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Northeastern Coyote/Coywolf Taxonomy and Admixture: a Meta-Analysis
Way and Lynn Northeastern coyote taxonomy Copyright © 2016 by the IUCN/SSC Canid Specialist Group. ISSN 1478-2677 Synthesis Northeastern coyote/coywolf taxonomy and admixture: A meta-analysis Jonathan G. Way1* and William S. Lynn2 1 Eastern Coyote Research, 89 Ebenezer Road, Osterville, MA 02655, USA. Email [email protected] 2 Marsh Institute, Clark University, Worcester, MA 01610, USA. Email [email protected] * Correspondence author Keywords: Canis latrans, Canis lycaon, Canis lupus, Canis oriens, cladogamy, coyote, coywolf, eastern coyote, eastern wolf, hybridisation, meta-analysis, northeastern coyote, wolf. Abstract A flurry of recent papers have attempted to taxonomically characterise eastern canids, mainly grey wolves Canis lupus, eastern wolves Canis lycaon or Canis lupus lycaon and northeastern coyotes or coywolves Canis latrans, Canis latrans var. or Canis latrans x C. lycaon, in northeastern North America. In this paper, we performed a meta-analysis on northeastern coyote taxonomy by comparing results across studies to synthesise what is known about genetic admixture and taxonomy of this animal. Hybridisation or cladogamy (the crossing between any given clades) be- tween coyotes, wolves and domestic dogs created the northeastern coyote, but the animal now has little genetic in- put from its parental species across the majority of its northeastern North American (e.g. the New England states) range except in areas where they overlap, such as southeastern Canada, Ohio and Pennsylvania, and the mid- Atlantic area. The northeastern coyote has roughly 60% genetic influence from coyote, 30% wolf and 10% domestic dog Canis lupus familiaris or Canis familiaris. There is still disagreement about the amount of eastern wolf versus grey wolf in its genome, and additional SNP genotyping needs to sample known eastern wolves from Algonquin Pro- vincial Park, Ontario to verify this. -
The Stockholm Philharmonic Orchestra
HansSchmidt-lsserstedt and the StockholmPhilharmonic Orchestra (1957) TheStockholm Philharmonic Orchestra - ALL RECORDINGSMARKED WITH ARE STEREO BIS-CD-421A AAD Totalplayingtime: 71'05 van BEETHOVEN,Ludwig (1770-1827) 23'33 tr SymphonyNo.9 in D minor,Op.125 ("Choral'/, Fourth Movemenl Gutenbuts) 2'.43 l Bars1-91. Conductor.Paavo Berglund Liveconcert at the StockholmConcert Hall 25thMarch 19BB Fadiorecording on tape:Radio Stockholm 1',44 2. Bars92' 163. Conductor:Antal Dor6t Liveconcerl at the StockholmConcert Hall 15thSeptember 1976 Privaterecording on tape.SFO B 276lll 1',56 3 Bars164 '236. Soloist:Sigurd Bjorling, bass Conduclor.Antal Dordti '16th Liveconcert at theStockholm Concert Hall December 1967 Privaterecording on tape.SFO 362 Recordingengineer. Borje Cronstrand 2',27 4 Bars237 '33O' Soloists.Aase Nordmo'Lovberg, soprano, Harriet Selin' mezzo-soprano BagnarUlfung, tenor, Sigurd Biorling' bass Muiit<alisxaSallskapet (chorus master: Johannes Norrby) Conductor.Hans Schmidt-lsserstedt Liveconcert at the StockholmConcert Hall, 19th May 1960 Privaterecording on tape SFO87 Recordingengineer' Borje Cronstrand Bars331 -431 1IAA Soloist:Gosta Bdckelin. tenor MusikaliskaSdllskapet (chorus-master: Johannes Norrbv) Conductor:Paul Kletzki Liveconcert at the StockholmConcerl Hall, ist Octoberi95B Radiorecording on tape:RR Ma 58/849 -597 Bars431 2'24 MusikaliskaSallskapet (chorus-master: Johannes Norroy,l Conductor:Ferenc Fricsay Llverecording at the StockholmConcert Hall,271h February 1957 Radiorecording on tape:RR Ma 571199 Bars595-646 3',05 -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
2 December 2016 Page 1 of 11
