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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
2L August 2003
OREGON MUSIC / AUGUST 2003 photo Buko Black ‘N Blue’s Geffen Records hometown debut at the Memorial Coliseum. Pictured (L to R), Pete Holmes, Jaime St. James, Pat- rick Young, Jef “Woop” Warner and Tommy Thayer. The band’s fi rst release on a Metal Blade compilation included another newcomer named Metallica. David Geffen signed Black ‘N Blue to his label in ‘84 and they recorded four albums, the last two produced by KISS’ Gene Simmons. Tommy Thayer joined the KISS family at the sounding board and as a musical contributor. Over the years he co-wrote songs and produced CD and DVD projects for the band including the title montage for New Line Cinema’s “Detroit Rock City”. Last year he assumed guitarist Ace Frehley’s Spaceman persona and replaced him completely this year. Page 2 - TWO LOUIES, August 2003 TWO LOUIES, August 2003 - Page 3 Page 2 - TWO LOUIES, August 2003 TWO LOUIES, August 2003 - Page 3 with so much talent. It probably felt like a compromise working together. Not that the results ever came across that way. Had Billy’s career not been cut short one can only speculate if, or what, they might have gone on to do had they had a chance to work together in artistic maturity. If overcoming all the ambition, ego, sibling rivalry, as well as the usual artistic demons that accom- pany most musicians wasn’t enough to warrant Lenny his well earned artistic and commercial success, well, that’s just it. In the end, it just wasn’t enough. Just when all the musical potential and years of struggle were fi nally paying off in the form of a fi nancially lucrative career writing and producing music for radio and television commercials, Lenny made what I would think must have been one of his life’s toughest John Leonard Rancher: Off the Grid decisions; to follow his heart and walk away from what was becoming a hollow success to focus his efforts in was checking my voice mail the other day Lennon was murdered, or upending Asteroids the pursuit of a higher cause; saving our forests and and low and behold a voice from the past. -
Chamber Putdown Experts Say HIV Epidemic Is Reaching a Tipping Point
FREE a newspaper for the rest of us www.lansingcitypulse.com December 2-8, 2015 Experts say HIV epidemic is reaching a tipping point, p. 8 Chamber putdown Keepin' time Hirten: EL Council makes right move, p. 7 Legendary drummer Jimmy Cobb comes to MSU, p. 11 MOSCOW FESTIVAL BALLET: Romeo Juliet AND The Sleeping Beaut Friday, January 8 at 8PM Two of the most romantic ballets of all time come to Wharton Center featuring music by Tchaikovsky, exquisite costumes and lush scenery – all in the grand ballet style. $15 STUDENT TICKETS Generously sponsored by Jackson National Life Insurance Company. WHARTONCENTER.COM • 1-800-WHARTON 2 www.lansingcitypulse.com City Pulse • December 2, 2015 IMAGINE…. A Church where: * You can be accepted as yourself * Doubts and questions are welcome * People at different places on life’s journey come together as family * Hope, Peace, Love and Joy abound Come celebrate a Christmas of Hope and Love with us! Book your Pilgrim Congregational 125 S. Pennsylvania Ave. holiday party Sunday - 10 AM United Church of Christ (517) 484-7434 NOW Lansing, MI PilgrimUCC.com WITH GUEST Cocktail Bar Mark & Distillery Meadows NEW!!!! Regularly Scheduled East Lansing Mayor Distillery Tours 6 p.m. weekdays 4 pm. weekends Come see some of the largest stills in the state and have a cocktail! THIS WEEK THE FUTURE OF EAST NEW TIME LANSING : 2000 Merritt Road, East Lansing 4 - 10 p.m. ; closed Mondays; 517-908-9950 City Pulse • December 2, 2015 www.lansingcitypulse.com 3 Fight Hunger by Recycling HACK’S IS OPENING Your Old Fridge! ANOTHER DOOR Now through December 30th, BWL residential electric customers who recycle a qualifying appliance can choose to donate their $25-$50 rebate to the Greater Lansing Food Bank. -
IN the YEAR Night
