Guidelines for Digitization, Digital Storage and Retrieval
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Sony Recorder
Sony Recorder www.ctlny.com 24 All prices subject to change DVCAM, J-Series, Portable & Betacam Recorders DVCAM Recorders J-Series Betacam Recorders SP Betacam Recorders Sony Model# DSR1500A Sony Model# J1/901 Sony Model# PVW2600 Sales price $5,680.08 Sales price $5,735.80 Sales price $12,183.36 Editing recorder also play Beta/SP/SX Player w/ Betacam SP Video Editing DVCPRO,SDI-YUV Component Output Player with TBC & TC optional 8-3/8 x 5-1/8 x 16-5/8 16-7/8 x 7-5/8 x 19-3/8 Model # List Sales price Model # List Sales price Model # List Sales price DSR1500A $7,245.00 $5,680.08 J1/901 $6,025.00 $5,735.80 PVW2600 $15,540.00 $12,183.3 Editing recorder also play DVCPRO,SDI-YUV optional Beta/SP/SX Player w/ Component Output Betacam SP Video Editing Player with TBC & TC 6 DSR1600 $6,975.00 $5,468.40 J1/902 $7,050.00 $6,711.60 PVW2650 $22,089.00 $17,317.7 Edit Player w/ DVCPRO playback, RS-422 & DV Output Beta/SP/SX Editing Player w/ SDI Output Betacam SP Editing Player w. Dynamic Tracking, TBC & TC8 DSR1800 $9,970.00 $7,816.48 J2/901 $10,175.00 $9,686.60 PVW2800 $23,199.00 $18,188.0 Edit Recorder w/DVCPRO playback,RS422 & DV Output IMX/SP/SX Editing Player w/ Component Output Betacam SP Video Editing Recorder with TBC & TC 2 DSR2000 $15,750.00 $13,229.4 J2/902 $11,400.00 $10,852.8 UVW1200 $6,634.00 $5,572.56 DVCAM/DVCPRO Recorder w/Motion Control,SDI/RS422 4 IMX/SP/SX Editing Player w/ SDI Output 0 Betacam Player w/ RGB & Auto Repeat Function DSR2000P $1,770.00 $14,868.0 J3/901 $12,400.00 $11,804.8 UVW1400A $8,988.00 $7,549.92 PAL DVCAM/DVCPRO -
DVD/CD Rewritable Drive
IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. -
Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output. -
Minimum Charqe F25.00 Minimum Charqe €20.00
We have specialisedin the preservationof familymemories since 1988.We are dedicated to reproducing your precious memories to the highest standard possiblefor you and your future generationsto enjoy. We are consciousof the responsibilityentrusted to us and take this responsibility seriously.All prices includeVAT. All ordersare processedto the U.K. PAL FromStandard Bmm, Super Bmm, 9.5mm & 16mmwith or withoutsound. format(except where the USA NTSCformat is requested). Standard Film Transfer to DVD: Each film is assessed, repaired(if needed) and transferredto DVD. The DVD will contain a basic menu pagewith chaplerbuttons that link to the startof each reel of film. Premium Film Transfer to DVD or Blu-rav: Each film is assessed, These DVD's are for playback on DVD-R compatible players. Your cleaned,repaired (if needed),colour corrected and edited as necessary. DVD'swill containregular chapter points throughout. DVD or Blu-raymenu pages and chapterbuttons are createdspecific to your production. FROM:VHS -VHS-C - S-VHS-VideoB - HiB- DigitalB- MiniDV Editinq. Streaminq and Storaqe Formats: Cine can be transferredto MinimumCharqe €20.00 computerfile formatsfor Editing,Storage and Streaming.The file format Firsthour of order....€20.00 - Additionalhours.... €7.00 per hour we supply is MP4, if you require a differenttype of file format simply informus when you place your order. Note: Additional to the Telecine price below will be the the Hard Drive Memory FROM:Mini DVD - DVD RAM - MicroMV - Hard DriveCamcorder - High cost of or Stick that your Definition- BelacamSP - DVCPRO- DVCAM- U-Matic- Betamax- V2000. files can be delivered on. You will be advised of this cost once we have received your order and calculated the data space needed. -
10 Questions-Portable Disk Recorders
