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Irish Journal of Applied Social Studies. Vol. 3. No. 1. 2002
Irish Journal of Applied Social Studies. Vol. 3. No. 1. 2002 IRISH JOURNAL OF APPLIED SOCIAL STUDIES Editor Dr. C. Niall McElwee Notes for Contributors Articles for consideration: 1. Shall be based on primary research, or exceptional critical literature reviews, or practice innovations. From time to time a theme will be published. 2. Should be between 2,500-6,000 words in length. 3. The article should be preceded by an abstract, on a separate page. The abstract should consist of title, and summary of the paper, between 300 and 500 words in length. The abstract should end with three or four key words relating to the content. To permit anonymity, a cover page should be attached, listing authorship and affiliation. 4. Manuscripts should be typed on one side of the page, double-spaced with wide margins, on A4 paper. Manuscripts to be submitted on 3.5 inch disc in Macintosh, Microsoft Word or Windows format, along with 3 hard copies. 5. References should be placed in alphabetical order at the end of the text. The Harvard Referencing System should be used i.e. Author’s surname followed by initial for first name, date in brackets, and title in italics, followed by location of publishers, and finally publisher’s name; or in the case of articles, the journal’s name in italics. e.g. McElwee, C.N., (2000), To Travel Hopefully: Views from the Managers of Residential Child Care Units in Ireland. Waterford: RMA/SocSci Consultancy. Wells, J.S.G., (1998) Severe Mental Illness. Statutory Supervision and Mental Health Nursing in the UK, Journal of Advanced Nursing 27: 698-706. -
Bibliography
Bibliography Abdulhadi, Rabab. (2010). ‘Sexualities and the Social Order in Arab and Muslim Communities.’ Islam and Homosexuality. Ed. Samar Habib. Santa Barbara, CA: ABC-CLIO, LLC, 463–487. Abercrombie, Nicholas, and Brian Longhurst. (1998). Audiences: A Sociological Theory of Performance and Imagination. London: Sage. Abu-Lughod, Lila. (2002). ’Do Muslim Women Really Need Saving? Anthropolog- ical Reflections on Cultural Relativism and Its Others.’ American Anthropologist 104.3: 783–790. Adams, William Lee. (2010). ‘Jane Fonda, Warrior Princess.’ Time, 25 May, accessed 15 August 2012. http://www.time.com/time/specials/packages/article/ 0,28804,1990719_1990722_1990734,00.html. Addison, Paul. (2010). No Turning Back. The Peacetime Revolutions of Post-War Britain. Oxford: Oxford University Press. Ahmed, Sara. (2004). The Cultural Politics of Emotion. Edinburgh: Edinburgh University Press. Ahmed, Sara. (2010a). The Promise of Happiness. Durham, NC: Duke University Press. Ahmed, Sara. (2010b). ‘Killing Joy: Feminism and the History of Happiness.’ Signs: Journal of Women in Culture and Society 35.3: 571–594. Ahmed, Sara. (2011). ‘Problematic Proximities: Or Why Critiques of Gay Imperi- alism Matter.’ Feminist Legal Studies 19.2: 119–132. Alieva, Leila. (2006). ‘Azerbaijan’s Frustrating Elections.’ Journal of Democracy 17.2: 147–160. Alieva, Leila. (2009). ‘EU Policies and Sub-Regional Multilateralism in the Caspian Region.’ The International Spectator: Italian Journal of International Affairs 44.3: 43–58. Allatson, Paul. (2007). ‘ “Antes cursi que sencilla”: Eurovision Song Contests and the Kitsch-Drive to Euro-Unity.’ Culture, Theory & Critique 48: 1: 87–98. Alyosha. (2010). ‘Sweet People’, online video, accessed 15 April 2012. http:// www.youtube.com/watch?v=NT9GFoRbnfc. -
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Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
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29Th June 2003 Pigs May Fly Over TV Studios by Bob Quinn If Brian
29th June 2003 Pigs May Fly Over TV Studios By Bob Quinn If Brian Dobson, Irish Television’s chief male newsreader had been sacked for his recent breach of professional ethics, pigs would surely have taken to the air over Dublin. Dobson, was exposed as doing journalistic nixers i.e. privately helping to train Health Board managers in the art of responding to hard media questions – from such as Mr. Dobson. When his professional bilocation was revealed he came out with his hands up – live, by phone, on a popular RTE evening radio current affairs programme – said he was sorry, that he had made a wrong call. If long-standing Staff Guidelines had been invoked, he might well have been sacked. Immediately others confessed, among them Sean O’Rourke, presenter of the station’s flagship News At One. He too, had helped train public figures, presumably in the usual techniques of giving soft answers to hard questions. Last year O’Rourke, on the live news, rubbished the arguments of the Chairman of Primary School Managers against allowing advertisers’ direct access to schoolchildren. O’Rourke said the arguments were ‘po-faced’. It transpires that many prominent Irish public broadcasting figures are as happy with part-time market opportunities as Network 2’s rogue builder, Dustin the Turkey, or the average plumber in the nation’s black economy. National radio success (and TV failure) Gerry Ryan was in the ‘stable of stars’ run by Carol Associates and could command thousands for endorsing a product. Pop music and popcorn cinema expert Dave Fanning lucratively opened a cinema omniplex. -
