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ACCESS Pennsylvania ACCESS Cardholders can attend 36 cultural sites in Philadelphia for $2 per person rt-Reach creates, advocates for and expands accessible opportunities in A the arts so the full spectrum of society is served. ACCESS Admission is a city-wide initiative led by Art-Reach and supported by various community partners and cultural sites. Sponsored in part by PECO www.art-reach.org Admission ACCESS Sites: Academy of Natural Museum of the American Sciences Revolution African American Museum Mutter Museum in Philadelphia National Constitution American Swedish Center Historical Museum National Liberty Museum Betsy Ross House National Museum of Brandywine River Museum American Jewish History Chanticleer Garden Pennsylvania Academy of Christ Church & Burial the Fine Arts Ground Penn Museum Eastern State Penitentiary Philadelphia History Franklin Institute Science Museum Museum Philadelphia Museum of Franklin Square Mini Golf Art Franklin Square Carousel Philadelphia's Magic Gardens Fringe Arts* Physick House Grumblethorpe Please Touch Museum Independence Seaport Museum Powel House Insectarium & Butterfly Shofuso House and Pavilion Garden James A. Michener Art Tyler Arboretum Museum Waynesborough Longwood Gardens Wharton Esherick Museum Morris Arboretum Woodmere Art Museum *Please see details about Fringe Arts tickets on our website HOW IT WORKS: Visitors must present a valid ACCESS Card along with a photo ID to receive the discount. One (1) ACCESS Card admits the cardhold er and up to three (3) friends or family members at a rate of $2 per person. Admission is to be paid by the visitor, not through their EBT funds. The ACCESS admission discount is not valid on special exhibitions or features, or with any other offer or group rate. For more information, and list of locations and transportation options, visit www.art-reach.org #ACCESS2PHL.

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Museums Visual Art Performing Arts Historic Sites Free Events
Museums Visual Art Performing Arts Historic Sites Free Events Museums The Academy of Natural Sciences of Drexel University African American Museum in Philadelphia The Barnes Foundation Chemical Heritage Foundation The Franklin Institute Independence Seaport Museum The Mütter Museum National Constitution Center National Museum of American Jewish History New Hall Military Museum Pennsylvania Academy of the Fine Arts (PAFA) Philadelphia Art Alliance Philadelphia History Museum The Philadelphia Museum of Art The Rodin Museum The Rosenbach Museum The Academy of Natural Sciences of Drexel University 1900 Benjamin Franklin Parkway, $16 admission The Academy of Natural Sciences is America’s oldest natural history museum and a world leader in biodiversity and environmental research. For 200 years, the Academy has explored the remarkable diversity of our natural world, sharing these discoveries with the public through extraordinary collections, inno- vative exhibits, educational programming, and publications. African American Museum in Philadelphia 701 Arch St., $10 student admission The African American Museum in Philadelphia is home to an amazing collection of objects and illustrations that chronicle and dramatically unfold the in- credible story of the black Diaspora. A massive assortment of art, artifacts, period clothing, furniture, military weapons, industrial tools, musical instru- ments, photographs, diaries, documents, records, books, journals, paintings, prints, drawings, sculptures, fiber and mixed-media works comprise our capti- vating collection. The Barnes Foundation 2025 Benjamin Franklin Parkway, $10 student admission The Barnes Foundation maintains and displays one of the world's leading collections of French impressionist and post-impressionist paintings. Featuring 181 Renoirs, 69 Cézannes and 59 Matisses --along with works by Manet, Degas, Seurat, Prendergrast, Titian and Picasso—it is a must-see for art lovers while in Philadelphia.
