DOCSLIB.ORG

Unique Tax Incentives & Advantages for Animation Companies!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Unique Tax Incentives & Advantages for Animation Companies! www.prensario.net www.prensario.net Peterson and Findus Animacars Cleo b-Water Birdland La Casa Animada UNIQUE TAX INCENTIVES & ADVANTAGES FOR ANIMATION COMPANIES! Bodytown Interstellar Ella Emmy y Gooroo Anima Kitchent 3 Doubles Tomavision 4% 50%-45% Soft landing Corporation Tax Deduction for investment Tailored training packages Canary Islands in Spanish productions European quota programming Special Zone or co-productions Creative talent Work-life balance 50%-45% 0% Competitive costs www.canaryislandsfilm.com Direct deduction for Regional VAT Lanzarote · Fuerteventura · Gran Canaria Tenerife · La Gomera · La Palma · El Hierro international productions www.prensario.net www.prensario.net [ SPECIAL REPORT | STREAMING ] VIX: the children behavior NEW and streaming video SPANISH consumption habits ANIMATION The second ‘Streaming Video Consumption Study’ carried out by VIX, delved into answering some unknowns in the habits of children under 18 years of age in the preschool, elementary, middle and high school segments. PREMIOS QUIRINO DE LA ANIMACIÓN IBEROAMERICANA 2021 @La Laguna, Tenerife Video streaming and OTT services are the console of videogames (14%) first contact that new generations have with in the following positions. It MOST POPULAR APPS (APRIL 2021) the internet, who learn to navigate even befo- should be clarified that the re they know how to read and write, however, mobile takes relevance from 100 NOMINACIONES: 84% very little is still known about how to speak to junior high and high school. them and attract them. In relation to what they 80 – YO, ELVIS RIBOLDI Among the most important findings of VIX watch, content creators such 56% Mejor serie 60 report, it was found that 7 out of 10 children as vloggers, influencers or under 18 years of age consume streaming tiktokers, are their favorite 40 33% – LOS ZURF regularly. And they are also the first to focus content, especially for basic 21% Mejor serie their entertainment on Connected TV (CTV). education levels, however, 20 12% 8% More than half of them consume up to 3 hours VOD or the letter, follows – HOMELESS HOME 0 of content a day, which already exceeds their them very closely, being the Mejor cortometraje time on air or pay television. cartoons and animated or VODs TikTok YouTube WhatsApp Facebook Instagram Key to underline is that their habits are clo- juvenile series are the most Mejor diseño de animación sely aligned with their free time and the time popular, and after that the Source: VIX slots in traditional content, those of preschool musical contents as well as – ROBERTO age usually connect in the morning, primary those of a didactic or acade- watch content with parental supervision. Mejor cortometraje after school, while secondary and high school mic nature. Lastly, 2 out of 3 of the parents surveyed in the evening. In this study carried out on parents, we also affirmed that the advertising that their child – GYLT Another relevant finding is that 1 in 3 of them asked them questions about their perception sees online influences their purchase deci- Mejor animación de videojuego have their own mobile device, this being the of their children’s consumption, and although sions, and even 48% of them agree that online one most used after the CTV (49%), and leaving 78% of them are concerned about what chil- advertising is already more important than – WAYBACK the tablet (20%), the computer (14%) and the dren can watch online, only 37% of minors what they see in traditional way . Mejor desarrollo visual Mejor diseño de animación WHAT DO THEY CONSUME THE MOST? (APRIL 2021) MOST USED DEVICES (APRIL 2021) – UMBRELLAS Mejor diseño de animación 49% Similar Times Connected TV Own Mobile 36% – LOOP Mejor diseño de sonido y música original 21% Streaming Tablet 20% 27 MAYO. 17:30H 56% Presentación conclusiones mesas de PC 14% 23% 56% trabajo nuevo estímulo para la PSX or Xbox 14% creación digital Programa Ibermedia TV Father’s Mobile 13% 0 10 20 30 40 50 Click to access the event! Source: VI Source: VIX 4 www.prensario.net www.prensario.net 0001 00001 0000001 00001 01 001 0001 000001 00000 0000100000000000010000000 [ PREMIUM INTERVIEW | DIGITAL ] 00010110111011110111111 Roku Kids & Family: strong brands and safe content To compete with other OTT platforms such strong brands, and recognized talent as Netflix and Amazon, Roku is rapidly buil- behind. Likewise, we are searching and ding a dedicated kids and family content exploring other types of formats and section within its The Roku Channel service. content such as interactive titles’. Jennifer Vaux, director of programming acqui- In addition to content purchased by sitions of the service, offered details about the Roku, users with premium accounts have IF YOU DON´T HAVE A FRIEND... strategy towards the different genres for this the possibility to access subscription- IF YOU DON´T HAVE A FRIEND... business segment. based kids and family content from