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At the Boston Symphony Concerts • BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON CAMBRIDGE SERIES EIGHTY-SEVENTH SEASON 1967-1968 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS 86 CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL 86 CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ HENRY A. LAUGHLIN THEODORE P. FERRIS EDWARD G. MURRAY ROBERT H. GARDINER JOHN T. NOONAN FRANCIS W. HATCH MRS JAMES H. PERKINS ANDREW HEISKELL SIDNEY R. RABB HAROLD D. HODGKINSON RAYMOND S. WILKINS TRUSTEES EMERITUS PALFREY PERKINS LEWIS PERRY EDWARD A. TAFT THOMAS D. PERRY JR Manager NORMAN S. SHIRK JAMES J. BROSNAHAN Assistant Manager Business Administrator SANFORD R. SISTARE HARRY J. KRAUT Press and Publicity Assistant to the Manager ANDREW RAEBURN MARY H. SMITH Program Editor Executive Assistant Copyright 1967 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS 3 Erich Leinsdorf ...an authority on Brahms Enjoy both of these recordings, as well as the Brahms Symphony No. 1, as inter- preted by the Boston Symphony under Leinsdorf, master of the Romantic School. nu: Symphony No. 3/Tragic Overture Brahms Symphony No, 2 tn' Symphony Orchestra/Erich Ltinsdorf Boston Symphony Orch, Erich Leinsdorf RCAVICTOR The most trusted name in sound BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor FIRST VIOLINS CELLOS BASSOONS Joseph Silverstein Jules Eskin Sherman Walt Concertmaster Martin Hoherman Ernst Panenka Alfred Krips Mischa Nieland Matthew Ruggiero George Zazofsky Karl Zeise Rolland Tapley Robert Ripley CONTRA BASSOON Roger Shermont John Sant Ambrogio Richard Plaster Max Winder Luis Leguia Stephen Geber Harry Dickson HORNS Gottfried Wilfinger Carol Procter Jerome Patterson James Stagliano Fredy Ostrovsky Charles Yancich Leo Panasevich Ronald Feldman Noah Bielski Harry Shapiro Herman Silberman Thomas Newell BASSES Paul Keaney Stanley Benson Henry Portnoi Sheldon Rotenberg Ralph Pottle William Rhein Alfred Schneider Joseph Hearne TRUMPETS Julius Schulman Bela Wurtzler Gerald Gelbloom Armando Ghitalla Leslie Martin Roger Voisin Raymond Sird John Salkowski John Barwicki Andre Come SECOND VIOLINS Buell Neidlinger Gerard Goguen Clarence Knudson Robert Olson William Marshall TROMBONES Michel Sasson William Gibson FLUTES Samuel Diamond Josef Orosz Leonard Moss Doriot Anthony Dwyer Kauko Kahila William Waterhouse James Pappoutsakis Ayrton Pinto Phillip Kaplan TUBA Amnon Levy Chester Schmitz Laszlo Nagy PICCOLO Michael Vitale TIMPANI Victor Manusevitch Lois Schaefer Toshiyuki Kikkawa* Everett Firth Max Hobart OBOES John Korman PERCUSSION R al ph Comber Christopher Kimber Charles Smith Spencer Larrison John Holmes Harold Thompson Hugh Matheny Arthur Press Assistant Timpanist VIOLAS ENGLISH HORN Thomas Gauger Burton Fine Laurence Thorstenberg Reuben Green HARPS Eugen Lehner CLARINETS Bernard Zighera Jerome Lipson Olivia Luetcke Robert Karol Gino Cioffi Akio Akaboshi* Pasquale Cardillo LIBRARIANS Bernard Kadinoff Peter Hadcock Victor Alpert Vincent Mauricci Eb Clarinet Earl Hedberg William Shisler Joseph Pietropaolo Robert Barnes BASS CLARINET STAGE MANAGER Yizhak Schotten Felix Viscuglia Alfred Robison WILLIAM MOYER Personnel Manager *members of the Japan Philharmonic Symphony Orchestra participating in a one season exchange with Messrs George Humphrey and Ronald Knudsen 5 MaaarmaAnc. At the gheUroussecuaouse osion Boston Symphony Concerts / this year, these Pianists . JOHN BROWNING RITA BOUBOULIDI MALCOLM FRAGER GARY GRAFFMAN GRANT JOHANNESEN LILIAN KALLIR play only Simple Splendor So right for this new season—our the STEINWAY paisley wool kaftan outlined with IN MASSACHUSETTS AND NEW HAMPSHIRE gold braid. Petite, Small, Medium, Large. $135.00 NEW STEINWAYS AVAILABLE ONLY FROM 416 BOYLSTON STREET 54 CENTRAL STREET M. STEINERT & SONS BOSTON 02116 WELLESLEY KEnmore 6-6238 CEdar 5-3430 162 BOYLSTON STREET • BOSTON ALSO WORCESTER and SPRINGFIELD 6 THE FUND FOR THE BOSTON SYMPHONY The Fund for the Boston Symphony now stands at just over $3 mil- lion in its campaign for $5.5 million. The table shows what has been accomplished, and what must still be done: Gifts needed Range Gifts received 1 $500,000 – 1,000,000 0 1 300,000 – 499,999 0 7 150,000 – 249,999 3 15 50,000 – 149,999 6 64 10,000 – 49,999 43 200 1,000 – 9,999 278 1,750 100 – 999 210 2,500 Under $100 