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604 S. Frederick Ave., Ste.100, Gaithersburg, MD 20877 Phone: 301.590.0387 Fax: 301.590.0389 Email: [email protected] Website: dancegaithersburg.com Sun Mon Tue Wed Thu Fri Sat 1 DANCE CAMP w/ Troy Baeten and Nuria Kartashov (No Regular Group Classes!) 2 3 4 5 6 7 8 STUDIO CLOSED 7:00 Sil 1&2 V. Waltz 7:00 Brz 3&4 Tech Hustle 7:45 FS/Gold Samba 10:15 Brz 1&2 Tech WC Swing 7:45 Brz 2&3 Waltz 7:45 Brz 1&2 Cha Cha 8:30 Brz 1 Tango 11:00 Variety Dance: Polka Happy Independence 8:30-10:00 CLUB DANCE Day! 9 10 11 12 13 14 15 7:00 Brz 2&3 Rumba 8:30 Brz 3&4 Cha Cha 7:00 Sil 1&2 Foxtrot 7:00 Brz 3&4 Tech Bolero 7:45 FS/Gold WC Swing 10:15 Brz 1&2 Tech Waltz 7:45 Brz 1 Salsa 7:45 Brz 2&3 Hustle 7:45 Brz 1&2 Merengue 8:30 Brz 1 T. Swing 11:00 Variety Dance: Polka 8:30 Sil&Gold Tech Tango 8:30-10:00 CLUB DANCE Saturday Night Dance 9:15 Sil& Gold Party 8:00-10:30 PM 16 17 18 19 20 21 22 Birthdays of 7:00 Brz 2&3 Tango 8:30 Brz 3&4 Samba 7:00 Sil 1&2 Quickstep 7:00 Brz 3&4 Tech Waltz 7:45 FS/Gold Salsa 10:15 Brz 1&2 Tech T. Swing the Month! 7:45 Brz 1 Waltz 7:45 Brz 2&3 Mambo 7:45 Brz 1&2 Rumba 8:30 Brz 1 Samba 11:00 Variety Dance: Polka 8:30 Sil&Gold Tech T. Swing 8:30-10:00 CLUB DANCE 9:15 Sil& Gold Party 23 24 25 26 27 28 29 7:00 Brz 2&3 Foxtrot 8:30 Brz 3&4 WC Swing 7:00 Sil 1&2 Cha Cha 7:00 Brz 3&4 Tech V. Waltz *7:00 Brz 1 Cha Cha* 10:15 Brz 1&2 Tech Hustle 7:45 Brz 1 Rumba 7:45 Brz 2&3 Samba 7:45 Brz 1&2 Tango 7:30 GUEST OPEN HOUSE 11:00 Variety Dance: Polka 8:30 Sil&Gold Tech Rumba 8:30-10:00 CLUB DANCE 7:45 Newcomer Group 9:15 Sil& Gold Party 8:30 Practice Party Saturday Night Dance WEAR ‘N’ 8:00-10:30 PM WEAR RED! WEAR WHITE! WEAR BLUE! ! 7:45 FS/Gold V. Waltz 30 31 7:00 Brz 2&3 Salsa North Star Dance-O- Fall Freestyles Holiday Showcase 7:45 Brz 1 Foxtrot Washington National Rama 8:30 Sil&Gold Tech Mambo McLean Hilton McLean Hilton Dance-O-Rama Chicago, IL 9:15 Sil& Gold Party September 15-16 December 2 December 7-10 August 17-20 .

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Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference.
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The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice.