part- BUILD ONE! Announced by the end of 2019 as part of ners such as Hopster, Noggin and Zoo- BUILD ONE! The Roku Channel, this content section works moo, as well as children’s entertainment under an ad-supported model, and already from services such as HBO and STARZ, di- has several content partners. ‘We are the #1 rectly within the add-on section on Chan- COMING SOON platform in USA, with around 512 million acti- nels. COMING SOON ve users per month, and precisely this section The executive highlighted that among marked a record of 28 million people viewing Roku’s library of more than 100,000 pieces of content on the interface in 2020’. While the ge- ad-supported content, the kids’ hub features neral Roku Channel is available in other coun- branded channels such Thomas & Friends, tries, the dedicated kids’ section is only in USA My Little Pony and Cocomelon, as well and UK for the moment’, she added. content from partners like All Spark, A The company counts with the Children’s Hasbro Company, Lionsgate, Mattel, poc- Online Privacy Protection Rule (COPPA), and ket.watch, among others. currently is focused solely on acquiring ‘We have the ability to help strong finished shows and movies, ac- brands reach a large audience, that’s be- cording to Vaux. ‘Our acqui- cause it’s free and ad-supported’, remarked sitions top of mind, and we Vaux. She added that habits are changing are looking to diversify the towards streaming for the ‘ease-of-use and channel’s content slate for the value’, and that, mixed with the safe spa- Thomas & Friends, two- to 14-year-olds with ce for kids, is the value proposition that marks My Little Pony and Cocomelon the difference front apart from their compe- are some of the contents available at Roku titors. ROKU SUBSCRIBERS EVOLUTION - IN MILLIONS (2015-2021) Jennifer Vaux, director of programming Source: The Company acquisitions at The Roku Channels 6 www.prensario.net www.prensario.net [ PREMIUM INTERVIEW | DIGITAL ] Disney Latin America: ‘The content business is the emotions’ Santiago de Cárolis, VP, General Manager consume. ‘We take the attributes of our core at Disney Channel, National Geographic, and brand and focus it on younger audiences Head of content & strategy at Disney+, The in a very competitive scenario with Disney Walt Disney Company, highlighted the compa- channels and with competing channels, ny’ top news within Latin America during “Kids that’s why we work on brand positioning Talks”, Kids Corp’ podcast. and value enhancement. A value proposi- With a trajectory of more than 20 years in tion that we want that be agnostic, that the industry, the executive remem- can be consumed through online as well as bered his experience, which through the linear channel’. began with Fox Sports, and Regarding Disney+ content, de Cárolis then continued on National specified that the company is committed Geographic, where he was to IPs, to acquire and develop them: ‘Our in charge of positioning content strategy is to give the best in our the brand. ‘NatGeo came to storytelling’. The executive also comment- plan the world where we live, ed that the content strategy for LatAm will how we live it and how we want have a regional differential, with stories to continue living it in the com- made specifically for this market, without ing years and how we want neglecting global productions such as Sobrevolando, a Disney+ original series counts with to leave it once we leave. those emerging from Marvel Studios. the participation of prominent actors and singers from the region. That’s the kind of content it ‘Emotions is the business of Disney. reflects’,de Cárolis said. Not only for the youngest, but also for According to the execu- the whole. It is a brand that seeks to tive, NatGeo’s strategy is generate engagement with different based on a setting of value both types of audiences and transmit human for the child audience, but values, such as cultural, racial, sexual, or also for the adult audience, ideological diversity’, added de Cárolis. which he believes should be The executive also stated that they ‘evangelized’ about the pro- are open to hearing and developing posal that his children will ideas from new creators and writers who want to promote narratives that fit the brand’s business verticals, with a CAKE’s Pablo is a content with which Disney Latin special emphasis on streaming, which America demystifies the prejudices about people he said will be the main business for with Asperger’s. the brand. LATIN AMERICA: SUBSCRIBERS FORECAST, BY INTERNATIONAL PLATFORMS (2025F) – IN THOUSANDS. Netix 48,000 Disney+ 31,000 HBO Max 12,000 3% 3% Amazon3% 11,000 Apple TV+ 2,700 Santiago de Carolis, VP, General Manager at Disney 10000 20000 30000 40000 50000 Channel, National Geographic, and Head of content & strategy at Disney+, The Walt Disney Company Source: Digital TV Research 8 www.prensario.net www.prensario.net [ MAIN STORY ] [ BY ALBERTO BUITRON] The kid’s global The Lakes International Comic Art Festival (United Kingdom), the Foire du Livre de Bruxelles (Belgium), and the CairoComix industry and beyond Festival (Egypt).
