5 Multipower Power Card 8 Anypower Card Backlash

Total Page:16

File Type:pdf, Size:1020Kb

5 Multipower Power Card 8 Anypower Card Backlash NOTES CARDS WITH LINKS TO PICS (BLUE), FOLLOWED BY THOSE LISTED IN BOLD ARE HIGHEST PRIORITY I NEED MULTIPLES OF EVERY CARD LISTED, AS WELL AS PACKS, DECKS, UNCUT SHEETS, AND ENTIRE COLLECTIONS Powersurge IMAGE Ghost Rider - Hell on Wheels 5 Multipower Power Card Hobgoblin - Secret Pouches 8 Anypower Card Scarlet Spider - Character, Arachnid Gizmos, & Spider Web 6 Anypower + 2 Basic Universe (Power Blast - Spawn) Scarlet Witch - Sorceress Slam & Spontaneous Combustion Any Character's - Flight, Massive Muscles, & Super Speed Artifacts (Linkstone, Myrlu Symbiote, The Witchblade) IQ Backlash - Mist Body Any Hero - Power Leech Brass - Armored Powerhouse & Weapons Array Apocalypse - Character Curse - Brutal Dissection Bishop - Character Darkness - Demigod of the Dark Cable - Character & Askani' Son Events - Entropy Field & Witchblade on the Scene Carnage - Anarchy Grifter - Nerves of Steel Deadpool - Don't Lose Your Head! Grunge - Danger Seeker Dr. Strange - Character Killrazor - Outer Fury Iron Man Character Malebolgia - Character Magneto - Character & Master of Magnetism Overtkill - One-Man Army Mr. Fantastic - Character Ripclaw - Character Mr. Sinister - Character Shadowhawk - Backsnap & Brutal Revenge Nick Fury - Battle Strategy Spawn - Protector of the Innocent (Un-Common) Professor X - Character Stryker - Armed and Dangerous Rogue - Character Tiffany - Character & Crusade Sabretooth - Character Velocity - Internal Hardware, Quick Thinking, & Speedthrough Sentinels - Character Violator - Darklands Army Scarlet Witch - Character Voodoo - True Vision She-Hulk - Character Witchblade - The Chosen Spider-Man Character Wynonna Earp - Shootout & Smoking Guns Thor - Character Wolverine - Character DC & JLA Any Hero - Death From Above, Gamma Terror, Guardian Angel, Unlucky At Love MONUMENTAL Any Character - Guardian Angel & Wizard in Top Hat & Tails Level 8 Power Cards (Energy, Strength, & Intellect) Power Cards - 6 Any Power, All 7 & 8's (Energy, Fighting, Strength, & Intellect) Adam Warlock - Character, Cosmic Alliance & Energy Barrage Teamwork Cards (DC) - 8 Energy, 8 Fighting, 8 Strength Any Character - Bastion Aquaman - Line Morlocks - Caliban Captain Atom - Anti-Gravity Field & Atomic Bolt Fall's Edge Compound (Location) Captain Marvel - Speed of Mercury X-Babies - Li'l Rogue Darkseid - Omega Effect Flash - Tapping the Speed Force CLASSIC Ray - Blinded by the Light Any Character - New Universe Wonder Woman - Blessed by the Gods Any Mission - To Save the World Artifacts - All Except For Pym Particles (7 Total) PROMOS Bullseye - Everything's A Weapon! Adam Warlock - Character, Cosmic Alliance, Energy Barrage, & Soul Gem Deathlok - John "Siege" Kelly Any Character - Deal with the Devil Heroes for Hire - Character Any Hero - Deah From Above, Gamma Terror, & Guardian Angel Ka-Zar - King of the Savage Land Any Mission Hideout Discovered! Marrow - Morlock History Assault on Onslaught Events - Fighting Spirit Lives & Spy Discovered Psycho-Man - Malice Assault on Onslaught Missions - 1, 2, 3, 4, 5, 6 Reyes - Character Beyonder Shadowcat - Age of Apocalypse DC Holographic Characters (All) Spider-Man: Sybiotic Costume Character Hillshire Farm - Any Hero, Combat Chaos, Scarlet Savior, Stampede, Universe Starjammers - Professor X Lost Promo Classic Inserts: Wakanda (location) Any Character - Deal with the Devil (Emplate & White Queen) Any Power Teamwork X-MEN Avenger's ID (Artifact) Any Character - Devourer of Worlds Image Inducer (1997 copyright date on back) Any-Homebase A-next Krakoa (1997 copyright date on back) Artifact - M'Krann Fragment Xavier Protocols (Universe) Captain Britain - Supersonic Marvel vs Wildstorm Characters (All) - Black King, Brass, Crystal, Jean Grey: Dark Phoenix Character Daemonite Voodoo, Golden Age Wolverine, Future Backlash, Team X Maverick - Character Onslaught - Raw Power Phoenix - Manifest Phoenix Sabra - Bladefire OTHER Spider-Girl - Mayday Entire Collections Sunfire - Atomic Flame & Radiate Heat Error Cards (misprints) Typhoid Mary - Dressed to Kill Packs & Starter Decks X-man - Character & Ultimate Potential.
Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Bomb Queen Volume 3: the Good, the Bad and the Lovely Pdf, Epub, Ebook
    BOMB QUEEN VOLUME 3: THE GOOD, THE BAD AND THE LOVELY PDF, EPUB, EBOOK Jimmie Robinson | 126 pages | 05 Feb 2008 | Image Comics | 9781582408194 | English | Fullerton, United States Bomb Queen Volume 3: The Good, The Bad And The Lovely PDF Book Bomb Queen, in disguise, travels to Las Vegas in search of a weapon prototype at a gun convention and runs into Blacklight , also visiting Las Vegas for a comic convention. Related: bomb queen 1 bomb queen 1 cgc. More filters Krash Bastards 1. Superpatriot: War on Terror 3. Disable this feature for this session. The animal has mysterious origins; he appears to have some connections to the Mayans of South America. The Bomb Qu Sam Noir: Samurai Detective 3. Share on Facebook Share. Ashe is revealed to be a demon, and New Port City his sphere of influence. These are denoted by Roman numerals and subtitles instead of the more traditional sequential order. I had the worse service ever there upon my last visit. The restriction of the city limits kept Bomb Queen confined in her city of crime, but also present extreme danger if she were to ever leave - where the law is ready and waiting. This wiki. When the hero's efforts prove fruitless, the politician unleashes a chemically-created monster who threatens not only Bomb Queen but the city itself. The animal has mysterious origins and is connected to the Maya of Central America. Sometimes the best medicine is bitter and hard to swallow, and considering the current state of things, it seemed the perfect time for her to return to add to the chaos! Dragon flashback only.
    [Show full text]
  • Spawn: the Eternal Prelude Darkness
    Spawn: The Eternal Prelude Darkness. Pain. What . oh. Oh god. I'm alive! CHOOSE. What? Oh great God almighty in Heaven . NOT QUITE. CHOOSE. Choose . choose what? What are you? Where am I? Am I in Hell? NOT YET. DO YOU WISH TO RETURN? Yes! Yes, of course I want to go back! But . what's the catch? What is all this? IT IS NONE OF YOUR CONCERN. WHAT WOULD YOU GIVE FOR A RETURN? TO SEE YOUR LOVED ONES, TO ONCE MORE TASTE LIFE? WHAT WOULD YOU GIVE? I . I'm dead, aren't I? YES. But . what can I give? I am dead, so I have nothing! NOT TRUE. YOU HAVE YOURSELF. Myself? I don't understand . is it my soul you want? NO. I ALREADY HOLD YOUR SOUL . I WISH TO KNOW IF YOU WOULD SERVE ME WILLINGLY IN RETURN FOR COMING BACK. Serve . to see my wife again . yes . to hold my children once more . yes. I will serve you. VERY WELL. THE DEAL IS DONE . In a rainy graveyard, something fell smoking to the ground. It sat up, shaking its head, looking around itself. Strange. Why was he lying here? He tried to stand up, surprising himself by leaping at least twenty feet into the air, landing as smoothly as a cat. How . then something caught his attention. He stared into the puddle of rainwater, trying to discern the vague shape that must be his own face. And then he screamed. Because what stared back was the burn-scarred skullface of a corpse, its eyes glowing a deep green.
