Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 1990 A Tale of Two Copyrights: Literary Property in Revolutionary France and America Jane C. Ginsburg Columbia Law School,
[email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Comparative and Foreign Law Commons, and the Intellectual Property Law Commons Recommended Citation Jane C. Ginsburg, A Tale of Two Copyrights: Literary Property in Revolutionary France and America, 64 TUL. L. REV. 991 (1990). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/620 This Article is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact
[email protected]. TULANE LAW REVIEW VOL. 64 MAY 1990 No. 5 A TALE OF TWO COPYRIGHTS: LITERARY PROPERTY IN REVOLUTIONARY FRANCE AND AMERICA JANE C. GINSBURG* I. INTRODUCTION The French and U.S. copyright systems are well known as opposites. The product of the French Revolution, French copy- right law is said to enshrine the author: exclusive rights flow from one's (preferred) status as a creator.' For example, a lead- * Associate Professor of Law, Columbia University. B.A. 1976, M.A. 1977, University of Chicago; J.D. 1980, Harvard University. Research for this Article was supported in part by the Columbia Law School Summer Research Grants program. Thanks to my colleagues George Bermann, Richard Briffault, Henry P. Monaghan, and Peter Strauss, and to Professor John Merryman, Stanford Law School, for valuable comments on earlier drafts.