Load more

Recommended publications
  • Castellitto Pietro
    NUOVO! LA TUA NUOVA GUIDA A FILM E SERIE TV STREAMING032021 THE UNDOING SECONDO ZEROCALCARE PIETRO CASTELLITTO È NELLA SERIE SKY ORIGINAL SPERAVO DE MORÌ PRIMA TOTTITUTTE LE NOVITÀ DI MARZO DA GUARDARE DOVE VUOI IL GLOSSARIO DI FILM E SERIE TV GUIDA ALLA TERMINOLOGIA SULLO STREAMING INTRODUZIONE DA CONOSCERE Binge Watching: indica l’atto di “abbuffarsi” di una serie Tv, guardando 1 COS’È BEST STREAMING? compulsivamente un episodio dietro l’altro per È un mensile dedicato al mondo dei servizi streaming cercare di terminarla il prima possibile. come Disney+, Netflix, Amazon Prime Video, Infinity, Cliffhanger: è un nodo narrativo non risolto TIMVISION, RaiPlay, StarzPlay. Queste piattaforme forniscono che lascia il finale di un episodio in sospeso, contenuti (film, serie Tv, reality, eccetera) attraverso la Rete, amplificando il desiderio di vedere il successivo. gratuitamente o dietro pagamento di un abbonamento. Reunion: una riunione in grande stile del cast originale di una serie Tv o di un film, organizzata sia per lanciare un episodio celebrativo extra che per festeggiare insieme al 2 COME SI CONSULTA BEST STREAMING? pubblico anniversari ed eventi speciali. Best Streaming è una guida mensile ai programmi di nuova Showrunner: è il creatore di una serie Tv. generazione che supera il concetto di palinsesto, tipico della Tv lineare. Sarai tu a costruire la tua programmazione, decidendo cosa Sneak Peek: ovvero, una “sbirciatina”. È un assaggio di un trailer o un’anticipazione vedere e quando vederlo, consultando i menù messi a disposizione di una serie, di solito più breve e più mirata dalle singole piattaforme. Nelle prossime pagine troverai questi rispetto al trailer.
    [Show full text]
  • Crimson Dragon 2
    Brief Prologue "Ahh!" Pyrothraxus cried. "Get it off! Get it off!" The ent latched onto his ear frill tightly, grinding his splintery teeth against the membrane. He pulled down upon Pyrothraxus, bending the Red Dragon's neck awkwardly. Though the ent was as tall as Pyrothraxus' shoulder, Pyrothraxus still had another 40 feet to his neck. With one snap of the ent's shoulders, Pyrothraxus came toppling down onto his side. "Give it back to me!" the ent bellowed. "Give it back now!" "What?" Pyrothraxus asked. "Give what back?" The ent pulled harder, wrapping his arms around Pyrothraxus' neck and holding him tightly in a lock. The Red Dragon struggled under the great strength of the tree ent's branch-like arms. "Aiyah, Jonathan!" called Lao Shi from the pavement. "Just give whatever it is he wants back to him." "I don't know what it is he wants," Pyrothraxus growled back, trying to pull himself away from the vice-like grip of the ent's arms. "You're the dragon who stole it!" the ent shouted. "Stole what?" Pyrothraxus asked. The ent let loose a hollow bellow and flipped Pyrothraxus over onto his back. Cars parked in the street were suddenly tossed into the air by the Red Dragon's thrashing tail. Pyrothraxus gripped his claws into the pavement, sending the tar cracking and splintering across the surface. "Give it back!" the ent bellowed, tightening his grip around the dragon's neck. "That's it, I'm getting tired of guessing games, here," Pyrothraxus growled, black smoke slowly rising up from his nostrils.