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • Invincible Jumpchain- Compliant CYOA
    Invincible Jumpchain- Compliant CYOA By Lord Statera ​ Introduction Welcome to Invincible. Set in the Image comic book multiverse, this setting is home to older heroes and villains like Spawn, The Darkness, and The Witchblade. This story, however, focuses on the new superhero Invincible (Mark Grayson), the half-breed Viltrumite-Human hybrid and son of the world famous hero Omni-Man (Nolan Grayson). Invincible spends the beginning of his career working alongside the Teen Team, and with his father, to defend not only Baltimore but the Earth from many and varied threats. Little does he know that his father, rather than being an alien from a peace loving species, is actually a harbinger of war to the planet Earth. Viltrumites are actually a race bent on conquering the universe, one planet at a time. And with their level of power, not much can stop them. Fortunately, there is one secret the Viltrumite Empire has been hiding. Over 99% of the Viltrumite population had been wiped out using a plague genetically engineered by scientists of the Coalition of Planets, they are forced to wage a proxy war using their servant races against the Coalition, all the while sending individual Viltrumites out to take one world at a time, in their attempt to conquer the stars. As humans are the closest genetic match for the Viltrumite race outside of another Viltrumite, the remnants of this mighty alien race turn their sights on Earth in the hopes of using it as a breeding farm to repopulate their race. To help you survive in this universe, here are 1000 Choice Points.
    [Show full text]
  • Jun 18 Customer Order Form
    #369 | JUN19 PREVIEWS world.com Name: ORDERS DUE JUN 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Jun19 Cover ROF and COF.indd 1 5/9/2019 3:08:57 PM June19 Humanoids Ad.indd 1 5/9/2019 3:15:02 PM SPAWN #300 MARVEL ACTION: IMAGE COMICS CAPTAIN MARVEL #1 IDW PUBLISHING BATMAN/SUPERMAN #1 DC COMICS COFFIN BOUND #1 GLOW VERSUS IMAGE COMICS THE STAR PRIMAS TP IDW PUBLISHING BATMAN VS. RA’S AL GHUL #1 DC COMICS BERSERKER UNBOUND #1 DARK HORSE COMICS THE DEATH-DEFYING DEVIL #1 DYNAMITE ENTERTAINMENT MARVEL COMICS #1000 MARVEL COMICS HELLBOY AND THE B.P.R.D.: SATURN RETURNS #1 ONCE & FUTURE #1 DARK HORSE COMICS BOOM! STUDIOS Jun19 Gem Page.indd 1 5/9/2019 3:24:56 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Bad Reception #1 l AFTERSHOCK COMICS The Flash: Crossover Crisis Book 1: Green Arrow’s Perfect Shot HC l AMULET BOOKS Archie: The Married Life 10 Years Later #1 l ARCHIE COMICS Warrior Nun: Dora #1 l AVATAR PRESS INC Star Wars: Rey and Pals HC l CHRONICLE BOOKS 1 Lady Death Masterpieces: The Art of Lady Death HC l COFFIN COMICS 1 Oswald the Lucky Rabbit: The Search for the Lost Disney Cartoons l DISNEY EDITIONS Moomin: The Lars Jansson Edition Deluxe Slipcase l DRAWN & QUARTERLY The Poe Clan Volume 1 HC l FANTAGRAPHICS BOOKS Cycle of the Werewolf SC l GALLERY 13 Ranx HC l HEAVY METAL MAGAZINE Superman and Wonder Woman With Collectibles HC l HERO COLLECTOR Omni #1 l HUMANOIDS The Black Mage GN l ONI PRESS The Rot Volume 1 TP l SOURCE POINT PRESS Snowpiercer Hc Vol 04 Extinction l TITAN COMICS Lenore #1 l TITAN COMICS Disney’s The Lion King: The Official Movie Special l TITAN COMICS The Art and Making of The Expance HC l TITAN BOOKS Doctor Mirage #1 l VALIANT ENTERTAINMENT The Mall #1 l VAULT COMICS MANGA 2 2 World’s End Harem: Fantasia Volume 1 GN l GHOST SHIP My Hero Academia Smash! Volume 1 GN l VIZ MEDIA Kingdom Hearts: Re:Coded SC l YEN ON Overlord a la Carte Volume 1 GN l YEN PRESS Arifureta: Commonplace to the World’s Strongest Zero Vol.
