Circle City Circuit: April 10-17 a Sagamore 4/10/76
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CSL to Hear Alcohol Poisoning Cases
._._ b - J Reading Period Reaction- Just An Excitable Boy- Tuftspeak Zevon at the Orpheum P*7 I= L ; I.THE TUFTS DAILYZI- M‘here you read it first Wednesday, September 30,1987 Volume XV, Number 15 CSL to Hear Alcohol Poisoning Cases by BILL LABOVITZ discuss the case, said the Paul Charrette said yesterday. fraternity will be brought be- “In order to insure that the The university is bringing fore the Committee on Stu- hearing will be unbiased, we charges against the Theta De- dent Life next month. feel that it is wise to refrain Ita Chi (1-2-3) fraternity Four cases of alcohol from commenting on the al- stemming from ‘‘several poisoning were reported last leged incident.” cases” of alcohol poisoning Wednesday and it is not clear “We will be more than last Wednesday, Associate how many involved Theta happy to answer any and all Dean of Students Bruce Delta Chi, he added. The questions after the hearing,” Charges are being brought up against Theta Delta Chi by the Reitman said yesterday. university’s investigation is he said. university. (Photo by Nicole Pierce) Reitman, who declined to continuing. One other case of alcohol One fraternity member said poisoning has occurred this Tuftsf& planning Underway theinformal incidents event occurred getting at “an to year,that “thereReitman aresaid, markedly adding know the PUVS.” fewer incidences this year YI reimbursed by the event’s paid Other fraternity members than in the past several by kWT DAMELIN Tuftsfest, the largest XB event af the semester, is in- admission, he added. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
JACK GOLD Director Agent: Norman North
JACK GOLD Director Agent: Norman North Film includes: THE CHAIN Quintet/Rank RED MONARCH Enigma/Goldcrest LITTLE LORD FAUNTLEROY * Christopher Award CBS CHARLIE MUFFIN Euston Films THE SAILOR'S RETURN * Martin Luther King Award * Karoly Vary Award Ariel Prods/Euston Films THE MEDUSA TOUCH Elliot Kastner ACES HIGH * Evening News Best Film Award 1976 B Fisz/EMI THE NATIONAL HEALTH * Evening News Best British Comedy Award 1973 Virgin/Columbia THE RECKONING Columbia THE BOFORS GUN Universal Television includes: THE BRIEF Carlton KAVANAGH QC SPECIAL "The End of the Law" Carlton THE REMORSEFUL DAY (Inspector Morse) *BAFTA: The Lew Grade Award for Most Popular Television Programme 2001 Carlton GOODNIGHT MISTER TOM * Silver Hugo, Chicago Festival 1999 * TRIC Award (Best ITV programme) 1999 * BAFTA: The Lew Grade Award for Most Popular Television Programme 1999 * National Television Awards, Most Popular Drama 1999 Carlton/Central INTO THE BLUE Carlton/Central Jack Gold -2- KAVANAGH QC 3 episodes Carlton/Central HEAVY WEATHER Cinema Verity/BBC THE LAST ROMANTICS BBC THE WAR THAT NEVER ENDS BBC BALL-TRAP ON THE COTE SAUVAGE BBC SPRING AWAKENING Getting Out Prods/CBS RETURN OF THE NATIVE Signboard Hill/Hallmark THE LUCONA AFFAIR Telemünchen SHE STOOD ALONE * Christopher Award Steve White Prods THE ROSE & THE JACKAL Steve White Prods THE TENTH MAN Hallmark/CBS STONES FOR IBARRA Titus Prods/Hallmark/CBS ESCAPE FROM SOBIBOR * Golden Globe Award Rule/Starger MURROW * New York Festival Grand Award * Ace Best Director and Best Film Titus Prods/TVS/HBO -
Ill Sleep When Im Dead: the Dirty Life and Times of Warren Zevon Free
FREE ILL SLEEP WHEN IM DEAD: THE DIRTY LIFE AND TIMES OF WARREN ZEVON PDF Crystal Zevon | 480 pages | 07 Jan 2009 | HarperCollins Publishers Inc | 9780060763497 | English | New York, United States Ill Sleep When Im Dead: The Dirty Life and Times of Warren Zevon by Crystal Zevon - PopMatters Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. When Warren Zevon died inhe left behind both a fanatical cult following and a rich catalog of dark, witty rock-n-roll classics that includes "Lawyers, Guns, and Money," "Excitable Boy," and the immortal "Werewolves of London. As Warren When Warren Zevon died inhe left behind both a fanatical cult following and a rich catalog of dark, witty rock-n-roll classics that includes "Lawyers, Guns, and Money," "Excitable Boy," and the immortal "Werewolves of London. As Warren once said, "I got to be Jim Morrison a lot longer than he did. Narrated by his former wife and longtime co-conspirator, Crystal Zevon, the book draws on over eighty interviews with the likes of Bruce Springsteen, Stephen King, Billy Bob Thornton, Jackson Browne, Bonnie Raitt, and countless others who came under his mischievous spell. The result is a raucous and moving tale of love and obsession, creative genius and epic bad behavior. Told in the words and images of the friends, lovers, and legends Ill Sleep When Im Dead: The Dirty Life and Times of Warren Zevon knew him best, I'll Sleep When I'm Dead captures Warren Zevon in all his turbulent glory. -