    [Show full text]
  • Channel Listing Satellite Tv Current As of February 11, 2021
    CHANNEL LISTING SATELLITE TV CURRENT AS OF FEBRUARY 11, 2021. CLASSICAL 96FM TORONTO ...............963 N STINGRAY LOUD .........................................580 GOOD CLUB JUNIOR......................... (ON DEMAND) NEWSTALK 1010 ...........................................964 STINGRAY MUSIC STATIONS .......901-947 COUNTRY FM 105 .......................................968 NPR (NATIONAL PUBLIC RADIO) ........965 STINGRAY RETRO ........................................578 THE MAJOR NETWORKS, PLUS A SELECTION CTV - KINGSTON (CKWS) .......................233 O STINGRAY VIBE .............................................579 OF SPECIALTY CHANNELS. INCLUDES ALL OF CTV - OSHAWA (CHEX2).........................583 OZ-FM - ST. JOHN’S ....................................951 T THE CHANNELS IN THE STARTER PACKAGE. CTV - PETERBOROUGH (CHEX) ............217 P THE WEATHER NETWORK ......................505 # F PALMARÈSADISQ PAR STINGRAY .......187 TSC ......................................................................660 * 102.1 THE EDGE ............................................. 955 FAITHTV ...........................................................591 PLANETE JAZZ .............................................960 TSN RADIO 1050 ......................................... 995 104.5 CHUM FM ...........................................990 I PREMIÈRE CHAÎNE FM 97.7 TSN RADIO 1290 WINNIPEG ................. 984 680 NEWS ...................................................... 958 ICI MUSIQUE - MONTREAL (CBFX FM) .975 VANCOUVER (CBUF-FM) .........................977
    [Show full text]
  • TV Channel Packaging for Business
    TV Channel Packaging Entry Level Basic TV Package $25.00/month (not including equipment) AMI Audio 887 CPAC English 864 ICI RDI 1022 Weather Network 745 AMI Tele 889 CPAC French 1014 LINK 599 AMI TV 888 CTV 603 Provincial Legislature 630 APTN 631 Eastlink TV 610 TV5 1032 CBC 601 Global 602 TVA 1018 City 604 ICI Radio-Canada Télé 1017 UNIS 1031 Entry Level Basic TV channels may vary by geography. Please refer to the bottom of this page for details. Channel Name Channel Name Number Number Channel Channel Value Pack I Value Pack I Value Value Pack II Value Pack II Value A&E 815 I II Paramount Network 816 I II ABC 620 I II Peachtree TV 820 II AMC 669 I II PBS 624 I II Bravo! 817 I II Showcase 814 I II CBC News Network 852 I II Slice 640 II CBS 621 I II Space 818 II CMT 881 II Sportsnet 360 712 I II CNN 853 II Sportsnet ONE 704 I II The Comedy Network 819 I II Sportsnet East 700 I II CTV News Channel 851 I II Sportsnet Ontario 701 I II Discovery Channel 779 I II Sportnet Western 702 I II Disney Channel 752 I II Sportnet Pacific 703 I II Disney Junior 765 I II TCM 668 II Disney XD 766 II Teletoon 758 II Family Channel 755 I II TLC 641 I II Family CHRGD 757 II Treehouse 746 I II Family Jr 748 II TSN 1 707 I II Food Network Canada 649 I II TSN 2 711 I II FOX 623 I II TSN 3 708 I II FX 667 II TSN 4 709 I II Golf Channel 714 II TSN 5 710 I II HGTV Canada 646 I II US Super KTLA Los Angeles 633 II History 777 I II US Super WGN Chicago 635 II HLN 854 II US Super WPIX New York 632 II MUCH 883 II US Super WSBK Boston 634 II National Geographic Channel
    [Show full text]
  • ENDER's GAME by Orson Scott Card Chapter 1 -- Third
    ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table.