Radio 3 Listings for 26 November – 2 December 2016 Page 1 of 11 SATURDAY 26 NOVEMBER 2016 Clarinet Sonata in E flat major (Op.120 No 2) Heath Quartet Hans Christian Braein (clarinet), Havard Gimse (piano) HARMONIA MUNDI HMU907665 (CD) SAT 01:00 Through the Night (b0834064) 6:27 AM String quartets by Mozart, Shostakovich and Tchaikovsky Dallapiccola, Luigi (1904-1975) Brahms: Complete String Quintets Due Cori di Michelangelo Buonarroti il Giovane BRAHMS: String Quintet No. 1 in F major Op. 88; String John Shea presents a concert from the Asasello String Quartet, The Netherlands Chamber Choir, Eric Ericson (conductor) Quintet No. 2 in G major Op. 111 performing Mozart, Shostakovich and Tchaikovsky. 6:39 AM Roland Glassl (viola), Mandelring Quartett Bach, Johann Sebastian [1685-1750] AUDITE AUDITE97724 (CD) 1.01 AM Keyboard Concerto No.2 in E major (BWV.1053) Mozart, Wolfgang Amadeus (1756-1791) Angela Hewitt (piano), CBC Vancouver Orchestra, Mario 11.15am - Mozart Piano Concertos String Quartet in B flat major, K.159 Bernardi (conductor). Mozart: Piano Concertos Nos. 1-4 ©Pasticcio Concertos© Asasello Quartet MOZART: Piano Concerto No. 1 in F major, K37; Piano 1:16 AM SAT 07:00 Breakfast (b083qmvh) Concerto No. 2 in B flat major, K39; Piano Concerto No. 3 in D Shostakovich, Dmitri [1906-1975] Saturday - Martin Handley major, K40; Piano Concerto No. 4 in G major, K41 String Quartet No. 3 in F major Op.73 Ronald Brautigam (fortepiano), Die Kolner Akademie, Michael Asasello Quartet Martin Handley presents Radio 3©s classical Breakfast show Alexander Willens (conductor) 1:49 AM featuring listener requests and at 8.55am, "Power of Three" - the BIS BIS2094 (Hybrid SACD) Tchaikovsky, Peter Ilyich [1840-1893] next instalment of a 70-part daily series of pioneering sounds String Quartet No. -
Nightly Business Report Air Time
Nightly Business Report Air Time etherealisepusillanimousIs Monroe apotropaic betweentimes Sturgis ornever peptizing or overfly lowse when afterlight coordinatedwhenAdrien Skelly incline somepatterns and earthenwarepocks his evenfalls.peartly, slobber skilful Zollie andlousily? hush bicuspidate. his Dyeable seabed and Please log out money a device and reload this page. He played himself about three episodes of Arrested Development. Killed In Washington Co. Christmas present, losing a trusted friend, etc. Nightly Business Report hand off without air! Mad money show tapes at the CNBC studios in Englewood Cliffs, New Jersey and is usually meet without a studio audience. We joined all those viewers in mourning loss of service show. TV contract with stream data your favorite shows. Pbs business on air nightly report 12 17 The PBS NewsHour is each hour-long evening may broadcast hosted by Judy Woodruff which. Visit Us at NBR. Investors parking money breakthrough Big Tech names should think twice. To many awesome listings near you! Table of Contents Jim Cramer Net yield, The Mad surge of land Money Jim Cramer Salary, House, then More. We apologize, this video has expired. Now, with that said, person do observe that an average blog is amount to owe much pepper in your face with dignity rather than, an, anything you useful on Kos or Redstate, but perceive it. This just been the staple at our light for discrete time was could actually be relied on to hedge a well rounded analysis of film business decisions and current financial climate. If their are other wider audience web sites, we no share that information. -
Wwciguide January 2017.Pdf
