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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
2014 Joe Val Bluegrass Festival Preview
2014 Joe Val Bluegrass Festival Preview The 29th Joe Val Bluegrass Festival is quickly approaching, February 14 -16 at the Sheraton Framingham Hotel, in Framingham, MA. The event, produced by the Boston Bluegrass Union, is one of the premier roots music festivals in the Northeast. The festival site is minutes west of Boston, just off of the Mass Pike, and convenient to travelers from throughout the region. This award winning and family friendly festival features three days of top national performers across two stages, over sixty workshops and education programs, and around the clock activities. Among the many artists on tap are The Gibson Brothers, Blue Highway, Junior Sisk, IIIrd Tyme Out, Sister Sadie featuring Dale Ann Bradley, and a special reunion performance by The Desert Rose Band. This locally produced and internationally recognized bluegrass festival, produced by the Boston Bluegrass Union, was honored in 2006 when the International Bluegrass Music Association named it "Event of the Year." In May 2012, the festival was listed by USATODAY as one of Ten Great Places to Go to Bluegrass Festivals Single day and weekend tickets are on sale now and we strongly suggest purchasing tickets in advance. Patrons will save time at the festival and guarantee themselves a ticket. Hotel rooms at the Sheraton are sold out, but overnight lodging is still available and just minutes away, at the Doubletree by Hilton, in Westborough, MA. Details on the festival, including bands, schedules, hotel information, and online ticket purchase at www.bbu.org And visit the 29th Joe Val Bluegrass Festival on Facebook for late breaking festival news. -
Black History Month
Black History Month As part of our passionaTe commitment to building an inclusive future for our communities, The Adecco Group proudly celebraTes the contributions, achievements, heritage and culture of African Americans during Black HisTory Month and throughout the year. To fosTer a culture of belonging and purpose, we’re offering this downloadable resource on our Diversity and Inclusion resource page. Here, you can learn more about the origins of Black HisTory Month, as well as ways to appreciaTe Black music, literature and entrepreneurship during this month and beyond. Black History Month: How It Started What started out as one week dedicated to the contributions and celebration of African American’s by Carter G. Woodson in 1926, expanded into one month starting in 1976. Woodson chose the month of February because it housed the birthdays of two men –Frederick Douglass and Abraham Lincoln– who greatly influenced the history of the Black American culture. For more information on the observance of Black History Month (also known as National African American History Month), please refer to the links provided below: Origins of Black History Month African American History Month The Continuing Importance of Black History Month The Black American Music Experience African American influence permeates every facet of our lives and culture throughout history, and music is no exception. Much of the struggle and triumph from Black Americans has been continuously chronicled through music. We present this curated playlist of artists, from sacred music to hip hop and rap, who have made a long-lasting impression throughout different genres and periods in history. -
The Influence of Female Jazz Musicians on Music and Society Female Musicians Tend to Go Unrecognized for Their Contributions to Music
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:00 PM - 3:20 PM Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society Kirsten Saur Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons, Music Performance Commons, and the Women's Studies Commons Saur, Kirsten, "Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society" (2016). The Research and Scholarship Symposium. 15. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/15 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Kirsten Saur, 1 Kirsten Saur Swing It, Sister: The Influence of Female Jazz Musicians on Music and Society Female musicians tend to go unrecognized for their contributions to music. Though this has changed in recent years, the women of the past did not get the fame they deserved until after their deaths. Women have even tried to perform as professional musicians since ancient Greek times. But even then, the recognition did not go far. They were performers but were not seen as influences on music or social standings like male composers and performers were. They were not remembered like male performers and composers until past their time, and the lives of these women are not studied as possible influences in music until far past their times as well. -
Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM. -
The Art of Jazz Singing - “Diane's Enthusiasm for Her Subject Was Infectious
Audience feedback: - “Diane Nalini demonstrated particular aspects of various singers' jazz artistry and brought her points across with concrete and specific details. I heard nuances in various singers' styles that I had never heard before. Brava!” - “Nalini’s engagement with the audience, and her superb vocals, aided her demonstrations of jazz singing. She's a very good teacher.” The Art of Jazz Singing - “Diane's enthusiasm for her subject was infectious. Her own vocal demonstrations WED. OCT 15, ONLINE were lovely to listen to, but also very instructive.” 6:30 P.M. – 8:30 P.M. $25.00 (HST INCLUDED) Join jazz singer and songwriter Diane Nalini for an entertaining Singer/songwriter Diane Nalini and engaging exploration of the art of jazz singing. With composes and sings in four examples from Bessie Smith, Ella Fitzgerald, Nat King Cole, languages. She has been a Sarah Vaughan, Billie Holiday, and others, she will provide professional jazz singer for insights into what made these singers so unique. over 25 years and has recorded and produced four Diane will also do live demonstrations, so participants will come critically-acclaimed albums, with a fifth out this year. She away with a better understanding of how singers approach has sung at jazz festivals phrasing, interpreting a song, and interacting with musicians. around the globe, and given This lecture is open to anyone with an interest in music - but no gala performances for musical background is required. President Bill Clinton and Sir Paul McCartney. To register, visit: carleton.ca/linr/registration/ Offered through Carleton University carleton.ca/linr . -
Ella Fitzgerald Biography Mini-Unit
Page 1 Ella Fitzgerald Biography Mini-Unit A Mini-Unit Study by Look! We’re Learning! ©2014 Look! We’re Learning! ©Look! We’re Learning! Page 2 This printable pack is an original creation from Look! We’re Learning! All rights are reserved. If you would like to share this pack with others, please do so by directing them to the post that features this pack. Please do not redistribute this printable pack via direct links or email. This pack makes use of several online images and includes the appropriate permissions. Special thanks to the following authors for their images: Lewin/Kaufman/Schwartz, Public Relations, Beverly Hills via Wikimedia Commons U.S. Library of Congress via Wikimedia Commons William P. Gottlieb Collection via Wikimedia Commons Hans Bernhard via Wikimedia Commons White House Photo Office via Wikimedia Commons ©Look! We’re Learning! Page 3 Ella Fitzgerald Biography Ella Fitzgerald was an American jazz singer who became famous during the 1930s and 1940s. She was born on April 25, 1917, in Newport News, Virginia to William and Temperance Fitzgerald. Shortly after Ella turned three, her mother and father separated and the family moved to Yonkers, New York. When Ella was six, her mother had another little girl named Frances. As a child, Ella loved to sing and, like many jazz and soul musicians, she gained most of her early musical experience at church. When Ella got older, she developed a love for dancing and frequented many of the famous Harlem jazz clubs of the 1920s, including the Savoy Ballroom and the Cotton Club. -
Harlem Renaissance Special Points of Interest
Harlem Renaissance Special points of interest: The Harlem Renaissance was also know as the New Negro Movement. Plainfield Public Library Pathfinder September 2010 This captivating period of African American history began after Harlem Renaissance WWI and lasted until about 1935, in the mid- Do you have a special project for Black History dle of the Great involving ? Per- Depression. Month The Harlem Renaissance haps you are working on a college paper and are This great out flux of currently studying this very interesting and creative creativity, artistic period of American arts and letters. If you are start- expression, and ing a book club at home, and would like to begin it intellectualism repre- investing some time in this period of African Ameri- sented a marked can writing, can help concentration of pro- The Plainfield Public Library test, ideological you find the materials you need to form an outline advancement, and the for a discussion group. Or perhaps you saw a film furthering of civil rights or documentary on a title or author in this time peri- for African Americans. od, and you would like to simply find the printed ver- sion for your reading enjoyment. The goal of the move- ment was to create a Romare Bearden doubled disconnect between The Reference Department staff can help you find throughout his life as a social peoples’ perception of printed and electronic resources/items to enlighten worker by day and a visual African Americans and you about this time in American history, and the per- artist by night and weekends. those perpetuated by sonalities and talents that contributed to the flower- The prolific artist was a part mainstream American of the Harlem Artists Guild culture and its ing of African American arts and literature in the after studying art in NYC and institutions. -