    [Show full text]
  • 30Th ANNIVERSARY 30Th ANNIVERSARY
    July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face .
    [Show full text]
  • How to Cite Complete Issue More Information About This Article
    Palabra Clave ISSN: 0122-8285 Universidad de La Sabana Donoso Munita, José Agustín; Penafiel Durruty, Mariano Alejandro Transmedial Transduction in the Spider-Verse Palabra Clave, vol. 20, no. 3, 2017, July-September, pp. 763-787 Universidad de La Sabana DOI: https://doi.org/10.5294/pacla.2017.20.3.8 Available in: https://www.redalyc.org/articulo.oa?id=64954578008 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Transmedial Transduction in the Spider-Verse José Agustín Donoso Munita1 Mariano Alejandro Penafiel Durruty2 Recibido: 2016-09-09 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-12 Aceptado: 2017-03-16 DOI: 10.5294/pacla.2017.20.3.8 Para citar este artículo / to reference this article / para citar este artigo Donoso Munita, J.A. y Penafiel Durruty, M.A. (2017). Transmedial transduction in the spider-verse. Palabra Clave, 20(3), 763-787. DOI: 10.5294/pacla.2017.20.3.8 Abstract Since Spider-Man was born from the hands of Stan Lee and Steve Ditko in 1962, thousands of versions of the arachnid have been created. Among them, two call the attention of this investigation: Spider-Man India and Supaidaman (1978), from Japan. By using a comparative study of the he- ro’s journey between these two and the original Spider-Man, this study at- tempts to understand transduction, made to generate cultural proximity with the countries where the adaptations were made.
    [Show full text]
  • Fantastic Four Kree/Skrull Alliance Cotati Avengers
    AVENGERS CAPTAIN CAPTAIN BLACK AMERICA IRON MAN MARVEL PANTHER THOR MANTIS WICCAN FANTASTIC FOUR MR. THE INVISIBLE THE HUMAN THE POWERHOUSE BRAINSTORM SPIDER-MAN WOLVERINE FANTASTIC WOMAN TORCH THING KREE/SKRULL ALLIANCE EMPEROR SUPER- CAPTAIN R’KLLL MUR-G’NN HULKLING SKRULL GLORY COTATI QUOI SWORDSMAN HULK After years of conflict, the Kree and Skrull Empires suddenly united under the leadership of Emperor Dorrek VIII, the Young Avenger and Kree/Skrull hybrid known as Hulkling. His first act as Emperor was to order their combined forces to Earth to defeat their mutual enemy, the plantlike race known as the Cotati. Led by Quoi, the prophesied Celestial Messiah, and his father, the Swordsman, the Cotati plan to eliminate all animal life --starting with Earth. The united members of the Avengers and Fantastic Four have been defending the planet from the invading Cotati but were unable to stop them from planting the seeds for the Death Blossom. Once it blooms, the Cotati will have control of all plant life in the galaxy. Captain Marvel and the Human Torch teamed up with former Young Avenger Wiccan, who revealed he and Hulkling had recently married. He also exposed Emperor Hulking as R’Klll, the former Skrull empress, in disguise. But while Wiccan and his allies freed the true Hulkling from captivity, they were too late to stop R’Klll from activating the Pyre, a weapon that will end the threat of the Cotati forever--by detonating Earth’s sun! story Al Ewing & Dan Slott script Al Ewing artist Valerio Schiti color artist Marte Gracia letterer VC’s Joe Caramagna cover Jim Cheung & Jay David Ramos variant covers Jim Cheung & Jay David Ramos; Michael Cho; John Tyler Christopher; Tony Daniel & Frank D’Armata; Alexander Lozano & Wade von Grawbadger; Mike McKone & Morry Hollowell; Mike Mignola graphic designer Carlos Lao assistant editor Martin Biro associate editor Alanna Smith editor Tom Brevoort editor in chief C.B.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • Rattus Libri