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ACCESS Philly by Art-Reach
ACCESS Philly by Art-Reach For $2 per person ACCESS Cardholders can attend 45 cultural sites & theaters HOW IT WORKS « Bring valid ACCESS Card with a photo ID « One (1) ACCESS Card admits the cardholder and up to three (3) people at a rate of $2 per person « EBT funds cannot be used to pay admission « Discount is not valid on special exhibitions, special events, or with any other offers ACCESS Philly is brought to you by www.art-reach.org/ACCESS Sponsored in part by ACCESS Admission Show your card at these museums, gardens and historic sites for $2 admission Academy of Natural Morris Arboretum Sciences Museum of the American African American Museum Revolution in Philadelphia Mutter Museum American Swedish Historical National Constitution Center Museum National Liberty Museum Betsy Ross House National Museum of Brandywine River Museum American Jewish History Chanticleer Garden Pennsylvania Academy of Christ Church & Burial the Fine Arts Ground Penn Museum Eastern State Penitentiary Philadelphia Museum of Art Franklin Institute Science Philadelphia’s Magic Museum Gardens Franklin Square Mini Golf Physick House Franklin Square Carousel Please Touch Museum Grumblethorpe Powel House Independence Seaport Shofuso House and Garden Museum Tyler Arboretum Insectarium & Butterfly Pavilion Waynesborough James A. Michener Art Wharton Esherick Museum Museum Woodmere Art Museum Longwood Gardens ACCESS Live Contact the box office for performance dates, times and to purchase $2 tickets 1812 Productions FringeArts Philadelphia Theatre 11th Hour Theatre
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Annual Report 2020 775 Members As of 31 December 2020
THE FRIENDS OF THE WILLIAM JEANES MEMORIAL LIBRARY Annual Report 2020 775 members as of 31 December 2020 PROGRAMMING (Adult/Teen/Children, General) $8,500 • Virtual programs and supplies • Children’s Programs & Supplies • Teen Programs & Supplies • Adult Programs & Supplies • Craft supplies • Trivia Night Prizes and Summer Reading Prizes • MLK Day and Star Wars Day supplies • BookPage Publication MUSEUM PASSES $2,750 For many years the Friends have been pleased to provide the Library with museum passes to approximately 30 different museums and cultural institutions throughout the region. Due to the pandemic, most of these institutions stopped accepting or selling museum passes. Recognizing the importance of these passes to the public and of helping these local institutions, the Friends continued to supply funds to purchase passes for the Library as they became available. The museums and cultural institutions that the Friends supported in 2019 and supported when possible in 2020: Woodmere Art Museum Independence Seaport Museum African American Museum in Mütter Museum of the College of Physicians of Philadelphia Philadelphia Elmwood Park Zoo National Constitution Center Chanticleer Garden Moravian Pottery and Tile Works Rosenbach Museum and Library Morris Arboretum of the University of Pennsylvania Philadelphia Insectarium and Penn Museum (U of Penn Museum of Archaeology Butterfly Pavilion and Anthropology) Grounds for Sculpture Academy of Natural Sciences of Drexel University Tyler Arboretum Museum of the American Revolution Historic Hope Lodge John James Audubon Center at Mill Grove Eastern State Penitentiary National Museum of American Jewish History Battleship New Jersey Boyertown Museum of Historic Vehicles Philadelphia’s Magic Garden Bucks County Children’s Museum National Liberty Museum Reading Public Museum Glencairn Museum Simeone Foundation Automotive Museum Pearl S.