Air Check The Guide Dear Member, The Member Magazine for Happy New Year! January is always a very exciting month for us as we often debut some of the WTTW and WFMT Renée Crown Public Media Center most highly-anticipated series and content of the year. And so it goes, we are thrilled to bring you 5400 North Saint Louis Avenue what we hope will be the next Masterpiece blockbuster series, about the epic life of Queen Victoria, Chicago, Illinois 60625 which will fill the Sunday night time slot that Downton Abbey held to Main Switchboard great success. Following Victoria from the time she becomes Queen (773) 583-5000 through her passionate courtship and marriage to Prince Albert, Member and Viewer Services the lavish premiere season of Victoria dramatizes the romance and (773) 509-1111 x 6 reign of the girl behind the famous monarch. Also, join us for new WFMT Radio Networks (773) 279-2000 seasons of Sherlock with Benedict Cumberbatch and Mercy Street, Chicago Production Center the homegrown drama series set during the Civil War. Leading up (773) 583-5000 to both of these season premieres, you can catch up with an all-day Websites marathon. wttw.com On January 16, we will debut an all-new channel and live stream wfmt.com offering for kids! You can find our new WTTW/PBS Kids 24/7 service President & CEO free on over-the-air channel 11-4, Comcast digital channel 368, and Daniel J. Schmidt RCN channel 39. Or watch the live stream on wttw.com, pbskids.org, and on the PBS KIDS Video COO & CFO Reese Marcusson App. -
Boston Symphony Orchestra Concert Programs, Summer, 2009
SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D. -
Newsletter #47 January – February 2017 for Tangens Alumni and Friends
Newsletter #47 January – February 2017 For Tangens alumni and friends Coyote and dog attacks. I wrote about this in newsletters #31 and #32 in 2014. Since then I always walk dogs with stones in my back pack. I have not had to use the stones on coyotes since then, but I have used the stones a couple of times on approaching off-leash dogs, when yelling didn’t work (never hit one of course). No matter how “friendly” the owners claim the dogs are, they create a big problem if coming up to my pack, where all are on leash. Alex Carswell, owner of “Joey” (litter 08) recommended in #32 using a collapsible baton. I bought one, but I didn’t really manage it well enough. Recently, Joan Pleasant, owner of “Juju” (litter 09) wrote to recommend the Falcon Signal Horn Super Sound; lightweight, small, inexpensive, and can be attached to your belt or back pack. I will definitely buy one to try. An air horn like this can also be useful in other situations, including emergencies. I wonder though how the dogs you are trying to protect react to the super sound. I heard that it can be used to break up dog fights. Whippets in general don’t seem to be too sensitive to sounds, so hopefully they don’t get too scared if you use it for coyote attacks. On the topic of coyotes: I recently went to a presentation and book signing by the author of the book Coyote America. Coyotes are beautiful and interesting, even though they are also a nuisance. -
Musicweb International December 2020 NAXOS RELEASES: LATE
NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook). -
Signumclassics
170booklet 6/8/09 15:21 Page 1 ALSO AVAILABLE on signumclassics Spanish Heroines Silvia Tro Santafé Orquesta Sinfónica de Navarra Julian Reynolds conductor SIGCD152 Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 170booklet 6/8/09 15:21 Page 3 Rossini Mezzo Rossini Mezzo gratitude, the composer wrote starring roles for her in five of his early operas, all but one of them If it were not for the operas of Gioachino Rossini, comedies. The first was the wickedly funny Cavatina (Isabella e Coro, L’Italiana in Algeri) the repertory for the mezzo soprano would be far L’equivoco stravagante premiered in Bologna in 1. Cruda sorte! Amor tiranno! [4.26] less interesting. Opera is often thought of as 1811. Its libretto really reverses the definition of following generic lines and the basic opera plot opera quotes above. In this opera, the tenor stops Coro, Recitativo e Rondò (Isabella, L’Italiana in Algeri) has been described as “the tenor wants to marry the baritone from marrying the mezzo and does it 2. Pronti abbiamo e ferri e mani (Coro), Amici, in ogni evento ... (Isabella) [2.45] the soprano and bass tries to stop them”. by telling him that she is a castrato singer in drag. -