Thursday, April , 23, 1997 • Vol. XXXI No. 131 THE INDEPENDENT NEWSPAPER SERVING NOTRE D~E AND SAINT MARY'S Club funding for 1998-99 falls short of expectations By ANNE MARIE MATTINGLY mately 5000 of 7600 undergraduates Part of the monetary shortage may be A"isram News Editor participate. He also mentioned that there due to a large addition to the Office of the is "really no avenue for additional fund President's budget, which received In the Student Senate's 1998-99 bud ing" other than an emergency fund the $39,200 this year compared to last year's get. approved at its meeting yesterday, CCC maintains for unexpected expenses. allocation of $25,450. student clubs and organizations received "Clubs and organizations have recog Student body vice president Andrea only 47 percent of the funds they nized substantial increases in funding Solak explained that the increased bud Division Requested Recommended requested, resulting in uneven budget over the last two years. This trend is very get will be used to extend SafeRide to Academic $34,120 $17,985 (53%) cuts or increases, according to senate encouraging as clubs continue to receive include Thursday nights and to pay a dis documents. more adequate financial support," patcher to ensure that the program will Athletic $74,222 $30,350 (41%) Clubs requested $251,270 in total Harding noted in an April 22, 1998, letter always be available. funds. but the Club Coordination Council to the Student Senate. Other goals of the Cesaro-Selak admin Ethnic $125,285 $40,050 (32%) received only $198,000, -
TAP INTO HISTORY Study Guide for Educators
TAP INTO HISTORY Study Guide for Educators Highlights of Tap History: 1600’s: English people migrate to the United States, bringing social dance, waltzes, jigs, reels and clogs. At the same time, Africans come to America (as slaves) and bring percussive, grounded and syncopated rhythms. 1880’s: Vaudeville (a variety entertainment performance circuit) establishes tap as an American art form. 1915: Metal taps are added to shoes. 1930’s-50’s: The era of dance movies starring Fred Astaire, Ginger Rogers, Eleanor Powell, Bill Robinson, Buddy Ebsen, James Cagney, Gene Kelly, Donald O’Connor, Ann Miller, and others. 1970’s: Dance studios and colleges start teaching tap. Hip hop and other social dance forms eclipse tap’s popularity. 1980’s: The first tap companies are formed, primarily by women, and the first international tap festival takes place in New York City. 1989: Congress establishes National Tap Dance Day to honor Bill “Bojangles” Robinson’s birthday, May 25th. 1990’s: Tap/percussive dance shows such as Riverdance, Lord of the Dance, Stomp and Tap Dogs become popular worldwide. Savion Glover becomes the poster child for the genre for his appearances in shows like Bring in ‘da Noise, Bring in ‘da Funk and on Sesame Street. Present: Many veteran tap dancers pass away, giving rise to a new generation of tap dancers like Michelle Dorrance, Chloe Arnold, and Jason Samuels Smith. Contemporary tap dance pushes the boundaries of the art form beyond just tapping, exploring elements such as storytelling, technology, and fusion with other dance forms. Questions? [email protected] © 2020 Ryan P. -
Artist Bios and Piece Descriptions
1 PERFORMANCE MIX ARTISTS 2013:BIOGRAPHIES Renée Archibald presents Shake Shake, a duet that brings new life to the old cliché of the dancer’s body as instrument. The work investigates sound as a kinetic sense, with rhythm accumulating and dissolving into sempiternal metabolic process and tumbling into finely-tuned cacophony that animates the performance space with lush visual noise. Shake Shake is performed by Jennifer Lafferty and Renée Archibald. Archibald is currently a third year MFA candidate and Teaching Assistant in The Department of Dance at the University of Illinois. After receiving a BFA from University of North Carolina School of the Arts, Archibald lived in New York City for ten years where she performed with independent artists including Christopher Williams, Ann Liv Young, and Rebecca Lazier. Her choreographic work has been presented at NY venues including The Brooklyn Museum, The Chocolate Factory, Danspace Project, Dance Theater Workshop, and The Kitchen. Archibald has taught at Barnard College and White Mountain Summer Dance Festival and has received choreographic residencies through the Brooklyn Arts Exchange, Movement Research, and Yaddo. In 2012, she was awarded the U of Dance Department's Vannie L. Sheiry Memorial Scholarship for outstanding performance. vimeo.com/reneearchibald Oren Barnoy presents Angels My House I Promise. Barnoy dives into an unknown world of dance while investigating not knowing. This experience of dancing is somewhere between ritual, improvisation, score, therapy, and set choreography. It produces itself. Barnoy showed his choreography between 2000-2004 at Joyce SoHo, PS1, Dancenow, Galapagos, WAX. In 2005, Barnoy took a four year break from dance and moved to Miami. -