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2017 Annual Report
2017 Annual Report THE BARNES FOUNDATION 2017 ANNUAL REPORT 1 CONTENTS 3 LETTER FROM THE CHAIR OF THE BOARD OF TRUSTEES 4 LETTER FROM THE EXECUTIVE DIRECTOR AND PRESIDENT 5 OFFICERS AND TRUSTEES OF THE BARNES FOUNDATION 5 APPOINTMENTS 5 BOARD COMMITTEES 6 EDUCATION 8 FIFTH ANNIVERSARY CELEBRATION 9 PARKWAY 100: CELEBRATING THE BENJAMIN FRANKLIN PARKWAY'S CENTENNIAL 11 EXHIBITIONS 14 ARCHIVES, LIBRARY, AND SPECIAL COLLECTIONS 16 CONSERVATION 19 PROGRAMS 21 AUDIENCE ENGAGEMENT INITIATIVES 23 ADMISSION INITIATIVES 24 EVENTS 26 DONORS 41 VOLUNTEER LEADERSHIP COMMITTEES 44 STAFF AND VOLUNTEERS PREVIOUS: Maurice Brazil Prendergast. The Beach "No. 3", c. 1914–15. BF359 OPPOSITE: Henri Rousseau. Outskirts of Paris, c. 1895. BF844 THE BARNES FOUNDATION 2017 ANNUAL REPORT 2 LETTER FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear friends, In Art as Experience (1934), John Dewey become an integral part of the cultural wrote, “Art is not something apart, not fabric of the city and broadened its something for the few, but something reach around the country and the world. which should give meaning to all the We have welcomed over 1.5 million activities of life.” In these few words, visitors—including 60,000 students Dewey—a close collaborator of Albert from the School District of Philadelphia C. Barnes, and the Foundation’s first and 85,000 adults and children on our director of education—captured the PECO Free First Sundays. To honor this essence of Dr. Barnes’s guiding princi- milestone, we presented a monthlong ples in creating his Foundation. Now, constellation of anniversary programs 95 years after its founding, we further dedicated to our many audiences.
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National Register of Historic Places Inventory
Form No. ^0-306 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM FOR FEDERAL PROPERTIES SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Independence National Historical Park AND/OR COMMON LOCATION STREET & NUMBER 313 Walnut Street CITY. TOWN CONGRESSIONAL DISTRICT t Philadelphia __ VICINITY OF STATE CODE COUNTY CODE PA 19106 CATEGORY OWNERSHIP STATUS PRESENT USE ^DISTRICT —PUBLIC —OCCUPIED —AGRICULTURE 2LMUSEUM -BUILDING(S) —PRIVATE X-UNOCCUPIED —^COMMERCIAL 2LPARK .STRUCTURE 2EBOTH —WORK IN PROGRESS —XEDUCATIONAL ^.PRIVATE RESIDENCE -SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS -OBJECT —IN PROCESS X-YES: RESTRICTED ^GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: REGIONAL HEADQUABIER REGION STREET & NUMBER CITY. TOWN STATE PHILA.,PA 19106 VICINITY OF COURTHOUSE, ____________PhiladelphiaREGISTRY OF DEEDS,ETC. _, . - , - , Ctffv.^ Hall- - STREET & NUMBER n^ MayTftat" CITY. TOWN STATE Philadelphia, PA 19107 TITLE DATE —FEDERAL —STATE —COUNTY _LOCAL CITY. TOWN CONDITION CHECK ONE CHECK ONE ^EXCELLENT —DETERIORATED —UNALTERED 2S.ORIGINALSITE _GOOD h^b Jk* SANWJIt's ALTERED _MOVED DATE. —FAIR _UNEXPOSED Description: In June 1948, with passage of Public Law 795, Independence National Historical Park was established to preserve certain historic resources "of outstanding national significance associated with the American Revolution and the founding and growth of the United States." The Park's 39.53 acres of urban property lie in Philadelphia, the fourth largest city in the country. All but .73 acres of the park lie in downtown Phila-* delphia, within or near the Society Hill and Old City Historic Districts (National Register entries as of June 23, 1971, and May 5, 1972, respectively).