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Students Shuffle, Swing and Sway at Dance Concert
Illinois Wesleyan University Magazine, 2002-2017 Volume 18 Issue 1 Spring 2009 Article 8 Spring 2009 Students shuffle, swing and sway at dance concert Amelia Benner Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/iwumag Recommended Citation Benner, Amelia (2009) "Students shuffle, swing and sway at dance concert," Illinois Wesleyan University Magazine, 2002-2017: Vol. 18 : Iss. 1 , Article 8. Available at: https://digitalcommons.iwu.edu/iwumag/vol18/iss1/8 This is a PDF version of an article that originally appeared in the printed Illinois Wesleyan University Magazine, a quarterly periodical published by Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the University and/or the author of this document. Students shuffle, swing and sway at dance concert By Amelia Benner Student choreographer Evan Kasprzak began his dance piece, “Truffle Shuffle,” by walking on his hands toward the hushed audience. As hip-hop music blasted from the sound system, nine other dancers, dressed in red and blue sweatshirts, appeared and began to enact a stylized “battle.” It was the junior music-theatre major’s third year taking part in the Student Choreographed Student Amy Bannon (in orange) choreographed the West Dance Concert (SCDC), which is Coast swing piece “Move your Body.” From right to left are Tom Duncan, Caitlin Borek, Bannon, Seth Reid and Abby one of the biggest performance Root. (Photo by Marc Featherly) events of the year at Illinois Wesleyan. “I knew I wanted to do a hip-hop piece, and I knew I wanted it to be a battle of some sort,” Kasprzak says of “Truffle Shuffle,” which drew enthusiastic applause at its premiere.
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A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals.
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2018/19 Hip Hop Rules & Regulations
2018/19 Hip Hop Rules for the New Zealand Schools Hip Hop Competition Presented by the New Zealand Competitive Aerobics Federation 2018/19 Hip Hop Rules, for the New Zealand Schools Hip Hop Championships © New Zealand Competitive Aerobic Federation Page 1 PART 1 – CATEGORIES ........................................................................................................................................................ 3 1.1 NSHHC Categories .............................................................................................................................................. 3 1.2 Hip Hop Unite Categories .................................................................................................................................. 3 1.3 NSHHC Section, Division, Year Group, & Grade Overview ................................................................................ 3 1.3.1 Adult Age Division ........................................................................................................................................ 3 1.3.2 Allowances to Age Divisions (Year Group) for NSHHC ................................................................................ 4 1.4 Participation Limit .............................................................................................................................................. 4 Part 2 – COMPETITION REQUIREMENTS ........................................................................................................................... 5 2.1 Performance Area .............................................................................................................................................
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Bera Ballroom Dance Club Library
BERA BALLROOM DANCE CLUB LIBRARY Video Instruction DANCE TITLE ARTIST Style LEVEL 1 American Style Exhibition Choreography Cha Cha Powers & Gorchakova VHS Cha Cha 2 American Style Beginning Rumba & Cha Cha Montez VHS Rumba & Cha Beg 3 American Style Intermediate Cha Cha Montez VHS Cha Cha Int 4 American Style Advanced I Cha Cha Montez VHS Cha Cha Adv 5 American Style Advanced II Cha Cha Montez VHS Cha Cha Adv 6 International Style Cha Cha Ballas VHS Cha Cha 10 American Style Beginning Tango Maranto VHS Tango Beg 11 American Style Intermediate Tango Maranto VHS Tango Int 12 American Style Advanced I Tango Ballas VHS Tango Adv 13 American Style Advanced II Tango Maranto VHS American Tango Adv 14 Advanced Tango American Style Techniques & Principles Kloss VHS American Tango Adv 21 Waltz Vol I International Style Technique & Principles Puttock VHS Int Waltz 22 Waltz