779 Every major orchestra in the country is campaigning for funds to match its own Ford Foundation challenge grant. Several individuals have already made extraordinarily generous donations, which show how highly they regard their own orchestra. New York an anonymous gift of $1 million, two gifts of $500,000 each and ten gifts between $100,000 and $500,000 opened their campaign. Indianapolis a single $2,000,000 gift to guarantee the success of their effort. Cleveland a gift of $1.34 million to help build an outdoor center for summer concerts. St Louis a $1 million gift to launch its Ford campaign. Denver a single donation of $250,000 in 'the hope .. that this gift . will stimulate other significant gifts to the Endowment Fund'. Washington a gift of $1.75 million and land for the construc- tion of an amphitheatre. Minneapolis a $500,000 gift to name the concertmaster's chair. 'If others can do it,' says Philip K. Allen, general chairman of the Fund for the Boston Symphony, 'we surely can too — and we will. Warmest thanks to those who have already given. I ask those who have yet to give, or who feel that they can increase their contribu- tion, to let their gift be thoughtful and generous, and a measure of the regard in which they hold this magnificent musical organization.' 7 FONDUE A LA DANSK Perfect late supper fare — apres ski or Symphony! Red, blue or yellow enamel-and-wood server, wrought iron-and-wood warmer stand plus four stainless forks, 29.95. Just one entertaining idea from Stearns Gift collection. .............M1.■■••••■•■•■•■ BOSTON: At the start of The Freedom Trail, 140 Tremont Street, 482-0260. CHESTNUT HILL: 232-8100. SOUTH SHORE PLAZA: 818-0300. 8 BOSTON SYMPHONY ORCHESTRA Contents Program for December 5 1967 11 Future programs 6i Program notes Brahms — Academic Festival Overture 12 by John N. Burk Henze — Symphony no. i i8 by Peter G. Davis Rimsky-Korsakov — Sheherazade 24 by James Lyons The Conservatory's role in music education — Part 2 38 by Gunther Schuller Today's conductor 53 A member of the orchestra 54 Program editor 56 9 "And I always thought probate had something to do with good behavior!" All of a sudden everybody's talking about avoiding probate. And about the best-selling book that tells you how. No doubt about it — a Living Trust is an ingenious device. It lets you pass your property on to your heirs directly without the delay, expense and publicity of the probate court. And without giving up control of it while you're alive. Further, a Living Trust properly drawn can save your heirs substantial sums in estate taxes. But be warned! A Living Trust, flexible though it is, is not the answer to everyone's circumstances. It's not a do-it-yourself project either. Only your lawyer can help you determine if a Living Trust is for you. So ask him. And if there's a place for us in the picture as executor or trustee, please call on us. (More people do than on any other in- stitution in New England.) THE FIRST & OLD COLONY The First National Bank of Boston and Old Colony Trust Company 10 EIGHTY-SEVENTH SEASON 1967-1968 Third Program Tuesday evening December 5 at 8.3o CHARLES WILSON conducting BRAHMS Academic Festival Overture HENZE Symphony no. 1 Allegretto, con grazia Lento (Notturno) Allegro con moto — Tempo giusto -- Pi u mosso INTERMISSION RIMSKY-KORSAKOV Sheherazade op. 35 Largo e maestoso — Allegro non troppo Recitativo lento — Andantino — Vivace scherzando Andantino quasi allegretto Allegro molto — Recitativo — Vivo BALDWIN PIANO RCA VICTOR RECORDS 11 Program Notes JOHANNES BRAHMS Academic Festival Overture op. 80 Program note by John N. Burk Brahms was born in Hamburg on May 7 1833 and died in Vienna on April 3 1897. The overture was composed in 188o, first performed January 4 1881 at the Univer- sity of Breslau. Georg Henschel conducted the first performance by the Boston Symphony Orchestra on November 17 1882. The Overture has been recorded by the Orchestra under Serge Koussevitzky for RCA Victor. The instrumentation: 2 flutes and piccolo, 2 oboes, 2 clarinets, 2 bassoons and contra-bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, bass drum, timpani, cymbals, triangle and strings. Brahms' two overtures, the Akademische Fest-Ouverture and the Tragische Ouvertiire were composed in one summer — in 188o at Bad Ischl.
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