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Ben Franklin Parkway and Independence Mall Patch Programs
Ben Franklin Parkway and Independence Mall Patch Programs 1 Independence Mall Patch Program Introduction – Philadelphia’s History William Penn, a wealthy Quaker from London earned most of his income from land he owned in England and Ireland. He rented the land for use as farmland even though he could have made much more money renting it for commercial purposes. He considered the rent he collected from the farms to be less corrupt than commercial wealth. He wanted to build such a city made up of farmland in Pennsylvania. As soon as William Penn received charter for Pennsylvania, Penn began to work on his dream by advertising that he would establish, “ A large Towne or City” on the Delaware River. Remembering the bubonic plague in London (1665) and the disastrous fire of 1666, Penn wanted, “ A Greene county Towne, which would never be burnt, and always be wholesome.” In 1681, William Penn announced he would layout a “Large Towne or City in the most convenient place upon the river for health and navigation.” Penn set aside 10,000 acres of land for the Greene townie on the Delaware and he stretched the town to reach the Schuylkill so that the city would face both rivers. He acquired one mile of river frontage on the Schuylkill parallel to those on the Delaware. Thus Philadelphia became a rectangle 1200 acres, stretching 2 miles in the length from east to west between the 3 rivers and 1 mile in the width North and South. William Penn hoped to create a peaceful city. When he arrived in 1682, he made a Great Treaty of Friendship with the Lenni Lenape Indians on the Delaware.
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The Barnes Foundation in Philadelphia
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2013 The Barnes Foundation in Philadelphia Laurel Caffee Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation Caffee, Laurel, "The Barnes Foundation in Philadelphia" (2013). Anthropology Senior Theses. Paper 150. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/150 For more information, please contact [email protected]. The Barnes Foundation in Philadelphia Abstract The Barnes Foundation presents an example of a Museum art collection that—with its move from its original Lower Merion location to Center City Philadelphia on the Benjamin Franklin Parkway—has finally achieved its (stated) goal of becoming a more accessible and open institution. However, the relocation of a museum to a more accessible location does not create instant open/public accessibility. This is an examination of the history of the Barnes Foundation, its inception, along with Philadelphia’s yearning form an additional upscale elite clientele. My goal is to evaluate the new Barnes vis-à-vis its original mission as it settles into its new facility. I examine various critical periods in the history of the Barnes including its function and mission before and immediately after the death of Dr. Albert Barnes, the fiscally embattled period following the death of Dr. Barnes successors, and the circumstances surrounding its move to its current Center City location where it has been recently relocated adjacent to another cultural jewel, the Rodin Museum. My argument is that the new Barnes Foundation museum is less about fulfilling or continuing the original mission or Dr.
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A L E X a N D R a T Y
A L E X A N D R A T Y N G 117 Woodside Avenue, Narberth PA 19072 (610) 664-0651 [email protected] www.alexandratyng.com ____________________________________________________________________________ BIOGRAPHY Alexandra Tyng is a contemporary realist painter known for her narrative, symbolic figurative works, her expansive aerial landscapes, and her portraits. She is currently working in Philadelphia, PA. BORN 1954, Rome, Italy EDUCATION: Harvard University, Cambridge, MA, B.A. Fine Arts 1975 University of Pennsylvania, Philadelphia, PA, M.S. Education 1977 SOLO EXHIBITIONS: 2019 Transitional Space, Dowling Walsh Gallery, Rockland, ME 2017 Brief Window, Dowling Walsh Gallery, Rockland, ME 2015 Ways and Intersections, Gross McCleaf Gallery, Philadelphia, PA 2013 The Unseen Aspect, Dowling Walsh Gallery, Rockland, ME 2012 Alexandra Tyng: Maine, Fischbach Gallery, New York, NY 2011 Right Here: New Maine Island Paintings, Dowling Walsh Gallery, Rockland, ME 2009 Above and Beyond, Fischbach Gallery, New York, NY 2005 Wide Angles and Peripheral Visions, Fischbach Gallery, New York, NY Alexandra Tyng ’71, Select Gallery, Philadelphia, PA 2003 On the House, Fischbach Gallery, New York, NY 2001 Maine Times, Fischbach Gallery, New York, NY 1999 Paintings of Maine, Fischbach Gallery, New York, NY 1997 Alexandra Tyng, Fischbach Gallery, NY, City Arts League, Philadelphia, PA 1994 Lakes and Camps, University City Arts League, Philadelphia, PA GROUP EXHIBITIONS: 2020 Allied Artists of America 107th Exhibition, National Arts Club, New York, NY, Len G. Everett Memorial Award The Maine Event, Gallery 222, Malvern, PA Holiday Salon, Dowling Walsh Gallery, Rockland, ME 2019 Maine, the Painted State, Greenhut Gallery, Portland, ME Painting the Figure II, Wausau Museum of Contemporary Art, WI 2018 Trust the Process, curated by Randall Graham, Gallery 222, Malvern PA 2017 Women Painting Women: In Earnest, curated by Alia El-Bermani, Customs House Museum, Clarkesville, TN; Texas A&M J.