International Style Standard Technique Veyrasset &Smith VHS Int Waltz 23 American Style Beginning Waltz Maranto VHS Waltz Beg 24 American Style Intermediate Waltz Maranto VHS Waltz Int 25 American Style Advanced I Waltz Maranto VHS Waltz Adv 26 American Style Advanced II Waltz Maranto VHS Waltz Adv 27 Waltz Vol 1 – Beginner Austin VHS Waltz Beg 30 American Style Beginners Viennese Waltz Maranto VHS Viennese Waltz Beg 31 American Style Intermediate Viennese Waltz Maranto VHS Viennese Waltz Int 32 International Style Advanced I Viennese Waltz Veyrasset &Smith VHS Viennese Waltz Adv 33 Viennese Waltz International Style Standard Technique Veyrasset &Smith VHS Int Viennese 40 International
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Amateur Mul Dance & Scholarship Entry Form
Form Leader: Age: DOB: mm/dd/yy: NDCA#: Studio: F Follower: Age: Teacher: Amateur Mul� Dance & Scholarship Entry Form DOB: mm/dd/yy: NDCA#: Phone: Adult contact name: Email: Amateur Rhythm Amateur Int'l Ballroom $ Per Category Dances Couple Category Dances $ Per Couple Sun Day - Session 10 Sun Day - Session 10 40 Amateur Under 21 - American Rhythm Cha Cha, Rumba, Swing, Bolero Amateur Under 21 - Int'l Ballroom Waltz, Tango, V. Waltz, Foxtrot, Quickstep 40 Wed Eve - Session 3 Fri Day - Session 6 Pre-Novice - American Rhythm Cha Cha, Rumba 40 Pre-Novice - Int'l Ballroom Waltz, Tango 40 Novice - American Rhythm Cha Cha, Rumba, Swing 40 Pre-Novice - Int'l Ballroom Foxtrot, Quickstep 40 Pre-Championship - American Rhythm Cha Cha, Rumba, Swing, Bolero 50 Novice - Int'l Ballroom Waltz, Foxtrot, Quickstep 40 Senior Open - American Rhythm (35+) Cha Cha, Rumba, Swing, Bolero 50 Pre-Championship - Int'l Ballroom Waltz, Tango, Foxtrot, Quickstep 40 Open Am - Am Rhythm Scholarship Cha Cha, Rumba, Swing, Bolero, Mambo 55 Senior Open - Int'l Ballroom (35+) Waltz, Tango, V. Waltz, Foxtrot, Quickstep 50 $ Total Amateur Rhythm Dance Entries: Masters Open - Int'l Ballroom (51+) Waltz, Tango, V. Waltz, Foxtrot, Quickstep 50 Fri Eve - Session 7 55 Open Am - Int'l Ballroom Scholarship Waltz, Tango, V. Waltz, Foxtrot, Quickstep Amateur Smooth $ $ Per Total Amateur Int'l Ballroom Dance Entries: Category Dances Couple Sun Day - Session 10 Amateur Under 21 - American Smooth Waltz, Tango, Foxtrot, V. Waltz 40 Amateur Int'l La�n Thu Eve - Session 5 Category Dances $ Per Pre-Novice - American Smooth Waltz, Tango 40 Couple Sun Day - Session 10 Novice - American Smooth Waltz, Tango, Foxtrot 40 Amateur Under 21 - Int'l La�n Cha Cha, Samba, Rumba, Paso Doble, Jive 40 Pre-Championship - American Smooth Waltz, Tango, Foxtrot, V.
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Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950
Moore 1 Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950 By Alex Moore Project Advisor: Dyane Harvey Senior Global Studies Thesis with Honors Distinction December 2010 [We] need to understand that African slaves, through largely self‐generative activity, molded their new environment at least as much as they were molded by it. …African Americans are descendants of a people who were second to none in laying the foundations of the economic and cultural life of the nation. …Therefore, …honest American history is inextricably tied to African American history, and…neither can be complete without a full consideration of the other. ‐‐Sterling Stuckey Moore 2 Index 1) Finding the Familiar and Expressions of Resistance in Plantation Dances ‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 6 a) The Ring Shout b) The Cake Walk 2) Experimentation and Responding to Hostility in Early Partner Dances ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 14 a) Hugging Dances b) Slave Balls and Race Improvement c) The Blues and the Role of the Jook 3) Crossing the Racial Divide to Find Uniquely American Forms in Swing Dances ‐‐‐‐‐‐ 22 a) The Charleston b) The Lindy Hop Topics for Further Study ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 30 Acknowledgements ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 31 Works Cited ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 32 Appendix A Appendix B Appendix C Appendix D Moore 3 Cross‐Cultural Perspectives on the Creation of American Dance When people leave the society into which they were born (whether by choice or by force), they bring as much of their culture as they are able with them. Culture serves as an extension of identity. Dance is one of the cultural elements easiest to bring along; it is one of the most mobile elements of culture, tucked away in the muscle memory of our bodies.
