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A Kouros Head in Kansas City
A KOUROS HEAD IN KANSAS CITY (PLATES 96-100) SINCE my first published article on Greek sculpture, written forty years ago, dealt largely with Archaic material, and since that article was written at the request of Oscar Broneer, it seems appropriate to present him with this new'foray in the field of Archaic sculpture in honor of his eightieth birthday. An excellent marble head of the Kouros type in the William Rockhill Nelson Gallery of Art in Kansas City has thus far eluded the notice to which' it is entitled 2 (Pls. 96-99). Of island marble, it measures seven and one-half inches in height and is in remarkably good condition despite losses to the chin, the tip of the nose, and a section of the hair above the right forehead. In determining the development of later Archaic sculpture, three features are of particular importance: the hair, the eyes and the mouth. The Kansas City head defines each of these in an unusual way and combines them in a manner that is quite unique. The hair over the forehead is represented in two rows of tight formal curls, carefully chiseled, but still retaining traces of the square outlines from which they were formed. The curls briefly feed back to a narrow fillet, either in a single ridge from each spiral in the lower row or in paired ridges from each of the upper (P1. 98, a). On top of the head, and behind the fillet, these ridges are patterned uniquely. They begin with a small loop over the center of the forehead and, in concentric arcs, extend across the crown from side to side, winding up over the base of the skull in a broadly oval line (Pls. -
The Acropolis
November 2010 The Acropolis Acropolis is actually a generic Greek term referring to citadel on high ground originally designed for defense, and a number of Ancient Greek cities could boast such, such as Argos, Thebes, and Corinth. It was Athen’s acropolis, though that has become the Acropolis to the modern world. The Acropolis was formally proclaimed as the pre-eminent monument on the European Cultural Heritage list of monuments in 2007. The Acropolis is a flat-topped rock which rises 490 ft above sea level in the city of Athens, with a surface area of about 3 hectares. By the time of Pericles, during the Golden Age of Athens (460–430 BC), a number of temples had already been build and destroyed on the Acropolis, but most of the major temples were rebuilt under Pericles, Phidias (a great Athenian sculptor) and Ictinus and Callicrates (two famous architects) . During the 5th century BC, the Acropolis gained its final shape. After winning at Eurymedon in 468 BC, Cimon and Themistocles ordered the reconstruction of southern and northern walls, and Pericles entrusted the building of the Parthenon to Ictinus and Phidias. The Parthenon is the dominant building one sees standing atop the Acropolis today. It has been judged by architects as the most perfect building ever built by Man, and it undoubtedly is one of the major reasons why the Acropolis is so famous. The entrance to the Acropolis was a monumental gateway called the Propylaea. To the south is the tiny Temple of Athena Nike. A bronze statue of Athena, by Phidias, originally stood at its centre. -
Of Greece, Its Islands
CHANDLERet al.: 255-314 - Studia dipterologica 12 (2005) Heft 2 ISSN 0945-3954 The Fungus Gnats (Diptera: Bolitophilidae, Diadocidiidae, Ditomyiidae , Keroplatidae and Mycetophilidae) of Greece, its islands and Cyprus [Die Pilzmiicken (Diptera: Bolitophilidae, Diadocidiidae, Ditomyiidae, Keroplatidae und Mycetophilidae) Griechenlands und seiner Inseln sowie Zypern4 1 by Peter J. CHANDLER, Dimitar N. BECHEV and Norbert CASPERS Mclksham (UK) Plovdiv (Bulgaria) Bechen (Gernlany) - - -. - ~ Abstract The spccics of fungu\ gnats (Bolitophilidae, Diadoc~dildae,Ditomyiidac. Keroplat~d:~eand Mycetophilidae) o~urringin Greece and Cyprus are reviewed. Altogether 201 species :Ire recorded, 189 for Greece and 69 for Cyprus. Of these 126 specie5 arc newly recorded fol. Greece and 36 arc newly recorded for Cyprus. The following new taxa arc described from Greece: Macrorrhyrtcha ibis spec. nov., M. pelargos spec. nov., M. laconica spec. nov., Macrocera critica spec. nov., Docosia cephaloniae spec. nov., D. enos spec. nov., D. pa- siphae spec. nov., Megophthalmidia illyrica spec. nov.. M. ionica spec. nov., M. pytho spec. nov., Mycomya thrakis spec. nov., Allocolocera scheria spec. nov., Sciophila pandora spec. nov., Ryrnosia labyrinthos spec. nov.; M. ill\,ric,cr is also recorded troln Croc~lia.The follow- ing ncw taa are described from Cyprus: Macrocera cypriaca spec. nov., Megophthalmidia alrzicola spec. nov., M. cedricola spec. nov. The following neu synonymies are propod: M!,c,c~r~iwrenuis I WXLKER,1856) = M. interniissa PL.ASSMA~N,l984 syn. nov., Plrror~rtr~1.illi.s- torri DLIFI>ZICKI,1889 = P rnciscr CASFERS,1991 syn. nov. A key is provided for thc western Palaearctic specie5 of M(ic-i.orrh~~~ic-IrciWI~~ERTZ. -