    [Show full text]
  • Canadian Media Production Association
    COLLECTIVE AGREEMENT BETWEEN International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada Affiliated with the AFL-CIO and CLC Canadian Media Production Association January 1, 2016- December 31, 2016 CRAFTSERVICE PROVIDERS AND HONEYWAGON OPERATORS COLLECTIVE AGREEMENT BETWEEN: LOCAL411 OF THE INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA HEREINAFTER REFERRED TO AS "THE UNION" (on behalf of Craftservice Providers and Honeywagon Operators) --AND·· THE CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION (CMPA) HEREINAFTER REFERRED TO AS "THE ASSOCIATION" (on its own behalf and behalf of its members) (Production Company) For the Production currently entitled CONTENTS ARTICLE PAGE 1 Obi igations 2 2 Recognition and Scope of Agreement 3 3 Producer Rights 4 4 Jurisdiction and Division of Work 4 5 Individual Contracts of Engagement 5 6 Non-Discrimination and Anti Harassment 5 7 Union Personnel 6 8 Hours of Work and Work Week 6 9 Overtime Hours and Other Non-Regular Hour Premiums 8 10 Location Boundaries 8 11 Holidays 8 12 Remittances and Deductions 9 13 Security for Wages 10 14 Remuneration and Payment of Wages 11 15 Travel and Accommodation 11 16 Insurance 12 17 Cancellation of Calls 12 18 Discipline, Layoff and Dismissal 12 19 Settlement of Disputes 13 20 Health and Safety 14 21 Employee Indemnification 15 22 Communications 15 23 Intent of
    [Show full text]
  • Beginnings 15.Indd
    Beginnings 15 A PUBLICATION OF ADULT STUDENT WRITING OF THE Ohio Writers’ Conference OHIO LITERACY RESOURCE CENTER ii iii Foreword I was introduced to the work of the Ohio Literacy Resource Center at Kent State University and the annual Ohio Writers’ Conference by Lyn Ford. In the fall of 2010 Lyn invited me to join her in telling stories at the 2011 conference. I was de- lighted and honored to share the stage with such an accomplished storyteller and advocate for literacy. Lyn described the conference as a celebration, and she lent me several copies of a book titled Beginnings. Lyn explained that each year students enrolled in adult and family literacy programs throughout the state submitted writings to the annual journal for publication. I read the books and I was amazed by the stories and poems that spanned an incredible variety of human experiences. Some of these writers had immigrated to Ohio from countries across the globe. Others were survivors of personal hardships, illnesses and addictions. The individual passions, hopes and ambitions that I discovered in the pages of Beginnings touched me and humbled me with respect for each writer’s courage. I was now honored to be a part of a conference that celebrated the accomplishments of men and woman who seek to develop themselves and improve their lives. Lyn also told me that the writers attending the confer- ence were encouraged to share their published poems or stories in an oral presentation that culminates the day’s events. There was no way to anticipate the impact of these live readings.
    [Show full text]
  • BRIAN VERHOOG Production Designer Represented by Lara Bryant
    BRIAN VERHOOG Production Designer Represented by Lara Bryant 14 Prince Arthur Ave. Suite 109 www.bdvdesign.net Toronto, ON. M5R 1A9 Tel: 416.920.5110 Production Design - Selected Credits Features/MOW Christmas Club - Hallmark 2019 Christmas Club Productions Inc. Lost & Found Producers: Jon Eskenas, Kim Bradley L&F Films Inc. / Feature Ian Dimerman Producers: Joesph Itaya, Scott Bridges Director: Jeff Beesley Kim Selby, Borga Dorter Good Witch ‘Halloween Special” Director: Joesph Itaya Hallmark 2018 Mortgage Apple Cake Good Witch 5 Productions Inc. eOne / UP TV / MOW Producers: Frank Siracusa, Craig Price, Producers: Ira Pincus, Jonathan Schwartz, Darin Goldberg M Robert Lee Director: Michael Kennedy Director: Michael Scott Anne of Green Gables - Fire & Dew Dear Viola Breakthrough Ent. / PBS / YTV eOne / UP TV / MOW Producers: Ira Levy, Joan Lambur, Producers: Ira Pincus, Jonathan Schwartz, Jim Corston Betty Orr Director: John Kent Harrison Director: Laurie Lynd Anne of Green Gables - The Good Stars Rocky Road Breakthrough Ent. / PBS / YTV eOne / UP TV / MOW Producers: Ira Levy, Joan Lambur, Producers: Ira Pincus, Jonathan Schwartz, Jim Corston Betty Orr Director: John Kent Harrison Director: Brian Roberts Reel Love eOne / CMT Producers: Ira Pincus, Kay May Director: Brian K Roberts Production Design - Selected Credits Television Series The Hardy Boys 2019/20 Pure Pwnage HB One Productions Inc. Showcase / TV for Noobs Prod. Producers: Joan Lambur/ Paula Smith Producer: Derek Harvie Director: Jason Stone Line Producer: Paula Devonshire Good Witch Halloween Special 2018 Space Janitors Good Witch 5 Productions Inc. Space Mop Prod. Producers: Frank Siracusa, Craig Price, Producer: Davin Langyl / Geoff Lapiere Darin Goldberg Director: Geoff Lapiere Director: Various Soul Food Showtime TV Series Producer : Sean Ryerson Art Direction - Selected Credits Good Witch Season 5 2018 American Goods Good Witch 5 Productions Inc.