The British Academy Television Awards Sponsored by Pioneer
The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold, -
2014 BAFTA TV Awards Full List of Nominations
NOMINATIONS IN 2014 LEADING ACTOR JAMIE DORNAN The Fall – BBC Two SEAN HARRIS Southcliffe – Channel 4 LUKE NEWBERRY In The Flesh – BBC Three DOMINIC WEST Burton and Taylor – BBC Four LEADING ACTRESS HELENA BONHAM CARTER Burton and Taylor – BBC Four OLIVIA COLMAN Broadchurch - ITV KERRIE HAYES The Mill – Channel 4 MAXINE PEAKE The Village – BBC One SUPPORTING ACTOR DAVID BRADLEY Broadchurch – ITV JEROME FLYNN Ripper Street – BBC One NICO MIRALLEGRO The Village – BBC One RORY KINNEAR Southcliffe – Channel 4 SUPPORTING ACTRESS SHIRLEY HENDERSON Southcliffe – Channel 4 SARAH LANCASHIRE Last Tango in Halifax – BBC One CLAIRE RUSHBROOK My Mad Fat Diary – E4 NICOLA WALKER Last Tango in Halifax – BBC One ENTERTAINMENT PERFORMANCE ANT AND DEC Ant and Dec’s Saturday Night Takeaway – ITV CHARLIE BROOKER 10 O’Clock Live – Channel 4 SARAH MILLICAN The Sarah Millican Television Programme – BBC Two GRAHAM NORTON The Graham Norton Show – BBC One FEMALE PERFORMANCE IN A COMEDY PROGRAMME FRANCES DE LA TOUR Vicious – ITV KERRY HOWARD Him & Her: The Wedding – BBC Three DOON MACKICHAN Plebs – ITV2 KATHERINE PARKINSON The IT Crowd – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME RICHARD AYOADE The IT Crowd – Channel 4 MATHEW BAYNTON The Wrong Mans – BBC Two JAMES CORDEN The Wrong Mans – BBC Two CHRIS O’DOWD The IT Crowd – Channel 4 Arqiva British Academy Television Awards – Nominations Page 1 SINGLE DRAMA AN ADVENTURE IN SPACE AND TIME Mark Gatiss, Matt Strevens, Terry McDonough, Caroline Skinner – BBC Wales/BBC America/BBC Two BLACK MIRROR: BE RIGHT BACK -
Television for Children: Problems of National Specificity and Globalisation
Television for children: problems of national specificity and globalisation Book or Report Section Accepted Version Bignell, J. (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546 Available at http://centaur.reading.ac.uk/21378/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online NOTE: This is a chapter published as Bignell, J., ‘Television for children: problems of national specificity and globalisation’ in K. Lesnik-Oberstein (ed.), Children in Culture, Revisited: Further Approaches to Childhood (Basingstoke: Palgrave Macmillan 2011), pp. 167-185. The whole book is available to buy from Palgrave at http://www.palgrave.com/gb/book/9780230275546. My published work is listed and more PDFs can be downloaded at http://www.reading.ac.uk/ftt/about/staff/j-bignell.aspx. Jonathan Bignell Television for children: problems of national specificity and globalisation In the developed nations of Europe, and in the USA, it has long been assumed that television should address children. Thus, notions of what ‘children’ are have been constructed, and children are routinely discussed as an audience category and as a market for programmes. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
Celluloid Television Culture the Specificity of Film on Television: The
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses . -
Thunderbirds ™ and © ITC Entertainment Group Limited 1964, 1999 and 2017
THE COMIC COLLECTION A GERRY ANDERSON PRODUCTION TM CREATED ESPECIALLY FOR ROBIN Happy Christmas Bro. Hope this brings back some memories! Thunderbirds ™ and © ITC Entertainment Group Limited 1964, 1999 and 2017. Licensed by ITV Ventures Limited. All rights reserved. This edition is produced under license by Signature Gifts Ltd, Signature House, 23 Vaughan Road, Harpenden, AL5 4EL. Printed and bound in the UK. GDTEST0123456789 THE COMIC COLLECTION A GERRY ANDERSON PRODUCTION TM CMYK: Black=10c10m10y100k, Yellow=100y or Pantone: Pantone Black, PantoneYellow Use outline logo on dark backgronds CONTENTS THUNDERBIRD 2 TECHNICAL DATA . P68 Artist: Graham Bleathman INTRODUCTION . P4 THE SPACE CANNON . P70 Artist: Frank Bellamy