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Dance Division Rules and Categories
Dance Division Rules Dance entries must be video recorded and last approximately three minutes or less in length. 1. Judges reserve the right to move an entry to the appropriate category or disqualify the entry if rules are not followed. 2. If the Veteran sings at any time during the act, the entry will be disqualified. Any vocal singing needs to be placed under a music category. (Audio tracks containing vocals are allowed.) 3. Dance entries will be judged based on the dance style and steps incorporated in the performance as opposed to the style or type of music selected. 4. Whole-body (head to toe) video recording for dance entries is necessary. Video recording can include close-ups of the body and/or feet but whole body view of the movement should be included as well. 5. Entries MAY NOT be expanded with non-eligible Veterans or any other individual unless it is a partner dance where the partner is necessary to perform the dance movements. It should be noted that although the National Veterans Creative Arts Program recognizes the therapeutic value of participation of staff, volunteers and ineligible Veterans in groups, it is essential in keeping with the fairness of the competition that only eligible Veteran inpatients or outpatients are competing against each other. 6. The CD accompaniment of the dance division entries are required to be included with each dance entry form in order for the entry to be considered for possible inclusion in the Festival show, should the entry place first in the national competition. However, an entry may win a first place without the CD accompaniment included.
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South Island Experience April 2019
ACTIVITY INFO SOUTH ISLAND EXPERIENCE APRIL 2019 STARGAZING Earth & Sky Stargazing Lake Tekapo Day 2 DESCRIPTION DETAILS View some of the best skies in the world from within Aoraki Mackenzie International Dark Sky Reserve, the largest Dark Sky Reserve in the world. Highly enthusiastic guides will tour Departure time: 8.30 pm you through the southern night skies sharing from their vast Return time: 10.05 pm well of knowledge on subjects from the basics of astronomy to Duration approx.: 1.5 h some of the more mind-boggling science of outer space. With the options of Cowan’s Observatory and the University of Canterbury Mt John Observatory there are options for all. PRICES $78 child (up to 17yrs) $135 adult (18yrs +) NOTES Dress warmly as it can be cold when dark. WILDLIFE TOUR Elm Wildlife Tor Dunedin Day 3 DESCRIPTION This multi-award winning, scheduled, daily, 'small group' tour DETAILS departs from Dunedin city in the mid-afternoon for the Otago Peninsula wildlife 'hotspots'. The tour combines tourism and Departure time: 3.00 pm conservation in a symbiotic relationship and provides an Return time: 9.00 pm absolutely unrivalled view of estuarine and marine wildlife. Knowledgeable guides will inform you of activity being viewed Duration approx.: 6 h and visit places where the best possible viewing of Hooker's Sea lions, Yellow-eyed Penguins, Blue Penguins, a breeding PRICES colony of New Zealand Fur Seals and Royal Albatross can be had. A further 25-30 other estuarine and marine bird species $112 student (with NZ student ID) are seen during the experience.