    Ausgabe 149 Mitte Juli 2016 Liebe Leserinnen und Leser, liebe Kolleginnen und Kollegen, in unserer etwa zwölf Mal im Jahr erscheinenden Publikation möchten wir Sie über interessante Romane, Sachbücher, Magazine, Comics, Hörbücher und Filme aller Genres informieren. Gastbeiträge sind herzlich willkommen. RATTUS LIBRI ist als Download auf folgenden Seiten zu finden: http://rattus-libri.taysal.net/ www.beam-ebooks.de/kostenlos.php http://blog.g-arentzen.de/ www.foltom.de www.geisterspiegel.de/ www.literra.info www.phantastik-news.de http://phantastischewelt.wordpress.com/ Ältere Ausgaben unter: www.light-edition.net www.uibk.ac.at/germanistik/dilimag/ Einzelne Rezensionen erscheinen bei: www.buchrezicenter.de; www.sfbasar.de; www.filmbesprechungen.de; www.phantastiknews.de; http://phantastischewelt.wordpress.com; www.literra.info; www.rezensenten.de; www.terracom- online.net. Das Logo hat Lothar Bauer für RATTUS LIBRI entworfen: www.saargau-blog.de; www.saargau-arts.de; http://sfcd.eu/blog/; www.pinterest.com/lotharbauer/; www.facebook.com/lothar.bauer01. Das Layout hat Irene Salzmann entworfen. Für das PDF-Dokument ist der Acrobat Reader 6.0 erforderlich. Diesen erhält man kostenlos bei: www.adobe.de. Die Rechte an den Texten verbleiben bei den Verfassern. Der Nachdruck ist mit einer Quellenangabe, einer Benachrichtigung und gegen ein Belegexemplar erlaubt. Wir bedanken uns vielmals bei allen Autoren und Verlagen, die uns Rezensionsexemplare und Bildmaterial für diese Ausgabe zur Verfügung stellten, und den fleißigen Kollegen, die RATTUS LIBRI und die Rezensionen in ihren Publikationen einbinden oder einen Link setzen. Nun aber viel Vergnügen mit der Lektüre der 149. Ausgabe von RATTUS LIBRI. Mit herzlichen Grüßen Ihr RATTUS LIBRI-Team Seite 1 von 84 Rubriken_______________________________________ _______ Schwerpunktthema: Artikel: Die faszinierende Welt der Spiele (Teil 1) mit Rezensionen ................................
    [Show full text]
  • Marketing Violent Entertainment to Children Report
    MARKETING VIOLENT ENTERTAINMENT TO CHILDREN: A REVIEW OF SELF-REGULATION AND INDUSTRY PRACTICES IN THE MOTION PICTURE, MUSIC RECORDING & ELECTRONIC GAME INDUSTRIES REPORT OF THE FEDERAL TRADE COMMISSION SEPTEMBER 2000 Federal Trade Commission Robert Pitofsky, Chairman Sheila F. Anthony Commissioner Mozelle W. Thompson Commissioner Orson Swindle Commissioner Thomas B. Leary Commissioner TABLE OF CONTENTS EXECUTIVE SUMMARY ..................................................... i I. INTRODUCTION ......................................................1 A. President’s June 1, 1999 Request for a Study and the FTC’s Response ........................................................1 B. Public Concerns About Entertainment Media Violence ...................1 C. Overview of the Commission’s Study ..................................2 Focus on Self-Regulation ...........................................2 Structure of the Report .............................................3 Sources .........................................................4 II. THE MOTION PICTURE INDUSTRY SELF-REGULATORY SYSTEM .......4 A. Scope of Commission’s Review ......................................5 B. Operation of the Motion Picture Self-Regulatory System .................6 1. The rating process ..........................................6 2. Review of advertising for content and rating information .........8 C. Issues Not Addressed by the Motion Picture Self-Regulatory System .......10 1. Accessibility of reasons for ratings ............................10 2. Advertising placement
    [Show full text]