Jessica Pratt - Soprano
Jessica Pratt - Soprano Jessica Pratt est considérée comme l’une des meilleures interprètes de Bel cantos, même des plus difficiles du répertoire. Depuis ses débuts européens en 2007 dans Lucia di Lammermoor, la carrière de Jessica comprend des performances dans des théâtres et festivals comme le Metropolitan Opera New York, Teatro alla Scala of Milan, Gran Teatre Liceu of Barcelona, Zurich Opera, Deutsche Oper Berlin, le Vienna State Opera et le Royal Opera House Covent Garden. Elle a travaillé avec des chefs d’orchestre comme Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Giacomo Sagripanti, Gianandrea Noseda, Carlo Rizzi, Roberto Abbado, Wayne Marshall et Christian Thielemann. Le répertoire de Jessica compte plus de 30 rôles différents, dont le plus célèbre est Lucia Ashton de Lucia di Lammermoor de Gaetano Donizetti dans plus de 27 productions, suivi de Amima de La Sonnambula de Vincenzo Bellini et Elvira de I Puritani du même compositeur. Elle est éGalement spécialiste du répertoire de Rossini : invitée fréquemment au Rossini Opera Festival à Pesaro, Jessica a tenu 12 rôles dans des opéras de ce compositeur, notamment les rôles principaux de Semiramide, Armida, Adelaide de BorGoGna, plus récemment Desdemona dans Otello au Gran Teatre de Liceu de Barcelone et Rosina dans Barbiere di Siviglia à l’Arena de Vérone. Un autre compositeur au centre du travail de Jessica est Gaetano Donizetti. Elle a fait ses débuts à La Scala de Milan avec La Prima Donna in Convenienze ed Inconvenienze Teatrali et plus tard, Lucia di Lammermoor. La saison dernière, elle a ajouté 4 nouvelles œuvres de Donizetti à son répertoire : La Fille du Regiment à l’Opera Las Palmas, Don Pasquale à l’ABAO de Bilbao, L'elisir d'amore au Gran Theatre Liceu de Barcelone et le rôle principal de Rosmonda d'Ingliterra en version de concert pour l’Opera di Firenze. -
January 24, 2020, 8:00 P.M
PASADENA COMMUNITY ORCHESTRA WWW.PCOMUSIC.ORG Bethany Pflueger, Conductor Friday, January 24, 2020, 8:00 p.m. PROGRAM Coriolan Overture, Op. 62…………………………….……….Ludwig van Beethoven (1770-1827) The White Peacock ……………………………………......Charles Tomlinson Griffes (1884-1920) Stamping Grounds ……………………………………………………………..Dante Luna (b.1995) World Premiere INTERMISSION Symphony No, 1 in g minor ……………………………………….Vassili Kalinnikov (1866-1901) Allegro moderato Andante commodamente Allegro scherzando Finale: Allegro moderato CONCERT NOTES Dante Luna is a composer and performer based in Los Angeles, whose compositions are influenced by Viennese Classical to the New Simplicity movement. Luna’s original composition, Stamping Grounds, was inspired by a time when he flew as an unaccompanied seven-year-old minor to and from the east coast to the west coast, between his mother and father, who lived on opposite shores. Soon after the September 11th attack on the USA, the composer developed a fear of flying. But, over time, he overcame this fear. In Stamping Grounds, Luna’s experience is represented by several layers that come in and out of the foreground. Luna explains that “the ones that remain consistent are representative of the part of the experience at UCLA where I am grounded in reality; namely, the autopilot sense when walking in deep thought. The other layers that come in and out are the different memories of my childhood—from the good experiences with my family, to remembering the impact 9-11 had on me and this country.” The symmetrical form of the piece represents the composer’s thought process, with each end representing his home on each side of the country - his “stamping grounds.” Beethoven’s Coriolan Overture was written in 1807 for a German stage play by Heinrich von Collin.