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ACTION PLAN for LOGAN CIRCLE Reconnecting Communities
Reconnecting Communities ACTION PLAN FOR LOGAN CIRCLE Project for Public Spaces, Inc. May 2003 Reconnecting Communities ACTION PLAN FOR LOGAN CIRCLE VINE STREET EXPRESSWAY, PHILADELPHIA, PA Prepared by: Project for Public Spaces, Inc. 153 Waverly Place New York, NY 10014 212.620.5660 and Center City District 917 Filbert Street Philadelphia, PA 19107 215.440.5500 May 2003 This action plan is an excerpt from the VINE STREET: RECONNECTING COMMUNITIES report where overall long term goals for improvement and revitalization are outlined. The full report is available in PDF format at http://pps.org/vineonline 3 Logan Circle Turning Logan Circle into one of the best public spaces in the world It is not an exaggeration to say that Logan Circle could become the greatest, most rec- ognized and popular public space and attraction in Philadelphia and one of the best in the world. The Swann fountain is probably the grandest in the country and its location, as the centerpiece of the city's most prominent institutions, makes it unique and perhaps unparalleled anywhere. However, the existing situation couldn't be much worse. The fountain is nearly inaccessi- ble to pedestrians, being cut off by five lanes of fast moving traffic. It is surrounded by unused parkland. The institutions themselves seem to be hiding as well, and very few of them have banners, outdoor activities or other attention grabbers on their exteriors. Yet there is a great opportunity to make changes very quickly and without a lot of money given the existing characteristics of the users and spaces in Logan Circle.
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Museums at Home – Links to Online Resources
MUSEUMS AT HOME – LINKS TO ONLINE RESOURCES The Academy of Natural Sciences o Programs & Events: https://ansp.org/programs-and-events/ . All virtual. Registration required. o Online Exhibits: https://ansp.org/exhibits/online-exhibits/ o Academy Unscripted: https://ansp.org/exhibits/academy-unscripted/ . “Academy Unscripted is a new series featuring one-on-one conversations with Academy scientists. Stay tuned for new episodes every other Thursday.” o Science From Home: https://ansp.org/exhibits/science-from-home/ . Great for kids! . Features simple science activities, coloring pages, outdoor activities, and more. African American Museum in Philadelphia o Online Exhibitions: https://www.aampmuseum.org/current-exhibitions.html o Online Collections Database (Browse for pictures of people and artifacts): https://aampmuseum.pastperfectonline.com/ Boyertown Museum of Historic Vehicles o Online Collection Images: https://boyertownmuseum.org/collection/ Chanticleer o Garden Guide: http://www.chanticleergarden.org/garden_guide.html . Pictures and an image of each section of the garden. There are two video tours: Gravel Garden and Teacup Garden! Eastern State Penitentiary o Online Interaction Options: https://www.easternstate.org/connect-and-learn . Sign up for free virtual programs, learn about booking a virtual tour, & view upcoming online events. Elmwood Park Zoo o Animal Cams (Giraffe & Eagle): https://www.elmwoodparkzoo.org/animal-cams/ Glencairn Museum o Online Exhibitions: https://glencairnmuseum.org/online-exhibitions o Events: https://glencairnmuseum.org/upcoming-events-1 . Some of these are online. Please read carefully. Independence Seaport Museum o Online Exhibits: https://www.phillyseaport.org/online-exhibits o Digital Resources: https://www.phillyseaport.org/digital-resources . Links to their social media, online catalog, video series & YouTube channel, and more o Events: https://www.phillyseaport.org/events .