May 5-11, 2016
MAY 5-11, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE | WWW.WHATZUP.COM ---------------------- Feature • Alec Johnson -------------------- Artist in the Digital Age By Heather Miller architecture comes into play in many different ways. The work has mostly been a byproduct of me being No paintbrush or chisel will be found in Alec super curious.” Johnson’s studio. He works with pixels microproces- Johnson isn’t afraid to just jump into a project. sors and flat screens. That attitude has been a guiding force that navigates During a recent show that brought life back into him through life. the space Artlink used to inhabit, now the Cinema “I never set out to become a super successful art- Center Spectator Lounge, patrons enjoyed watching ist. It’s always just been thinking how do I satisfy this the displays that brought ordinary flat screens to life. curiosity.” Along with artist Carey Shafer, John- son, guided by Jennifer Ford Art, filled the space with sculpture caught in perpetual change. Shafer, a world class stone carver and sculptor, col- laborated with Johnson, and together they created a room filled with cut- ting edge pieces displayed on screens married with heavy steel chain and DURING THE MONTH OF MAY limestone. The pairing of these two artists Trek the Trails Ride of Silence happened as a result of a slowly de- Bikefusion Bike to Work Day veloped friendship and working re- lationship that began when Johnson, Fairy Tale Fest Fort4Fitness Spring Cycle also a city landscape architect, started Kickstart4Kids And More! to render a plan for a sculpture park in Fort Wayne. -
08.02.2005 Cavalier Telephone Pavilion at Pier 6 Baltimore, MD
LiveWidespreadPanic.com DISC ONE SET I 1. Let’s Get Down To Business (4:53) 2. One Arm Steve (4:05) 3. Doreatha (6:19) 4. Tortured Artist (4:56) 5. Monstrosity (6:50) 6. Good Morning Little Schoolgirl (8:05) 7. Thought Sausage (5:29) 8. Counting Train Cars (3:25) 9. Blackout Blues (7:25) DISC TWO SET II 1. Let’s Get This Show On The Road (8:56) 2. Surprise Valley (12:25) 3. Tall Boy (4:52) 4. Sleeping Man (6:45) 5. If You Are A Viper (5:57) 6. Proving Ground (5:41) 7. Nebulous (5:54) 8. Proving Ground (1:52) 9. Papa’s Home (8:46) Widespread Panic John Bell – vocals, guitars 10. Drums (11:11) John Hermann – keyboards, vocals 11. Papa’s Home (2:00) George McConnell – guitars, vocals DISC THREE Todd Nance – drums Domingo S. Ortiz – percussion SET II CONTINUED Dave Schools – basses, vocals 1. Porch Song (4:20) 2. Red Beans (5:02) ENCORE 3. End Of The Show (4:43) 4. Solid Rock (6:29) Recorded by Chris Rabold / Post-Production: Jon Richter & Brad Serling (nugs.net) All songs written by Widespread Panic published by Widespread Music (BMI) Administered by Wixen Publishing except: Let’s Get Down To Business by Vic Chesnutt published by Ghetto Bells Music (BMI); Doreatha by George McConnell published by Punjab Nine Music/Bug Music (BMI); Good Morning Little Schoolgirl by HG Demarais published by Jewel Music Publishing Co Ltd (ASCAP); Let’s Get This Show On The Road by Stanley Michael published by Ensign Music Corp (BMI); Sleeping Man by Vic Chesnutt published by Gheto Bells Music (BMI); If You Are A Viper by Bob Howard; Red Cavalier Telephone Pavilion at Pier 6 08.02.2005 Beans by McKinley Morganfield published by Watertoons Music (BMI); End Of The Show by Daniel Hutchens published by Barrere Music/Bughouse Music (BMI); Solid Rock by Bob Dylan published by Special Rider Music (ASCAP) Baltimore, MD Cover Photograph by Jesse Mann ©2005 Widespread Panic. -
Dominion Energy Riverrock Announces Full 2017 Music Lineup