The Origins of the Kouros
THE ORIGINS OF THE KOUROS By REBECCA ANN DUNHAM A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Rebecca Ann Dunham This document is dedicated to my mom. TABLE OF CONTENTS page LIST OF FIGURES ........................................................................................................... vi ABSTRACT.........................................................................................................................x CHAPTER 1 DEFINITION OF THE KOUROS TYPE ....................................................................1 Pose...............................................................................................................................2 Size and material...........................................................................................................2 Nudity ...........................................................................................................................3 Body Shape and Treatment of Musculature .................................................................3 Execution ......................................................................................................................4 Function ........................................................................................................................5 Provenances ..................................................................................................................7 -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Of Kouroi and Korai: Attic Variety Brunilde S
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Classical and Near Eastern Archaeology Faculty Classical and Near Eastern Archaeology Research and Scholarship 1982 Of Kouroi and Korai: Attic Variety Brunilde S. Ridgway Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/arch_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation Ridgway, Brunilde. 1982. "Of Kouroi and Korai: Attic Variety." Hesperia Supplements 20: 118-127+209. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/arch_pubs/180 For more information, please contact [email protected]. OF KOUROI AND KORAI-ATTIC VARIETY (PLATE 17) I HAVE LEARNED a great deal from Homer A. Thompson, through the years of my acquaintance with him, and two of his teachings stand out with clarity in my mind: to pay attention even to minute details, and to rise above them to view the greater whole. The ensuing speculation and theories may not always be correct, but as long as they are revised whenever new and contradictory evidence becomes available, the attempt should be made. I hope that these lines, stemming from just such an approach, may not be amiss as a modest offering. The minute details to be considered here are a set of swol- len ears and a mantle. The larger picture concerns the possible inferences on the mean- ing of kouroi and korai in Archaic Athens.1 The so-called Rayet Head (P1. -
Greek Sculpture Archaic Kore 660 BC to 590 BC • Archaic Period • All Female Youth Sculptures Were Called Kore
Greek Sculpture Archaic Kore 660 BC to 590 BC • Archaic Period • All female youth sculptures were called Kore. • Made of marble • Would have been painted with bright colors and decorated. • Archaic smile-corners of her mouth slightly lifted. • Hair is carved down the back showing Egyptian influence. • Would have been found in and around temples holding an offering in her outstretched hand. • The Kore were always clothed. • Not meant to house the soul or KA at death but may have been used as graver markers. • Represented the ideal female youth. • Flesh would have been painted lighter than the male kouros. Kouros 660 BC to 590 BC • 1st appearance coincides with trade with Egypt. • Usually a votive statue (representing a hero or athlete) or a grave marker. • Represented the god Apollo. • All male statues were called kouros and were nude. • Represented the ideal male youth. • Flesh would have been painted brown or red. classical The Discus Thrower by Myron • 480-440 BC • Roman copy