheese that crossing the International Date Line parents’ marriage, and that didn’t seem for the first time. Then we walked a few had returned him to London on Day 80, something to pine for. blocks to the only theater in the world the communal exuberance was thrilling. Three Best Pictures, three years in a playing the widescreen epic comedy- A year later my brother took me to an- row: the thrill of daring men in the wide, adventure, Around the World in 80 Days. other palace, the Capitol Theater, for The wide, Todd-AO world; the horrors that I was already a regular at Saturday Bridge on the River Kwai. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Danny Thomas Papers PASC.0356
http://oac.cdlib.org/findaid/ark:/13030/c8jq133p No online items Danny Thomas papers PASC.0356 Processed by Allison Park with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2019 September 10. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Danny Thomas papers PASC.0356 PASC.0356 1 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Danny Thomas papers Creator: Thomas, Danny Identifier/Call Number: PASC.0356 Physical Description: 10.2 Linear Feet(20 boxes and 1 shoe box) Date (inclusive): 1953-1964, 1979 Abstract: Entertainer Danny Thomas is best remembered for his role in the television series Make Room for Daddy later known as the Danny Thomas Show. The collection consists primarily of script files documenting the popular television series Make Room for Daddy (1953-1956) and The Danny Thomas Show (1956-1964). Language of Material: Materials are in English. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
1945-11-07 [P A-16]
curred if any of the odd people in- leu 15-minute episodes and launched accent for the French technical di- sian of 1876, but it is good Boyer,” at volved had once hinted at the truth on the radio, it could be used to sell rector of "Centennial Summer,” the and that’s the way itll be in the 'This Love of Ours’ Keith’s is a cad and probably not fit to see soap for years to come. adviser said, "It isn't exactly Pari- picture. By HARRY Mac ARTHUR. "THIS LOVE OP OURS," • Universal such sentimental goings on as "This picture with Merle Oberon and Charles Love of Ours." Is Model AMUSEMENTS. AMUSEMENTS. Nation’s Postwar Mess Makes As nearly as can be determined Korvln, produced by Howard Benedict, di- Boyer rected by William Dieterle, screenplay by ■ Melodramatic* of love such as are By the Associated Press. from a single exposure to it, "This Bruce Mannlni and John Klorer, based set forth here are the sort of Love of Ours,” which opened yes- on the play by Intel Pirandello. At thing HOLLYWOOD. Keith's. actors and actresses must love French for scenes in mo- Hit of the Season terday at Keith’s, Is a violent attack THE CAST. dearly, Talking Merle Sue Comedy on leaping to conclusions when you Karin. _Merle Oberon and Oberon, England and tion pictures isn’t just talking By JAY CARMODY. tousee_Charles Korvln Charles Korvin their roles not French. It isn’t that Because learn that your wife has been spend- niwal _Claude Rains play easy. -
POST-COLLEGIATE HONORS College Football Foundation and Hall of Fame
112 113 69574k_114-115.qxd 7/18/2007 3:54 PM Page 114 ALL-AMERICAS XAll-Americas This roster consists only of those players who were first-team selections on one or more of the All-America teams selected for the national audience and received nationwide circulation. Not included are numerous players who may have received mentions on second or third teams and others who were selected by newspapers or agencies with circulations not primarily national. The legend below lists those teams recognized by the NCAA that were national media or organizations. AAB — All America Board (1924-55); AP — Associated Press (1925-Present); CAMP — Walter Camp Football Foundation (1967-Present); CP — Central Press (1963-70); COACHES — American Football Coaches Assn. (1945-Present); FbN — Football News (1963-Present); FWAA — Football Writers Assn. of America (1913-Present); GANNETT — Gannett News Service; INS — International News Service (1913-57); LIB — Liberty Magazine (1924-41); NEWSWEEK — Newsweek Magazine (1937-42); NANA — North American Newspaper Alliance (1927-37); NEA — Newspaper Enterprise Assn. (1924-73); NY NEWS — New York Daily News; TSN — The Sporting News (1934-Present); RICE — Grantland Rice (1925-47); TIME — Time Magazine; UP — United Press (1925-58); UPI — United Press International (1958-95); SCRIPPS — Scripps Howard Newspapers; NCAA — NCAA Consensus (1889-Present). 1929 Gene McEver.................................................................Halfback (UP, NEA, NANA, NCAA) Chip Kell.................Guard (AP, UPI, CP, FWAA, COACHES, FbN, -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
1 \^Ith D Brownsville a and B Valley D Theaters 1