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Origins of the Philadelphia School of Design for Women, 1848 to 1876
Art and Industry in Philadelphia: Origins of the Philadelphia School of Design for Women, 1848 to 1876 o A TWENTIETH-CENTURY PHILADELPHIAN, Moore College of Art and Design seems a permanent fixture on the city's cultural Tlandscape. Now on Logan Square with the even more venerable Franklin Institute and Academy of Natural Sciences, from 1880 to 1959 Moore occupied an imposing building at Broad and Master Streets, north of City Hall. Originally known as the Philadelphia School of Design for Women, it began in 1848 as a charitable effort to train "needy and deserving" young women in textile and wallpaper design, wood engraving, and other salable artistic skills. During the 1850s, governance passed from the woman founder to men of the city's financial and manufacturing elite. Curriculum and policies frequently reflected both conflict and com- promise among the differing goals of managers, faculty, and students. By 1919 the school claimed thousands of alumnae. After its merger in 1932 with the Moore Institute of Art, Science, and Industry, this experiment in vocational art training continued to flourish as a women's college dedicated to commercial art, in an era when many other single-sex institutions foundered under the impact of changing attitudes towards coeducation.1 This article is drawn from a dissertation in progress, a detailed narrative of the school's early years appeared in the author's M A thesis, "The Philadelphia School of Design for Women, 1848 to 1876" (University of Delaware, 1989) In partial return for numerous intellectual
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Planning for Growth Benjamin Franklin Parkway
CENTER CITY: PLANNING FOR GROWTH BENJAMIN FRANKLIN PARKWAY The proposals for enhancing the Benjamin Franklin Parkway have emerged from over five years of collaborative work with the Parkway Council Foundation, the Fairmount Park Commission, the Philadelphia Art Commission and the Pennsylvania Horticultural Society. In 2003, a new conceptual master plan was prepared by the Olin Partnership. Additional design and traffic engineering work was done by Brown & Keener Bressi, Cope Linder Architects, Lager Raabe Skafte Landscape Architects, Kise Straw & Kolodner, Urban Engineers, Cloud Gehshan Associates, The Lighting Practice and Grenald Waldron Associates. The advancement and implementation of these enhancements is anticipated soon. B. Krist, GPTMC BENJAMIN FRANKLIN Philadelphia PARKWAY Museum of Art SPRING GARDEN D V L B S T T T T T T T T T T T T T T T T T T T T T T S S U S S S S S S S S S S S S S S S S S S S S B T T D H H H D H D H H H H H H D H H H H H H N S A T T T T T T T T T T T T T T T T M R N N 1 3 2 1 0 9 8 7 6 5 4 0 9 8 7 6 5 O 3 O 2 2 U 2 1 1 1 1 2 1 1 1 1 1 R L R S 2 C F B B H E O U N C Y JA L M R K I E I N CALLOWHILL L H L FR R AN P IV KL O E IN T R S PK I W R Y VINE ST H C T T S S FRANKLIN LOGAN R D SQUARE E R SQUARE P 3 I 2 N RACE ST U J Convention CHERRY ST Center ARCH ST 30th St Station (Amtrak) JFK BLVD CiCCiitytyty HallHHaallll MARKET ST G N I CHESTNUT ST D N A L INDEPENDENCE NATIONAL S SANSOM ST ’ HISTORICAL PARK N N E WALNUT ST P RITTENHOUSE WASHINGTON LOCUST ST SQUARE SQUARE SPRUCE ST T T T Prepared by S S S H H H T T T 6 5 4 2 2 2 PINE ST Center City District & T LOMBARD ST S H Central Philadelphia Development Corporation T 7 2 SOUTH ST May 2008 (Revised) BENJAMIN FRANKLIN PARKWAY KEY PRINCIPLES & OBJECTIVES • Achieve a better balance between pedestrians and vehicles while improving access to cultural institutions.
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