10 Questions : Portable Digital Disk Recorders 3/2011 1. Is the codec being captured to post-production friendly? Acquisition is the beginning of the work!ow and decisions made at this point in the process affect all that follows. For the easiest possible post-production work!ow, the footage would be immediately ready for editorial and would not require transcoding or intensive processing to make it ready for editing. The AJA Ki Pro and Ki Pro Mini record to the high quality Apple ProRes 422 codecs to produce full raster 10-bit 4:2:2 HD and SD #les ready for immediate edit. Apple ProRes 422 is supported in all of the Apple Final Cut Studio applications making it an ideal codec for ease of use in post-production. Perhaps most importantly, Apple ProRes codecs have been designed to handle the harsh rigors of Post production through rendering and effects cycles. Comparison 1440 x 1080 1920 x 1080 1280 x 1080 DVCPRO HD@50Hz Uncompressed HDCAM D5 DVCPRO HD@60Hz XDCAM HDCAM-SR HDV ProRes422 @145Mbps 1080 ProRes422 HQ HD @220Mbps 1280/1920 = 2/3 1440/1920 = 3/4 1920/1920 = 1/1 8 bit 8 bit 10 bit 10 Questions : Portable Digital Disk Recorders 3/2011 2. Is the storage module itself computer friendly ? Ki Pro offers removable spinning disk or SSD modules with FireWire 800 support for direct connection to an Apple Mac Pro or MacBook Pro. Ki Pro formats its media as OSX-native HFS+, so that the Storage Module will mount instantly on your Mac desktop as easily as any other Mac-formatted drive would. -
Paramount Theatre Sherry Lansing Theatre Screening Room #5 Marathon Theatre Gower Theatre
PARAMOUNT THEATRE SHERRY LANSING THEATRE SCREENING ROOM #5 MARATHON THEATRE GOWER THEATRE ith rooms that seat from 33 to 516 people, The Studios at Paramount has a screening room to accommodate an intimate screening with your production team, a full premiere gala, or anything in between. We also offer a complete range of projection and audio equipment to handle any feature, including 2K, 4K DLP projection in 2D and 3D, as well as 35mm and 70mm film projection. On top of that, all our theaters are staffed with skilled projectionists and exceptional engineering teams, to give you a perfect presentation every time. 2 PARAMOUNT THEATRE CUTTING-EDGE FEATURES, LAVISH DESIGN, PERFECT FOR PREMIERES FEATURES • VIP Green Room • Multimedia Capabilities • Huge Rotunda Lobby • Performance Stage in front of Screen • Reception Area • Ample Parking and Valet Service SPECIFICATIONS • 4K – Barco DP4K-60L • 2K – Christie CP2230 • 35mm and 70mm Norelco AA II Film Projection • Dolby Surround 7.1 • 16-Channel Mackie Mixer 1604-VLZ4 • Screen: 51’ x 24’ - Stewart White Ultra Matt 150-SP CAPACITY • Seats 516 DIGITAL CINEMA PROJECTION • DCP - Barco Alchemy ICMP • DCP – Doremi DCP-2K4 • XpanD Active 3D System • Barco Passive 3D System • Avid Media Composer • HDCAM SR and D5 • Blu-ray and DVD • 8 Sennheiser Wireless Microphones – Hand-held and Lavalier • 10 Clear-Com Tempest 2400 RF PL • PIX ADDITIONAL SERVICES AVAILABLE • Catering • Event Planning POST PRODUCTION SERVICES 10 • SecurityScreening Rooms 3 SCREENING ROOMS SHERRY LANSING THEATRE THE ULTIMATE REFERENCE -
Signature Universal Media Transport Plus
Signature Universal Media Transport plus VIDEO OUTPUTS: 2 HDMI DIGITAL AUDIO OUTPUTS: OPTICAL, COAXIAL RCA X 3, BALANCED XLR, MSB PROI2S CLOCK INTERFACE: INTERNAL CLOCK HEADER, EXTERNAL 512 CLOCK IN OR OUT ANALOG AUDIO OUTPUTS: NONE BIT STREAM SURROUND OUTPUTS: OPTICAL AND COAXIAL EXTERNAL MEDIA CONNECTIONS: 3 USB PORTS, COMPUTER NETWORK STREAMING MAXIMUM OUTPUT RESOLUTION: 24 BIT, 192 KHZ PCM, 32 BIT, 192 KHZ MSB PROI2S FILE TYPES: WAV, FLAC, DSD 64X, MP3, DOLBY DIGITAL HD, DTS HD AND MORE DISC TYPES: CD, SACD, BLURAY (3D, BD-LIVE, BD-R/RE), HRX, DVD, DVD AUDIO AND MORE 1 Signature Universal Media Transport Plus Quick start guide Setup and Connections: 1. Display - If you plan to play music from DVD, BluRay, USB or Network, attach any display to HDMI 1. 2. Internet - If you plan to stream from the internet or want a firmware update online, plug COMPUTER LAN into any computer network (wireless is not recommended). 3. Connect Audio - For use with an MSB DAC, use the MSB CAT-6 cable to connect MSB ProI2S OUTPUT to the MSB ProI2S INPUT on the DAC. For other DACs, connect any of the DIGITAL AUDIO OUTPUTS (1 to 5) to the DAC. Disc Operations: Normally for disc operations you just put the disc in and it will start playing. Volume up/down buttons on the remote actually control the volume of the DAC IV plus. Basic File Operations: Get to know the HOME MENU button, navigation arrows and RETURN buttons on the remote. They get you around the operation of the transport. -