    [Show full text]
  • Canadian Canada $7 Fall 2016 Vol.19, No.1 Screenwriter Film | Television | Radio | Digital Media
    CANADIAN CANADA $7 FALL 2016 VOL.19, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA We Celebrate Our Epic Screenwriting Success Stories It’s Time To Work On Your Pitch Baroness Von Sketch Show: Creating A World In Two Minutes Animated Conversation: Ken Cuperus Opens Up About His Live Action-Cartoon Crossover PM40011669 ★ ★ SCREENWRITERS STAY TUNED FOR IMPORTANT DEADLINES THE 21ST ANNUAL WGC SCREENWRITING AWARDS APRIL 24, 2017 | KOERNER HALL, TORONTO 2017 SPECIAL AWARDS: THE WGC SHOWRUNNER AWARD for excellence in showrunning THE JIM BURT SCREENWRITING PRIZE for longform screenwriting talent THE SONDRA KELLY AWARD for female screenwriters CALL FOR ENTRIES COMING SOON TO WWW.WGC.CA CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 19 No. 1 Fall 2016 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Contents Publisher Maureen Parker Editor Tom Villemaire Features [email protected] Having An Animated Conversation 6 Director of Communications Li Robbins We talk to Ken Cuperus about how he and his writing team create a hybrid animation and live-action comedy. Editorial Advisory Board By Mark Dillon Denis McGrath (Chair) Michael MacLennan Susin Nielsen Simon Racioppa Changing The Rules 12 President Jill Golick (Central) While bureaucrats tinker with the points system in an effort Councillors to make Canadian television more successful, we offer our Michael Amo (Atlantic) epic track record, proving the system works. Mark Ellis (Central) By Matthew Hays Dennis Heaton (Pacific) Denis McGrath (Central) Warming Up For The Pitch 16 Anne-Marie Perrotta (Quebec) Pitching is often a bigger challenge to writers than, Andrew Wreggitt (Western) well, writing.
    [Show full text]
  • SÍGUENOS EN 05 DE JULIO DE 2021 I Vida LOCAL EDICIÓN MULTIMEDIA ¿HÁBITOS NO FAVORABLES? Personal Que Nos Motive a Sen- Rés En General Se Inician 4
    LEVANTAN PUEBLOS MÁGICOS TURISMO LOCAL Y REGIONAL FUNDADO EN 1956 $6.00 AÑO LXIV / NÚM 19,209 05 DE JULIO DE 2021 CREYENTES REGRESAN A LA IGLESIA AFECTADOS POR SEQUÍA AUMENTA ARRANCA ENTREGA DE LA FE DE LOS APOYOS A PRODUCTORES DURANGUENSES EN LA CASITA APOYA SALUM A DAMNIFICADOS POR TORNADO EL GOBERNADOR INICIÓ PRIMERAS TONELADAS CON EL PROGRAMA DE SEMILLA DE AVENA ACORDADO CON LA FORRAJERA, PARA LA SADER EL 26 DE JUNIO. ZONA DE LA SIERRA. /LOCAL 04 FOTOGRAFÍA, UNA PERFECTA COMUNIÓN CON LA NATURALEZA PRESENTARÁN LIBRO La Voz de Durango Esta imagen, de autor desconocido, refleja la preocupación de los “EL CAÑÓN DE FERNÁNDEZ” ciudadanos por la conservación. FOTOGRAFÍA: LETY MATUK SÍGUENOS EN 05 DE JULIO DE 2021 i Vida LOCAL EDICIÓN MULTIMEDIA ¿HÁBITOS NO FAVORABLES? personal que nos motive a sen- rés en general se inician 4. REFUGIARSE EN EL tirnos mejor nosotros mismos; MTF. ALFREDO ARÊVALO una serie de hábitos TRABAJO no para que nos reconozcan que La Voz de Durango de abandono per- Para algunos de somos los mejores en algo. sonal, como si no nosotros el tener En ocasiones nuestra vida nos importara muchas activi- CONCLUSIÓN pierde un poco el camino, nos el vernos bien, dades al día se Se piensa que desarrollar hábi- encontramos en situaciones o como si esto traduce como tos nos motiva a mejorar y pro- que no entendemos cómo lle- no tuviera un una manera de duce un cambio; pero en cierto gamos a ellas o realizando acti- sentido; lo ser eficiente, punto deberíamos detenernos vidades que no nos satisfacen que esto oca- pero en ocasio-