A Woman's Place in Jazz in the 21St Century Valerie T
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2018 A Woman's Place in Jazz in the 21st Century Valerie T. Simuro University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, and the Philosophy Commons Scholar Commons Citation Simuro, Valerie T., "A Woman's Place in Jazz in the 21st Century" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7363 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A Woman’s Place in Jazz in the 21st Century by Valerie T. Simuro A thesis is submitted in partial fulfillment of the Master of Arts, in Liberal Arts, in Humanities Concentration Department of Humanities and Cultural Studies at the University of South Florida Major Professor: Andrew Berish, Ph.D. Brook Sadler, Ph.D. Maria Cizmic, Ph.D. Date of Approval: June 21, 2018 Keywords: Esperanza Spalding, Gender, Race, Jazz, Age Copyright © 2018, Valerie T. Simuro ACKNOWLEDGMENT I would like to take this opportunity to express my deepest gratitude to, Dr. Brook Sadler who was instrumental in my acceptance to the Graduate Master’s Program at the University of South Florida. She is a brilliant teacher and a remarkable writer who guided and encouraged me throughout my years in the program. -
Wedding Music Playlist
Congrats you’ve just downloaded the SECRET playlist that the DJ’s at Nice Entertainment have used to rock over 1,000 weddings! Note: If you’d like to find out more about Nice Entertainment’s packages, pricing, and availability. Please CLICK THIS LINK to schedule a discovery call. Call Anytime 404-396-7303 ------------------------------------------------------------------- Please do not share :) Thx! ------------------------------------------------------------------- * BEST Ceremony Music Playlist. (page 2) * BEST Cocktail Hour Playlist. (page 3) * BEST Special Dance Songs. (page 4) * BEST High Energy Dance Songs. (page 5) * BEST Classic Dance Songs. (page 6) Cheers! 1 The Nice Entertainment Family * BEST Ceremony Music Playlist. (20 Songs) Prelude/Wedding Party/Bride Entrance: 1. Kiss the Rain - Yiruma 2. River Flows in You - Yiruma 3. A Thousand Years - Piano Guys 4. Story of My Life - Piano Guys 5. Can’t Help Falling in Love - Vitamin String Quartet 6. Hallelujah (Piano Instrumental) - Attila Fires 7. Thinking Out Loud - Brooklyn Duo 8. All of Me - Brooklyn Duo 9. When We Were Young - Brooklyn Duo 10. Here Comes the Sun (Piano Instrumental) - Benny Martin 11. Chasing Cars - Simply Three 12. Photograph - Simply Three 13. The Mission: Gabriel’s Oboe - Roma Sinfonietta 14. With or Without You - 2Cellos 15. Let Her Go - Music Lab Collective Exit Songs: Fun, Upbeat, “We just DID THIS!” 1. Best Day of My Life - American Authors 2. Signed, Sealed, Delivered, I’m Yours - Stevie Wonder 3. Lovely Day - Bill Withers 4. I Got You (I Feel Good) - James Brown 5. Love Never Felt So Good - Michael Jackson 6. Treasure - Bruno Mars 2 * BEST Jazz Cocktail Hour Playlist. -
The New Yorker Since 1993, and He Became the Magazine’S Music Critic in 1996
two, three,” someone hollered. “You should go up there, Joyce,” Tami Swope McDonald, DiDonato’s old roommate, who is a pianist at a local church, said. “Give them a master class in karaoke technique,” Mike Folsom, a Web designer who plays in country bands, added. “Should I?” DiDonato asked. “I could do a killer ‘Desperado.’ ” She applied an operatic timbre: “Desss-pehr-ah-do.” Her friends urged her on. “Oh, no,” she said, putting a hand to her throat and assuming a fragile-diva air. “I must rest the voice.” The conversation meandered from Renaissance polyphony to the Wichita State basketball team, the Shockers, who had recently reached the Final Four. DiDonato said, authoritatively, “If the game had ended #ve minutes earlier, we would have won.” She had checked March Madness scores on the Internet after her “Drama Queens” performances. The concert ’s title plays with the stereotype of the diva as an affected, tempestuous creature. This does not describe DiDonato. The adjectives “cheery,” “upbeat,” and “down-to-earth” follow her around in the press; it’s often mentioned that she once dreamed of being a backup singer for Billy Joel. But there’s a sly, self-aware edge to her enthusiasm. Her conversation is mercurial, with personae "itting in and out: the Country Gal (“Ahm not soundin’ very erudite today”), the Airy Diva (“How glad I am that we had these few stolen moments”), the Young Person (“Um, oh, my God, Rossini is, like, amazing?”). She is ambitious, impatient with routine, and unintimidated by conductors and directors who condescend to her.