You Need to Know About CD And
All you need to know about CDs and DVDs Table of Contents [1] Introduction ............................................................................................................................................. 3 [1.1] What is the difference between Replication and Duplication?........................................................ 3 [2] What are all the available media formats? ............................................................................................. 3 [2.1] CD-ROM Formats .............................................................................................................................. 3 [2.1.1] Audio CD .................................................................................................................................... 4 [2.1.2] Audio CD with Data ................................................................................................................... 4 [2.1.3] Video CD (VCD) , Super VCD (SVCD) .......................................................................................... 4 [2.1.4] Video CD with Data .................................................................................................................... 4 [2.1.5] Data CD ...................................................................................................................................... 4 [2.1.6] Hybrid CD ................................................................................................................................... 4 [2.2] DVD Formats .................................................................................................................................... -
Betacam Sp One-Piece Camcorder (Ntsc)
BETACAM SP ONE-PIECE CAMCORDER (NTSC) . Contents 1. INTRODUCTION 2. HISTORY OF FIELD SHOOTING 2-1. Early Days of ENG 2-2. The Introduction of BetacamTM System 2-3. The Introduction of Betacam SP System 2-4. The Introduction of BVW-200 One-piece Camcorder 3. INNOVATION IN THE BVW-200/300/400 3-1. One-piece Camcorder Internal Layout 3-2. VTR Mechanical Features 3-2-1. Small drum design 3-2-2. Miniaturized tape transport mechanism 3-3. VTR Electronic Features 3-3-1. Plug-in PC board construction 3-3-2. Software servo control IC 3-3-3. Serial interface among CPU's 3-3-4. High density circuit board 3-3-5. LCD multiple displays 3.4. Camera Technical Features 3-4-1. Camera head construction 3-4-2. Advanced Sony's CCD technology 4. EASY OPERATION 4-1. Refined Ergonomics 4-2. Rain and Dust-proof Structure 4-3. Quick Start Viewfinder 4-3-1. Optical/CRT 4-3-2. Viewfinder mechanism 4-3-3. Operational facilities 4-4. Detachable Microphone 4-5. Tally Lamp 4-6. Battery for Time Code Back-up 4-7. Other Operational Facilities 4-7-1. VTR section 4-7-2. Camera section 4-7-3. Exclusive features for BVW-400 5. EASY MAINTENANCE AND ADVANCED SERVICEABILITY 6. EXCELLENT EXPANDABILITY 7. EXPLANATION OF BVW-200/300/400 FUNCTION KEYS AND BUTTONS 8. SPECIFICATIONS Before delving into the technical and operational issues, let us briefly review the history of news coverage and Single Camera Production in the television industry. 2.1. -
DVP3868GX/94 Philips DVD Player
Philips DVD player DVP3868GX Enjoy it all - from DVD or USB with wireless game pad and 30 games Your dream player with flawless, true-to-life picture quality and the ability to play virtually any disc! The Philips DVD player delivers your movies and music entertainment experience. Play all your movies and music • Play CD, (S)VCD, DVD, DVD+- R/RW, DivX, MP3, WMA, JPEG • DivX Ultra Certified for enhanced DivX video playback Game-ready for extra fun • Games CD provided for instant fun • Wireless game pad for hassle-free fun Bring audio and video to life • 5.1 channel audio output for surround sound • Progressive Scan component video for optimized image quality • 12-bit/108MHz video processing for sharp and natural images Connect and