of a Greek sculpture. • Shows an athlete in motion performing the Olympic event discus throwing. • Athletes performed nude • Romans copied all the Greek sculptures. Venus de Milo 150 BC • Classical Period • Sculpted by Alexandros of Antioch • Statue of Aphrodite (Venus) • Located at the Louvre museum in Paris • Found on the island of Milos in 1820 • Milos means “apple” in Greek • Would have been painted and adorned with jewelry • Made of marble • 6’8 feet tall • The arms were lost in transport. • Her face is neutral and drapery is realistic • Known for perfect graceful proportions Doryphorus (the spear bearer) 450 BC-415 BC • Polykleitos of Argos • Bronze • Known for his sculptures of young athletes • Known only through Roman copies • Perfect proportions • Idealized • Classical period • Contrapposto stance Hellenistic The Seated Boxer 225 BC • Votive statue- commemorated a known boxer. -
Rock Falls in Delphi Archaeological Site, in Greece
Rockfalls occurred in the archaeological site of Delphi, Greece B. Christaras Aristotle University of Thessaloniki, School of Geology, Lab. of Engineering Geology and Hydrogeology, e-mail: [email protected] K. Vouvalidis Aristotle University of Thessaloniki, School of Geology, Dept. of Physical & Environmental Geography, e-mail: [email protected] M. - F. Papakonstantinou Ministry of Culture, Chief Archaeologist of I’ Ephorate of Prehistoric and Classical Antiquities, Delphi, e-mail: [email protected] ABSTRACT: In the present investigation, the safety of the northern slope of Delphi’s archaeological site in Greece was investigated against rockfalls. The area consists of limestone lying over flysch. Three possible rockfall rebound tracks, passing through the ancient stadium, and the theatre, were studied for different rock dimensions and tracks resulting that the more dangerous and difficult in retention rockfall track is that which crosses the stadium. The use of barriers was investigated accepting, finally, that a 2.5m-high metallic barrier could be installed along the northern steep slope for the protection of the archaeological site. KEY WORDS: ROCKFALLS, DELPHI, SLOP STABILITY, RESTRAINING BARRIERES 1. INTRODUCTION In the middle of September 2009, prolonged rainfall activated rockfalls from the upper sections of the archaeological site’s northern slope and fall downslope, out of the enclosure wall of the Sanctuary of Apollo, north of the Portico of Attalus. Rockfalls also occur in the stadium from 2003 onwards (Figure 1). The slope, consisting of limestone, is steep and heavily broken as a result of the existing tectonics. The rockfalls created dangerous conditions in the archaeological site regarding the safety of tourists, the staff of the ephorate and the protection of the monuments. -
The Rise and Fall of the 5/42 Regiment of Evzones: a Study on National Resistance and Civil War in Greece 1941-1944
The Rise and Fall of the 5/42 Regiment of Evzones: A Study on National Resistance and Civil War in Greece 1941-1944 ARGYRIOS MAMARELIS Thesis submitted in fulfillment of the requirements for the degree of Doctor in Philosophy The European Institute London School of Economics and Political Science 2003 i UMI Number: U613346 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U613346 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 9995 / 0/ -hoZ2 d X Abstract This thesis addresses a neglected dimension of Greece under German and Italian occupation and on the eve of civil war. Its contribution to the historiography of the period stems from the fact that it constitutes the first academic study of the third largest resistance organisation in Greece, the 5/42 regiment of evzones. The study of this national resistance organisation can thus extend our knowledge of the Greek resistance effort, the political relations between the main resistance groups, the conditions that led to the civil war and the domestic relevance of British policies. -
UN/LOCODE) for Greece