    [Show full text]
  • Here the Trained to Be a Spy in the Army by Her Adop- Phone Lines Are Manned Entirely by Celebri- 4 Tive Father to Seek Revenge Against Their Ties
    *LIST_619_ALT.qxp_LIS_1006_LISTINGS 6/6/19 12:32 PM Page 1 WWW.WORLDSCREENINGS.COMTVL JUNE 2019ISTINGNATPE BUDAPEST, SUNNY SIDE & ANNECYS EDITION THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_619_ALT.qxp_LIS_1006_LISTINGS 6/6/19 12:32 PM Page 2 2 TV LISTINGS NATPE BUDAPEST INTERNATIONAL EXHIBITOR DIRECTORY Complete listings for the companies in bold can be found in this edition of TV Listings. A+E Networks Suite 224 Kwanza MT 44 Aardman Animations Suite 245B Lagardère Studios Distribution MT 45 About Premium Content MT 40 Lionsgate Entertainment Suite 214 ABS-CBN Corporation MT 35 MADD Entertainment Suite 225 all3media international Suite 221 MarVista Entertainment VB 24 Allspark MT 51 Media Group Ukraine Suite 248B Armoza Formats MT 29 Mediaset Distribution VB 2 ATV Suite 218 Mediatoon Distribution VB 12 Autentic Distribution MT 10 MGM Television Suite 220 Banijay Rights VB 45 & 46 MISTCO Stand 4 Bavaria Media International VB 33 Mondo TV MT 24 BBC Studios Suite 209 & 210 Monster Entertainment MT 20 Berserk Media Suite 246A NBCUniversal International Distribution Duna III & IV Blue Ant Media MT 33 Newen Distribution MT 46 Boat Rocker Rights MT 39 NTV Broadcasting Company MT 38 Bonneville Distribution VB 39 Off The Fence MT 27 Breakthrough Entertainment Suite 248A One Life Studios VB 15 Broken Arrow Media MT 16 ORF-Enterprise Suite 203 CAKE Suite 244A Parade Media MT 12 Calinos Entertainment Suite 223 Paramount Pictures VB 38 & 44 Caracol Internacional Stand 6 Passion Distribution MT 50 Carsey-Werner Television
    [Show full text]
  • NASA at 50: Interviews with NASA Senior Leadership / Rebecca Wright, Sandra Johnson, Steven J
    Library of Congress Cataloging-in-Publication Data NASA at 50: interviews with NASA senior leadership / Rebecca Wright, Sandra Johnson, Steven J. Dick, editors. p. cm. 1. Aerospace engineers—United States—Interviews. 2. United States. National Aeronautics and Space Administration—History—Sources. I. Wright, Rebecca II. Johnson, Sandra L. III. Dick, Steven J. IV. Title: NASA at fifty. NASA SP-2012-4114 TL539.N36 2011 629.40973—dc22 2009054448 ISBN 978-0-16-091447-8 F ro as el t yb eh S epu ir tn e edn tn fo D co mu e tn .U s S G , . evo r emn tn P ir tn i O gn eciff I tn re en :t skoob t ro e . opg . vog enohP : lot l f eer ( 668 ) 215 - 0081 ; D C a er ( a 202 ) 215 - 0081 90000 aF :x ( 202 ) 215 - 4012 aM :li S t I po CCD W , ihsa gn t no D , C 20402 - 1000 ISBN 978-0-16-091447-8 9 780160 914478 ISBN 978-0-16-091447-8 F ro leas b y t eh S pu e ri tn e dn e tn D fo co mu e tn s , .U Svo . e G r mn e tn P ri tn i gn fficeO I tn er en t: koob s t ro e. opg . vog : Plot l nohf ree e ( 668 ) 215 - 0081 ; C Da re a ( 202 ) 215 - 0081 90000 Fa :x ( 202 ) 215 - 4012 il:M S a t po DCI C, W a hs i gn t no , D C 20402 - 1000 ISBN 978-0-16-091447-8 9 780160 914478 Rebecca Wright Sandra Johnson Steven J.
    [Show full text]