1 \^ith D Brownsville a and B Valley D Theaters 1 COMEDY RIOT STARS OF FILM WILL IS ADVISING I IN ‘OUR BETTERS’ HaewaHHBBBMT «ws\ iteS And the big laugh riot ‘"Riey Just Had to Get Married”, featuring fSUm Summerville and Zasu Pitts, the great laugh team. Showing Tuesday and Wednesday at the Capitol. Brownsville. Constance Bennett and Gilbert Roland in “Our Betters’* showing to- day and Monday at the Rivoli Theatre. San Benito. Dick Powell. Marion Nixon and Will Rogers in “Too Busy to Work," “THE showing Tuesday and Wednesday at V\e Rivoli Theatre. San Benito. GREAT JASPER’1 stalwart young leading man Is cast as Lieut. B F. Pinkerton. Charlie LAW ON I'AROLE GIRL’S TRAIL THRILLS ARE Ruggles has an effective comedy ummm mmmrn " role especially written into the pic- ture for him. Irving Pu^el Is a con- APLENTY IN vincing menaco’. Pistol Shoot Sunday (Special to The Herald • FILM HARLINGEN. March 25 —The QUEEN_ last preliminary pistol shoot before the record shoot of April 9. is ex- Edward G. Robinson and Bebe Daniels in “Silver Dollar." showing Ha* ‘Lucky Devil*’ pected to be held by reserve of- Thursday and Friday at the Rivoli Theatre, San Benito. Bill In ficers of the Valley at A< Boyd Gardens Sunday. Lead Role In April the officers will PRIVATE JONES (SPITFIRE TRACY) for medals offered by a San tonic firm. Dare-devil stunts performed by w. nos men with charmed lives make Richard Dix In a new screen hit The Great "MARRIAM again Jasper" supported Lucky Devils,' Bill Boyd's new RKO by Wera Engels and Edna May Oliver. -
Thomas G. Abraham Chairman of the Board, Anthony R
Thomas G. Abraham Chairman of the Board, Anthony R. Abraham Foundation Thomas G. Abraham is a nationally recognized business entrepreneur and civic leader. He is the son of the late Genevieve and Anthony R. Abraham who was the last living member of the founding members of St. Jude Children’s Research Hospital in Memphis, Tennessee, founded by Danny Thomas. Mr. Thomas G. Abraham’s father, Anthony R. Abraham, was the honorary consul of Lebanon in Miami for over three decades. He was a founding member of Our Lady of Lebanon Maronite Catholic Church on Coral Way in Miami. He received numerous awards and recognitions through the years including The Ellis Island Medal of Honor, the Syrian-Lebanese–American “Man of the Year”, and the National Order of the Cedar from the Lebanese Government. Thomas Abraham currently serves as President/Partner in the following family enterprises AA Miami Group, Ltd., TATM Tampa Group, Ltd., ANAB and A.R.A. Group. He has served with distinction for more than thirty years in senior executive roles as President, officer and partner in numerous successful family- owned and operated businesses founded by Anthony R. Abraham in the automotive and insurance industries including, Anthony Abraham Chevrolet Co., Ltd., Miami; Anthony Abraham Oldsmobile Inc., Miami; Anthony Abraham Buick-GMC Truck, Inc., Miami; Abraham Chevrolet Company, Inc. Tampa; American Risk Assurance Company; Florida Leasing & Rental Co., Inc; Florida Life Insurance Company, and Coral Premium Finance Co., Inc. Anthony R. Abraham and his late wife Genevieve devoted their lives to helping others through the Anthony R. Abraham Foundation founded in 1976. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
The Pore Is Bight Therestlessgun
have been welceme. And I’m Firestone: Soprano Nadine ¦• Western fan). QTHER TV * THE EVENING STAR B-17 Conner, ballerina Marina ¦ Washington. DC •• Apart this, MONpsr. from the West- 1 TV KEY_ HIGHLIGHTS Svetlova and pianist Earl _ ocroasa i. it»> era bit was centered around a Wild guests. PREVIEWS 8:M. WRC (4)—Restless Gun: are Key says: An children’s party in Hollywood. Tonight's top shorn* us previewed bp TV Kep't staff, unbellevabls “Revenge at Harkness B:3#, WRC (4)—Alcoa Thea- story young The kids played spoiled brsts who attend watch screenings analyze of the rise of a reheanals. and Creek” starring John Payne, ter: “A Turn of Fate”—; fighter relationship too well, I think. It’s awfully scripts In New York and Hollywood. opinions are j and his Their A sheriff risks his honor and “Circumstantial” with with drunken father ~ >[£i his I |;. ¦ ¦’. ' ¦ hard to laugh when you're be- offered as a puide to area viewers. David young ing aimultaneusly irritated. loss of friendship when he Niven. A at- (1947). 0 avenge torney risks his life to prove (7) The Masons (Pamela Burns and Allen—Four Miss threatens to the 11:20, WMAL Mystery j James Universe contestants do a little death of his that a conviction on cir- Theater: "Ellery and Portland) were victims of parading. was Mias Nevada—oomph. brother. Queen a w Our favorite Story 8:00, WTTG (s)—Theater at cumstantial evidence slone Penthouse Mystery" with the same mistake in their "at can condemn innocent line has Oracle bringing the girls home to straighten out 8: "Affairs of Annabel” J an Ralph Bellamy.