THE EARTHQUAKE MAKER . P6 THE OLYMPIC PLOT . P76 Artist: Frank Bellamy Artist: Frank Bellamy VISITOR FROM SPACE . P18 DEVIL’S CRAG . P88 Artist: Frank Bellamy Artist: Frank Bellamy THE ANTARCTIC MENACE . P34 THE EIFFEL TOWER DEMOLITION . P96 Artist: Frank Bellamy Artist: Frank Bellamy BRAINS IS DEAD . P48 SPECIFICATIONS OF THUNDERBIRD 3 . P104 Artist: Frank Bellamy Artist: Graham Bleathman THUNDERBIRD 1 TECHNICAL DATA . P64 LAUNCH SEQUENCE: THUNDERBIRD 3 . P106 Artist: Graham Bleathman Artist: Graham Bleathman LAUNCH SEQUENCE: THUNDERBIRD 1 . P66 LAUNCH SEQUENCE: THUNDERBIRD 4 . P107 Artist: Graham Bleathman Artist: Graham Bleathman LAUNCH SEQUENCE: THUNDERBIRD 2 . P67 SPECIFICATIONS OF THUNDERBIRD 4 . P108 Artist: Graham Bleathman Artist: Graham Bleathman THE NUCLEAR THREAT . P110 CHAIN REACTION . P186 Artist: Frank Bellamy Artist: Frank Bellamy HAWAIIAN LOBSTER MENACE . .P120 THE BIG BANG . P202 Artist: Frank Bellamy Artist: John Cooper THE TIME MACHINE . P132 THE MINI MOON . P210 Artist: Frank Bellamy Artist: John Cooper THE ZOO SHIP . P144 THE SECRETS OF FAB 1 . -
Top 40 Singles Top 40 Albums
04 June 1978 CHART #142 Top 40 Singles Top 40 Albums Wuthering Heights Too Much, Too Little, Too Late Saturday Night Fever Breezin 1 Kate Bush 21 Johnny Mathis & Deniece Williams 1 Bee Gees / Various 21 George Benson Last week 1 / 9 weeks EMI Last week 39 / 3 weeks CBS Last week 1 / 10 weeks PHONOGRAM Last week 29 / 47 weeks WEA Night Fever Every One's A Winner The Sound Of Bread Greatest Hits 2 Bee Gees 22 Hot Chocolate 2 Bread 22 Linda Ronstadt Last week 2 / 5 weeks PHONOGRAM Last week - / 1 weeks EMI Last week 15 / 2 weeks WEA/WARNER Last week 18 / 7 weeks WARNER You're The One That I Want If You Can't Give Me Love The Stranger Weekend In L.A. 3 John Travolta & Olivia Newton-John 23 Suzi Quatro 3 Billy Joel 23 George Benson Last week 29 / 2 weeks PHONOGRAM Last week 27 / 5 weeks EMI Last week 3 / 16 weeks CBS Last week 22 / 13 weeks WEA Free Me Native New Yorker The Kick Inside Out Of The Blue 4 Uriah Heep 24 Odyssey 4 Kate Bush 24 Electric Light Orchestra Last week 4 / 13 weeks PHONOGRAM Last week 22 / 10 weeks RCA Last week 2 / 5 weeks EMI Last week 30 / 20 weeks FESTIVAL Jack And Jill If I Had Words Simple Dreams Aja 5 Raydio 25 Scott Fitzgerald & Yvonne Keeley 5 Linda Ronstadt 25 Steely Dan Last week 7 / 11 weeks EMI Last week 26 / 3 weeks FESTIVAL Last week 6 / 27 weeks WARNER Last week 39 / 25 weeks RCA Stayin' Alive The Closer I Get To You Barry Manilow Live Kiss Alive Ii 6 Bee Gees 26 Roberta Flack and Donny Hathaway 6 Barry Manilow 26 Kiss Last week 5 / 14 weeks PHONOGRAM Last week 37 / 4 weeks WEA Last week 5 / 3 weeks EMI -
Filmed Across the World, Made at Elstree’: How Television Made at Elstree in the 1960S and 70S Brought a Global Experience to the Small Screen
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Hertfordshire Research Archive ‘Filmed Across the World, Made at Elstree’: How television made at Elstree in the 1960s and 70s brought a global experience to the small screen The various studios of Elstree and Borehamwood were, in the 1960s and 70s, home to globetrotting adventurers including The Saint, Department S, Jason King, Danger Man, and The Baron. While many of the shows made featured the globetrotting exploits of their leading characters – Simon Templar, international playboy; Jason King, Interpol agent and novelist; and John Drake, spy and fixer for international organisations – the production crew rarely, if ever, left the confines of the TV sound stages and backlot, except for a brief dash down Borehamwood high street or into rural Hertfordshire. This paper will discuss the operations and technical methodologies used on a weekly basis by production crews in their attempts to recreate Rome, Paris, Madrid and even the Sahara Desert on small budgets, using stock footage and with limited materials. During the 1960s, the studios of Elstree and Borehamwood produced some of the most adventurous and prolific television productions in the UK. Three major studio sites (all of them actually in Borehamwood, not in Elstree) – MGM British Studios, Associated British Productions (ABPC) and ATV Studios – were all producing television content 52 weeks of the year. “Elstree’s” output during this time was at its peak. Production crews at Elstree were able to make shows with an international flavour, while barely leaving the studio.