United Nations Code for Trade and Transport Locations (UN/LOCODE) for Greece N.B. To check the official, current database of UN/LOCODEs see: https://www.unece.org/cefact/locode/service/location.html UN/LOCODE Location Name State Functionality Status Coordinatesi GR 2NR Neon Rysion 54 Road terminal; Recognised location 4029N 02259E GR 5ZE Zervochórion 32 Road terminal; Recognised location 3924N 02033E GR 6TL Lití 54 Road terminal; Recognised location 4044N 02258E GR 9OP Dhílesi 03 Road terminal; Recognised location 3821N 02340E GR A8A Anixi A1 Road terminal; Recognised location 3808N 02352E GR AAI Ágioi Anárgyroi 31 Multimodal function, ICD etc.; Recognised location 3908N 02101E GR AAR Acharnes A1 Multimodal function, ICD etc.; Recognised location 3805N 02344E GR AAS Ágios Athanásios 54 Road terminal; Recognised location 4043N 02243E GR ABD Abdera 72 Road terminal; Recognised location 4056N 02458E GR ABO Ambelókipoi Road terminal; Recognised location 4028N 02118E GR ACH Akharnaí A1 Rail terminal; Road terminal; Approved by national 3805N 02344E government agency GR ACL Achladi Port; Code adopted by IATA or ECLAC 3853N 02249E GR ADA Amaliada 14 Road terminal; Recognised location 3748N 02121E GR ADI Livádia 31 Road terminal; Recognised location 3925N 02106E GR ADK Ano Diakopto 13 Road terminal; Recognised location 3808N 02214E GR ADL Adamas Milos 82 Port; Request under consideration 3643N 02426E GR ADO Áhdendron 54 Rail terminal; Road terminal; Recognised location 4040N 02236E GR AEF Agia Efimia Port; Code adopted by IATA or ECLAC 3818N -
Focus on Greek Sculpture
Focus on Greek Sculpture Notes for teachers Greek sculpture at the Ashmolean • The classical world was full of large high quality statues of bronze and marble that honoured gods, heroes, rulers, military leaders and ordinary people. The Ashmolean’s cast collection, one of the best- preserved collections of casts of Greek and Roman sculpture in the UK, contains some 900 plaster casts of statues, reliefs and architectural sculptures. It is particularly strong in classical sculpture but also includes important Hellenistic and Roman material. Cast collections provided exemplary models for students in art academies to learn to draw and were used for teaching classical archaeology. • Many of the historical casts, some dating back to the eighteenth and nineteenth centuries, are in better condition than the acid rain-damaged originals from which they were moulded. They are exact plaster replicas made, with piece moulds that leave distinctive seams on the surface of the cast. • The thematic arrangement of the Cast Gallery presents the contexts in which statues were used in antiquity; sanctuaries, tombs and public spaces. Other galleries containing Greek sculpture, casts and ancient Greek objects Gallery 14: Cast Gallery Gallery 21: Greek and Roman Sculpture Gallery 16: The Greek World Gallery 7: Money Gallery 2: Crossing Cultures Gallery 14: Cast Gallery 1. Cast of early Greek kouros, Delphi, Greece, 2. Cast of ‘Peplos kore’, from Athenian Acropolis, c570BC c530BC The stocky, heavily muscled naked figure stands The young woman held an offering in her in the schematic ‘walking’ pose copied from outstretched left hand (missing) and wears an Egypt by early Greek sculptors, signifying motion unusual combination of clothes: a thin under- and life. -
Chapter 5 Th a F a I G E Art of Ancient Greece (Iron Age)
Chapter 5 The Art of A nci ent G reece (Iron Age) Famous Greeks: Playwriters: Aeschylus (“father of Greek tragedy”), Sophocles (Antigone, Oedipus), Euripides, Aristophanes (Comedies. Lysistrata) Philosophers: Heraclitus (“You can never step into the same river twice”) Plato,,, Socrates, Aristotles Mathematicians and scientists: Archimedes, Pythagoras, Aristotles, Euclid Authors and poets: Homer (Odyssey and Iliad), Sappho of Lesbos, Aesop Historians: Herodotus ("The Father of History,"). Thucydides The Greek World GtiPid(9Geometric Period (9-8th c. BCE) Early Geometric Krater. C. 800 BCE Krater A bowl for mixing wine and water Greek key or Meander An ornament consisting of interlocking geometric motifs. An ornamental pattern of contiguous straight lines joined usually at right angles. Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. Approx. 3’ 4 1/2” high. Metropolitan Museum of Art, New York. Geometric krater, from the Dipylon cemetery. Detail. Hero and Centaur (Herakles and Nessos? Achilles and Chiron?) ca. 750–730 BCE. Bron ze, a pprox. 4 1/2” high. Metropolitan Museum of Art, New York. Geometric krater, from the Dipylon cemetery, Athens, Greece, ca. 740 BCE. Approx. 3’ 4 1/2” high. Hero and Centaur (Herakles and Nessos? Achilles and Chiron?) ca. 750–730 BCE. Bronze, approx. 4 1/2” high. Greek Vase Painting Orientalizing Period (7th c. BCE) Pitcher (olpe) Corinth, c. 600 BCE Ceramic with black-figure decoration, height 11½ " British Mus . London Rosette: A round or oval ornament resembling a rose Comppyarison: Assyrian.. Lamassu, ca. 720–705 BCE. Pitcher (olpe) Corinth, c. 600 BCE Ceramic with black-figure decoration, height 11½" British Mus.