PRESS RELEASE For Immediate Release January 24, 2017 Contact: Pete Woody (804) 285-9495 x237 Dominion Riverrock announces full music lineup for 2017 festival Hard Working Americans and The SteelDrivers to headline RICHMOND, VA – Dominion Riverrock announced today the full list of music acts performing at this year’s festival. On Friday, May 19th, The SteelDrivers will take the stage at 8:30 p.m. On Saturday, May 20th, Hard Working Americans will be the headliner, taking the stage at 8:00 p.m. The ninth annual outdoor sports and music festival will be held on Brown’s Island and Historic Tredegar in Richmond, Virginia, May 19-21, 2017. All concerts are free and open to the public. Touring in support of their most recent album ‘Rest In Chaos,’ the follow up to their critically acclaimed self- titled debut in 2014, Hard Working Americans offers a sound invoking the past, present, and future of rock’n’roll music. The group combines the talents of Todd Snider, Widespread Panic’s Dave Schools and Duane Trucks, Chris Robinson Brotherhood’s Neal Casal, Great American Taxi’s Chad Staehly, and Jesse Aycock to form a unique blues and southern rock sound and stage experience. The SteelDrivers, winner of the 2016 Grammy Award for Best Bluegrass Album, are a group of seasoned and distinguished veterans who blend their bluegrass roots with country, soul, and other contemporary influences. The result is a hybrid sound described as ‘new music with old feeling’ that was born in Nashville and has been embraced across the country. (more) Dominion Riverrock Music Lineup Friday, May 19 Time Band 6:00 – 7:00 p.m. -
Vince Herman & Friends
Welcome elcome to the 17th Annual Nederland Music and Arts Festival! We like to call it Colorado’s most intimate music festival because spectators are never more than 200 feet from the Wstage and anyone can get right up to the front and see the artists’ faces and fi ngers. No Jumbotron needed! There is room to dance and hula-hoop or just lay back and look at the sky and enjoy the wonderful music. We have some great artist booths this year and a few spe- cial new sponsors. There are several yummy choices for delectable dinners, three breweries, a meadery, and a winery to tempt your taste buds. Our long-time sponsor Indian Peaks Spring Water has all the wonderful water you need (bring your water bottle!) so make sure to stay hydrated while having fun! If you have little ones with you, make sure you don’t miss our alt special kid’s tent with face painting and fun stuff to eW James D do while at the fest. We have a fantastic mix of music for you this year, so whether you want to dance your days and nights away or just sit back and relax, we’ve got a fantastic weekend for you! — The NedFest Staff he Peak to Peak Music Education Association formed in 2011 Tfollowing the death of NedFest founder Michigan Mike to con- tinue the festival and use its resources to support music education programs for local kids. It received full recognition as a 501(c)3 or- ganization in 2014. So far, the PPMEA has given grants to fund an after school music teacher at the TEENS, Inc. -
A Chorus Line; Inset: Michael Bennett with the Original Cast of a Chorus Line
016,18_News_DT0509.prep.qxd 3/24/09 2:52 PM Page 16 DT notes HAPPENINGS James Lane and the cast of A Chorus Line; inset: Michael Bennett with the original cast of A Chorus Line. DPMC QC WHAT THEY DID FOR LOVE This month, devoted fans of the smash Broadway hit A Chorus Line will get a group of people in this society, and that’s us, Broadway dancers. a never-before-seen glimpse into the show—this time, on the big screen. I think that we’re all pretty interesting, and I think that there’s a show Opening in theaters nationwide, Sony Pictures Classics’ Every Little in that, which would be called A Chorus Line.” Throughout the Step: The Journey of a Phenomenon, A Chorus Line, explores how this remainder of the 96-minute docudrama, viewers are treated to a groundbreaking musical arose from a midnight recording session of 13 behind-the-scenes view of the revival, from the grueling audition 100 dancers (eight who would appear in the original 1975 cast), discussing process (with “I Hope I Get It” playing in the background) to 96 their personal stories over red wine, to a show that continues to touch rehearsals and opening night. audiences four decades later. You’ll laugh, cry and root for your favorite as the number is nar- 75 The $2 million documentary, directed by James D. Stern, a sea- rowed down from 1,700 to just 19. Watch Jessica Lee Goldyn make 50 soned theater producer who won a 2003 Tony Award for Hairspray, and her Broadway debut as Val, veteran Charlotte D’Amboise battle nerves 25 Adam Del Deo, made its world premiere last September as a Special on landing the part of Cassie and current choreography superstar, Tyce 15 Presentation at the 2008 Toronto International Film Festival.