enjoy multiple sources • USB Media Link for media playback from USB flash drives Easy to use • One-touch MP3 creation directly from CDs onto USB sticks DVD player DVP3868GX/94 Highlights Multimedia DivX DivX Ultra combines DivX playback with great resolution. At such a speed, your eye perceives Play CD, (S)VCD, DVD, DVD+- R/RW, DivX, features like integrated subtitles, multiple a sharper picture with no line structure. MP3, WMA, JPEG audio languages, multiple tracks and menus into one convenient file format. One-touch MP3 creation 5.1 channel audio output Convert the contents of your favorite CDs to 5.1 channel audio output for surround sound USB Media Link MP3 files on your Philips product, and store it directly on a thumbdrive or on your portable Wireless game pad media player through a USB cable. -
IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60I: JUST LOOK at the FACTS
IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60i: JUST LOOK AT THE FACTS. It’s a fact that Sony’s HDCAM® 1080/60i system has This enhanced SDTV programming will increase your established itself as the world’s first proven, practical, revenue today. You’ll have an HD master for additional standardized, and field-tested approach to high defini- revenue tomorrow. You’ll even have built-in legacy play- tion program origination for digital broadcasting. back of your entire BETACAM archive -- including analog It’s a fact that Sony HDCAM camcorders and decks have BETACAM®, BETACAM SP®, BETACAM SX®, DIGITAL BETACAM® been out in the field for nearly five years. Thousands and MPEG IMX™ 1/2" format recordings. have been deployed worldwide. They’ve handled hun- And you’ll have all the tools you need: a complete all- dreds of sophisticated, multi-camera productions -- and Sony system, or select Sony HDCAM components that created uncompromising masters to form the basis of a integrate seamlessly with other systems. valuable digital HD archive for the future. It’s a fact that Sony HDCAM equipment is built on the M OVING AHEAD, OR MISSING HDW-750 industry-leading 1/2" platform, with robust performance and plenty of headroom -- plus the crucially important AN OPPORTUNITY? ability to protect a 15-year legacy of 1/2" BETACAM® Budgets are tight for everyone -- broadcasters, produc- format recordings. ers, corporations, rental houses. Sony understands. So And it’s a fact that now, Sony’s HDCAM 1080/60i your 2nd-generation HDCAM 1080/60i system is specifi- approach is already in its 2nd generation. -
Capturing Video from U-Matic, Betacam SP, Digibeta and Dvcpro
Capturing Video from U-matic, Betacam SP, Digibeta and DVCPro Station Setup (When switching formats) 1. Power Up All Equipment a. Restart computer b. Check vRecord settings (“vrecord -e”), then open vRecord (“vrecord -p”) c. Check Blackmagic Desktop Video settings, then open Blackmagic Media Express d. Clean the deck e. Play a test tape until signal chain and sync are complete 2. Connect the Signal Chain a. Deck → Monitor b. Deck → TBC → Capture Card* → Monitor c. TBC → Video Scope d. Deck → Audio Mixer** → Capture Card → Audio Scope e. Deck (Remote) → Capture Card (Remote) 3. Synchronize the Signals a. Sync/Blackburst Generator → All equipment via Ext Sync/Ref/Gen Lock b. Rewind test tape c. Clean the deck Video Capture (Daily Workflow) 1. Power Up All Equipment a. Restart computer (daily) b. Open vRecord (“vrecord -p”) and Blackmagic Media Express c. Clean the deck 2. Set Levels (for analog tapes only) a. Play Bars and Tone tape b. Bring bars within broadcast range (Black, Luma, Chroma, Hue) c. Use audio mixer to set audio level (approximately -18 in Blackmagic) d. Clean the deck e. Play tape to be captured f. Adjust levels to content of tape g. Pack tape (fast forward to the tail, then back to the head of the tape) 3. Capture the File a. Clean the deck b. Insert tape to be captured c. Switch on deck’s remote (if connected to the capture card remote) d. Fill in the fields in Blackmagic for your file (“YourFileName_Try1”) e. Hit “Capture” in Blackmagic to start, then spacebar to activate remote on deck f.