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Cha Cha 8:00 PM CLOSED QUICKSTEP
MARCH 2017 (412) 373-2101 OUR 105th YEAR MON-FRI 1PM-10PM 260 STUDIOS WORLDWIDE FACEBOOK.COM/DANCEPITTSBURGHEAST www.dancepittsburgheast.com Sun Mon Tue Wed Thu Fri Sat Our Friends 27& Family open28 house 1 2 3 7:15 PM event is coming up on April 21st;7:30 PMtalk 6:45 PM 8:00 PM STUDIO WORKSHOP 6:45 PM STUDIO WORKSHOP FULL BRONZE POLKA to your teacher today to sign up for BRONZE IV BRONZE I &II INTRO TO FOX TROT STUDIO your dances andSALSA for the party commit- Cha Cha 8:00 PM CLOSED QUICKSTEP 7:30 PM Q&A CLASS tee!... Showcase is June 3rd at the 8:15 PM 8:15 PM STUDIO WORKSHOP 8:45 PM 8:45 PM Edgewood CountryBIV & Club; SI ask usSILVER about WEST COAST STUDIO PRACTICE Dinner Dance ticketsV.WALTZ and PerformanceSAMBA SWING Packages! PARTY PARTY 6 7 8 9 10 11 8:00 PM 7:15 PM MANAGER SARAH 7:30 PM 6:45 PM FULL BRONZE STUDIO WORKSHOP 6:45 PM STUDIO WORKSHOP SLEVINSKI BRONZE IV POLKA BRONZE I &II ADAM & GEOFF’S STUDIO BOLERO Quickstep NC 2STEP 8:00 PM CLOSED OUR STAFF HUSTLE 7:30 PM Q&A CLASS ADAM 8:15 PM 8:15 PM STUDIO WORKSHOP 8:45 PM GEOFF BIV & SI SILVER WEST COAST 8:45 PM TUNISIA STUDIO CHA CHA WALTZ SWING PRACTICE PARTY PARTY 12 13 14 15 16 17 18 7:15 PM 7:30 PM 6:45 PM 8:00 PM STUDIO WORKSHOP 6:45 PM STUDIO WORKSHOP BRONZE IV FULL BRONZE POLKA MEDALIST BRONZE I &II ADAM & GEOFF’S WALTZ WALTZ SWING 8:00 PM STUDIO SESSIONS HUSTLE ARE IN 7:30 PM Q&A CLASS CLOSED 8:15 PM 8:15 PM STUDIO WORKSHOP 8:45 PM GREEN BIV & SI SILVER WEST COAST 8:45 PM PRACTICE FOX TROT BOLERO SWING STUDIO PARTY PARTY 19 20 21 22 23 24 25 7:15 PM 7:30 PM 6:45 PM
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Salsa Hustle
DECEMBER 2018 (412) 373-2101 OUR 106th YEAR MON-FRI 1PM-10PM 260 STUDIOS WORLDWIDE FACEBOOK.COM/DANCEPITTSBURGHEAST www.dancepittsburgheast.com Sun Mon Tue Wed Thu Fri Sat 2 3 4 5 6 7 8 8:00 PM 7:15 PM 11:30 PM 7:30 PM 7:30 PM 7:30 PM ALL LEVELS STUDIO WORKSHOP ADVANCED ASSOC. BRONZE TECHNIQUE & STYLE WEST COAST INTRO. TO LATIN STUDIO VARIATIONS ARM-STYLING TANGO SWING 8:00 PM 12:15 PM TANGO CLOSED BRONZE I INTRO. LATIN 8:15 PM 8:45 PM 8:15 PM 8:15 PM WALTZ SATURDAY NIGHT SILVER II & III BIV & SI FULL BRONZE Festival 8:45 PM DANCE PARTY V.WALTZ RUMBA RUMBA PRACTICE w/ A & A PARTY PARTY 8p to 10:30p 10 11 12 13 14 15 9 7:30 PM 7:15 PM 11:30 AM 8:00 PM MANAGER 7:30 PM 7:30 PM INTRO. TO STUDIO WORKSHOP ADVANCED ASSOC. BRONZE ALL LEVELS SARAH TECHNIQUE & STYLE WEST COAST VARIATIONS WEST COAST LATIN SLEVINSKI FOOTWORK SALSA 8:00 PM TECHNIQUE RUMBA SWING BRONZE I OUR STAFF 8:15 PM 8:45 PM 8:15 PM 8:15 PM SALSA 12:15 PM ADAM SILVER II & III WORKSHOP ALEXA BIV & SI FULL BRONZE Festival 8:45 PM INTRO. TO CRIS RUMBA CHA CHA HUSTLE PRACTICE TUNISIA PARTY SALSA & PARTY MERENGUE PARTY 21 16 17 18 19 20 22 8:00 PM 7:30 PM OPEN 7:30 PM 7:30 PM ALL LEVELS OPEN ASSOC. BRONZE TECHNIQUE & STYLE VARIATIONS INTRO. TO for personal MEDALIST FRAME Waltz STUDIO lessons all FOX TROT QUICKSTEP lessons all CLOSED SESSIONS ARE IN 8:15 PM 8:45 PM afternoon 8:15 PM 8:15 PM SILVER II & III GREEN BIV & SI FULL BRONZE HOLIDAY Closed after CHA CHA FOX TROT V.
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