2 Apar Gupta New Style Complete.P65
INDIAN LAWYERS IN POPULAR HINDI CINEMA 1 TAREEK PAR TAREEK: INDIAN LAWYERS IN POPULAR HINDI CINEMA APAR GUPTA* Few would quarrel with the influence and significance of popular culture on society. However culture is vaporous, hard to capture, harder to gauge. Besides pure democracy, the arts remain one of the most effective and accepted forms of societal indicia. A song, dance or a painting may provide tremendous information on the cultural mores and practices of a society. Hence, in an agrarian community, a song may be a mundane hymn recital, the celebration of a harvest or the mourning of lost lives in a drought. Similarly placed as songs and dance, popular movies serve functions beyond mere satisfaction. A movie can reaffirm old truths and crystallize new beliefs. Hence we do not find it awkward when a movie depicts a crooked politician accepting a bribe or a television anchor disdainfully chasing TRP’s. This happens because we already hold politicians in disrepute, and have recently witnessed sensationalistic news stories which belong in a Terry Prachet book rather than on prime time news. With its power and influence Hindi cinema has often dramatized courtrooms, judges and lawyers. This article argues that these dramatic representations define to some extent an Indian lawyer’s perception in society. To identify the characteristics and the cornerstones of the archetype this article examines popular Bollywood movies which have lawyers as its lead protagonists. The article also seeks solutions to the lowering public confidence in the legal profession keeping in mind the problem of free speech and censorship. -
PRIME FOCUS LIMITED ANNUAL REPORT 2013-14 for Fifteen Months
PRIME FOCUS LIMITED ANNUAL REPORT 2013-14 for fi ft een months ended 30 June 2014 MANY DREAMT IT COULD BE DONE OTHERS THOUGHT IT COULD BE DONE SOME PLANNED IT COULD BE DONE WILLEDFEW IT HAD TO BE DONE What diff erentiates the doers from the dreamers and the thinkers is their sheer tenacity, gritt y determination, steely resolve and unshakeable faith in their vision, venture and values. In a world that is constrained and confi ned with limits and boundaries, these select few not only dream, but also dare, and do. They keep PUSHING THE BOUNDARIES. In 1995, a group of four started a small business of extending post production services from a garage in Mumbai. PUSHING THE BOUNDARIES of geography, it expanded its presence around the world from Mumbai to 16 cities across 4 continents and 7 time zones. PUSHING THE BOUNDARIES of creativity, it executed some of the most enthralling and fantastical visual eff ects and 3D movies ever seen. PUSHING THE BOUNDARIES of technology, it embraced Cloud to create a pioneering Media ERP (enterprise resource planning) soft ware for managing the business of content. PUSHING THE BOUNDARIES of collaboration, it extended its relationships with top broadcasters, studios, production houses, brands, advertising agencies, sports bodies and other content organizations across all major content markets. PUSHING THE BOUNDARIES of fi nancial performance, it enjoyed the faith and trust of marquee investors. Today, Prime Focus has evolved from a garage to become a global powerhouse of M&E services. AND YET, WE BELIEVE THIS IS JUST THE BEGINNING. -
Ahimsa and Vegetarianism
March , 2015 Vol. No. 176 Ahimsa Times in World Over + 100000 The Only Jain E-Magazine Community Service for 14 Continuous Years Readership AHIMSA AND VEGETARIANISM MAHARASHTRA GOVERNMENT BANS COW SLAUGHTER: FIVE YEARS JAIL Mar. 3rd, 2015. Mumbai. The bill banning cow slaughter in Maharashtra, pending for several years, finally received the President's assent, which means red meat lovers in the state will have to do without beef. This measure has taken almost twenty years to materialize and was initiated during the previous Sena-BJP Government. The bill was first submitted to the President for approval on January 30, 1996.. However, subsequent Governments at the Centre, including the BJP led NDA stalled it and did not seek the President’s consent. A delegation of seven state BJP MPs led by Kirit Somaiya, (MP from Mumbai North) had met the President in New Delhi recently and submitted a memorandum seeking assent to the bill. The memorandum said that the Maharashtra Animal Preservation (Amendment) Bill, 1995, passed during the previous Shiv Sena-BJP regime, was pending for approval for 19 years. The law will ban beef from the slaughter of bulls and bullocks, which was previously allowed based on a fit- for-slaughter certificate. The new Act will, however, allow the slaughter of water buffaloes. The punishment for the sale of beef or possession of it could be prison for five years with an additional fine of Rs 10,000. It is notable that, Reuters new service had earlier reported that Hindu nationalists in India had stepped up attacks on the country's beef industry, seizing trucks with cattle bound for abattoirs and blockading meat processing plants in a bid to halt the trade in the world's second-biggest exporter of beef. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
English Song Booklet
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